And for a long time I will be kind to the people. “I erected a monument to myself not made by hands” - one of the secrets of Pushkin

“I erected a monument to myself not made by hands” (another name is “Monument”) is a tribute to one tradition. Poets created poems in which they summed up their work. So it was in antiquity. The epigraph "Exegi monumentum" is the name of Horace's ode, which inspired Pushkin.

Pushkin understood his strength as a poet. But his fresh poetry was not popular. They said that he had passed out. Perhaps the poet hoped that his descendants would understand him. He writes that he will be kind to the people for a long time because he aroused good feelings in people. And so it happened. We love your work, Alexander Sergeevich.

Another feature of Pushkin is the love of freedom. In a poem about a poet and a bookseller, the poet who knows life chooses freedom. It is glorified in other poems by Pushkin. The "Monument" also has this motif. Pushkin paid dearly for his freedom: he was driven into a corner, and evil tongues gloated with or without reason. But isn't it better to be free and sing about freedom? Pushkin decided this question for himself long ago.

"The rumor about me will spread throughout the great Russia." The genius of the poet was recognized by his contemporaries. And the rumor really spread, and not only to Russia. Pushkin is also recognized by foreign readers.

In the last stanza, Pushkin calls on the muse not to be afraid of insults and to be indifferent to praise and slander. The poet has known both, but creativity must continue. So he chose indifference.

What to say? "Monument" is similar to farewell to white light, but it was written in 1836, and the poet died in 1837. And as it was written to "Monument", it happened. Now Pushkin lives in his work, which we discover again and again.

Option 2

The poem “I erected a monument to myself not made by hands ...” was written in 1936 by Alexander Sergeevich Pushkin and is a kind of continuation of the fruits of labor of Gavriil Romanovich Derzhavin and Mikhail Vasilyevich Lomonosov “Monument”.

Before the beginning of the verse, Alexander Sergeevich placed a small but significant epigraph: "Exegi monumentum". This line is a reference to Horace, according to whose work various versions of the "Monument" were written (as in Lomonosov, Derzhavin, Pushkin).

The main theme of this Pushkin poem is poetry. The author dedicates a whole ode to her, praises and sings of her. In his work, Alexander Sergeevich not only describes his achievements before poetry, but also traditionally turns to the muse with a request to inspire writers further, and not be offended by abuse and slander. Pushkin reveals the meaning of poetry and his opinion about creativity. The poem is filled with thoughts about the cruelty of the century, but from the very first lines Pushkin declares that he was able to defeat the authorities.

The mood in the poem can be called solemn, saturated with special pathos. Like Derzhavin, Alexander Sergeevich arranges the verse in the form of five quatrains - quatrains. Starting the work with iambic six-foot, and ending it with four-foot, the author shows the height of skill. The expressiveness and lightness of Pushkin's work is given by the cross female and male rhyme.

In his creation, Alexander Sergeevich uses many means of expression. For example, inversion, epithets (a proud grandson, a sublunar world, a cruel age), hyperbole (it will pass throughout Great Russia), litotes (at least one piit), metaphors (a soul in a cherished lyre, hearing will pass). The double negation (“No, I am not all of me”) and obsolete words (how long, decay) add color to the work.

The poem "I erected a monument to myself not made by hands ..." can be called the conclusion in Pushkin's work. He summed up the entire work of the writer: the purpose of creativity, and thoughts about freedom and cultural heritage. Pushkin says that during his life he heard a lot of praise and slander and now calls on the muse to pay attention to beauty, freedom, justice and nature. It was at this moment that the poet realized that the main thing is spiritual freedom, and not physical.

Analysis of the poem I erected a monument to myself miraculous ... Pushkin

The poem was written on August 21, 1836. The main idea of the work is to preserve, perpetuate their true poetic works. The author understands and predicts that the result of his creative activity will exist for many years, the people will be proud of him and glorify his poetry. This is a kind of philosophical reflection on his life purpose, creativity and past years.

“Monument” is classified as an ode (contains humanity and love of freedom), but it is only its variety, originating in antiquity, so the epigraph is a quote from the ancient Roman poet Horace: “I erected a monument.” After Horace, the theme was developed by M.V. Lomonosov, translating his work. Further, a freer presentation was put forward by G. R. Derzhavin, followed by Pushkin fixed the theme of the poet and poetry.

The poem is divided into 5 stanzas. The first 3 lines are traditionally written in 6-foot iambic, which gives it a certain determination and direction, but the last 4-foot, it helps to put a logical stress in this particular place, it becomes percussive and clearly completes the work.

Pushkin writes about the monument that he built with his own hands, the monument has the ability to feel its own freedom and independence. The poet conveys that his poems will always be firmly held in the hearts of people close to him. It rises above the "Pillar of Alexandria", critics are still arguing about which of the monuments the story is exactly about.

The author wrote not so that later he would enjoy great fame, but to receive the love and appreciation of readers, for him it was priceless, since he needed love, considered it a vital necessity.

There are two subtexts in this poem. The first is the completion of his work before death, the second implies that people will forever appreciate what is written: "The folk path will not overgrow to it ...".

The poem is presented in a patriotic direction, the following idea follows from it: Pushkin fulfilled his duty to the Motherland. He evaluates himself as an independent person who does not depend on anyone, has his own opinion and boldly expresses it, defends it to the bitter end.

The work of Alexander Sergeevich, of course, deserves deep respect, because he brought gratuitousness, justice and only good feelings into the world.

Picture to the poem I erected a monument to myself not made by hands ...

Variants and discrepancies

"I AM A MONUMENT TO MYSELF, AN IMPROVEMENT"

(p. 424)

Rumors about me [will spread] throughout all of Great Russia
And every language that exists in it will call me -
And [the grandson of the Slavs], and Fin and now the floorwild
[Tunguz] [Kyrgyz] and Kalmyk -

And for a long time I will be kind to the people
What new sounds for songs I found
That in the wake of Radishchev I glorified freedom
[And aboutillumination>]

O Muse, your call, be obedient
Not afraid of resentment, not demanding a crown
Crowds of praise and [abuse] accepted indifferently
And don't argue with the fool

B. Variants of a white autograph.

(LB 84, fol. 57v.)

3 Started: O <н>

5 No, I will not die - the soul is in an immortal lyre

6 It will outlive me and decay will run away -

9 Rumors will spread about me throughout the great Russia

12 Tunguz and the Kalmyk son of the steppes.

14-16 What new sounds for songs I found
That after Radishchev I glorified freedom
And mercy sang

14 That I awakened good feelings in songs

17 To your calling, O muse, be obedient

18 Do not be afraid of resentment, not demanding a crown;

19 Praise and slander were accepted indifferently

Under text: 1836

Aug.<уста> 21
Kam.<енный>acute<ов>

Notes

Dated August 21, 1836. It was not published during Pushkin's lifetime. First published in 1841 by Zhukovsky in a posthumous edition of Pushkin's works, vol. IX. pp. 121-122, censored: 4 Napoleonic pillar; 13 And for a long time I will be kind to those people; 15 That by the charm of living poetry I was useful.

The restored original text was published by Bartenev in the note "On Pushkin's poem "Monument"" - "Russian Archive" 1881, book. I, No. 1, p. 235, with facsimile. The original versions were published by M. L. Hoffman in the article "Pushkin's posthumous poems" - "Pushkin and his contemporaries", no. XXXIII-XXXV, 1922, pp. 411-412 and D. P. Yakubovich in the article “Draft autograph of the last three stanzas of the Monument” - “Pushkin. Vremnik of the Pushkin Commission, vol. 3, 1937, pp. 4-5. (preliminary partial publication - in "Literary Leningrad" dated November 11, 1936 No. 52/197) See publication in

I reread Pushkin's poem "Monument". Awesome thing! And contagious. After him, many poets in one form or another also began to build poetic monuments for themselves. But this memorial mania did not come from Pushkin, but from the depths of centuries from Horace. Lomonosov was the first in Russian literature of the 18th century to translate Horace's verse. This translation sounds like this:

I erected a sign of immortality for myself
Above the pyramids and stronger than copper,
What a stormy aquilon cannot erase,
Neither many centuries, nor caustic antiquity.
Not at all will I die; but death will leave
Great is my part, as I end my life.
I will grow in glory everywhere
While the great Rome owns the light.

From Horace this monument mania also went. Based on the text of Horace, Derzhavin also wrote his "Monument".

I erected a wonderful, eternal monument to myself,
It is harder than metal and higher than pyramids;
Neither his whirlwind, nor thunder will break the fleeting,
And time will not crush him.
So! - all of me will not die, but a large part of me,
Fleeing from decay, after death he will live,
And my glory will grow without fading,
How long will the universe honor the Slavs?
The rumor will pass about me from the White Waters to the Black ones,
Where the Volga, Don, Neva, the Urals pour from the Riphean;
Everyone will remember that among innumerable peoples,
How from obscurity I became known for that,
That I was the first to dare in a funny Russian syllable
Proclaim the virtues of Felitsa,
In the simplicity of the heart to talk about God
And tell the truth to kings with a smile.
O muse! be proud of just merit,
And whoever despise you, despise those yourself;
With a leisurely, unhurried hand
Crown your forehead with the dawn of immortality

Behind him writes his famous "Monument" Pushkin

I erected a monument to myself not made by hands,
The folk trail will not grow to it,
He ascended higher as the head of the rebellious
Pillar of Alexandria.
No, all of me will not die - the soul is in the cherished lyre
My ashes will survive and decay will run away -
And I will be glorious as long as in the sublunar world
At least one piit will live.
Rumors about me will go throughout the great Russia,
And every language that is in it will call me,
And the proud grandson of the Slavs, and the Finn, and now wild
Tungus, and a Kalmyk friend of the steppes.
And for a long time I will be kind to the people,
That I aroused good feelings with lyre,
That in my cruel age I glorified freedom
And he called for mercy on the fallen.
By the command of God, O muse, be obedient;
Not afraid of resentment, not demanding a crown,
Praise and slander were accepted indifferently
And don't argue with the fool.

The attentive reader will notice that these three poetic monuments are in many ways similar to each other.
Then off we go. A good monument to himself is erected by the poet Valery Bryusov, where he confidently declares that his monument “cannot be knocked down” and that his descendants will “rejoicely call”

My monument stands, from the stanzas of consonant complex.
Scream, run amok - you can't knock him down!
The disintegration of melodious words in the future is impossible, -
I am and shall always be.
And the camps of all fighters, and people of different tastes,
In the closet of the poor, and in the palace of the king,
Rejoicing, they will call me - Valery Bryusov,
Speaking of a friend with friendship.
In the gardens of Ukraine, in the noise and bright dream of the capital,
To the thresholds of India, on the banks of the Irtysh, -
Burning pages will fly everywhere,
in which my soul sleeps.
For many I thought, for all I knew the torments of passion,
But it will become clear to everyone that this song is about them,
And, in distant dreams in irresistible power,
Glorify proudly every verse.
And in new sounds the call will penetrate beyond
Sad homeland, and a German, and a Frenchman
Dutifully repeat my orphaned verse,
Gift of supportive Muses.
What is the glory of our days? - casual fun!
What is the slander of friends? - contempt blasphemy!
Crown my brow, glory of other centuries,
Leading me into the world temple.

The poet Khodasevich also hoped that
"In Russia new and great,
They will put up my two-faced idol
At the crossroads of two roads
Where is the time, wind and sand…"

But Akhmatova in the poem "Requiem" even indicated the place where to erect a monument to her.

And if ever in this country
They will erect a monument to me,

I give my consent to this triumph,
But only with the condition - do not put it

Not near the sea where I was born:
The last connection with the sea is broken,

Not in the royal garden at the treasured stump,
Where the inconsolable shadow is looking for me,

And here, where I stood for three hundred hours
And where the bolt was not opened for me.

Then, as in blissful death I fear
Forget the rumble of black marus,

Forget how hateful the door slammed
And the old woman howled like a wounded animal.

And let from motionless and bronze eyelids
Like tears, melted snow flows,

And let the prison dove roam in the distance,
And the ships are quietly moving along the Neva.

In 2006, in the year of the fortieth anniversary of Akhmatova's death, in St. Petersburg, on the Robespierre embankment, opposite the Kresty prison building, a monument was unveiled to her. Exactly where she indicated.

I. Brodsky erected a kind of monument to himself.

I erected a monument to myself,
Back to the shameful century
To love with your lost face,
And the buttocks to the sea of half-truths ...

Yesenin also, probably jokingly, built a monument to himself:
I erected a monument to myself
From bottled wine corks.
Corks were then called bottles of wine. Talking about the meeting with Yesenin in Rostov-on-Don in 1920, Yu. Annenkov recalled an episode that took place in the Alhambra restaurant. Yesenin pounding on the table with his fist:
- Comrade footman, cork!
Yesenin was erected a well-deserved monument by the people. And not alone. The folk trail will not overgrow to them.

But the poet A. Kucheruk stubbornly writes verse after verse, in order to also create a monument not made by hands. But he doubts “whether there will be a path to it?”

They tell me it's all in vain;
write poetry ... What are they for now?
After all, there are no beautiful ladies in the world for a long time.
And there are no knights among us for a long time.

For a long time to the verses all souls have cooled
down to minus two on the Kelvin scale...
Well, what are you clinging to them, really?
What, there are no other occupations on the Earth?

Or maybe you're a graphomaniac? Here you are scribbling
knocking lines into orderly rows?
Like a sewing machine, day and night
poems you sew full of water.

And I don't know what to say to that
because I'm really ready
with the energy of a poet
sing friends and crush enemies.

Verse after verse ready to write stubbornly,
but if so my country is blind,
let me create a monument not made by hands...
Will there be a path leading to it?

Watching how others create monuments for themselves, I also became infected with this monument mania and decided to create my own miraculous one.

I also erected a monument to myself,
Like Pushkin, like old Derzhavin,
Your last name under the nickname NIK
I have already glorified my creativity.

No, gentlemen, I'm completely fucking dying,
My creations will outlive me.
For always being faithful to goodness,
The descendants in the temple will light a candle for me.

And so I will be kind to the people,
That I was excited by the creativity of my heart,
What from enemies and all other freaks
I have defended Holy Russia all my life.

My enemies will die of envy.
Let them die, it seems they should!
Their descendants will erase them from memory,
And NIK will thunder like a cannonade.

Rumors about me will spread everywhere and everywhere,
And both the Chukchi and the Kalmyk will remember me.
In a circle, my creations will be read,
A good man, they will say, was NIK.
(Joke)

But, like Kucheruk, I doubt whether there will be a path to my monument?

Reviews

Excellent work Nikolay Ivanovich! I read it twice. And one more time waking up to his wife. What is surprising, but your monument also fell into line, after all the great and not so great. So you are a good person, Nick. It's not even discussed. And this is the most important thing. main monument. Oh, and a sense of humor too! Thank you!

The poem by Alexander Sergeevich Pushkin "" is not an entirely original source. When Pushkin sat down to write it, he was familiar with the original - the poem "To Melpomene" by Horatio, free translations and transcriptions of foreign and Russian poets. In Russia, Batyushkov, Derzhavin (whose verse is often with Pushkin's), and Lomonosov wrote on this subject. Later - Lermontov, A. Fet, Kapnist.

And at the same time, an analysis of the poem “I erected a monument to myself not made by hands” shows that it is not a translation, like the works of Lomonosov, Fet, Kapnist. This is not even an imitation of an ancient Roman poet who lived in pre-Christian times. Although some motives of Horatio are present in Pushkin's work. The ancient Roman ode served as a form, a kind of wrapper for Pushkin's original poem, in which the poet put his content - feelings and worldview.

The poem was written in 1836, shortly before his death. It was a time of creative flourishing, grandiose literary plans and a personal spiritual crisis.

In this poem, Pushkin, summing up his work, says:

And for a long time I will be kind to the people,
That I aroused good feelings with lyre,
That in my cruel age I glorified Freedom,
And he called for mercy on the fallen.

And the proud grandson of the Slavs, and the Finn, and now wild
Tunguz, and a Kalmyk friend of the steppes.

Between the lines one can read the poet's belief that people will someday be free and educated, and Pushkin will be translated into other languages. Well, that prophecy came true.

The appeal to the Muse to be obedient to the command of God is a call to writers who will create after him.

Not afraid of resentment, not demanding a crown,
Praise and slander were accepted indifferently,

And don't argue with the fool.

The poem is close to the genre of ode, it is written in iambic six-foot. This rhythm, more than others, corresponds to ancient poetry, and fits the ode. But unlike ancient literary works, Pushkin's poem is not read heavily. On the contrary, the rhythm of the verse is energetic, and the work itself sounds solemn. True, the last stanza is set out in iambic tetrameter, which makes it energetic.

The work consists of 5 stanzas, the rhyme is crossed, the feminine rhyme alternates with the masculine. It can be divided into 3 parts: in the first, the poet says that he erected a monument to himself. In the second part, he explains how, in his opinion, he will be "kind to the people." And the third part is a call to the poets who will create after him.

The poem is related to the ode by Old Slavonicisms - head, pillar, piit, existing; and polyunion.

The poem uses the means of artistic expression, helping to feel the mood of the poet. These are epithets - miraculous, rebellious, great, cherished, proud, kind, wild, cruel.

The poem itself is metaphorical in essence. Everyone knows that Pushkin is not an architect or a sculptor, and did not build anything. He applied the inversion. The monument means all his literary work, which will keep the memory of him among the people. He says that his soul lives in his works. "Soul in the cherished lyre". The lyre is an ancient Greek musical instrument that symbolizes poetic creativity. Annenkov confirms the same idea:

“The real, full life of his [Pushkin] lies in his very works, generated, so to speak, by the course of it. In them, the reader can study both the soul of the poet and the circumstances of his existence, moving from one artistic image to another. This is how Pushkin wrote his biography... The reader may have the pleasure of tracing this poetic story about himself, starting from the first imitations of our poet to the erotic writers of France, until, after a series of powerful creations, he could exclaim in just pride:

I erected a monument to myself not made by hands:
The folk trail will not overgrow to it.

The poem “I erected a monument to myself not made by hands” has an unusual, even tragic story. His draft was discovered after the death of the writer and given to Zhukovsky for revision. He carefully edited the original, and the poem was placed in a posthumous edition. It is rather sad to read the verse “I erected a monument to myself not made by hands” by Pushkin Alexander Sergeevich - the poet, as if anticipating death approaching the threshold, hurries to create a work that will become his creative testament. In whatever class this creation is studied, it is able to make a deep impression.

The main theme of the poem is by no means self-praise, as the poet's detractors believed, but reflections on the role of poetry in public life. It does not matter whether a person decides to download it or read it online, Pushkin's message will be quite clear to him: the poetic word does not die, even if the creator dies. Remaining an imprint of his personality, it passes through the centuries, carries itself as a banner to different peoples. This is a lesson about love for freedom, homeland and people that needs to be taught at any age.

The text of Pushkin's poem “I erected a monument to myself not made by hands” is filled with inspiration and admiration, there is a lot of tenderness and even sadness in it, which one way or another slips between the lines, is completely covered by the realization of the fact that the poet's soul is immortal. It is kept by the people themselves, who are not indifferent to literature.

Exegi monumentum.*

I erected a monument to myself not made by hands,
The folk trail will not grow to it,
He ascended higher as the head of the rebellious
Pillar of Alexandria.**

No, all of me will not die - the soul is in the cherished lyre
My ashes will survive and decay will run away -
And I will be glorious as long as in the sublunar world
At least one piit will live.

The rumor about me will spread throughout the great Russia,
And every language that is in it will call me,
And the proud grandson of the Slavs, and the Finn, and now wild
Tungus, and a Kalmyk friend of the steppes.

And for a long time I will be kind to the people,
That I aroused good feelings with lyre,
That in my cruel age I glorified freedom
And he called for mercy on the fallen.

By the command of God, O muse, be obedient,
Not afraid of resentment, not demanding a crown;
Praise and slander received with indifference
And don't argue with the fool.
____________________________
* “I erected a monument” (lat.). The epigraph is taken from the works
Horace, the famous Roman poet (65-8 BC).

Portal for the student. Self-training

And for a long time I will be kind to the people. “I erected a monument to myself not made by hands” - one of the secrets of Pushkin

Option 2

Analysis of the poem I erected a monument to myself miraculous ... Pushkin

Picture to the poem I erected a monument to myself not made by hands ...

Popular Analysis Topics

Variants and discrepancies

Notes

Portal for the student. Self-training

Option 2

Analysis of the poem I erected a monument to myself miraculous ... Pushkin

Picture to the poem I erected a monument to myself not made by hands ...

Popular Analysis Topics

Variants and discrepancies

Notes

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