"Live and Remember" analysis of the work - theme, idea, genre, plot, composition, characters, problems and other issues are disclosed in this article.

The plot of the story by V.G. Rasputin's "Live and Remember" resembles a detective story: old man Guskov's skis, an ax and a self-gardened gabak disappeared from the bath. However, the work itself is written in a completely different genre: it is a deep philosophical reflection on the moral foundations of being, on the power of love feelings. Since the ax disappeared from under the floorboard, Nasten's daughter-in-law immediately guesses that one of her own took it. A complex range of feelings takes possession of her. On the one hand, she wants to see a husband whom she sincerely loves. On the other hand, he understands that if he is hiding from people, then he deserted from the front, and such a crime in wartime is not forgiven. Near the bright visual and expressive means of V.G. Rasputin shows the depth of Nastena's feelings.

At first, “she lay for a long time in the dark with her eyes open, afraid to move, so as not to betray her terrible guess to someone,” then she sniffed the air in the bath like an animal, trying to catch familiar smells. She is tormented by a "stubborn horror in her heart." The portrait of Nastya (long, skinny, with awkwardly protruding arms, legs and head, with frozen pain on her face) shows what moral and physical torment the war brought to the woman. Only the younger sister Katya forced Nastya to show interest in life, to look for work. Nastena endured all the hardships steadfastly, having learned to remain silent. She considered childlessness to be her greatest misfortune. Her husband Andrei was also worried about this and often beat.

Rasputin does not try to justify the desertion of Andrei, but seeks to explain from the position of a hero: he fought for a long time, deserved a vacation, wanted to see his wife, but the vacation due to him after being wounded was canceled. The betrayal committed by Andrei Guskov creeps into his soul gradually. At first, he was haunted by the fear of death, which seemed inevitable to him: "Not today - so tomorrow, not tomorrow - so the day after tomorrow, when the turn turns up." Guskov survived both wounds and shell shock, experienced tank attacks and ski raids. V.G. Rasputin emphasizes that among the scouts Andrei was considered a reliable comrade. Why did he embark on the path of betrayal? At first, Andrei just wants to see his family, with Nastena, stay at home for a while and return. However, having traveled by train to Irkutsk, Guskov realized that in the winter you would not turn around even in three days. Andrei recalled the demonstration execution, when a boy who wanted to run fifty miles away to his village was shot in his presence. Guskov understands that they will not pat him on the head for an AWOL.

Gradually Andrei began to hate himself. In Irkutsk, for some time, he settled with the mute woman Tanya, although he had absolutely no intention of doing this. A month later, Guskov finally ended up in his native places. However, the hero did not feel joy at the sight of the village. V.G. Rasputin constantly emphasizes that, having committed a betrayal, Guskov embarked on the bestial path. After some time, the life that he so cherished at the front became not sweet to him. Having committed treason to his homeland, Andrei cannot respect himself. Mental anguish, nervous tension, the inability to relax even for a minute turn him into a hunted beast.

Andrei's betrayal fatally falls on the shoulders of Nastena. For a long time she cannot comprehend what has happened: her husband, who has come secretly to her native land, seems to her a werewolf: “Understanding little, she suddenly realized: is it her husband? Was it a werewolf with her? Can you make out in the dark? And they, they say, can pretend to be so that even in broad daylight you can’t distinguish from the real one. Because of Andrei, the woman has to lie and dodge. With touching naivete, Nastena tries to resist the cruel reality. It seems to the heroine that she only dreamed of a night meeting with her deserter husband. With fine detail shows V.G. Rasputin, like Nastena, seeks to remove the obsession from himself, to get rid of him, like a nightmare. Official religiosity, lost during the years of Soviet power, is still alive in the depths of the consciousness of the Russian people. It is her (as the strongest tribal amulet) that the unfortunate Nastena calls for help: “Not knowing how to properly lay a cross, she crossed herself at random and whispered the words of a long-forgotten prayer that had come to mind, left over from childhood.” However, the whole depth of the grief and horror of the unfortunate woman, her awareness of the fatal line that Andrey's betrayal drew between their family and the rest of the world, embodies the last phrase of the third part of the story, when Nastena freezes from a traitorous thought: “Isn’t it better if it were Was it really just a werewolf?

Nastena begins to help her husband hide, feeds him. She trades products for things. All worries fell on the shoulders of this woman (about her younger sister, about elderly fathers-in-law). At the same time, a terrible secret puts a stone wall between Nastena and fellow villagers: “Alone, completely alone among people: you can’t talk or cry with anyone, you have to keep everything to yourself.”

The tragedy of the heroine is enhanced by the fact that she became pregnant. Upon learning of this, Andrei first rejoices, and then understands what a difficult situation his wife is in: after all, everyone will think that the woman worked up this child while her husband is fighting at the front. In a heavy conversation on this topic, an important symbolically image of the Angara arises. “You only had one side: people. There, on the right hand of the Angara. And now two: people and me. It is impossible to bring them together: it is necessary that the Angara dry up, ”says Andrei Nastene.

During the conversation, it turns out that once the heroes had the same dream: Nastena, in a girl's form, comes to Andrei, who lies near the birches and calls him, telling that she was tormented with the children.

The description of this dream once again emphasizes the painful insolubility of the situation that Nastena found herself in.

Talking about the fate of the heroine, V.G. Rasputin along the way sets out his views on life, on happiness. They are sometimes expressed by him in aphoristic phrases: “Life is not clothes, it is not tried on ten times. What is is all yours, and it is not good to disown anything, even the worst.” It is paradoxical, but, left alone with their common joy and misfortune, the heroes finally gained that spiritual closeness, that mutual understanding that was not there when they lived happily with their family before the war.

Upon learning of Nastya's pregnancy, the villagers condemn her. Only Andrei Mikheich's father understands in his heart the bitter truth, about which he is so stubbornly silent. Tired of shame and eternal fear, she throws herself from a boat into the waters of the Angara River. Plot-story by V.G. Rasputin's "Live and Remember" shows that in difficult moments for the motherland, each person must courageously share her fate, and those who have shown cowardice and cowardice will be punished. They have no future, no right to happiness and procreation.

In addition to the main storyline, the story contains interesting author's reflections on the fate of the village. During the war, the village becomes shallow. Stale from grief and the souls of people. Pain for the fate of the Russian village is a cross-cutting theme of V.G. Rasputin.

In 1974, Rasputin wrote "Live and Remember". The heroes of this work, the events described in it, as well as the problems of the story are very interesting. We will talk about all this in this article.

Rasputin begins "Live and Remember" as follows. Heroes of the work (main) - Andrey Guskov and his wife, Nastena. In the last year of the war, Andrei Guskov, a local resident, secretly returns to the village located on the Angara. He does not think that he will be met in his home with open arms, but he believes in the support of his wife. Indeed, Nastena, although she does not want to admit it to herself, understands by instinct that her husband has returned. She didn't marry him for love. 4 years of marriage were not particularly happy, but the heroine was devoted to her husband and for the first time in her life found his reliability and protection in the house (Nastena grew up an orphan).

Nastya's life in her husband's house

Without much thought, the girl married Andrey: she still has to go out, so why delay? She had little idea of ​​what awaited her in a strange village and a new family. It turned out that from the workers (Nastena lived and worked with her aunt), she again ended up as workers, only the yard is different, the demand is stricter and the farm is larger. Perhaps in a new family, the attitude towards her would be better if the girl gave birth to a child. However, she had no children.

News about Andrey

She heard from childhood that a woman without children is no longer a woman. Nastena considers herself guilty. Only once, when, reproaching her, Andrei said something unbearable, the woman answered out of resentment that it was not known who the reason was - in him or in her. Then her husband beat her half to death. Nastena, when Andrey is taken to the war, is even a little glad that she is left without children. Letters regularly come from the front, then from the hospital. After that, there is no news for a long time, only once a policeman and the chairman of the village council come into the hut and ask Nastya to show the correspondence.

Meeting with husband

Rasputin's story "Live and Remember" continues as follows. When the ax disappears in the Guskovs' family bath, Nastena thinks that perhaps her husband has returned. Just in case, she leaves bread in the bathhouse, once she even drowns her and meets Andrei here. His return becomes their secret and is perceived by Nastena as her cross.

Help Andrey

She comes willingly to help her husband, ready to steal and lie for him. We have to accept everything in marriage: both good and bad. Courage and enthusiasm settle in the soul of Nastena. She selflessly helps her husband, especially when she realizes that she is expecting a child. Nastena is ready for anything: for meetings with her husband across the river in a winter hut, for long conversations about the hopelessness of this situation, for hard work at home, for insincerity in relations with other villagers. Nastena pulls his strap with remarkable male strength. You will learn more about her relationship with her husband by reading the analysis at the end of the article. Rasputin wrote "Live and Remember" not only to show the difficult relationship of the characters. You can also learn about other issues raised in the story by reading the article to the end.

Andrei is not a traitor, not a murderer, but just a deserter who escaped from the hospital, from where they wanted to send him to the front, without really healing. He has already set himself up for a vacation and cannot refuse to return. Realizing that in his village, in the world, in the country there will be no forgiveness for him, he wants to drag it out to the last, not thinking about his wife, parents and unborn child.

unsolvable question

The personal connection with Andrey Nastena conflicts with their way of life, as the analysis shows. Rasputin ("Live and Remember") notes that Nastena cannot raise her eyes to the wives who receive funerals, unable to rejoice, as before, when the neighbor's peasants return from the war. She recalls at the village holiday in honor of the victory with unexpected anger about Andrei, because because of him she cannot rejoice at her, like everyone else. An insoluble question was put by the husband before Nastena: with whom should she be? Andrei's girlfriend condemns, especially now that the war is ending and it seems that he would have remained intact. However, judging, she retreats: after all, she is his wife.

Nastya's suicide

Nastena's former friends, noticing her pregnancy, begin to laugh at her, and her mother-in-law drives her out of the house. The girl, forced to restrain her feelings, to hide them, is exhausted more and more. Her fearlessness turns into a risk, into wasted feelings. They push her to commit suicide. Nastena finds rest in the waters of the Angara.

Analysis of the work

So, you got acquainted with the content of the work written by Rasputin ("Live and Remember"). The issues raised in the text deserve separate consideration. Philosophical questions about honor and conscience, about the meaning of life, about the responsibility of people for their own actions usually come to the fore. The author talks about betrayal and selfishness, about the relationship between public and personal in the human soul, about life and death. In the work "Live and Remember" (Rasputin) is also revealed.

War is a tragic and terrible event that has become a test for people. A person in shows the true features of his nature. The central image in the work is the image of Nastena. This is important to note when doing the analysis. Rasputin ("Live and Remember") portrayed this girl as combining in her character the features of a village righteous woman: faith in man, mercy, responsibility for the fate of others, kindness. The problem of forgiveness and humanism is closely connected with her bright image.

She found the strength in herself to help Andrei, to take pity on him. It was a difficult step for her: the girl had to cheat, lie, live in fear, dodge. She already felt that she was becoming a stranger, moving away from her fellow villagers. However, she chose this path for the sake of her husband, because she loved him.

The war changed the main characters a lot, as you can see by doing the analysis yourself. Rasputin ("Live and Remember") notes that they realized that in worldly life their remoteness from each other and quarrels were absurd. In difficult times, the spouses were warmed by the hope for a new life. Nastena hopes that her husband will be able to repent and go out to people. However, he hesitates to do so.

The main idea of ​​the work is the moral responsibility of a person for his actions. Using the example of Andrey Guskov's life, the author shows how easy it is to make an irreparable mistake, to show weakness, to stumble. Rasputin told us about all this. "Live and remember" after reading many reviews is positive. The writer managed to raise important issues and skillfully reveal them in this story. Rasputin's story "Live and Remember" was filmed. It was made into a film of the same name in 2008. Director -

The works of modern writers sharply describe our everyday, everyday life, showing its shortcomings and omissions. Writers on real episodes of modern reality are trying to identify, designate and show the negative aspects of public and individual life of people. I was given the opportunity to reflect on one of the works of the contemporary Russian writer V. Rasputin - "Live and Remember". I, as a reader, am glad that I had a chance to read the works of the wonderful and talented Russian prose writer V.

G. Rasputin, who created wonderful works about Russian people, about Russian nature, about the Russian soul. His novels and short stories are included in the golden fund of modern Russian literature. The events described in the story take place in the winter of forty-five, in the last war year, on the banks of the Angara in the village of Atamanovka. The name, it would seem, is loud, and in the recent past even more frightening - Razboinikovo.

“... Once upon a time in the old days, the local peasants did not disdain one quiet and profitable trade: they checked the goldsmiths coming from Lena.” But the inhabitants of the village had long been quiet and harmless and did not hunt for robbery. Against the backdrop of this virgin and wild nature, the main event of the story takes place - the betrayal of Andrei Guskov. In any work of art, the title plays a very important role for the reader. The title of the book “Live and Remember” prompts us, readers, to a deeper concept and understanding of the work. These words - "Live and remember" - tell us that everything that is written on the pages of the book should become an unshakable eternal lesson in the life of every person.

“Live and remember” is betrayal, baseness, human fall, the test of love with this blow. Before us is the main character of this book - Andrey Guskov, "an efficient and gallant guy who married Nastya early and lived with her before the war not well, not badly for four years." But the Great Patriotic War unceremoniously invades the peaceful life of the Russian people.

Together with the entire male part of the population, Andrei also went to war. Nothing foreshadowed such a strange and incomprehensible alignment, and now, like an unexpected blow for Nastena, the news that her husband Andrei Guskov is a traitor. Not every person is given to experience such grief and shame. This incident abruptly turns and changes the life of Nastya Guskova. “...Where were you, man, what toys did you play with when you were assigned a fate. Why did you agree with her?

Why, without thinking, cut off your wings, just when they are most needed, when you need not to crawl, but to run away from trouble in the summer. ”Now she is under the power of her feelings and love. Lost in the depths of village life, the female drama is extracted and shown by Rasputin. A living picture, which is increasingly seen against the backdrop of the war. The author brings to the readers that Nastena is a victim of the war and its laws. She could not act differently, along the universal chosen path, not obeying her feelings and the will of fate. Nastya loves and pities Andrei, but when shame for the human judgment of herself and her unborn child defeats the power of love for her husband and life, she stepped overboard in the middle of the Angara, dying between two banks - the coast of her husband and the coast of all Russian people.

Rasputin gives readers the right to judge the actions of Andrei and Nastena, emphasize for themselves all the good and realize all the bad. The author himself is a kind writer, inclined to forgive a person rather than condemn, all the more to condemn mercilessly. He tries to leave room for his heroes to correct. But there are such phenomena and events that are unbearable not only for the people around the heroes, but also for the author himself, for the comprehension of which the author does not have the mental strength, but there is only one rejection.

Valentin Rasputin, with inexhaustible purity of heart for a Russian writer, shows a resident of our village in the most unexpected situations. The nobility of Nastya is compared by the author with the wild mind of Guskov. On the example of how Andrei pounces on the calf and bullies him, it is clear that he has lost his human image, completely moved away from people. Nastya is trying to reason and show her husband's mistake, but she does it lovingly, does not insist. The author introduces many thoughts about life into the story “Live and Remember”.

We see this especially well when Andrei and Nastya meet. Heroes languish in their reflections not from melancholy or idleness, but wanting to understand the purpose of human life. Great and multifaceted images described by Rasputin. Here we see the collective image of grandfather Mikheich and his wife, the conservatively strict Semyonovna, typical of village life.

Soldier Maxim Volozhin, courageous and heroic, who spared no effort, fought for the Fatherland. The many-sided and contradictory image of a truly Russian woman - Nadya, left alone with three children. It is she who confirms the words of N. A. Nekrasov: "... a Russian share, a female share."

Everything was reflected and it seemed - life during the war and its happy ending - on the life of the village of Atamanovka. Valentin Rasputin convinces us with everything that he wrote that there is light in a person, and it is difficult to extinguish it, no matter what the circumstances! In the heroes of V. G. Rasputin and in himself there is a poetic sense of life, opposed to the established perception of life. Follow the words of Valentin Grigorievich Rasputin - "live a century - love a century."

The concepts of "tradition" and "innovation" are inextricably linked. In art, any innovation is possible only with a deep understanding of what has already been discovered, created by predecessors. So, only strong roots allow the tree to grow and bear fruit.

The work of Rasputin, as it were, "grows" out of the work of Dostoevsky and Gorky; our contemporary continues to reflect on the problems that tormented his great teachers. But in his novels, he seeks to understand how these eternal problems sound today. The novel "Live and Remember" is consonant, first of all, with "Crime and Punishment" by Dostoevsky. Guskov himself would like to shift the blame to "rock", before which the "will" is powerless.

It is no coincidence, therefore, that the word “fate” runs like a red thread through the whole story, to which Guskov clings so. The unwillingness to recognize the need for personal responsibility for one's actions is one of those "touches to the portrait" that open a wormhole in Guskov's soul and cause his desertion.

The writer revealed to us the cause of Guskov's crime, showing this feature of his character. However, Rasputin raises a concrete historical fact to the rank of socio-philosophical generalizations, which brings him closer to such predecessors as Dostoevsky and Gorky. Rasputin could rely on the artistic experience of Dostoevsky. Showing the destruction of the personality of a person who betrayed the interests and ideals of the people, as an irreversible process, without a moral resurrection, R. follows the path laid by Gorky. Here we have come to the most powerful manifestation of the destruction of the personality of the “violator of moral (social) and “natural” laws.

to the destruction by him of nature, its main incentive for the continuation of life on earth. First of all, it is the killing of a calf in front of the mother cow. This is surprising: the cow “screamed” when Guskov raised the ax over her child.

The fall of Guskov and the impossibility of a moral resurrection for him become obvious precisely after this highly artistic, amazing plot situation. killing a calf. The idea of ​​the story is impossible to comprehend without the fate of Nastya, who also "transgressed", but in a completely different way. In criticism, the fact of Nastya's suicide has already been interpreted, firstly, as "the highest court over the deserter Andrei Guskov." And, secondly, as "a judgment on oneself, one's woman's, female, human weakness."

Nastya has reason to consider herself guilty: she really opposed herself to people. The story ends with the author’s message that they don’t talk about Guskov, “they don’t remember” for him “the connection of times has broken up”, he has no future.

He brought Nastya back on a boat ... And they betrayed Nastya to the ground among their own ... After the funeral, the women gathered at Nadya for a simple wake and wept: it was a pity for Nastya. With these words, which signify the “connection of times” restored for Nastya (a traditional folklore ending about the memory of a hero through the ages), V. Rasputin’s story ends, which is a synthesis of a socio-philosophical and socio-psychological story, an original story that inherits the best features of Russian literature , traditions of Dostoevsky and Gorky.

The works of modern writers sharply describe our everyday, everyday life, showing its shortcomings and omissions. Writers on real episodes of modern reality are trying to identify, designate and show the negative aspects of public and individual life of people.

I was given the opportunity to reflect on one of the works of the contemporary Russian writer V. Rasputin - "Live and Remember".

I, as a reader, am glad that I had a chance to read the works of the wonderful and talented Russian prose writer V. G. Rasputin, who created wonderful works about Russian people, about Russian nature, about the Russian soul. His novels and short stories are included in the golden fund of modern Russian literature.

The events described in the story take place in the winter of forty-five, in the last war year, on the banks of the Angara in the village of Atamanovka. The name, it would seem, is loud, and in the recent past even more frightening - Razboinikovo. “... Once upon a time in the old days, the local peasants did not disdain one quiet and profitable trade: they checked the goldsmiths coming from Lena.” But the inhabitants of the village had long been quiet and harmless and did not hunt for robbery. Against the backdrop of this virgin and wild nature, the main event of the story takes place - the betrayal of Andrei Guskov.

In any work of art, the title plays a very important role for the reader. The title of the book “Live and Remember” prompts us, readers, to a deeper concept and understanding of the work. These words - "Live and remember" - tell us that everything that is written on the pages of the book should become an unshakable eternal lesson in the life of every person. “Live and remember” is betrayal, baseness, human fall, the test of love with this blow.

Before us is the main character of this book - Andrey Guskov, "an efficient and gallant guy who married Nastya early and lived with her before the war not well, not badly for four years." But the Great Patriotic War unceremoniously invades the peaceful life of the Russian people. Together with the entire male part of the population, Andrei also went to war. Nothing foreshadowed such a strange and incomprehensible alignment, and now, like an unexpected blow for Nastena, the news that her husband Andrei Guskov is a traitor. Not every person is given to experience such grief and shame. This incident abruptly turns and changes the life of Nastya Guskova. “...Where were you, man, what toys did you play with when you were assigned a fate. Why did you agree with her? Why, without thinking, cut off your wings, just when they are most needed, when you need not to crawl, but to run away from trouble in the summer. ”Now she is under the power of her feelings and love. Lost in the depths of village life, the female drama is extracted and shown by Rasputin. A living picture, which is increasingly seen against the backdrop of the war. The author brings to the readers that Nastena is a victim of the war and its laws.

She could not act differently, along the universal chosen path, not obeying her feelings and the will of fate. Nastya loves and pities Andrei, but when shame for the human judgment of herself and her unborn child defeats the power of love for her husband and life, she stepped overboard in the middle of the Angara, dying between two banks - the coast of her husband and the coast of all Russian people. Rasputin gives readers the right to judge the actions of Andrei and Nastena, emphasize for themselves all the good and realize all the bad. The author himself is a kind writer, inclined to forgive a person rather than condemn, all the more to condemn mercilessly. He tries to leave room for his heroes to correct. But there are such phenomena and events that are unbearable not only for the people around the heroes, but also for the author himself, for the comprehension of which the author does not have the mental strength, but there is only one rejection.

Valentin Rasputin, with inexhaustible purity of heart for a Russian writer, shows a resident of our village in the most unexpected situations.

The nobility of Nastya is compared by the author with the wild mind of Guskov. On the example of how Andrei pounces on the calf and bullies him, it is clear that he has lost his human image, completely moved away from people. Nastya is trying to reason and show her husband's mistake, but she does it lovingly, does not insist.

The author introduces many thoughts about life into the story “Live and Remember”. We see this especially well when Andrei and Nastya meet. Heroes languish in their reflections not from melancholy or idleness, but wanting to understand the purpose of human life.

Great and multifaceted images described by Rasputin. Here we see the collective image of grandfather Mikheich and his wife, the conservatively strict Semyonovna, typical of village life. Soldier Maxim Volozhin, courageous and heroic, who spared no effort, fought for the Fatherland. The many-sided and contradictory image of a truly Russian woman - Nadya, left alone with three children. It is she who confirms the words of N. A. Nekrasov: "... a Russian share, a female share."

Everything was reflected and it seemed - life during the war and its happy ending - on the life of the village of Atamanovka. Valentin Rasputin convinces us with everything that he wrote that there is light in a person, and it is difficult to extinguish it, no matter what the circumstances! In the heroes of V. G. Rasputin and in himself there is a poetic sense of life, opposed to the established perception of life. Follow the words of Valentin Grigorievich Rasputin - "live a century - love a century."

The concepts of "tradition" and "innovation" are inextricably linked. In art, any innovation is possible only with a deep understanding of what has already been discovered, created by predecessors. So, only strong roots allow the tree to grow and bear fruit. The work of Rasputin, as it were, "grows" out of the work of Dostoevsky and Gorky; our contemporary continues to reflect on the problems that tormented his great teachers. But in his novels, he seeks to understand how these eternal problems sound today. The novel "Live and Remember" is consonant, first of all, with "Crime and Punishment" by Dostoevsky.

Guskov himself would like to shift the blame to "rock", before which the "will" is powerless. It is no coincidence, therefore, that the word “fate” runs like a red thread through the whole story, to which Guskov clings so. The unwillingness to recognize the need for personal responsibility for one's actions is one of those "touches to the portrait" that open a wormhole in Guskov's soul and cause his desertion. The writer revealed to us the cause of Guskov's crime, showing this feature of his character. However, Rasputin raises a concrete historical fact to the rank of socio-philosophical generalizations, which brings him closer to such predecessors as Dostoevsky and Gorky. Rasputin could rely on the artistic experience of Dostoevsky. Showing the destruction of the personality of a person who betrayed the interests and ideals of the people, as an irreversible process, without a moral resurrection, R. follows the path laid by Gorky. Here we have come to the most powerful manifestation of the destruction of the personality of the “violator of moral (social) and “natural” laws. to the destruction by him of nature, its main incentive for the continuation of life on earth. First of all, it is the killing of a calf in front of the mother cow.

This is surprising: the cow “screamed” when Guskov raised the ax over her child. The fall of Guskov and the impossibility of a moral resurrection for him become obvious precisely after this highly artistic, amazing plot situation. killing a calf. The idea of ​​the story is impossible to comprehend without the fate of Nastya, who also "transgressed", but in a completely different way. In criticism, the fact of Nastya's suicide has already been interpreted, firstly, as "the highest court over the deserter Andrei Guskov."

And, secondly, as "a judgment on oneself, one's woman's, female, human weakness." Nastya has reason to consider herself guilty: she really opposed herself to people. The story ends with the author’s message that they don’t talk about Guskov, “they don’t remember” for him “the connection of times has broken up”, he has no future. The author speaks of Nastya as if she were alive (nowhere replacing the name with "body" or "dead woman"). “And Nastya was washed ashore on the fourth day ... A laborer Mishka was sent for Nastya. He brought Nastya back on a boat ... And they betrayed Nastya to the ground among their own ... After the funeral, the women gathered at Nadya for a simple wake and wept: it was a pity for Nastya. With these words, which signify the “connection of times” restored for Nastya (a traditional folklore ending about the memory of a hero through the ages), V. Rasputin’s story ends, which is a synthesis of a socio-philosophical and socio-psychological story, an original story that inherits the best features of Russian literature , traditions of Dostoevsky and Gorky.

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