“Golden foliage spun…” Sergei Yesenin

Golden foliage swirled
In the pinkish water of the pond
Like a light flock of butterflies
With fading flies to the star.

I'm in love with this evening
The yellowing dol is close to the heart.
Youth-wind up to the shoulders
Headed on a birch hem.

And in the soul and in the valley coolness,
Blue dusk like a flock of sheep
Behind the gate of the silent garden
The bell will ring and freeze.

I've never been thrifty
So did not listen to rational flesh,
It would be nice, like willow branches,
To tip over into the pink waters.

It would be nice, on a haystack smiling,
Muzzle of the month to chew hay ...
Where are you, where are you, my quiet joy,
Loving everything, wanting nothing?

Analysis of Yesenin's poem "Golden foliage spun ..."

The early works of Sergei Yesenin have amazing magical power. The poet, who has not yet been disappointed in life and has not lost the meaning of his own existence, does not tire of admiring the beauty of the surrounding nature. Moreover, he communicates with her on an equal footing, endowing inanimate objects with the qualities and characters of ordinary people.

This romantic period of the poet's work also includes the poem "Golden foliage spun ...", which was written in the fall of 1918. This work exudes amazing peace and purity, as if in such an unpretentious way, Yesenin is trying to mentally escape from the bustle of Moscow, which causes longing and irritation in him.

It is in the verses of the wounded period that the poet reveals his true feelings and aspirations, he is irresistibly drawn to his homeland, where "the child-wind up to his shoulders blazed on the birch hem." Surely in Yesenin's life there were many such quiet and joyful evenings when he was in complete harmony with the outside world. And he managed to carry this feeling through the years, trying again and again to resurrect it in his memory. He compares the blue dusk of the coming night with a herd of sheep, the moon reminds him of a young foal, which seems to be chewing hay, collected by someone's caring hands in a haystack. At the same time, the poet notes that “he has never so carefully listened to rational flesh.” With this phrase, he emphasizes that the surrounding nature is much wiser than man, and one should learn from her not only restraint, but also that quiet joy that she knows how to give so generously and free of charge.

In every line of this poem, one can feel how much the author admires the usual rural landscape, which he identifies with his homeland. It is the pond, with water colored by the sunset in a soft pink color, and the yellowed leaves falling into it, that give Yesenin a feeling of peace and joy that a loving mother earth can give to her unlucky prodigal son who has returned home. However, creating these images of extraordinary beauty, the author only mentally returns to the village of Konstantinovo, where he spent his carefree childhood. His real life is already closely connected with the metropolitan beau monde, although the poet himself does not yet realize that in his poems he forever says goodbye to the homeland that is close to him, understandable and infinitely dear. Nevertheless, in the lines of this poem there are already clearly distinguishable notes of mental confusion and anxiety, when Yesenin asks: “Where are you, where, my quiet joy - loving everything, not wanting anything?” The poet understands that his past life is turning into a mirage every year, but he is unable to give up what he truly loves, although he understands that fate puts him before the need for a choice, cruel, but inevitable.

Golden foliage swirled ....

Golden foliage swirled
In the pinkish water of the pond
Like a light flock of butterflies
With fading flies to the star.

I'm in love with this evening
The yellowing dol is close to the heart.
Youth-wind up to the shoulders
Headed on a birch hem.

And in the soul and in the valley coolness,
Blue dusk like a flock of sheep
Behind the gate of the silent garden
The bell will ring and freeze.

I've never been thrifty
So did not listen to rational flesh,
It would be nice, like willow branches,
To tip over into the pink waters.

It would be nice, on a haystack smiling,
Muzzle of the month to chew hay ...
Where are you, where are you, my quiet joy -
Loving everything, wanting nothing?

Reads A. Pokrovsky

Yesenin Sergey Alexandrovich (1895-1925)
Yesenin was born into a peasant family. From 1904 to 1912 he studied at the Konstantinovsky Zemstvo School and at the Spas-Klepikovskaya School. During this time, he wrote more than 30 poems, compiled a handwritten collection "Sick Thoughts" (1912), which he tried to publish in Ryazan. The Russian village, the nature of central Russia, oral folk art, and most importantly, Russian classical literature had a strong influence on the formation of the young poet, directed his natural talent. Yesenin himself at different times named different sources that fed his work: songs, ditties, fairy tales, spiritual poems, “The Tale of Igor's Campaign”, the poetry of Lermontov, Koltsov, Nikitin and Nadson. Later he was influenced by Blok, Klyuev, Bely, Gogol, Pushkin.
From Yesenin's letters of 1911-1913, the complex life of the poet emerges. All this was reflected in the poetic world of his lyrics in 1910 - 1913, when he wrote more than 60 poems and poems. Yesenin's most significant works, which brought him fame as one of the best poets, were created in the 1920s.
Like any great poet, Yesenin is not a thoughtless singer of his feelings and experiences, but a poet - a philosopher. Like all poetry, his lyrics are philosophical. Philosophical lyrics are poems in which the poet speaks about the eternal problems of human existence, conducts a poetic dialogue with man, nature, earth, the universe. An example of the complete interpenetration of nature and man is the poem “Green Hairstyle” (1918). One develops in two plans: a birch is a girl. The reader will never know who this poem is about - about a birch tree or about a girl. Because a person here is likened to a tree - the beauty of the Russian forest, and she - to a person. Birch in Russian poetry is a symbol of beauty, harmony, youth; she is bright and chaste.
The poetry of nature, the mythology of the ancient Slavs are imbued with such poems of 1918 as “Silver Road ...”, “Songs, songs about what are you shouting about?”, “I left my dear home ...”, “Golden foliage spun ...” etc.
Yesenin's poetry of the last, most tragic years (1922 - 1925) is marked by a desire for a harmonious worldview. Most often, in the lyrics one feels a deep understanding of oneself and the Universe (“I don’t regret, I don’t call, I don’t cry ...”, “The golden grove dissuaded ...”, “Now we are leaving a little ...”, etc.)
The poem of values ​​in Yesenin's poetry is one and indivisible; everything is interconnected in it, everything forms a single picture of the “beloved homeland” in all its diversity of shades. This is the highest ideal of the poet.
Having passed away at the age of 30, Yesenin left us a wonderful poetic legacy, and as long as the earth lives, Yesenin, the poet, is destined to live with us and “sing with his whole being in the poet the sixth part of the earth with the short name “Rus”.

Those poems by Sergei Yesenin that are related to his early creative stage are filled with extraordinary energy and inner strength. This period is characterized by a special pacified state of the lyrical hero, when the memories are still mostly bright thoughts.

The real feelings that the author reveals in the poem “Golden Leaves Swirled” demonstrate a genuine love for nature, his native land. His extraordinary attentiveness to the favorite, habitual components of nature transforms the world, making it even more beautiful. In the very first quatrain, the feeling of a fairy tale arises due to the comparison of leaves with a flock of butterflies. Their fall is silent and unhurried. They fall "with fading". The author feels their every movement, as if sharing everyday life with them. The mood of the lyrical hero is peaceful, close to ecstasy. Therefore, in autumn, instead of dark, the water seems to him a pink hue.

The second paragraph contains a straightforward confession: "I'm in love with this evening today." Despite the wind, which by this time had torn off a large amount of foliage, the author is pleased with the “yellowing valley”. He dissolves completely in nature, in the universe. He rises to the same level with nature, identifying himself with it: "both in the soul and in the valley there is coolness." Yesenin mentions a butterfly, a birch; among the verbs - it is "spun", "flies", "in love", "will ring", which characterize the stormy, but easy activity of an age far from the elderly.

With the help of simple personifications, the author's perception of autumn is easy to imagine. In the imagination, leaves peacefully fall on the water with golden colors, birches waited for their fate. The ruthless wind seemed to rip the leaves from them in one jerk. The bell in the distance echoes the poet.

The poem “Golden leaves spun” is the revelation of a young poet who, due to his youth, sees only positive, beautiful in everything. The verse is saturated with adventurism, shrouded in a romantic mood. The young man does not yet have disappointments in his lifetime, so his bright hopes appear in the lines of the work gently, with faith in the best, optimistically. And in each line one sees a talented representation of the nature of his native land, where he spent his carefree childhood and where he seeks to return again.

Option 2

A feature of Yesenin's lyrics is the skillful use of various, rather rare words and the weaving of incredibly beautiful comparisons. In general, of course, such a statement sounds a little trite, because poets need to have the ability to use different paths, and this, among other things, is the work of a poet. Nevertheless, if you know Yesenin's lyrics, it becomes clear what is at stake.

Golden foliage swirled - a typical example of such lyrics. An incredible lace of words describes the arrival of autumn, describes it sensitively and penetratingly. When you read these lines, you understand how tenderly Sergey Alexandrovich was able to feel nature and the world around him.

Consider some of the comparisons and metaphors that the poet used to describe the autumn evening. He compares the fallen leaves on the water surface with a flock of butterflies that fly to the star. Here, before us, the image of the sky opens up, and the vast cosmic spaces and beautiful butterflies that circle in their natural round dance.

An interesting image is the child-wind, which bares the hem of a birch. This light erotic motif brings the reader closer to nature, allowing a closer look at simple natural phenomena. Yesenin talks about his own love in the evening and additionally emphasizes the feeling of falling in love through the relationship of the birch girl and the wind boy.

The poet is in unity with the rest of the world, the line between the outer and the inner turns out to be transparent, coolness spreads everywhere. Outside, a blue dusk “grazes”. The jingling of the bell adds an interesting touch and brightens up this quiet scene a little.

Yesenin speaks of the world as rational flesh, he feels life and vitality in all existence, he himself wants to, as it were, dissolve in the world, become everything. For example, a willow tree and also plunge into the water with their branches. At the same time, he emphasizes his own care, because, uniting with the whole world, he understands the value of this beauty, becomes sensitive.

Analysis of the poem Golden foliage spun according to plan

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