Friend in need анализ. Друзья познаются в беде

Работа преподавателя кажется незамысловатой и вполне очевидной — знаешь английский и рассказывай другим, как говорить, писать и т.д. Некоторые считают, что вообще делать практически ничего и не нужно — пришел, поговорил и ушел. Но мало кто, кроме нас, учителей, знает, что огромная часть этой работы остается за кулисами. Ведь каждый урок — это проработанный и тщательно подготовленный материал, адаптированный под конкретного студента, встроенный в структуру циклов уроков таким образом, чтобы не нарушать целостность всего учебного процесса.

Сколько тратить времени

В школах сегодня от учителей требуют тщательной подготовки с написанием письменных конспектов к каждому уроку. Это очень трудо- и времязатратно, особенно для молодых учителей, которые еще не набили руку в этом нелегком деле. В частных школах и курсах этого не требуют, но подготовку к урокам также никто не отменял. Некоторые преподаватели считают, что к каждому уроку следует готовиться около часа, чтобы найти подходящий материал, подготовить или адаптировать задания к уроку. Если у вас два урока в день, то это не страшно, если шесть — то готовьтесь провести остаток жизни за грудой книг или перед экраном монитора. Конечно, можно и нужно все максимально оптимизировать.

Делайте самое необходимое при подготовке к урокам, и тогда это будет занимать у вас в среднем пятнадцать или двадцать мнут. По большому счету, преподавателю приходится работать в основном с одними и теми же учебными материалами . Так, если учебник для вас новый, времени понадобится больше, чтобы тщательно ознакомиться с заданиями, прочитать тексты, прослушать аудио записи, ознакомиться с дополнительными заданиями, представленными в нем. Плюс, потратьте пять минут на продумывание творческих игровых заданий на уроке, и плюс пять минут на то, чтобы все красиво и разборчиво записать.

Первое впечатление

Особенно важна подготовка к первому занятию с новой группой и новым студентом. Первая встреча всегда очень важна, так как откладывает в подсознании у студента впечатление о преподавателе и об уроке с ним. На первом занятии можно заразить студентом огромным зарядом мотивации или отбить желание учиться вообще. Именно поэтому к первому уроку стоит готовиться особенно тщательно. Некоторые современные методисты утверждают, что в норме преподаватель должен потратить весь день на приготовление к уроку с новой группой студентов. Но, к сожалению, не каждый располагает такой роскошью и может позволить себе потратить столько времени, даже при всем желании. Здесь важно учитывать некоторые факторы.

  • Во-первых, это ваш опыт. Если вы только начинаете работать, и у вас еще нет своих наработок, вы не знаете, чего ожидать от первого занятия, как правильно разработать его структуру, то в таком случае вам понадобится значительно больше времени, возможно, пару часов. Если вы — опытный преподаватель, расслабляться не стоит, так как каждый новый студент — это новый «challenge».
  • Во-вторых, важно быть готовым к тому, что у разных людей разный темп . То количество заданий, которое один студент будет выполнять целый урок, другой может выполнить за десять минут. Позаботьтесь о том, чтобы вам не пришлось по ходу урока придумывать, чем же занять своих более активных студентов.
  • В-третьих, помните, что заявленный уровень студента далеко не всегда соответствует фактическому. Часто люди или недооценивают или переоценивают свои знания. Поэтому если задания будут слишком легкие или слишком сложные, толку не будет. Подготовьте как минимум два варианта заданий посложнее и полегче, во время урока уже определитесь, что лучше применить.
  • В-четвертых, позаботьтесь о том, чтобы на уроке не было скучно. Все любят положительные эмоции. Включите в задания игровой момент, возьмите интересные темы для дискуссии или небольшие юмористические статьи. Обязательно похвалите студента.

Материалы

На счет того, какие материалы использовать при подготовке к урокам, нет однозначного мнения. Некоторые методисты поощряют развитие креативных способностей учителей и всячески поощряют применять их в жизни. Некоторые учителя-энтузиасты рисуют картины, придумывают кроссворды, чуть ли не сами пишут книги. Но есть и противоположное мнение — зачем придумывать велосипед? Есть масса великолепных учебников, которые находятся в свободном доступе в различных ресурсах. В них уже предложена масса интересных и крайне полезных заданий. Они хорошо структурированы, разработаны талантливыми и опытными методистами и педагогами. Просто бери и последовательно выполняй все упражнения по порядку.

Как всегда, правда, наверное, находится где-то посредине. Самым лучшим способом будет использовать несколько учебников при подготовке к уроку и личные наработки, которые, по вашему опыту, находят отклик у студентов. Крайне эффективно объединять несколько учебников по сходной теме. Например, вы работаете по учебнику Cutting Edge Pre-Intermediate и проходите в нем первый модуль, где затрагивается время Present Simple. В дополнение можно взять книгу по грамматике — R. Murphy для взрослых или Round-Up для детей, чтобы дополнительно проработать грамматику. Также можете предложить какую-нибудь грамматическую игру или собственные разработки. Таким образом урок будет насыщенным, затронет все аспекты, и вы сможете максимально качественно проработать данную тему.

Помните, что время, потраченное на подготовку к занятиям, окупится сторицей. Вы всегда будете чувствовать себя уверенно в любой ситуации на уроке, и вас не застанут врасплох. Всегда принимайте во внимание потребности и пожелания ваших студентов, учитывайте их индивидуальные особенности и уровень способностей. Тогда ваши уроки всегда будут интересные, а ваши студенты мотивированны.

Большая и дружная семья EnglishDom

Когда я начала серьезно преподавать в школе иностранных языков, моя первая группа была воплощением мечты любого преподавателя: 10 заинтересованных в обучении, мотивированных, внимательных и терпеливых учеников. Поэтому меня абсолютно не смущал тот факт, что каждый урок я начинала с “How are you today?”

По мере того, как их знания росли, ответы на вопросы становились более обширными, беседа затягивалась и занимала больше 5 минут. К концу семестра мои студенты получили дипломы об успешном завершении A1, а я получила свой первый feedback : Все хорошо, но вот только уже очень скучно каждый урок начинать с одного и того же.

Тогда я всерьез задумалась о том, как правильно начинать урок английского языка.

Почему так важно правильно начать урок?

Пословица гласит: “A good beginning is half done ”. Так и вводная часть урока является ключевым аспектом эффективного преподавание.

Вводная часть урока нужна для того, чтобы:

— презентовать тему урока

— заинтересовать учеников темой

— задать темп урока и нужную для обучения атмосферу

Представьте уставших студентов, которые скорее всего пришли на ваш урок после работы, учебы, возможно, у них был тяжелый день. Наша задача как преподавателей плавно переключить и сфокусировать их внимание на уроке английского языка и подготовить ко всему тому, чем они будут заниматься в течение урока.

Основные принципы вводной части

Для эффективного начала урока нужно помнить о следующих принципах:

1. Вводная часть должна быть короткой и занимать от 3 до 10 минут в зависимости от продолжительности урока.

— если урок длится 30 минут, на разминку оптимально выделить 3 минуты;

— если урок длиться полтора часа, можно провести и 10-минутную разминку.

2. . «Отличный совет, Капитан Очевидность», — скажите вы. Но следует помнить о том, что интерес побуждает мотивацию к обучению и стимулирует желание учиться.

Если ваших студентов заинтересовала тема, которую вы подняли во вводной части, они будут охотнее высказывать мнение, делиться опытом, соглашаться или опровергать информацию.

3. Релевантность . При выборе и разработке заданий для вводной части обязательно имейте в виду конечную цель урока и программу в целом. Несоответствие вводной части и основной части урока может вызвать у студентов непонимание и вопрос «Зачем мы все это делали?»

4. Аутентичность . «Being fully exposed to the authentic materials is one of key factors for language acquisition» . Аутентичные материалы могут послужить повышению интереса студентов, при условии что они выбраны в соответствии с уровнем, возрастом и интересами вашей группы.

Виды заданий для вводной части

Есть два типа вводных упражнений: warmers and lead-ins .

Warmers используются для того, чтобы повысить уровень энергии в классе, создать позитивную и расслабленную атмосферу перед тем, как начнется основная часть урока. Они не всегда могут быть связаны с темой урока. К warmers относятся игры, викторины, скороговорки, песенки и т.д.

Lead-ins являются подводкой к основной части и содержанию урока. Цель такого рода заданий мотивировать студентов и сфокусировать их внимание на теме урока, создать связь между темой урока и жизнью студентов (персонализация).

Идеи для вводной части урока

Мы не давно публиковали . Поэтому сегодня рассмотрим идеи для lead-in заданий:

Мультимедийные задания

1. Песни . Перед началом урока, поставьте песню, которая подходит под тему урока. Попробуйте включить песню до того, как придут студенты — пока они будут собираться и занимать свои места, у них уже будет возможность прослушать фрагмент и составить мнение о нем. Как только урок начнется, обсудите, какое впечатление произвела песня, понравилась ли она, о чем в ней поется и т.д.

2. Видео . Используйте музыкальный клип/фрагмент из фильма, сериала и т.д. Для этого вам понадобится проектор. Принцип обсуждения будет такой же, как и с песней.

3. Стоп-кадр . Покажите студентам кадр из видео. Обсудите, что на нем происходит, а что случится далее. После обсуждение можно посмотреть видео до конца и поговорить о том, ожидали ли они такой концовки или нет и почему.

4. Фотография . Обсуждение изображение весьма распространенное задание. Чтобы произвести большее впечатление на учеников, выведите фото на стену или доску с помощью проектора.

Фразы, предложения, цитаты

5. Закончи фразу . Заранее напишите на доске начало предложения (например, I feel the happiest when …) и попросите каждого ученика его закончить, так как он/она считает нужным. Далее может последовать краткое обсуждение.

6. Цитата . Напишите на доске заранее выбранную цитату. Спросите, как ученики ее понимают, согласны или нет, кому бы могла эта цитата принадлежать, почему они так считают и т.д.

7. Идиома/ пословица/крылатое выражение. Попросите ваших студентов объяснить, как они понимают фразу, написанную на доске. Спросите согласны они с ней или нет и почему.

Visual aids

8. Что общего? Подготовьте несколько фотографий на одну тему. Обсудите с ними, что объединяет эти фотографии. Попросите студентов по изображениям угадать тему урока.

9. Moving agree/disagree . Попросите студентов подняться со своих мест. Заранее подготовьте несколько утверждений. Установите правила — если они согласны с утверждением, то они занимают, например, левую часть классной комнаты, если нет, то правую.

10. Moving true/false . Принцип такой же, как и в предыдущем задании. Подготовьте несколько фактов. Если студенты считают что утверждение точное, они занимают одну часть аудитории, если нет, то другую.

Повторение

11. Используй слово . Заранее выпишите на доску лексику, которую вы недавно проходили. Задайте вопрос, например, «How was your weekend? ». При ответе на вопрос студент обязательно должен использовать одно или несколько слов, написанных на доске.

12. Объясни слово . Заранее подготовьте карточки с новой лексикой (одна карточка – одно слово) и разложите их рубашкой вверх. Студенты должны объяснить значение слов; если ученик не знает слово — пусть попытается угадать его значение, отталкиваясь от темы.

Лайфхаки для вводной части урока

важно заранее подготовить класс к вводной части: написать на доске фразу/выражение/цитату, которую вы будете обсуждать, включить проектор, вывести на экран видео, фото, клип и т.д.

Так еще до начала урока студенты начнут задумываться о том, а что написано на доске, понимать, нравится ли им то, что они только что прочитали/увидели. Так вы запустите процесс обучение запускается еще до начала урока.

вопрос «How are you?» имеет место быть . Но не стоит использовать его в начале каждого урока. Задавайте его до начала урока, когда ученики только заходят в класс.

Используйте этот вопрос во вводной части, если тема урока действительно с ним связана.

Не бойтесь экспериментировать и Happy Teaching!

Premium Essay

Submitted By twiddy
Words 338
Pages 2

The author of the text is Maugham William Somerset, an English writer. He is best known by his short stories. The text under analysis is titled «A Friend In Need»
The subject of the extract is drown from life and deals with problems true friendship. The story has a narrative presentation with elements of dialog.
There are no the secondary characters. The main characters are 2 men.
This story is about one of them, the man who had had bad luck at cards. He was down and out and because of it he drunk a lot. He came to his namesake and asked him for a job. But he can’t do anything except swim. And Burton told him, if he swam round the beacon and landed at the creek of Tarumi he would give him a job. And despite of his bad condition after alcohol the hero agreed to do it. He was drowned, but Burton didn’t express any regret about him. He only rubbed his chin and say that he hadn’t got a vacancy in his office at that moment.
The text can be divided into 2 parts.
At the first part the scene ordinary laid at the Barton’s office. And in the second part author tells us of the death of the main character.
To support the emotional impact of the passage the author uses such colorful expression as (down and out, he was all to pieces, kindly little chuckle).
It was not difficult to read this story, because its language is very emotional and expressive and at the same time is rather simple. It doesn’t contain any special terms or complex constructions. And all this makes the story interesting to read. The story is rather instructive. The writer draws our attention to be tolerant of each other, to help our friends in any way, because we also can be in some hard situation.
And if you like such kind of stories I advice you to read it and don’t make such mistakes in…...

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Friends are people whom we turn to when our spirits need a lift. They are always by our side through thick and thin. They stand beside us even when our disposition is not perfectly right and will fight for us if we are oppressed. Therefore, it is clear that friends play a vital role in shaping who we are today. But what qualities exactly do we need to look for in a friend? A friend should always be caring towards you. He or she should take interest in your problems no matter how big or petty your problem may be. A friend should be able to sit beside you and encourage you to keep your chin up even when everyone else is against you. A friend’s empathy and lovingness will also replenish your worn-out soul and will make you realize how important a friend really is. Apart from that, a friend should be an honest person. An honest friend will dissipate any worries that he or she is lying towards you. A friend’s honesty will enable you to trust his or she’s opinion when it comes to telling you the truth about yourself. For example, an honest friend will remand you on your declining grades and will ask you to work harder while a dishonest friend will see it with a blind eye. Therefore, an overall improvement in yourself will be noticeable if you have an honest friend. Moreover, a friend should be generous both emotionally and knowledge wise. A friend who is generous ought to be able to connect with you and provide emotional support. He or she should also be generous when it comes......

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Friends Friends are people whom we turn to when our spirits need a lift. They are always by our side through thick and thin. They stand beside us even when our disposition is not perfectly right and will fight for us if we are oppressed. Therefore, it is clear that friends play a vital role in shaping who we are today. But what qualities exactly do we need to look for in a friend? A friend should always be caring towards you. He or she should take interest in your problems no matter how big or petty your problem may be. A friend should be able to sit beside you and encourage you to keep your chin up even when everyone else is against you. A friend’s empathy and lovingness will also replenish your worn-out soul and will make you realize how important a friend really is. Apart from that, a friend should be an honest person. An honest friend will dissipate any worries that he or she is lying towards you. A friend’s honesty will enable you to trust his or she’s opinion when it comes to telling you the truth about yourself. For example, an honest friend will remand you on your declining grades and will ask you to work harder while a dishonest friend will see it with a blind eye. Therefore, an overall improvement in yourself will be noticeable if you have an honest friend. Moreover, a friend should be generous both emotionally and knowledge wise. A friend who is generous ought to be able to connect with you and provide emotional support. He or she should also be......

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For thirty years now I have been studying my fellow–men. I do not know very much about them. I should certainly hesitate to engage a servant on his face, and yet I suppose it is on the face that for the most part we judge the persons we meet. We draw our conclusions from the shape of the jaw, the look in the eyes, the contour of the mouth. I wonder if we are more often right than wrong. Why novels and plays are so often untrue to life is because their authors, perhaps of necessity, make their characters all of a piece. They cannot afford to make them self–contradictory, for then they become incomprehensible, and yet self–contradictory is what most of us are. We are a haphazard bundle of inconsistent qualities. In books on logic they will tell you that it is absurd to say that yellow is tubular or gratitude heavier than air; but in that mixture of incongruities that makes up the self yellow may very well be a horse and cart and gratitude the middle of next week. I shrug my shoulders when people tell me that their first impressions of a person are always right. I think they must have small insight or great vanity. For my own part I find that the longer I know people the more they puzzle me: my oldest friends are just those of whom I can say that I don’t know the first thing about them.

These reflections have occurred to me because I read in this morning’s paper that Edward Hyde Burton had died at Kobe. He was a merchant and he had been in business in Japan for many years. I knew him very little, but he interested me because once he gave me a great surprise. Unless I had heard the story from his own lips I should never have believed that he was capable of such an action. It was more startling because both in appearance and manner he suggested a very definite type. Here if ever was a man all of a piece. He was a tiny little fellow, not much more than five feet four in height, and very slender, with white hair, a red face much wrinkled, and blue eyes. I suppose he was about sixty when I knew him. He was always neatly and quietly dressed in accordance with his age and station.

Though his offices were in Kobe, Burton often came down to Yokohama. I happened on one occasion to be spending a few days there, waiting for a ship, and I was introduced to him at the British Club. We played bridge together. He played a good game and a generous one. He did not talk very much, either then or later when we were having drinks, but what he said was sensible. He had a quiet, dry humour. He seemed to be popular at the club and afterwards, when he had gone, they described him as one of the best. It happened that we were both staying at the Grand Hotel and next day he asked me to dine with him. I met his wife, fat, elderly, and smiling, and his two daughters. It was evidently a united and affectionate family. I think the chief thing that struck me about Burton was his kindliness. There was something very pleasing in his mild blue eyes. His voice was gentle; you could not imagine that he could possibly raise it in anger; his smile was benign. Here was a man who attracted you because you felt in him a real love for his fellows. He had charm. But there was nothing mawkish in him: he liked his game of cards and his cocktail, he could tell with point a good and spicy story, and in his youth he had been something of an athlete. He was a rich man and he had made every penny himself. I suppose one thing that made you like him was that he was so small and frail; he aroused your instincts of protection. You felt that he could not bear to hurt a fly.

One afternoon I was sitting in the lounge of the Grand Hotel. This was before the earthquake and they had leather arm–chairs there. From the windows you had a spacious view of the harbour with its crowded traffic. There were great liners on their way to Vancouver and San Francisco or to Europe by way of Shanghai, Hong–Kong, and Singapore; there were tramps of all nations, battered and sea–worn, junks with their high sterns and great coloured sails, and innumerable sampans. It was a busy, exhilarating scene, and yet, I know not why, restful to the spirit. Here was romance and it seemed that you had but to stretch out your hand to touch it.

Burton came into the lounge presently and caught sight of me. He seated himself in the chair next to mine.

‘What do you say to a little drink?’

He clapped his hands for a boy and ordered two gin fizzes. As the boy brought them a man passed along the street outside and seeing me waved his hand.

‘Do you know Turner?’ said Burton as I nodded a greeting.
‘I’ve met him at the club. I’m told he’s a remittance man.’
‘Yes, I believe he is. We have a good many here.’
‘He plays bridge well.’
‘They generally do. There was a fellow here last year, oddly enough a namesake of mine, who was the best bridge player I ever met. I suppose you never came across him in London. Lenny Burton he called himself. I believe he’d belonged to some very good clubs.’
‘No, I don’t believe I remember the name.’
‘He was quite a remarkable player. He seemed to have an instinct about the cards. It was uncanny. I used to play with him a lot. He was in Kobe for some time.’

Burton sipped his gin fizz.

‘It’s rather a funny story,’ he said. ‘He wasn’t a bad chap. I liked him. He was always well–dressed and smart–looking. He was handsome in a way with curly hair and pink–and–white cheeks. Women thought a lot of him. There was no harm in him, you know, he was only wild. Of course he drank too much. Those sort of fellows always do. A bit of money used to come in for him once a quarter and he made a bit more by card–playing. He won a good deal of mine, I know that.’
Burton gave a kindly chuckle. I knew from my own experience that he could lose money at bridge with a good grace. He stroked his shaven chin with his thin hand; the veins stood out on it and it was almost transparent.

‘I suppose that is why he came to me when he went broke, that and the fact that he was a namesake of mine. He came to see me in my office one day and asked me for a job. I was rather surprised. He told me that there was no more money coming from home and he wanted to work. I asked him how old he was.

‘“Thirty–five,” he said. ‘
“And what have you been doing hitherto?” I asked him.
‘“Well, nothing very much,” he said.

‘I couldn’t help laughing.

‘“I’m afraid I can’t do anything for you just yet,” I said. “Come back and see me in another thirty–five years, and I’ll see what I can do.‘
“He didn’t move. He went rather pale. He hesitated for a moment and then he told me that he had had bad luck at cards for some time. He hadn’t been willing to stick to bridge, he’d been playing poker, and he’d got trimmed. He hadn’t a penny. He’d pawned everything he had. He couldn’t pay his hotel bill and they wouldn’t give him any more credit. He was down and out. If he couldn’t get something to do he’d have to commit suicide.

‘I looked at him for a bit. I could see now that he was all to pieces. He’d been drinking more than usual and he looked fifty. The girls wouldn’t have thought so much of him if they’d seen him then. ‘

“Well, isn’t there anything you can do except play cards?” I asked him. ‘
“I can swim,” he said.
‘“Swim!” ‘I could hardly believe my ears; it seemed such an insane answer to give. ‘
“I swam for my university.”

‘I got some glimmering of what he was driving at, I’ve known too many men who were little tin gods at their university to be impressed by it. ‘

“I was a pretty good swimmer myself when I was a young man,” I said.

‘Suddenly I had an idea.’

Pausing in his story, Burton turned to me.

‘Do you know Kobe?’ he asked.
‘No,’ I said, ‘I passed through it once, but I only spent a night there.’
‘Then you don’t know the Shioya Club. When I was a young man I swam from there round the beacon and landed at the creek of Tarumi. It’s over three miles and it’s rather difficult on account of the currents round the beacon. Well, I told my young namesake about it and I said to him that if he’d do it I’d give him a job.

‘I could see he was rather taken aback. ‘
“You say you’re a swimmer,” I said. ‘
“I’m not in very good condition,” he answered.
‘I didn’t say anything. I shrugged my shoulders. He looked at me for a moment and then he nodded. ‘
“All right,” he said. “When do you want me to do it?”
‘I looked at my watch. It was just after ten.
‘“The swim shouldn’t take you much over an hour and a quarter. I’ll drive round to the creek at half past twelve and meet you. I’ll take you back to the club to dress and then we’ll have lunch together.”
‘“Done,” he said.

‘We shook hands. I wished him good luck and he left me. I had a lot of work to do that morning and I only just managed to get to the creek at Tarumi at half past twelve. But I needn’t have hurried; he never turned up.’
‘Did he funk it at the last moment?’ I asked.
‘No, he didn’t funk it. He started all right. But of course he’d ruined his constitution by drink and dissipation. The currents round the beacon were more than he could manage. We didn’t get the body for about three days.’

I didn’t say anything for a moment or two. I was a trifle shocked. Then I asked Burton a question.
‘When you made him that offer of a job, did you know he’d be drowned?’

He gave a little mild chuckle and he looked at me with those kind and candid blue eyes of his. He rubbed his chin with his hand.

‘Well, I hadn’t got a vacancy in my office at the moment.’