1. What are these poems about? What mood do they evoke?
The poems are united by a common theme: they show a premonition of spring as a renewal of life. Both convey the transitional state of nature. Light, joyful mood.
2. How are the poems constructed? What are the features of the composition?
The composition of poems with the same movement from nature to man varies: Tyutchev's poem is two-part: the first stanza is a landscape sketch, the second is a philosophical development of the theme, a poetic generalization;
In Fet, 2 parts can also be distinguished in the poem (as indicated by the union “but” in the third stanza), but the poet does not compare and, moreover, does not oppose man and nature, but shows man in unity, in harmony with the outside world.
That is, for Tyutchev the main thing is man, for Fet it is nature.
3. What picture is drawn and by what means in one and the other poem? What do you see the difference in creating the image of the reduced nature of Tyutchev and Fet? What is the role of detail in the understanding of nature by Tyutchev and Fet?
In both poems, images of pre-spring nature are similar, the key words are the same: “spring”, “bliss”. Both poems are impressionistic: the poets do not so much depict the landscape as they convey the subjective state of the lyrical hero, it is his feelings that surround the landscape. However, Tyutchev’s and Fet’s images of nature are significantly different: Tyutchev’s image of nature tends to be abstract, generalized, the details are symbolic (“dead stem”, “thinning dream”, “azure shines”, “blocks of snow shine and melt”).
In Fet, on the contrary, the images of nature at the level of details are concrete, objective (“a cart”, “ravines are full of snow”, “linden reddens”, “birch tree turns a little yellow”). Artistic means are of the same type: anaphora, epithets, personification, inversion, assonance, syntactic parallelism.
Tyutchev has one - the only picture of nature in the poem, Fet's landscape is given in fragments, crushed into many pieces.
4. What can you say about the lyrical heroes of the poems?
The lyrical hero of Tyutchev and Fet is distinguished by his attitude to nature, which opens up to him. Although in both poems the lyrical hero rejoices at the arrival of spring, Tyutchev's landscape is rather just an occasion to think about a person, about his state of mind. For Fet, the main thing is the beauty of the emerging spring in all even the most ordinary objects, and man is by no means the main part of this world.
5. Compare the poems at the level of using vocabulary and syntax. Where do you see the difference?
At the lexical level, the poems are different. Tyutchev uses high-style words: “Stalk”, “Azure”, “thinning dream”, “gilds dreams”, Fet, along with high-style words (“descend”, “message”) easily introduces the simplest vocabulary: “cart”, “ blue blush." For Tyutchev, a generalizing majestic picture is important, for Fet it is simple and concrete.
At the level of syntax, the poems also differ. In Tyutchev, the philosophical sound of the poem is emphasized by the figure of silence and rhetorical questions, complicated sentences. Fet's poem does not pretend to be philosophical generalization, which is also reflected in the syntax: the sentences are simpler, there are no default figures, rhetorical questions
6. Analyze the rhythm of the poems, draw conclusions. (Assignment of a complicated type).
The size of the poems is the same: iambic tetrameter with complex rhyming. But the poems sound different due to the different stanzas of the poems and the use of Pyrrhic. In Fet, the pace of the poem is lighter, livelier, more energetic, numerous pyrrhics speed up the pace, and the use of a five-line with a complex arrangement of rhyming lines stops the reader's attention on individual details. In Tyutchev, the pace of the poem slows down in the second part due to the almost complete absence of pyrrhic and the transfer of stress (though weakened) to the first syllable in the first foot in the last lines of the poem. The octagon used with cross and ring rhymes also contribute to the rhythm of the meditation.
7. What is the result of the lyrical statement of Tyutchev and Fet? In what way do you see the commonality and difference of the poetic idea in the poem?
The poetic idea in both poems is close: spring is the revival of nature, spring is the awakening of the human soul. In both poems, poetic thought moves from a landscape picture to a person. What poets have in common is the philosophical understanding of man and nature. For Tyutchev and Fet, nature is a living being, and man is a part of nature. But if for Fet the main thing is the beauty of nature in all its manifestations, and a person is in harmony with the outside world, then Tyutchev compares a person with nature, i.e. is in some disagreement with her, although in this poem the discord is still almost not felt, there is not yet that tragedy of the relationship between man and nature, which will appear in the late Tyutchev.
Effective preparation for the exam (all subjects) -
Afanasy Afanasyevich Fet opens the world of true beauty and harmony with his work. In Fet's poetry, even the simplest, at first glance, landscapes come to life, filled with.
The poem "Still fragrant bliss of spring ..." refers to the direction of landscape lyrics. The genre of the work is elegy. The main theme: a series of natural phenomena occurring on the eve of spring. The author tries to plunge the reader headlong, to let them feel these amazing processes at the very moment when the beautiful spring is about to come into its own, everything around is saturated with its echoes.
The work consists of three stanzas. The first two complement each other. First, it is described how the lyrical hero observes the late winter. Snow still lies, frost all around, the sun shines only at noon, the birds do not sing. But even in these stanzas, spring colors are already appearing: the birch tree is turning a little yellow, the linden is reddening in height. The third stanza creates a landscape opposed to the former. Spring is getting closer and closer. Flying cranes carry the message of rebirth. The girl, the beauty of the steppe, mentioned in the poem, experiences these sensations of the awakening of nature. Fet thus manages to show how closely a person is connected with wildlife, how any changes affect people even at the mental level.
The poet uses various techniques and means of artistic expression to convey and emphasize, even if barely perceptible, but this is also attractive images and sensations. With the help of the words "barely" and "slightly" the author conveys to the readers all the smoothness, timidity of the arrival of springtime. Epithets: a beauty of the steppe, on a frozen path, fragrant spring, blush bluish - immerse in the atmosphere of a real Russian spring. Numerous personifications enliven the surroundings: the sun warms, the linden turns red, the birch tree turns yellow. There is also a metaphor - "the living message of rebirth."
Fet can certainly be called a true artist of nature. Such a small poem can send the reader to the place where the steppe girl follows the eyes of the cranes. It gives you the opportunity to pass through yourself the emotions that arise at this amazing moment, when you involuntarily want to start something new. As they say, the brightest of all springs is the one in the soul.
According to the plan briefly
Picture to the poem Another fragrant bliss of spring
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The poem "Still fragrant bliss of spring ..." was written in 1854 by a well-known poet, a recognized master of landscape lyrics. The author paints a picture of only the emerging spring, rather, its premonitions:
Another fragrant bliss of spring
We did not have time to descend,
Still ravines are full of snow,
Still dawn the cart rumbles
On a frozen path
The poem is small in volume - it has only three five-line stanzas. Two of them continue each other compositionally, emphasizing the winter signs of the surrounding landscape. The sun warms “barely at noon”, the trees are still transparent and bare, “and the nightingale still does not dare to occupy in the currant bush” - its time has not yet come. But the third stanza is the antithesis of the two previous ones, and it is in it that the main thought of the poet, who subtly feels the coming awakening of nature:
But the news of rebirth is alive
And, following their eyes,
There is a beauty of the steppe
With blush bluish cheeks.
The feeling of the rebirth of nature is in the air, it is transmitted to a person and projected by the author directly onto a person - a beauty of the steppe, feeling the cold by herself, but dreamily waiting for spring, as all nature expects her. This sketch of a living picture conveys one elusive moment, creating a vivid emotional impression with the help of the artistic means used by the author. This goal, as always with the author, is served by epithets (“fragrant spring”, “frozen path”, “flying cranes”). An important role in this case is played by syntactic parallelism, subordinate, as already mentioned, to the compositional idea of the mood of the work.
In the first two stanzas, these are repetitions of both individual words (“still”) and the syntactic model chosen by the author. The third stanza, as an antithesis, begins with the union "but" and is an expressive means of conveying the author's idea, subject to a common goal. The creation of a tensely emotional picture of nature, the transfer of a subtle, almost elusive feeling of a lyrical hero, his joy, a quivering novelty of sensation - these are the features that distinguish Fet's landscape lyrics and give him the right to be called a subtle artist of nature, an inspired master of poetic creativity.
Athanasius
Fet
Analysis of the poem by Afanasy Fet "Still fragrant bliss of spring"
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Another fragrant bliss of spring
We did not have time to descend,
Still ravines are full of snow,
Still dawn the cart rumbles
On a frozen path
“Still fragrant bliss of spring ...” A. Fet
“Still fragrant bliss of spring ...” Afanasy Fet
Another fragrant bliss of spring
We did not have time to descend,
Still ravines are full of snow,
Still dawn the cart rumbles
On a frozen path
As soon as the sun warms at noon,
The linden blushes in height,
Through, the birch tree turns a little yellow,
And the nightingale does not yet dare
Sing in a currant bush.
But the news of rebirth is alive
There are already in the flying cranes,
And, following their eyes,
There is a beauty of the steppe
With blush bluish cheeks.
Analysis of Fet's poem "Still fragrant bliss of spring ..."
From the time of his student days until his death, Fet had three unconditional values: love, nature and poetry. It was these themes that he considered possible to reveal in the lyrics. All other motives were subject to an unspoken taboo. Afanasy Afanasievich's descriptions of nature are an image of the moment through the prism of personal perception. For Fet, it was extremely important to capture a fleeting change. In his poems, the reader is offered not just autumn, summer, spring, winter landscapes. The poet sought to tell about shorter segments of the seasons, transitional states of nature. This can also be seen from the work "Still fragrant bliss of spring ...", first published in 1854 in the Sovremennik magazine. It captures the moment when spring has not yet fully come into its own, but everything around is already imbued with the feeling of its early arrival. Moreover, there are no significant changes in nature yet: frozen roads, unmelted snow, unleafed trees. Nevertheless, on an intuitive level, a person feels the upcoming onset of spring, rejoices in it, and a bright mood reigns in his soul.
In fact, Fet describes the late winter. At the same time, he adds bright spring colors to the landscape: the birch tree turns yellow, the linden blushes. A nightingale singing in a currant bush, the sun, while warming only at noon, are the first signs of the approach of warm days, the coming renewal of nature. The image of spring appears from the denial of its coming and is summarized in the final five-verse, beginning with the words: "But there is already a living message of rebirth ...". In the landscape lyrics of Fet, things that are not too poetic become the subject of art. For example, a bluish blush on the cheeks of a steppe beauty and the currant bush mentioned above. With the help of these precise details, Afanasy Afanasievich makes it clear to readers that before them is not some abstract spring, but spring in Russia.
For the landscape lyrics of Fet, the image of the dawn is important. It symbolizes the fire generated by the sun. At the start of the day, the colors of nature are distinguished by clarity and purity, the rays of the luminary endow the earth with tenderness. In the reflections of dawn - a mysterious world that helps to appear inspiration. Its connection with spring is inseparable. This season is for the earth, as the dawn is for the coming day. As for creative people, spring gives them the opportunity to touch beauty with their hearts, to experience the delight of widespread renewal and rebirth.
a comparative analysis of the poems of Fet "still blissful of spring" and Tyutchev's "the earth still looks sad"
Natalia Chudomeh Master (1878) 8 years ago
Fet, like no one else, knew how to be observant and see how changes are preparing and taking place in the nature around us and the human soul, whether it be the onset of spring or first love.
The poem “Still fragrant bliss of spring ...” captures such a moment in nature when spring has not yet arrived, but the feeling of spring has already arisen. It would seem that nothing has changed in nature: the snow has not melted, the roads are frozen, the trees are without leaves, but according to some small signs and simply intuitively, a person is already waiting for spring and rejoices at its arrival.
Let's look at the initial line “Still fragrant bliss of spring ...”. Fet resorts to one of his favorite figurative expressions - “bliss”. In the modern lexicon, this word seems obsolete, but in the poetic dictionary of the 19th century it was used often, and Fet willingly used it. This is a noun that has the same root as the adjective “gentle”, the verb “to bask”; their semantic meaning is pleasure with a touch of softness, subtlety, grace.
The sound instrumentation is also noteworthy. In the first two verses, sound combinations with the sound [n] stand out.
More fragrant bliss of spring
Didn't get to us.
The picture is refined with some details that depict winter: it is snow, a frozen path. In the second stanza, the sketch continues, the dynamics intensify due to the use of a large number of verbs, three of which, in addition, are in the position of rhyming: “warms”, “turns yellow”, “dares”. Speaking of winter, Fet introduces bright spring colors into the poem: “dawn”, “blushes”, “turns yellow”. Denying that spring has already come, he seems to bring her arrival closer, mentioning that “the sun is warming”, that the nightingale sings in the currant bush. The image of spring arises from denials and is generalized in the last stanza, which begins with an antithesis: “But the message of rebirth is alive // Already there is ...” The sounds associated with the word “life” acquire a special role: “rebirth”, “living”, “seeing off” .
The poem moves from denial to affirmation and ends with the image of a steppe beauty “with a dove-gray blush on her cheeks.” Fet made the subject of art, in general, not poetic things: a currant bush, a bluish blush. However, these are precise details that allow you to feel and understand that we are not talking about spring in general, but about spring in Russia, which Fet knows and undoubtedly loves, despite all the reproaches of his contemporaries for lack of ideas.
It is interesting to compare this poem with Tyutchev's "The earth still looks sad ...". written much earlier.
Common to Tyutchev and Fet is a philosophical understanding of the unity of man and nature. However, in Tyutchev, especially in early lyrics, images associated with nature tend to be abstract, generalized, conventional. Unlike Tyutchev, in Fet they are more specific at the level of details, often substantive. You will see this if you start from the thematic proximity of the poems, the peculiarities of their construction, the coincidence of individual words, and note the features of the imagery of both poets, the symbolism of details in Tyutchev and their concreteness in Fet. Pay attention to the context in which Tyutchev and Fet use the same key words: “spring”, “bliss”. Compare such images as “dead stem”, “thinning dream” (Tyutchev) and “cart”, “flying cranes” (Fet); “blocks of snow shine and melt” (Tyutchev) and “ravines are full of snow” (Fet). Pay attention to the combinations: “nightingale ... in a currant bush”, “beauty of the steppe”, “with a blue blush” (“high” and “low”).
A poem by A.A. Feta “Still fragrant bliss of spring. »
A.A. Fet is deservedly and widely known as a subtle lyricist, a sensitive artist who created vivid, unforgettable pictures of nature, reflecting the most difficult experiences of the human soul. Feta-lyricist was not interested in the social and political problems of our time, for which he, as a representative of "pure art", was condemned and ridiculed by revolutionary democratic literary figures. The main topics for the poet were "eternal" themes: nature, love, beauty. His poems are musical, his images excite with sounds, smells, they are almost tangible, visible, like beautiful bright moments of life. Fet's nature is spiritualized and harmonious with the human soul, it is interconnected with the mood and attitude of the lyrical hero. As Af wrote. Fet in the preface to the third edition of the poems "Evening Lights", he would like to find in poetry "a refuge from all worldly sorrows", and such a refuge becomes for him, first of all, nature, its elusive world, permeated with the thought of beauty and eternity.
The poem “Still fragrant bliss of spring. ” was written in 1854 by a well-known poet, a recognized master of landscape lyrics. The author paints a picture of only the emerging spring, rather, its premonitions:
Another fragrant bliss of spring
We did not have time to descend,
Still ravines are full of snow,
Still dawn the cart rumbles
On a frozen path
The poem is small in volume - it has only three five-line stanzas. Two of them continue each other compositionally, emphasizing the winter signs of the surrounding landscape. The sun warms “barely at noon”, the trees are still transparent and bare, “and the nightingale still does not dare to occupy in the currant bush” - its time has not yet come. But the third stanza is the antithesis of the two previous ones, and it is in it that the main thought of the poet, who subtly feels the coming awakening of nature:
But the news of rebirth is alive
There are already in the flying cranes,
And, following their eyes,
There is a beauty of the steppe
With a blush on the cheeks
The feeling of the rebirth of nature is in the air, it is transmitted to a person and projected by the author directly onto a person - a beauty of the steppe, feeling the cold by herself, but dreamily waiting for spring, as all nature expects her. This sketch of a living picture conveys one elusive moment, creating a vivid emotional impression with the help of the artistic means used by the author. This goal, as always with the author, is served by epithets (“fragrant spring”, “frozen path”, “flying cranes”). An important role in this case is played by syntactic parallelism, subordinate, as already mentioned, to the compositional idea of the mood of the work. In the first two stanzas, these are repetitions of both individual words (“still”) and the syntactic model chosen by the author. The third stanza, as an antithesis, begins with the union "but" and is an expressive means of conveying the author's idea, subject to a common goal. The creation of a tensely emotional picture of nature, the transfer of a subtle, almost elusive feeling of a lyrical hero, his joy, a quivering novelty of sensation - these are the features that distinguish Fet's landscape lyrics and give him the right to be called a subtle artist of nature, an inspired master of poetic creativity.
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Listen to Fet's poem Another fragrant spring
Themes of neighboring essays
Picture for the essay analysis of the poem Another fragrant spring
In a poem by A.A. Fet recreated the picture of the beginning of spring. She has not yet come into her own, but the poet sees her signs in the nature around him. This picture is helped to create unity of command, three of the five lines of the first stanza begin with the word "still" and describe the signs of winter around the poet.
Signs of winter are conveyed through the epithets used by the author of the "frozen path", an interesting metaphor used by the author, conveying a picture of a winter morning ("the cart rumbles at dawn"). Syntactic parallelism helps to convey a sense of expectation, to create the necessary emotional picture.
But spring is getting closer. In the second verse, the image of the warming sun appears. Let it come into its own "barely at noon", and the nightingale does not dare to sing in the "currant bush", but the author feels the growing changes in his gut.
The last stanza is the antithesis of the first two. The lyrical hero experiences a feeling of jubilation when he sees and hears the cranes returning home. For him, they became the heralds of the revival of nature ("living news"), its awakening by spring. His feelings are merged with the feelings of nature, waiting for awakening, and that is why the "beauty of the steppe" stands with tears in her eyes, tears of joy and relief from the fact that the whole world will soon awaken to a new life.
Poetic devices: inversion, epithets, metaphors, antithesis, anaphora.
Despite the fact that the poem belongs to landscape lyrics, it is imbued with the feelings of a lyrical hero in every word, and it is for this quality that A.A. Fet was recognized as a sensual artist of nature.
Option 2
When you read Fet's poems, you often get the feeling that he lived somewhere in another world. Or maybe in the 19th century the world really was different, joyful and carefree? It seems as if Fet did not feel suffering and worries and therefore wrote only about birds and flowers.
In fact, the world, of course, was not significantly different, and Fet himself probably had life's difficulties and unrest. It is even possible to believe that the poet not only had some difficulties, but also felt the suffering and troubles of this world more sensitively and vividly compared to most people.
That is why he chose sublime themes for his own lyrics and wrote mostly about nature and love. Beauty in every aspect was the main protagonist of his lyrics. As he postulated in another of his works, “and you search in vain, find its beginning”, we are talking about beauty, which is not possible to fully study and comprehend.
Nevertheless, the poet considered it necessary to write about beauty. To influence the world with beauty, to express the highest ideals and feelings through your works. With these concepts, he also associated his own ideas of transforming the world and man, as well as an understanding of the role of man in this world.
“Still fragrant bliss of spring ...” is a poem that refers to landscape lyrics and was written at the beginning of the second half of the 19th century. Here we consider the period when the arrival of spring is only felt. Almost everyone has felt this feeling and it is really amazing, it deserves to be expressed on paper, it deserves to be reflected in poetry.
Outwardly, spring is far away, it exists only in its own potency. For example, the roads are frozen, the trees are bare. Nevertheless, the mood, despite all these circumstances, is joyful, as there is an understanding of the approach of spring.
In order to emphasize the transition process, Fet uses some details that seem to hint: a reddening linden, a yellowing birch. Warm days are only getting closer, but during the day there is some warmth that is felt. All these details are summarized in the final part and formulated in the line: “But there is already a living message of rebirth ...”.
Also in the final poem, one should note the image of a steppe beauty, which can be interpreted both as a metaphor and as a young maiden, who, among other things, personifies the beginning of spring. The poet clearly highlights the “blue blush” on the cheeks, which speaks of the cold, but is also a sign of vitality, activity. Over time, really winter days will recede and we will see spring, the signs of which are just beginning to appear in nature.
Analysis 3
For Afanasy Fet, throughout his life there were three constant values, about which he wrote poetic lines and dedicated works. He imposes a taboo on all other topics and motives; social and political issues are not consecrated in his works. Most of the lyrics are occupied by the description of nature, which the poet passes through the prism of his perception. Fet tries to capture every even fleeting change that affects his soul.
The poem "Still fragrant bliss of spring ...", which was published by the author in 1854, is one of those where the author describes the fleeting period of one of the seasons and the state of nature at the moment. The author describes a period of time when nature is changing and spring should soon enter into legal rights. But at the same time, the lyrical hero is overwhelmed with the feeling that all the snow will soon melt, and the flowers will begin to bloom. He hopes that similar changes will touch his soul, which will be able to start all over again, will allow it to flourish.
Late winter lends itself to description, while bright colors are visible in the landscape, you can see how the birch tree turns yellow, and the linden is gaining red color. A nightingale sings in the currant bush, and the sun is already beginning to warm at noon. All this portends that the warm season will soon come, and nature will be renewed again.
The author creates an image of spring, denying its arrival as a whole. For Afanasy Fet, various little things become the subject of art, for example, the blush on the cheeks of a girl or the same currant bush. Thanks to the little things described, the reader understands that this work describes spring in Russia, and not in any other place.
In landscape lyrics, the poet often uses the image of the dawn. For him, she is like fire, which can only be generated by the sun. As soon as the day begins, the dawn is endowed with clarity and purity, and the rays fall on the ground with special tenderness. The whole world in the dawn is like a completely different phenomenon, it helps to give birth to inspiration, so the dawn is inextricably linked with the arrival of spring.
Spring for the poet is like a dawn, the beginning of a new day, the beginning of everything new. He is in anticipation of the new, the beginning of feelings and experiences that will bring him inspiration and new vitality. He rejoices at the arrival of spring, which comes every year and gives strength to live.
Analysis of the poem Another fragrant bliss of spring according to plan
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The lyrics of Afanasy Fet are full of feelings. The poet believed that the main goal of creativity is to sing the beauty of this world, nature, love. Trembling, delight, tenderness, piercing tenderness are heard in his poem "Still fragrant bliss of spring ...". The penetrating lyricism of this work captivated me. How does the poet manage to express his emotions?
Consider a poem. Before us is a monologue of a lyrical hero, a romantic, dreamy person who is in love with nature, probably from his native land. With excitement, he expects spring, dreams of it, as if about a miracle:
Another fragrant bliss of spring
Didn't get to us...
Spring is an elegant, thin, fragile, light creature. This, I think, is what the metaphor in the first lines reveals to us. The aroma adds richness to the sensual image of spring. The author manages to show this with the help of the epithet "fragrant".
Fet is right. Spring is perhaps the most fragrant season of the year because it awakens our whole being. We open ourselves to meet her entirely, to the hidden corners of the soul, perceiving sharply, as for the first time, and colors, and feelings, and smells.
The verb “descend” with a high stylistic coloring adds sublimity to the image, ennobles spring, distinguishing it from no less majestic, but simpler winter:
Still ravines are full of snow,
Still at dawn the cart rumbles
On a frozen path
Here, the inversion, as in the beginning of the poem, gives greatness to the images, as well as the shift of the stress in the word “full”. However, the appearance of the rattling cart at the end of the first stanza, I think, characterizes winter as an ordinary season that is not too poetic.
You can't say the same about spring. This is emphasized by the second stanza of the work, where, in my opinion, Fet's impressionism is most clearly revealed. The poet seeks to show the arrival of spring in all its variety of changeable forms. Images, sensations, moods are barely perceptible here, this is their charm:
As soon as the sun warms at noon,
The linden blushes in height,
Through, the birch tree turns a little yellow ...
How many dynamics in these "barely" and "slightly"! The author seems to be telling us that spring is approaching very smoothly, slowly, timidly, almost imperceptibly. But it is moving and will certainly make itself felt to those who are waiting for it, step by step, moment by moment. While the singer of spring and love, “the nightingale still does not dare to sing in the currant bush,” but the impressionable consciousness of the romantic hero is already drawing this image. Probably, this is how the dream of May, flowering plants, bright evenings filled with confusion and audacity of a loving heart comes true.
The hero’s wishes will certainly come true, because even the denials in this poem (“didn’t have time”, “doesn’t dare”), I think, on the contrary, affirm the spring, the legitimacy of its blessed coming, which is about to come, there is very little left.
The final stanza of the work opens with a deep philosophical thought, which is contained in a metaphor:
But the news of rebirth is alive
There are already in the flying cranes ...
Nature wakes up from winter sleep, and birds return. They are joyful heralds of spring, bringing it on their wings. The cooing of cranes also enlivens everything around, so they can rightfully be called symbols of the rebirth of nature.
And, following their eyes,
There is a beauty of the steppe
With blush bluish cheeks.
In the last lines of the work, a lyrical character unexpectedly appears before us - the “steppe beauty”. I think this image is not accidental. He is a reflection of spring. Interestingly, the “beauty” blush is “gray”, and not pink or red. Why? Perhaps this is again a feature of the impressionistic style. Fet portrayed, fixed, as it were, not the very color of the cheeks, but his impression, instantaneous, changeable, which this detail made on him. A "gray" blush could become, for example, under the influence of bright sunlight.
In this way, a complete picture gradually emerges in front of us. The main idea of the poem is a premonition of spring. The lyrical hero seems to dissolve into nature, fascinated by the upcoming renewal of the world, which is already happening before his eyes. This simultaneity of what is happening, inconsistency, constant movement, development create an extraordinary, special sensual space that reveals the human soul.
Here, as in many other works, Fet acts as a bold innovator who knows the world intuitively.
