Presentation on the topic "Ivan Andreevich Krylov and his fables." Presentation on the topic “Ivan Andreevich Krylov and his fables” Fables were written in Russian literature

Fables of Grandfather Krylov


“I love, where there is opportunity, to pinch vices” I.A. Krylov



FABLE - a short story of a moralizing nature.


Allegory (allegory) is a conventional depiction of abstract ideas through an artistic image.


The fable consists of two parts: a story and a moral.


Morality is teaching, advice. In morality, stupid or bad actions are always condemned.


“How many times have they told the world that flattery is vile and harmful; but everything is not for the future, And a flatterer will always find a corner in the heart" "The Crow and the Fox"


“Unfortunately, this is what happens with people: No matter how useful a thing is, without knowing its value, the ignoramus keeps his own mind on it; And if the ignorant is more knowledgeable, then he also drives it away.” “The Monkey and the Glasses”



And you, friends, no matter how you sit down, you are still not fit for music. "Quartet"


“Did you sing everything? This is the thing: So go and dance! "Dragonfly and Ant"


Read the fable “The Pig under the Oak Tree” and answer the questions: Is the fable interesting? What is better: to be a competent scientist or to remain unscientific, ignorant? Who is this ignoramus? 4. Explain the allegory of the fable. Can we say that the author condemns the pig? What intonation is heard in Oak's response? Is the moral of the fable relevant today? What did this fable teach you?


Read the fable “The Crow and the Fox” and answer the questions: Find where the moral is hidden in the text of the fable. What is its meaning? What makes the Fox humiliate himself enough to try the cheese? What does the Fox use to achieve his goal? What is her behavior like? What is the stupidity of a crow? Can we say that the Fox is mocking the Crow? What is the meaning of the fable? Can the moral of this fable be taken into account today? What words and expressions from this fable still live in our speech today?


Look again at the portrait of I.A. Krylov and answer the question: What kind of character do you think he is?


This is interesting! Ivan Andreevich Krylov was a very hardworking man. Did you know that in order to write good fables, you have to work hard? For only one fable, “The Cuckoo and the Rooster,” which has only 21 lines, he made about 200 lines in rough drafts.


Poem by K.P. Vyazemsky Who has not heard his living word? Who hasn’t met him in their life? The immortal creations of Krylov Every year we love more and more. From the school desk we got along with them, In those days we barely comprehended the Primer, And Krylov’s winged words remained in our memory forever! He corrected people with fun. Sweeping away the dust of vices; He glorified himself with fables, And this glory is our reality. And they will not forget this one While they say in Russian: We solidified it long ago, Her grandchildren will solidify it too.


Monument to I.A. Krylov in St. Petersburg


Quiz:


Answer the questions and complete the tasks: In what fable do the words sound: “How many times have they told the world that flattery is vile, harmful, but it’s just not for the future. And a flatterer will always find a corner in the heart”?


Answer the questions and complete the tasks: Who had both the table and the house ready for winter under the bush?


Answer the questions and complete the tasks: List the characters in the fable who decided to play the quartet.


Answer the questions and complete the tasks: Who did the crowd of onlookers follow through the streets?


Answer the questions and complete the tasks: Who came to the kennel at night, thinking of getting into the sheepfold?


Answer the questions and complete the tasks: Which Krylov fable did the characters praise each other “without fear of sin”?


Answer the questions and complete the tasks: Listen to a fragment of one of the fables and guess the name: Shouts: “How dare you, impudent one, with an unclean snout here, muddy my drink with sand and silt? For such insolence I will rip your head off!”


Finish the phrase: “Ay, Moska! Know she is strong......"


Finish the phrase: “The crow cawed at the top of its lungs...”


Finish the phrase: “And you, friends, no matter how you sit down.....”


Finish the phrase: “When there is no agreement among comrades...”


Finish the phrase: “Why, without fear of sin, does the Cuckoo praise the Rooster...”


Finish the phrase: “You sang everything. This business…"


Solve the crossword Horizontally: 1. Who said this: “Before that, our darling was in soft ants: songs, playfulness every hour. So it turned my head.” Vertically 1. Who was taken through the streets as if for show? 2. One of the heroes, who took on the task of carrying the luggage. 3.Who “without a fight” wanted to get into big bullies? 4.Who laughs “at someone else’s misfortune”? 5. The heroine who saw her image in the mirror. 6. She was left without lunch thanks to her stupidity.


Fables by I.A. Krylov A fable is a poetic or prosaic literary work of a moralizing, satirical nature. At the end of the fable there is a short moralizing conclusion, the so-called moral. The characters are usually animals, plants, things. The fable ridicules the vices of people.






Fables by I.A. Krylov Animal fables are fables in which animals (wolf, owl, fox) act like humans. The fox is characterized by cunning, the owl - wisdom. The goose is considered stupid, the lion is considered courageous, the snake is treacherous. The qualities of fairy-tale animals are interchangeable. Fairytale animals represent certain characteristic traits of people.




Fables by I.A. Krylov Krylov Ivan Andreevich (1768 or 1769, Moscow, St. Petersburg) - writer. Born into the family of a poor army officer. He studied out of favor with the children of the landowner, for whom he served as a footman. Without receiving a systematic education, he independently mastered the French, German, Italian languages, and was fond of mathematics and Russian. literature, painted and played the violin.


Fables by I.A. Krylov After the death of his father, the family was left without any means of subsistence, and from the age of ten Krylov had to work as a scribe in the Tver court. The mother was unable to obtain a pension after the death of her husband, and in 1782 it was decided to go to St. Petersburg to apply for a pension. In the capital, too, nothing was achieved, but a place was found for Krylov as a clerk in the Treasury Chamber. In addition, Petersburg opened up the opportunity for him to engage in literary work.








Fables by I.A. Krylov “The cheat approaches the tree on tiptoe; She twirls her tail, doesn’t take her eyes off Crow, and says so sweetly, barely breathing: “My dear, how pretty! What a neck, what eyes! Tell stories, really! What feathers! What a sock! And, truly, an angelic one! "There must be a voice! Sing, little light, don't be ashamed! What if, sister, With such beauty, you are a master of singing, After all, you would be our king bird!"


Fables by I.A. Krylov When there is no agreement among the comrades, their business will not go well, and nothing will come out of it, only torment. One day Swan, Crayfish and Pike set out to carry a cart with luggage, and together the three of them harnessed themselves to it; They are doing their best, but the cart is still moving! The luggage would seem light for them: Yes, the Swan rushes into the clouds, the Cancer backs away, and the Pike pulls into the water. It is not for us to judge who is to blame and who is right; Yes, but things are still there.


Fables by I.A. Krylov “The monkey’s eyes have become weak in old age; And she heard from people that this evil is not yet so big: You just have to get glasses. She got herself half a dozen glasses; He twirls his glasses this way and that: Now he presses them to the crown, now he strings them on his tail, now he sniffs them, now he licks them; The glasses don't work at all..."


Fables by I.A. Krylov Demyanov's ear. “Neighbor, my light! Please eat.” - "Neighbor, I'm fed up." - “There’s no need, just another plate; listen: Ushitsa, by the way, it’s cooked to perfection!” - “I ate three plates.” - “And it’s full of what’s at stake: If only there was a hunt, - Otherwise, in good health: eat to the dregs! What a fish! How fatty it is; It’s as if it were covered with amber. Sweat, dear little friend! Here’s a bream, giblets, here "Have a piece of sterlet! At least another spoonful! Bow down, wife!"


Fables by I.A. Krylov This is how neighbor Demyan treated his neighbor Foku and did not give him any rest or time; And Foki had been dripping with sweat for a long time. However, he still takes the plate, gathers himself with his last strength, and cleans it all. “I love my friend!” Demyan cried. “But I don’t tolerate arrogant people. Well, eat another plate, my dear!” Here is my poor Foka, No matter how much he loved the fish soup, he is so out of trouble, Grabbing his sash and hat in his arms, He quickly goes home without memory - And from that time on, never set foot on Demyan.


Fables by I.A. Krylov The monument to I.A. Krylov was unveiled in May 1855, on the tenth anniversary of the death of the fabulist. The pedestal of the monument is a granite cube, completely covered with bas-reliefs depicting scenes from 36 Krylov fables. If you look closely at the pedestal, you can see on it the heroes of the fables “Quartet”, “The Fox and the Grapes”, “The Monkey and the Glasses” and many others


Fables by I.A. Krylov The work of the great Russian fabulist I.A. Krylov is loved by the people. The monument to him, created by P. K. Klodt, has invariably attracted the attention of visitors to the Summer Garden for more than 150 years. This popularity is a manifestation of the gratitude of descendants to the fabulist and sculptor



Who hasn’t met him in their life?

Immortal creations of Krylov
Every year we love more and more

M. Isakovsky

Slide 2

Ivan Andreevich Krylov

  • Born on February 2 in Moscow, he read a lot and was considered one of the most enlightened people of his time.
  • Due to the poverty of the family, Krylov had to work as a scribe in the Tver court from the age of ten. At the age of 11 he wrote his first fable.
  • Since 1786, he has been writing plays and publishing the satirical magazine “Mail of Spirits,” but fables are the writer’s main works. The nine books include more than 200 fables.
  • In 1812 he became a librarian at the newly opened Public Library,
  • where he served for 30 years, retiring in 1841. He worked a lot on compiling bibliographic indexes and a Slavic-Russian dictionary.
  • On November 9, 1844, at the age of 75, Krylov died. Buried in St. Petersburg.
  • Slide 3

    A fable is a short poetic story consisting of two parts:

    1. Main narrative.

    Here life is shown in an allegorical (allegorical) form. Animal and human heroes. There is satire, personification, and eccentricity.

    2. Morality.

    An instructive conclusion from the main narrative, which is given at the beginning or end of the fable.

    Slide 4

    Allegory-allegory-depiction of an abstract concept through a concrete image.
    For example, in a folk tale, cunning is depicted through the image of a fox.
    Satire is an evil laugh, with the help of which a writer depicts the evils of society in order to correct them.
    For example, I.A. Krylov, through the story of the Crow and the Fox, says that you cannot believe everything that they tell you.
    Personification - endowing animals with human qualities, reviving objects, natural phenomena,
    For example, in a poem by F.I. Tyutchev, the seasons come to life:
    Winter is angry for a reason. Its time has passed.
    Spring is knocking on the window and driving us out of the yard...
    Aesopian language - the ability to disguise the main idea (named after the Greek fabulist Aesop)

    Slide 5

    A CROW AND A FOX

    How many times have they told the world,
    That flattery is vile and harmful; but everything is not for the future,
    And a flatterer will always find a corner in the heart.
    Somewhere God sent a piece of cheese to a crow;
    Crow perched on a spruce tree and was just about ready to have breakfast,
    Yes, I became thoughtful, but I held the cheese in my mouth.
    To that misfortune, the Fox ran close by;
    Suddenly the cheese spirit stopped the Fox:
    The fox sees the cheese, the fox is captivated by the cheese.
    The cheat approaches the tree on tiptoe;
    He twirls his tail and doesn’t take his eyes off Crow.
    And he says so sweetly, barely breathing:
    “My dear, how beautiful!
    What a neck, what eyes!
    Telling fairy tales, really!
    What feathers! What a sock!
    And, truly, there must be an angelic voice!
    Sing, little light, don’t be ashamed! What if, sister,
    With such beauty, you are a master at singing, -
    After all, you would be our king bird!”
    Veshunin's head was spinning with praise,
    The breath was taken away from my throat with joy, -
    And Lisitsyn’s friendly words
    The crow croaked at the top of its lungs:
    The cheese fell out - such was the trick with it.

    A CROW AND A FOX

    Slide 6

    DANCE A MINUTE

    Slide 7

    What kind of fable is this?

    • Quartet
    • Swan, Pike and Crayfish
    • Monkey and Glasses
    • Monkey and Mirror
    • Elephant and Moska
    • Wolf and Lamb
    • Wolf at the kennel
    • Dragonfly and Ant
  • Slide 8

    Let's recognize the hero by his replica!

    “Have you been singing everything? This business:
    So go and dance!”

    “And... (who is he?) in the corner, crouching behind a barrel of vinegar... working on a little chicken.”

    “If only there were acorns:
    After all, they make me fat"

    “And you, Cuckoo, are my light,
    How do you pull smoothly and slowly:
    We don’t have such a singer in the whole forest!”

    “I would hang myself from boredom,
    If only I were just a little bit like her.”

    Slide 9

    Let's read the fable!

    Elephant and Moska.

    They led an Elephant through the streets,
    Apparently, for show.
    It is known that Elephants are a curiosity among us,
    So crowds of onlookers followed the Elephant.
    No matter what, Moska will meet them.
    When you see an Elephant, well, rush at it,
    And bark, and squeal, and tear;
    Well, he gets into a fight with him.
    “Neighbor, stop being ashamed,”
    Shavka says to her, “Are you with
    Mess with an elephant?
    Look, you’re already wheezing, and he’s walking along
    Forward
    And he doesn’t notice your barking at all.
    “Eh, eh!” - Moska answers her, -
    This is what gives me spirit,
    What am I, without a fight at all,
    I can get into big bullies.
    Let the dogs say:
    "Ay, Moska! know, she is strong,
    What barks at the Elephant!

    Slide 10

    Check yourself!

    1. Which writer did you meet? What did you find out about his life?
    2. What is the genre of his main works?
    3. Who was the first to write fables back in Ancient Greece?
    4. What is a fable? How is it structured?
    5. Name Krylov’s fables that you know.4. History of Russian literature of the 19th century. 1800-1830s. - Moscow, Education, 1989.

    View all slides

    I. A. Krylov. Selected Fables

    5th grade


    I. A. Krylov. Selected Fables

    “I love, where there is an opportunity, to pinch vices!”


    Slide numbers

    “Who has not heard his living words?”

    Slide 4

    From the biography

    Slides 5 -7

    At the origins of the genre. Fable as a genre

    Slides 8 - 10

    Winged expressions from fables

    Slides 11 - 14

    "Wolf in the kennel"

    Slides 15 -18

    "Pig under the Oak"

    Slide 19

    "A Crow and a fox"

    Slide 20

    What does the fable teach?

    Slide 21

    Slide 23

    Used materials


    Ivan Andreevich Krylov (1769 - 1844)

    Who has not heard his living words?

    Who hasn’t met him in their life?

    Immortal creations of Krylov

    Every year we love more and more.

    From school desks we got along with them,

    In those days, the primer was barely comprehended.

    And remained in memory forever

    Winged Krylov words.

    M. Isakovsky

    K. Bryullov. Portrait of I. A. Krylov


    From the biography

    Ivan Andreevich Krylov was born into a poor noble family and therefore did not receive any education.

    Initially, Ivan Andreevich was taught writing and reading by his father, and then he developed a desire for literature thanks to his mother.

    The teaching was easy for Krylov. The varied abilities of Ivan Andreevich were especially noticeable from childhood. After the death of his father, his mother took over the upbringing and education of his sons Ivan and Lev. Since his father was the sole breadwinner of the family, Ivan began working in the Kalyazinsky Zemstvo Court from childhood, then in the Tver Magistrate. Due to a lack of money, Krylov worked with the Lvovs, and study became the payment for his work.


    In St. Petersburg

    Krylov moved to St. Petersburg in 1782 with the Lvovs. From 1783 he served in the Treasury Chamber in St. Petersburg and was actively engaged in self-education. In addition to French, he learned to read and write German and Italian. He played the violin well, learned music theory, and understood mathematics. At the Lvovs and, possibly, at the playwright Ya. B. Knyazhnin, Krylov met almost everyone, a rather narrow circle of writers and art connoisseurs of that time, including G. R. Derzhavin and his wife, who patronized Krylov.

    A group of writers in the Summer Garden. Left: I. A. Krylov


    • In 1855, a bronze monument to the great fabulist was erected in the Summer Garden of St. Petersburg. Baron Pyotr Karlovich Klodt won the competition for the best project. He worked on the monument together with artists K. Bryullov and Agin.
    • Krylov is depicted sitting in a chair, thoughtful. On each side of the pedestal there are bas-relief images of characters from Krylov’s most famous fables.

    At the origins of the fable genre

    Aesop is an ancient Greek fabulist (VI century BC), considered the creator of the fable.

    La Fontaine Jean de (1621 - 1695) - French poet, famous as a fabulist


    Fables in Russian literature wrote:

    V. I. Maikov

    M. V. Lomonosov

    A. P. Sumarokov

    I. A. Krylov

    I. I. Khemnitser


    Fable as a genre

    A short story, often in poetry

    Dialogue

    2 parts: main narrative and moral (moral teaching)

    Using colloquial vocabulary

    Allegory (allegory)

    Laconism

    Satirical image

    Aphoristic language

    Heroes are often animals

    A special fable verse (lines of different lengths) conveying spoken language

    Personifications


    And Vaska listens and eats

    One speaks, shames, convinces, and the other, not paying attention, continues to do something bad.

    They say when they want to emphasize that it is useless to persuade in cases where decisive measures are needed, not words.

    Artist A. M. Savchenko


    And nothing has changed

    It is usually said in a situation where a lot of time has passed and things have not moved forward.

    How many times have they said that we need to prepare for every lesson, "And nothing has changed" - again you are not prepared.


    work,

    Isn't it better for yourself,

    godfather, turn around?

    Instead of criticizing the shortcomings of others, it is better to see if you yourself have them.

    It is usually said ironically in a situation where someone points out to another the shortcomings that he himself has.

    Each of us, to one degree or another, needs first of all "turn on yourself" be stricter with yourself.

    Artist G. Kupriyanov

    Kuma (outdated, old.) – here: friend, addressing a female representative.


    The cuckoo praises the rooster for

    why is he praising the cuckoo?

    Mutual praise is not sincere.

    They say ironically when one praises another because he praised him.

    Artist G. Kupriyanov


    Every fable has its own story

    • "Wolf in the kennel"- a response to the events of the war of 1812, when Napoleon entered Moscow abandoned by the Russian commander Kutuzov and realized that the Russian army was not defeated, but was gaining strength. The great Russian fabulist captured these events in his fable, then sent the fable to Kutuzov, who, having read it aloud after the battle under the red, bared his head, showing his gray hair.

    Artist A. M. Savchenko


    Let's take a closer look at the fable

    How do the lines of the fable resonate with the real events of the War of 1812?

    Here, the Hunter means the great Russian commander M.I. Kutuzov, and the Wolf means Napoleon.

    Artist E. M. Rachev


    Let's work on the language of the fable

    Expression "got to kennel" has an additional meaning: the word “hit” carries a connotation of surprise, and the kennel is not a sheepfold, the dogs can protect themselves.

    “The yard has risen” means that the whole people began to fight with the Wolf.

    Direct meaning of the phrase “and instantly the gates are locked” is supplemented by a figurative one: the Russian army, having made a maneuver and reached the Kaluga road, closed Napoleon’s escape routes in the area where there were food supplies.

    The wolf hid in a corner “Bristling fur, eyes, it seems he would like to eat everyone.” The Russian people have a proverb: “An eye sees, but a tooth hurts.” Wolf-Napoleon wants to conquer all of Russia, but cannot. His possibilities are less than his desires.


    "I entered into negotiations" - means “started negotiations.” “Started” is in this case a synonym for the word “started.” But “let go” sounds more expressive.

    “Let’s establish a common harmony” - means “let’s conclude a peace treaty.” Wolf-Napoleon invites the Russian Tsar to become an ally and “squabble,” that is, to fight on the side of Russia.

    "Don't make it global" means not to conclude a peace treaty.

    “Release a pack of hounds against the Wolf” - give the army the command to pursue the retreating French in order to drive them out of the country.


    "Pig under the Oak"

    What phenomenon of life does the fable allegorize?

    What do you think of the Pig?

    What lines contain the moral of the fable?

    Create your own illustrations for the fable.

    "Pig under the Oak." Artist G. Kupriyanov


    "A Crow and a fox"

    Compare I. A. Krylov’s fable “The Crow and the Fox” with fables Aesop And Lafontaine.

    What do fables have in common and how do they differ?

    What is the meaning of morality? What situation supports this moral?

    What qualities do fabulists condemn and ridicule?

    Whose fable seems more expressive to you?

    "A Crow and a fox".

    Hood. G. Kupriyanov


    What do Krylov’s fables teach?

    I. A. Krylov’s fables teach us to be kind, honest, and fair. Although fables involve animals, birds, or objects, we understand that they are about people. The author helps us evaluate their actions.


    Used materials

    • Zolotareva I.V., Egorova N.V. Lesson developments in literature. 5th grade. – M.: Vako, 2005.
    • Literature. 5th grade. Textbook-reader in two parts. Part 1. Compiled by V. Ya. Korovina and others - M.: Education, 2004.
    • Literature lessons from Cyril and Methodius.

    5th grade

    • Internet resources:

    http://it-n.ru , http://school-collection.edu.ru , http://window.edu.ru

    http://kostyor.ru

    Interactive test tasks based on the fables of I. A. Krylov.

    Cartoon based on the fable “The Crow and the Fox”.

    Material for completing design tasks. Access mode http://school-collection.edu.ru/catalog/search/?text=%C1%E0%F1%ED%E8+%CA%F0%FB%EB%EE%E2%E0&context=current&interface=pupil&class%5B% 5D=47&subject%5B%5D=10

    http://it-n.ru/communities.aspx?cat_no=2168&lib_no=21422&tmpl=lib&page=1

    Slide 1

    Slide 2

    Goals and objectives: Acquaintance with the biography of I.A. Krylov. Introducing the genre characteristics of fables using examples. Development of the ability to understand the allegorical subtext of fables and their morality. Educational meaning of the fable.

    Slide 3

    The first fables appeared in Ancient Greece. Aesop is one of the first fabulists. The number of fables he told is large, about five hundred. They say that Aesop was a Phrygian slave, but was not fit for work. He was ugly, potbellied, and had a hump on his back. Such a monster that it was scary to look at him. They threw him into prison, mocked him, scolded him, but still they called him again, asked him to tell new stories, rejoiced at his new fables. Aesop competed in glory with the famous seven sages of the then Greece, and died a victim of slander by the Delphic priests, offended by his denunciations. PeP Aesop

    Slide 4

    Jean de La Fontaine is a remarkable French fabulist who served at court. He created a picture of life in his era in an allegorical form. La Fontaine's Leo is deceitful and hypocritical; the courtiers flatter him, wanting to gain power and wealth. If Leo looks like Louis, then everyone who flatters him is like two peas in a pod like the royal servants. Jean La Fontaine was an unusually brave man, Louis did not like this, so La Fontaine was expelled. Jean de Lafontaine

    Slide 5

    With fun he corrected people, sweeping away the dust of vices from them, He glorified himself with fables, And this glory is our reality. And they will not forget this one, As long as they speak Russian, We solidified it long ago, It will be solidified by our grandchildren too. P.A. Vyazemsky Ivan Andreevich Krylov (1769 - 1844)

    Slide 6

    Biography of the fabulist. I.A. was born. Krylov in Moscow. Father's resignation, departure to Tver. A mother makes a plan for her son's education. Death of father and service in the provincial magistrate. Failure of the first plays (tragedies). The appearance of comedies (“Mad Family”, etc.). Fame. Magazines published by I.A. Krylov (“Spirit Mail”, “Spectator”, etc.). 1806 St. Petersburg. The first fables (“The Oak and the Reed”, etc.). 200 fables by I.A. Krylov. Success, glory of the great fabulist. Celebration of the anniversary (70th anniversary of life and 50th anniversary of creative activity. Death of I.A. Krylov in 1844 and the monument to Claude the fabulist in the Summer Garden..

    Slide 7

    Fable is an epic genre in which artistic imagery is based on the technique of allegory and allegory. Allegory is a type of allegory, an abstract idea or concept embodied in a specific image. Allegory is an artistic device, an indirect, hidden image of objects, phenomena, people, etc.; in allegory, a replacement for the direct name of an object or phenomenon is used.

    Slide 8

    “The Book of the Wisdom of the People themselves” This is what Gogol called Krylov’s fables, in which, like in a priceless treasury, the folk wisdom of proverbs and sayings, the richness and beauty of Russian speech are preserved. Krylov, drawing widely from popular speech, no less generously gave to the people what was taken from him. His poems turned into proverbs and sayings. That is why the lines and images of fables, catchphrases that expressed intelligence and ingenuity so easily entered the people.

    Slide 9

    Moral - the beginning or final lines of a fable with a moralizing conclusion. Aesopian language - (named after the ancient Greek fabulist Aesop) - a system of allusions and allegories in artistic manifestation. providing an opportunity to bypass censorship and express oppositional or prohibited ideas and views, mainly of a political nature.

    Slide 10

    Slide 11

    Slide 12

    “How many times have they told the world that flattery is vile and harmful, but nothing is for the future, and a flatterer will always find a corner in the heart.” The Crow and the Fox

    Slide 13

    Slide 14

    “The monkey, out of frustration and sadness, hit the stone so hard that the splashes sparkled.”

    Slide 15

    “Why, without fear of sin. Does the Cuckoo praise the Rooster? Because he praises the Cuckoo"

    Slide 16

    “Why should gossips consider working? Isn’t it better to turn on yourself, godfather? - Mishka answered her.”

    Slide 17