MADONNA

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SONNET

Not many paintings by old masters
I always wanted to decorate my abode,
So that the visitor marveled at them superstitiously,
Listening to the important judgment of connoisseurs.

In my simple corner, in the midst of slow labors,
One picture I wanted to be forever a spectator,
One: so that on me from the canvas, as from the clouds,
Pure and our divine savior -

She is with greatness, he is with reason in his eyes -
Looked, meek, in glory and in the rays,
Alone, without angels, under the palm tree of Zion.

My wishes have been fulfilled. Creator
He sent you down to me, you, my Madonna,
The purest beauty, the purest example.

1830

Analysis of Pushkin's poem "Madonna"

Among the love lyrics of Alexander Pushkin there are several works that he dedicated to his wife Natalya Goncharova. One of them is the poem "Madonna", written in 1830, six months before the wedding.
At this time, the poet is in Moscow, where he repeatedly asks Natalya Goncharova to become his wife. Having received consent, Pushkin is in euphoria and begins to prepare for the wedding, while his bride and family leave the capital for a while, going to the family estate. To brighten up the days of separation, Pushkin hangs in his room a portrait of the "blonde Madonna", which, according to the poet, is like two drops of water similar to his chosen one. He even reports this amazing similarity in a letter addressed to Natalya Goncharova, receiving a very encouraging answer in which the young girl says that very soon Pushkin will not need to admire the picture, as he will have a wife.

Inspired by this message the poet dedicates the poem "Madonna" to Natalia Goncharova, which is written in the form of a sonnet. In the very first lines, the author declares that all his life he dreamed not of decorating the house with portraits of famous artists, but of love and mutual understanding reigning in it. According to the poet, it is a happy marriage that can create in the house that amazing atmosphere of harmony and prosperity, which is so easily captured by others. And it is she who attracts people who are pleased to be in families built on love, mutual respect and trust.

Pushkin sees his future marriage just as happy and harmonious, so the poet notes in the poem that he dreams of “being forever a spectator” of just one picture that would reflect his life. The heroes of this canvas are “she is with greatness, he is with reason in his eyes”, i.e. An ideal married couple destined to live a long and happy life together.

Pushkin sees his upcoming marriage as if from the outside, but this does not prevent him from indulging in dreams of family well-being. It would seem that there is every reason for this, because Natalia Goncharova is pretty, smart enough and educated. That is why the poet thanks the Almighty for the fact that he “sent down to me, you, my Madonna,
the purest beauty, the purest example. The author does not suspect that in just a few months between him and his chosen one there will be the first serious conflict related to the wedding dowry. Pushkin knew that his bride belonged to a noble, but, alas, impoverished family. However, he did not imagine that together with his wife he would get a bunch of family debts. To repay them was not part of the poet's plans, so his marriage was on the verge of failure. Having gone to Boldino in order to take ownership of the estate, Pushkin even wrote to his future mother-in-law that Natalya Goncharova was free from any obligations to him, although he himself, if he married, would only marry her. In the end, the wedding still took place, but the image of the Madonna, created by the poet in the poem of the same name, faded. It is known that after the marriage, the poet did not dedicate a single poem to his wife. There are several reasons for this, although the poet himself claims that he found true happiness in this marriage. However, during the wedding in the Church of the Great Ascension, Natalya Goncharova first dropped the poet's wedding ring, and later the candle went out in his hands. Being a rather superstitious person, Pushkin took this as a bad sign. And since then, he perceived his marriage not as a gift from heaven, but as a punishment that is inevitable.

As a matter of fact, the poet turned out to be right in this, since the fatal duel with Dantes, which ended his life, took place precisely because of Natalia Goncharova. Nevertheless, until his death, his wife remained for the poet the most desirable and beloved woman in the world, for the possession of which he paid with his life.

Notes

See letter from N. Goncharova dated July 30, 1830. The poem and the letter refer to the same painting..

Analysis of the poem "Madonna" by Pushkin (2)

The love lyrics of A. S. Pushkin reveal to the reader those facets of the poet that are invisible in insipid biographies. The poem "Madonna", studied in the 9th grade, keeps Alexander Sergeevich's innermost dreams, his ideas about an ideal family. We suggest that you familiarize yourself with a brief analysis of the "Madonna" according to the plan.

Brief analysis

History of creation- was created in 1830, after Natalya Goncharova agreed to marry Pushkin.

Theme of the poem- a dream of an ideal, happy family; immaculate image of the Madonna.

Composition- the poem is written in the form of a monologue of a lyrical hero. According to the meaning, the poem is divided into three parts: a story about a dream picture, a description of the images of the pure and the savior, a story about the fulfillment of a wish. The form of the work is a sonnet (two quatrains and two tercetes).

Genre- elegy.

Poetic size- iambic six-foot, ring rhyme ABBA, cross ABAB and parallel AABB.

Metaphors- “I wanted to be forever a spectator of one picture”, “they looked ... in glory and in the rays”, “The Creator sent you down to me, my Madonna”.

epithets- “old masters”, “superstitiously marveled”, “important judgment”, “pure charm”.

Comparisons- "from the canvas, as from the clouds."

History of creation

The poem "Madonna" appeared in A. S. Pushkin's notebook in 1830. The poet was inspired to write by Natalya Goncharova's consent to marry him. It is known that the first beauty of the capital accepted the offer only the second time. It is not surprising that Alexander Sergeevich was very happy about this.

Before receiving the good news, the poet corresponded with Natalia. In one of the letters, he admitted that he was fascinated by the painting by the Italian artist P. Perugio. The Madonna depicted on it was very reminiscent of the poet of his chosen one. In his own house, Pushkin also hung a portrait of the Madonna with white hair. Soon Natalya replied that the poet would admire his wife, and not the picture. So, in anticipation of family life, six months before the wedding, the poet wrote Madonna.

Topic

In the poem, the poet reveals two themes, closely intertwining them: a dream-idea of ​​an ideal family and the image of the Madonna. It is difficult to determine which of the topics is the main one. Such interweaving of motives is unusual for Russian literature. To reveal the themes, the author created an original system of images: the lyrical hero, the Madonna and the "savior" depicted in the picture, the Creator and the Madonna-beloved of the lyrical hero. The system of images is formed gradually, each stanza supplements it with a new hero.

In the first lines, the lyrical hero admits that he would not like to decorate his house with paintings by eminent artists in order to show them as guests and listen to the judgments of ""experts"". His dream is to forever look at the picture depicting the purest and the savior. In the following verses, it turns out that the author is not talking about the icon. This is how he imagines the ideal family: "" she is with greatness, he is with reason in his eyes "". Sacred attributes in the picture symbolize the pure relationship between the spouses.

In the last tercet of the poem, the hero says that the Creator heard him and fulfilled his desire. The hero met his Madonna. The man does not say a word about the woman's appearance, but emphasizes her purity: ""the purest charm, the purest example"". Knowing the biography of A. S. Pushkin and the history of the creation of the analyzed poem, it is easy to guess that Natalya Goncharova is hiding under the image of the Madonna.

Composition

The analyzed work is a monologue of the lyrical hero, which gradually reveals the author's idea of ​​an ideal family, an ideal woman. According to the meaning, the poem is divided into three parts: a story about a dream picture, a description of the images of the pure and the savior, a story about the fulfillment of a wish. The formal composition is a sonnet (two quatrains and two tercets).

Genre

The genre of the poem is an elegy, as the lyrical hero indulges in dreams and leisurely reflections. The poetic size is iambic six-meter. A. Pushkin used all kinds of rhymes.

means of expression

The poet does not oversaturate the work with expressive means. Nevertheless, the paths help to reveal the theme, show the feelings and emotions of the characters. There are metaphors in the text - "" one picture I wanted to be forever a spectator", "looked ... in glory and in the rays", "The Creator sent you down to me, my Madonna", "epithets -" "old masters", "superstitiously marveled", "important judgment", "pure charm" "comparison -" "from the canvas, as from the clouds."

The love lyrics of A. S. Pushkin reveal to the reader those facets of the poet that are invisible in insipid biographies. The poem "Madonna", studied in the 9th grade, keeps Alexander Sergeevich's innermost dreams, his ideas about an ideal family. We suggest that you familiarize yourself with a brief analysis of the "Madonna" according to the plan.

Brief analysis

History of creation- was created in 1830, after Natalya Goncharova agreed to marry Pushkin.

Theme of the poem- a dream of an ideal, happy family; immaculate image of the Madonna.

Composition- the poem is written in the form of a monologue of a lyrical hero. According to the meaning, the poem is divided into three parts: a story about a dream picture, a description of the images of the pure and the savior, a story about the fulfillment of a wish. The form of the work is a sonnet (two quatrains and two tercetes).

Genre- elegy.

Poetic size- iambic six-foot, ring rhyme ABBA, cross ABAB and parallel AABB.

Metaphors – “one picture I wanted to be forever a spectator”, “looked ... in glory and in the rays”, “the Creator sent you down to me, my Madonna”.

epithets – "old masters", "superstitiously marveled", "important judgment", "pure charm".

Comparisons – "from the canvas, as from the clouds."

History of creation

The poem "Madonna" appeared in A. S. Pushkin's notebook in 1830. The poet was inspired to write by Natalya Goncharova's consent to marry him. It is known that the first beauty of the capital accepted the offer only the second time. It is not surprising that Alexander Sergeevich was very happy about this.

Before receiving the good news, the poet corresponded with Natalia. In one of the letters, he admitted that he was fascinated by the painting by the Italian artist P. Perugio. The Madonna depicted on it was very reminiscent of the poet of his chosen one. In his own house, Pushkin also hung a portrait of the Madonna with white hair. Soon Natalya replied that the poet would admire his wife, and not the picture. So, in anticipation of family life, six months before the wedding, the poet wrote Madonna.

Topic

In the poem, the poet reveals two themes, closely intertwining them: a dream-idea of ​​an ideal family and the image of the Madonna. It is difficult to determine which of the topics is the main one. Such interweaving of motives is unusual for Russian literature. To reveal the themes, the author created an original system of images: the lyrical hero, the Madonna and the "savior" depicted in the picture, the Creator and the Madonna-beloved of the lyrical hero. The system of images is formed gradually, each stanza supplements it with a new hero.

In the first lines, the lyrical hero admits that he would not like to decorate his house with paintings by famous artists in order to show them as guests and listen to the judgments of "experts". His dream is to forever look at the picture depicting the purest and the savior. In the following verses, it turns out that the author is not talking about the icon. This is how he imagines the ideal family: "she is with greatness, he is with reason in his eyes." Sacred attributes in the picture symbolize the pure relationship between the spouses.

In the last tercet of the poem, the hero says that the Creator heard him and fulfilled his desire. The hero met his Madonna. The man does not say a word about the woman's appearance, but emphasizes her purity: "of the purest charm, the purest example." Knowing the biography of A. S. Pushkin and the history of the creation of the analyzed poem, it is easy to guess that Natalya Goncharova is hiding under the image of the Madonna.

Composition

The analyzed work is a monologue of the lyrical hero, which gradually reveals the author's idea of ​​an ideal family, an ideal woman. According to the meaning, the poem is divided into three parts: a story about a dream picture, a description of the images of the pure and the savior, a story about the fulfillment of a wish. The formal composition is a sonnet (two quatrains and two tercets).

Genre

The genre of the poem is an elegy, as the lyrical hero indulges in dreams and leisurely reflections. The poetic size is iambic six-meter. A. Pushkin used all kinds of rhymes.

means of expression

The poet does not oversaturate the work with expressive means. Nevertheless, the paths help to reveal the theme, show the feelings and emotions of the characters. The text has metaphors- “one picture I wanted to be forever a spectator”, “they looked ... in glory and in the rays”, “The Creator sent you down to me, my Madonna”, epithets- “old masters”, “superstitiously marveled”, “important judgment”, “pure charm” comparison - “from the canvas, as from the clouds”.

Poem Test

Analysis Rating

Average rating: 4.3. Total ratings received: 38.

So, we continue the conversation about Pushkin's love lyrics. This time we will touch on his sonnet "Madonna", which he dedicated to his wife, Natalya Nikolaevna Goncharova.

Pushkin met the Goncharov family in the winter of 1828, at a ball, Natalya Nikolaevna was then only 16 years old, she attracted everyone's attention with her extraordinary external beauty and modesty.

According to a contemporary (A.P. Arapova), “Natalya Nikolaevna was modest to the point of pain; when they first met, his (Pushkin's) celebrity, the imperiousness inherent in a genius, not only embarrassed, but somehow crushed her. She bashfully responded to enthusiastic phrases, but this innate modesty only elevated her in the eyes of the poet.

The whole environment of the young poet immediately started talking about the upcoming wedding. The reason for this was, in general, weighty - Pushkin himself repeatedly stated in society that he intended to end his bachelor life, being captivated by Natalya Goncharova.

Pushkin's sonnet "Madonna" (1830) is addressed specifically to Natalya Nikolaevna.

Not many paintings by old masters
I always wanted to decorate my abode,
So that the visitor marveled at them superstitiously,
Listening to the important judgment of connoisseurs.

In my simple corner, in the midst of slow labors,
One picture I wanted to be forever a spectator,
One: so that on me from the canvas, as from the clouds,
Pure and our divine Savior -

She is with greatness, he is with reason in his eyes -
Looked, meek, in glory and in the rays,
Alone, without angels, under the palm tree of Zion.

My wishes have been fulfilled. Creator
He sent you down to me, you, my Madonna,
The purest beauty, the purest example.

We see to what spiritual heights the poet's love for his Beautiful Lady, who for him is "the purest charm, the purest example." The very form of the work - a sonnet - and the high style of presentation give rise to associations with the Renaissance.

Veresaev V.V. Pushkin in life: A systematic collection of authentic testimonies of contemporaries. – M.: Mosk. worker, 1987. - S. 133.

Not many paintings by old masters
I always wanted to decorate my abode,
So that the visitor marveled at them superstitiously,
Listening to the important judgment of connoisseurs.

In my simple corner, in the midst of slow labors,
One picture I wanted to be forever a spectator,
One: so that on me from the canvas, as from the clouds,
Pure and our divine savior -

She is with greatness, he is with reason in his eyes -
Looked, meek, in glory and in the rays,
Alone, without angels, under the palm tree of Zion.

My wishes have been fulfilled. Creator
He sent you down to me, you, my Madonna,
The purest beauty, the purest example.

Analysis of the poem "Madonna" by Pushkin

The rich creative heritage of Pushkin includes only a few poems dedicated to N. Goncharova. One of them is "Madonna" (1830), which the poet wrote a few months before the wedding. There are several conflicting versions about the source that inspired Pushkin. According to the first version, the “blonde Madonna”, which the poet mentions in a letter to his future bride, is the famous painting by Raphael “Bridgewater Madonna”. Another version names the author P. Perugio. Further in the letter, Pushkin says that the image "like two drops of water" reminds him of a bride, and he wanted to buy it, but was amazed at the incredibly high price. This statement raises great doubts in the third version, according to which the painting is a portrait of N. Goncharova herself.

Based on the fact that the image is still a painting by a famous artist, one can appreciate the strength of the love experienced by the poet. At the beginning of the work, he claims that he would neglect the most amazing masterpieces of world painting for the sake of this canvas.

In his youth, Pushkin allowed himself quite frank statements about religion. Over the years, he gradually changes his attitude. The future wedding should end his carefree life. Pushkin will have to become the head of the family and take his statements and actions more seriously. A quiet life "among slow labors" leads to lofty thoughts. The poet dreams that she will be brightened up with the image of the “Pure One” with a baby in her arms. The sacred picture is successfully combined with the image of the beloved, which increases its value in the eyes of the poet.

The painting depicts only the Mother of God and Jesus. This is quite enough. Other religious symbols would be redundant. "Greatness" and "intelligence", which radiate biblical characters, fill the poet's soul with delight and sacred awe.

In the last lines, Pushkin expresses immense joy. The contemplation of the wonderful picture coincided with the long-awaited consent of the bride's parents. The poet considers this a real gift from God. Calling N. Goncharova "my Madonna", Pushkin emphasizes his sacred admiration for her, as before "the purest charm, the purest example."

The poem "Madonna" successfully combines the religious theme with the personal feelings of the poet. For a true believer, this combination may look blasphemous, but the great poet thus showed the depth of his love and joy about the upcoming marriage.