It is believed that with a low voice looks more attractive in the eyes. It seems that there really is some truth in this, but the point is not at all in the very timbre of the voice: low or high, but in various nuances associated with it. This was proved by the results of a recent study conducted by specialists from the University of Vienna.

An experiment in evaluating female voices

The scientists recruited a team of male volunteers and let them listen to recordings of the voices of 42 female students, who were previously photographed. Then the subjects were asked to choose among the voices the most attractive in terms of sexuality. In most cases, the participants pointed to girls with a beautiful appearance, although they did not see their faces.

The authors of the experiment noted that the faces of female students, whose voices were more often identified as " ", were distinguished by the symmetry of features, they, as a rule, had high cheekbones, soft jaw lines and full lips. According to experts, this appearance indicates a good genotype, which also affects the synchronization of the vocal cords, larynx and nasal cavity. On a subconscious level, a man perceives a woman's voice as a signal that everything is all right with her sexually, which means that she can become a wife and mother.

Yes, aspirated words with special nuances can be attractive. But in other cases, on the contrary, it can produce a repulsive impression. And not only when it comes to the sphere of personal relationships. For example, statistics show that women with a low and hoarse voice are less likely to get a job as a result of interviews. It turns out that many perceive people with a "creaky" voice as "unreliable". Maybe because the owners of hoarse voices often smoke and have other bad habits.

Female voices and headhunters

A team of American psychologists once invited 800 headhunters to listen to recordings of various female voices and choose which one they would like to invite to. Only a fifth of the respondents preferred hoarse-voiced women. The rest commented on their choice by saying that a hoarse voice indicates low competence, lack of education and external unattractiveness.

Note that women who work as secretaries or managers and often have to talk to people on the phone tend to have high voices. Perhaps such voices on a subconscious level are more credible. But at the same time, the voices of an overly high timbre, more like a screech, are annoying...

"People prefer voices with vocal characteristics that are typical of the general population," the scientists say. "While unusual voices may be more memorable, people find normally-sounding voices more attractive."

Voice modulation depending on interest in the interlocutor

By the way, a group of experts from the University of Stirling found out that our voices can change depending on whether we find the interlocutor of the opposite sex attractive. For the purposes of the experiment, 110 heterosexual volunteers were asked to strike up a conversation with each other. Subsequently, all participants were asked to complete questionnaires that assessed the degree of attractiveness of partners. It turned out that if a man liked the woman he was talking to, the tone of his voice decreased, and the modulation increased, that is, the frequency of the tone became more variable.

The head of the study, Juan David Leongomes, explains this by saying that although a low voice timbre indicates masculinity (masculinity), it is also associated with aggression and promiscuity, therefore, wanting to please a lady, a man unconsciously tries to speak in a low voice to signal his masculinity, and at the same time modulates the tone to show that it is non-aggressive and reliable.

So, if during the conversation you noticed that the voice of the stronger sex has become more "singing", then most likely this indicates his interest in you. At the same time, researchers conclude, modulations can increase the attractiveness of a given man in the eyes of a woman. So experienced heartthrobs, consciously or unconsciously, but actively use this technique.

All singing voices are divided into women's, men's and children's. The main female voices are soprano, mezzo-soprano and contralto, and the most common male voices are tenor, baritone and bass.

All sounds that can be sung or played on a musical instrument are high, medium and low. Musicians, when talking about the pitch of sounds, use the term "register", meaning whole groups of high, medium or low sounds.

In a global sense, female voices sing high or "upper" register sounds, children's voices sing middle register sounds, and male voices sing low or "lower" sounds. But this is only partly true, in fact, everything is much more interesting. Within each of the groups of voices, and even within the range of each individual voice, there is also a division into high, medium and low registers.

So, for example, a high male voice is a tenor, a middle one is a baritone, and a low one is a bass. Or, another example, the singers have the highest voice - the soprano, the middle voice of the vocalists is the mezzo-soprano, and the low one is the contralto. To finally master the division of male and female, well, at the same time, children's voices into high and low, this plate will help you:

If we talk about the registers of any one voice, then each of them has both low sounds and high ones. For example, a tenor sings both low chest sounds and high falsetto sounds, which are not available to basses or baritones.

Female singing voices

So, the main types of female singing voices are soprano, mezzo-soprano and contralto. They differ primarily in range, as well as in timbre coloration. The timbre properties include, for example, such as transparency, lightness or, conversely, saturation, voice power.

Soprano- the female highest singing voice, its usual range is two octaves (entirely the first and second octaves). In opera performances, the parts of the main characters are often performed by singers with such a voice. If we talk about artistic images, then best of all a high voice characterizes a young girl or some fantastic character (for example, a fairy).

Soprano, according to the nature of the sound, is divided into lyrical and dramatic- you yourself can easily imagine that the parts of a very tender girl and a very passionate girl cannot be performed by the same performer. If the voice can easily cope with fast passages and graces in its high register, then such a soprano is called coloratura.

Contralto- it has already been said that this is the lowest of the female voices, moreover, very beautiful, velvety, and also very rare (in some opera houses there is not a single contralto). A singer with such a voice in operas is often entrusted with the role of teenage boys.

Below is a tablet that gives examples of opera parts that are often performed by one or another female singing voice:

Let's hear how female singing voices sound. Here are three video examples for you:

Soprano. Aria of the Queen of the Night from the opera The Magic Flute by Mozart performed by Bela Rudenko

Mezzo-soprano. Habanera from the opera "Carmen" by Bizet performed by the famous singer - Elena Obraztsova

Contralto. Ratmir's aria from the opera "Ruslan and Ludmila" by Glinka performed by Elizaveta Antonova.

Male singing voices

There are only three main male voices - tenor, bass and baritone. Tenor of these, the highest, its pitch range is the notes of the small and first octaves. By analogy with the soprano timbre, performers with this timbre are divided into dramatic tenors and lyric tenors. In addition, sometimes they mention such a variety of singers as "characteristic" tenor. "Character" is given to it by some phonic effect - for example, silveriness or rattling. The characteristic tenor is simply indispensable where you want to create the image of a gray-haired old man or some sly rogue.

Baritone- this voice is distinguished by its softness, density and velvety sound. The range of sounds that a baritone can sing is within the limits of the la large octave to the la of the first octave. Performers with such a timbre are often entrusted with the courageous roles of heroic or patriotic characters in operas, however, the softness of the voice allows one to reveal love-lyrical images.

Bass- the voice is the lowest, can sing sounds from the F of a large octave to the F of the first. Basses are different: some are booming, “humming”, “bell-shaped”, others are hard and very “graphic”. Accordingly, the parts of characters for basses are diverse: these are heroic, and “fatherly”, and ascetic, and even comic images.

Probably, you are interested to know which of the male singing voices is the lowest? it bass profundo, sometimes singers with such a voice are also called Octavists, since they "take" low notes from the counteroctave. By the way, we have not yet mentioned the highest male voice - this tenor altino or countertenor, who sings quite calmly in an almost female voice and easily reaches the high notes of the second octave.

As in the previous case, male singing voices with examples of their opera parts are displayed in the tablet:

Now listen to what male singing voices sound like. Here are three more videos for you.

Tenor. Song of the Indian guest from the opera "Sadko" by Rimsky-Korsakov performed by David Poslukhin.

Baritone. Gliere's romance "Sweetly sang the soul-nightingale", sung by Leonid Smetannikov

Bass. Prince Igor's aria from Borodin's opera "Prince Igor" was originally written for baritone, but in this case it is sung by one of the best basses of the 20th century, Alexander Pirogov.

The working range of the voice of a professionally trained vocalist is usually two octaves on average, sometimes, however, singers and singers have much more opportunities. In order for you to be well-versed in tessituras when choosing notes for practice, I suggest that you get acquainted with a drawing that clearly demonstrates the allowable ranges for each of the voices:

Before concluding, I want to please you with one more sign, with the help of which you can get acquainted with vocalists who have one or another timbre of voice. This is necessary so that you can independently find and listen to even more audio examples of the sound of male and female singing voices:

That's all! We talked about what kind of voices singers and singers have, figured out the basics of their classification, the size of the ranges, the expressive possibilities of timbres, and also listened to examples of the sound of the voices of famous vocalists. If you liked the material, share it on your page in contact or on your Twitter feed. To do this, under the article there are special buttons. Good luck!

By nature, female voices are higher than male voices and differ from them by about an octave. The voice of an adult woman sounds at a frequency of about 220 hertz, an adult man - about 110 hertz. But in recent decades, this distance has narrowed. At least in Germany. What explains this?

Scientists from the University of Leipzig have found a significant decrease in the pitch of the voice in German women. Over the past 20 years, according to their observations, female voices have become almost two times lower, despite the absence of changes in the structure of the vocal apparatus. New result: 165 hertz - the average frequency of the female voice. The height of male voices remained at the same level.

As part of a large-scale study on such common diseases of civilization as diabetes, obesity or stroke, scientists at the University Hospital in Leipzig examined several thousand people aged 40 to 80 years over the course of one decade and conducted a comparative analysis not only of various medical indicators, but also voice tests.

Initially, they proceeded from the fact that women's voices could become lower due to changes in physiology, the gradual increase in the growth of the average woman in Germany, or hormonal disorders. But in the course of comparing the results of the study, the influence of these factors was still not confirmed. And that smoking could have contributed to the spread of deep voices among women on such a scale has also not been scientifically proven. Study participants included those who did not smoke, those who smoked, and those who smoked and quit. Although smoking makes the voice hoarse, after giving up this bad habit, it is restored. I had to determine the diagnosis by the "method of exclusion".

“We can say that women use their voice differently,” explains the conclusion reached by scientists, one of the authors of the study, Professor of Phoniatrics Michael Fuchs (Michael Fuchs). - Biologically, this phenomenon cannot be substantiated: their anatomical data are the same as in women 50 years ago. But today, women speak in a lower register.”

And they do it, scientists are sure, unconsciously. This is due to changes in the perception of gender roles. “The modern woman is her own mistress. She no longer needs a protector and patron. On a subconscious level, a woman adapts to her changed image in society, ”Michael Fuchs notes in an interview with Deutschlandfunk radio station. It turns out that the more emancipated a woman is, the more successful and self-confident she is, the lower her voice.

And if earlier the thin voice of a woman programmed by nature signaled her need for protection, now she is making her own way in a world dominated by men. At the same time, a low voice is an effective tool: it, as psychologists assure, signals a penetrating character, reliability and competence.

Of course, culture, social structure and gender expectations in a particular society have a certain influence. For example, in Japan, a high, thin female voice is considered the ideal of beauty, therefore, in a global comparison, Japanese women, and Asian women in general, have much higher voices than other representatives of the fair sex, the scientist cites an example. And Scandinavian women have the lowest voices in the world. However, the image of real emancipes was also fixed for the Scandinavians.

Back in the 1970s, American psychologist Albert Meyerabian established that the effect a person has on others in verbal communication is 38 percent dependent on their voice.

Low, husky voices are perceived by both women and men as more pleasant. Very high, thin voices are associated by many with naivety, irritability and self-doubt. In a professional environment, the sound of the voice plays a much greater role today than a few decades ago - employees and customers have to communicate more directly. The voice is a kind of acoustic calling card.

For those who want to succeed, career counselors advise learning to control your voice, but not overdo it. The voice should sound businesslike, friendly, and most importantly, natural. It is recommended to adhere to the average pace of speech with short pauses. Clear articulation and loudness are of great importance. Those who have a thin voice should strengthen it with breathing exercises and simple sentences with many vowels. Before a presentation or an important meeting, it is better to drink warm tea to relax the vocal cords and take five deep breaths in and out.

Leipzig professor Michael Fuchs urges both women and men not to reduce everything to automatism, but to use the voice in all its richness of shades. “Then you will be even more successful than now,” the scientist promises.

April 9th, 2014 , 04:57 pm

Voice inappropriate for gender and age.
Mutational falsetto or puberphonia - a condition in which men retain a high female voice even after adolescence. People with this disease, even in adulthood, speak in a high voice, which happens in little boys.

1. Functional factor
In most cases, functional factors arise as a result of any psychological problems. It often happens that when a voice begins to change in adolescence, a person on a subconscious level experiences opposition to a low tone, and specifically begins to speak in a high voice.

2. Organic factor
Organic abnormalities are usually caused by damage to the mucous membrane of the vocal folds, such as scarring, or developmental disorders of the endocrine system. In such cases, the larynx has a structure similar to that of a woman.

Symptoms of puberphonia
If, with a normal structure of the larynx, only a high voice comes out, and the frequency of the voice coincides with the frequency of the female voice, this indicates puberphonia. In this case, the voice quickly gets tired, and during singing it often breaks and higher notes are “not taken”.
Also, with puberphonia, the tone of the voice is constantly high, it is impossible to speak in a low tone.
If puberphonia is caused by organic changes, the appearance of scarring of the mucous membrane of the vocal folds, or disturbances in the development of the larynx, then hoarseness, a weak or rough high voice, which comes out with the air, is noted.

Diagnosis of puberphonia
If puberphonia is caused by a functional factor, a fibrolaryngoscope and laryngeal stroboscopy will reveal normal vocal folds. During sound production, excessive tension of the external muscles of the larynx can be noted.
With organic puberphonia, damage to the mucous membrane of the vocal folds or a violation of the development of the larynx are observed.

Treatment of puberphonia

Treatment of functional puberphonia is possible with voice training, but it will take a long time. Recently, the method of introducing Botox into the muscles of the larynx responsible for the high tone has been used. Thus, the tone is lowered, and then, in the course of training with a phoniator, a way of voice formation is formed so that it becomes a habit. Foniator exercises carried out after Botox injection significantly shorten the treatment period, and the voice recovers faster.

Organic puberphonia may require percutaneous injection laryngoplasty,

About how to charm a man by just talking to him, when and how to be silent, why a woman’s voice should be “padded with velvet” and what voices annoy men, a well-known psychologist told Annetta Orlova who wrote a monograph on the subject.

If our soul is reflected in the eyes, then the voice is a mirror of character. Intonation can color speech with warm shades of joy and self-confidence, or add cold notes of arrogance and selfishness to what has been said. Therefore, not only what you say is important, but also how you sound.

Despite the fact that women love with their ears, the voice of the interlocutor for a man is also important. A pleasant speech melody will not leave the listener indifferent, the timbre of the voice will complement and complete the image.

For different voices...

There is an opinion that a low voice sounds more pleasant and sexier, it seems that the writer also thought so. Brendan Francis Bian. He said that men will always admire a woman whose voice is lined with velvet. Indeed, falling in love with the owner of a deep voice is not difficult, since her speech is saturated with self-sufficiency, strength and confidence. Such a woman looks inaccessible, it is not surprising that the instinct of a hunter wakes up in men and there is a desire to possess her.

Besides, an aspirated voice will help excite a man. Whatever the girl is talking about, the words intertwined with the breath will tell the listener that he is interested in her sexually.

For those with a high voice less fortunate, since piercing notes are often associated with interlocutors with youth and immaturity. But in the event that a man plays the role of a father in a relationship, a girl with a high voice will be an ideal companion for him.

Loud and harsh voice evokes opposite associations. Most often, the owners of such a voice tend to control others, they want to control and command. This option, most likely, is suitable for a man who has forever remained a child, he will feel in a woman with such a voice the support that is so necessary for him.

On the first date

A meek girl can easily charm a strong man, and the melody of her voice will help to emphasize her desire to be protected. On a date, it is better to speak quietly and measuredly., maintain semantic pauses, use adjectives and metaphors, exclude harsh words and phrases. It is also necessary to monitor your facial expressions and gestures, they should complement speech, and not conflict with it. It can be a downcast look, smooth and not too active hand movements. But a woman's voice should not be lifeless. A man's attention will be attracted by light emotionality and freshness in the speech of the interlocutor.

If a woman wants to charm a soft and docile man, then she needs to emphasize her strength. Speech in this case should be clear, clear and even overly emotional, and the look of such an interlocutor should express self-confidence. You definitely don’t need to look at the pattern on the floor in a cafe, as well as fiddling with a napkin during a conversation.

By the way, Patricia Kaas- the owner of a sexy, bewitching voice - gesticulates quite actively and sharply, her gait conflicts with her voice, which breaks the unity of the impression. She is a prime example of how non-verbal communication can clash with the melody of the voice.

In a conversation with a man of dreams, it is important to keep track of time and do not forget about pauses.. It has been proven that a man can listen to the interlocutor's speech for no more than 20 seconds, everything that is said after this time he will either not perceive, or (even worse) will begin to get annoyed. However, compliments uttered in a soft and sexy voice, the man does not get tired of listening.

Anyway, to hook a man, you need to be able not only to speak, but also to listen to him. Embed constructions such as “I understand you”, “I am so interested with you”, “I like listening to your stories” in your speech. In addition, it is necessary to remember the words and phrases that he uses and sometimes pronounce them. And if a man asks: “What was I talking about?”, try to repeat the end of the phrase, he will appreciate how carefully you listened to him.

Uncertain speech is annoying

It is rather difficult for an insecure woman to attract the attention of men, things are even worse if a girl is used to complaining about her life. Naturally, the intonation will immediately reveal all the problems of the mistress of the voice.
For example, drawling sounds, slurred speech or stammering are signs that a woman needs constant care from her companion. It is likely that the first conversation with a man will be the last.

Assertiveness, turning into strong aggression, and masculine notes in the voice women will also cause negative emotions in men, after all, they are looking for tenderness and care in us.

Rapid active speech makes the voice fill with harsh undertones, it is tiring - it is not very pleasant to endure stress for a long time.
A real man will always gravitate towards a soft woman, whose speech and plasticity are soft. If a woman has a low voice, then the whole world is in her pocket.

Working on mistakes: exercises for voice and speech

“If beautiful voices were sold in supermarkets, they would have many buyers. It’s a pity that they haven’t thought of this yet, ”said the magnificent Marlene Dietrich. Can you imagine what a queue would be lined up for a soft, velvety voice? But while there is no such product on the shelves of supermarkets, you can work on your intonation and speech on your own.

The shackled body is a real prison for a soft voice. Therefore, first of all, you need to remove all the clamps, allow your body to open up. The released sexual energy will rise up the spinal column and allow the voice to sound softer and more attractive. They will help to get rid of the shackles of the body, dancing classes: the body will become more flexible, movements - plastic, and the voice is sexier.

Take some vocal lessons, an experienced teacher will show you the basics of correct breathing and remove the clamps that prevent your voice from sounding melodious. Start your day with a good gentle song performed by you and dance to the sound of your own voice!

Intonation helps us to convey the idea to the interlocutor, if we speak monotonously, on one note, the listener will stop perceiving the information. But in this matter, nowhere without training. For practice, take a few minutes and read excerpts from books. Take, for example, Bunin's stories about love, voice the dialogues of the characters with a gentle voice and, with a romantic mood, go out to meet your love now.

From the volume of your voice depends on how the interlocutor will perceive you, so you need to adjust it. Say the numbers from one to ten at different volumes and determine which sound is best for you. But remember that if you are in a noisy place, the volume must be increased, otherwise the interlocutor will regard your quiet speech as disrespectful to himself.

Learn to clearly articulate your thoughts, then you will create the impression of a self-confident woman. Rehearse in front of a mirror, watch your gestures, control them, because fussy hand movements will betray your self-doubt.

Look at how the cat moves(this is the most attractive image for men). Imagine yourself as a catwoman and try to make your gestures just as graceful. Waking up, gently, like a cat, stretch in bed. When preparing breakfast, move like a cat, for example, walk slightly on tiptoe - this will add softness to your body, and therefore your voice. If your voice lacks sexuality, try purring and meowing every morning.