Every child in our country knows the poems of Agnia Barto (1906-1981). Her books were printed in millions of copies. This amazing woman devoted her whole life to children.
Agnia Lvovna Barto was born in Moscow in the family of a veterinarian. She began writing poetry in the elementary grades of the gymnasium. She dreamed of becoming a ballerina, she graduated from a choreographic school.
She became a writer thanks to a curiosity. A. V. Lunacharsky was present at the graduation tests at the school, where Barto read her poem "Funeral March". A few days later, he invited her to the People's Commissariat of Education and expressed confidence that Barto was born to write funny poems. In 1925, at the State Publishing House, Barto was sent to the children's editorial office. Agnia Lvovna set to work enthusiastically. She studied with Mayakovsky, Chukovsky, Marshak.
During the Great Patriotic War, Barto spoke a lot on the radio, went to the front as a newspaper correspondent. In the postwar years, Agnia Lvovna became the organizer of the movement to search for families separated during the war. She suggested looking for lost parents on childhood memories. Through the program "Find a person" on radio "Mayak" it was possible to connect 927 separated families. The first book of the writer's prose is called "Find a Man".
Agnia Barto was repeatedly awarded orders and medals for her writing and social activities. She traveled a lot abroad, helped children's international friendship. The writer died on April 1, 1981, having lived a long and necessary life for people.
The style of her poems is very light, they are easy to remember. The author, as it were, speaks to the child in a simple everyday language - but in rhyme. And the conversation is with young readers as if the author is their age.
What life path did Barto Agnia go through? The biography of the beloved poetess, on whose poems several generations of children grew up, is of interest to both children who know her poems by heart, and parents who raise their children on such familiar lines. The famous “A bull is walking, swinging ...”, “Our Tanya is crying loudly ...”, “They dropped the bear on the floor ...” are associated with the first steps of the baby, the first word “mother”, the first teacher, the first school bell. The style of these favorite lines is very light, the author speaks to the child as if he were a peer, in a language he understands.
Not everyone knows about the personal tragedy of this bright person, about the important life role that Agnia Lvovna Barto took on, whose biography is closely connected with children. In the post-war years, the famous poetess helped thousands of people lost during the war to meet.
Agniya Barto: creativity and biography
For children, Agniya Barto is the very first and favorite writer, whose poems, having matured and created families, they tell their children already. Agnia Lvovna was born in 1906 in the family of Lev Nikolaevich Volov, a veterinarian. The family led a typical for those times way of life of a well-to-do home: with home primary education, French, ceremonial dinners. The father was engaged in education; being a fan of art, he saw his daughter as a famous ballerina, which Agnia did not become. The girl was interested in another direction - poetic, which she became interested in following her gymnasium friends.
In 1925, poems for children were published: “Chinese Wang Li”, “Bear-thief”. Agnia was very shy and, once deciding to read her poem to Chukovsky, she attributed the authorship to a five-year-old boy. The talented girl finally decided on the topic of poetry after a conversation with Vladimir Mayakovsky, in which he spoke about the need for a fundamentally new one capable of playing an important role in educating a future citizen. Agniya Barto believed that her works would bring up highly cultured, patriotic, honest citizens of their country. The biography of Agnia Barto for children is associated with favorite poems; from 1928 to 1939 the poetess wrote such collections of poems: “The Boy is the other way around”, “Brothers”, “Toys”, “Bullfinch”.
The life of the poetess: creative and personal
Agnia Barto's personal life was not boring; quite early, she started a family with the poet Pavel Barto, gave birth to a child - the son of Garik.
The first marriage cracked, perhaps due to youthful haste, or maybe this is due to professional success that Pavel Barto could not come to terms with. At the age of 29, Agnia went to another man - energy scientist Andrei Vladimirovich Shcheglyaev, who became the main love of her life. From him, Agnia gave birth to a daughter, Tatyana. The non-conflict nature of Agniya Barto and the authority of the dean of the power engineering faculty of the MPEI (“the most beautiful dean of the Soviet Union”) - Andrei Vladimirovich - attracted actors, musicians, and writers to their house. Agniya Barto was very close friends with Faina Ranevskaya.
Barto Agnia, whose biography arouses the interest of already matured generations who grew up on their favorite poems, traveled quite a lot as part of delegations from the Soviet Union, and in 1937 participated in the International Congress for the Defense of Culture in Spain. It was there that she saw with her own eyes, because the meetings were held in a burning besieged Madrid, and orphaned children wandered among the destroyed houses. The most difficult impression on Agnia was made by a conversation with a Spaniard, who showed a photograph of her son and covered his head with her finger, explaining in such a way that the boy had been torn off by a shell. How to convey the feelings of a mother who survived her own child? She received an answer to this terrible question a few years later.
Barto Agnia: biography during the war years
Agniya Barto knew about the inevitability of war with Germany. In the late 30s, she visited this clean, tidy country, saw pretty curly girls in dresses decorated with a swastika, heard Nazi slogans sounding on every corner. The war treated the poetess mercifully; even during the evacuation, she was next to her husband, who received a referral to the Urals, namely to Sverdlovsk. According to Agniya Barto, which was soon confirmed by the words of the writer Pavel Bazhov, the Urals were closed, harsh and distrustful people. Sverdlovsk teenagers, having taken the place of adults who had gone to the front, worked at defense factories.
Agnia just needed to communicate with children, from whom she drew stories and inspiration. In order to somehow get closer to them, the poetess mastered the profession of a turner of the 2nd category. Working at a lathe, she diligently proved her usefulness to a society that was forcibly placed within the framework of a cruel war. Agnia Lvovna spoke on the radio of Moscow and Sverdlovsk, wrote military articles, essays, and poems. She spent 1942 on the Western Front, as a correspondent for Komsomolskaya Pravda. In the postwar years she visited England, Bulgaria, Japan, Iceland and a number of other countries.
The personal tragedy of Agnia Barto
The poetess returned to Moscow in 1944. Life went back to normal, friends returned from evacuation, the children began to study again. Everyone looked forward to the end of the war. May 4, 1945 was a tragic day for Agnia. On this day, a truck that drove around the corner hit 15-year-old Garik, who was riding a bicycle, to death. The Victory Day faded for the mother's heart, her child was gone. Hardly having survived this tragedy, Agnia turned all her love to her daughter Tatyana, continuing to work hard at creativity.
The 1940s-1950s were marked by the release of new collections by Agnia Barto: "Merry Poems", "First Grader", "Poems for Children", "Zvenigorod". At the same time, the poetess worked on the scripts for children's films "Alyosha Ptitsyn develops character", "Foundling", "Elephant and rope". In 1958, a significant cycle of satirical children's poems "Leshenka, Leshenka", "Grandfather's granddaughter" was written.
Favorite poet of all generations
Barto Agnia, whose biography is interesting to her fans, thanks to her written poems, has become an influential writer, a favorite of the entire Soviet Union, "the face of a Soviet children's book." In 1947, the poem "Zvenigorod" was published, telling about children who lost their parents during the war years. It was written after visiting the orphanage in Zvenigorod, a town near Moscow. This poem, which used conversations with children, was destined for a special share. After the release of Zvenigorod, Agnia Lvovna received a letter from a woman who had lost her eight-year-old daughter during the war. Fragments of the memories of the children depicted in the poem seemed familiar to the woman, and she flattered herself with the hope that Agnia was communicating with her missing daughter. So it actually turned out. Native people met after 10 years.
At the Mayak radio station in 1965, the program “Looking for a Person” began to go on the air, hosted by Agniya Barto. The search work was based on childhood memories, which, according to the writer, are so tenacious and sharp that they remain with the child for life. For 9 years of painstaking work, Agnia Barto managed to connect thousands of human destinies.
In her personal life, everything went well: her husband was successfully moving up the career ladder, Agnia became the grandmother of Vladimir's beautiful grandson, for whom she wrote the verse "Vovka is a kind soul." The poetess still traveled around the world, was the face of any delegation, because she knew how to keep herself in society, spoke several languages, danced beautifully and dressed beautifully. The doors of Agnia Barto's house were always open for guests; academicians, aspiring poets, famous actors and MPEI students gathered at the same table.
The last years of Agnia Barto
In 1970, Andrei Vladimirovich, the husband of Agnia Barto, died of cancer, whom she survived for 11 years. All these years, Agnia Lvovna worked tirelessly, wrote 2 books of memoirs, more than a hundred poems. Fearing loneliness, she could talk on the phone with her friends for hours, tried to see her daughter and grandchildren often. She is remembered with gratitude by the families of repressed acquaintances, for whom Agnia Lvovna found good doctors, helped to get scarce medicines, “punched” apartments - even for strangers.
Agnia Barto died in Moscow in 1981, on April 1. Having made an autopsy, the doctors were shocked by the very weak vessels and did not understand how in the last 10 years the blood flowed into the heart of such a bright person. A brief biography of Agnia Barto covers the key moments of her life, difficult and fruitful; we still read her poems, raise children on them, raise grandchildren.
Biography Agnia Lvovna Barto is not for children. When born and died Agniya Barto, memorable places, dates and Interesting Facts from life. writer quotes, Photo and video.
Years of life of Agnia Lvovna Barto
born February 4, 1906, died April 1, 1981
Epitaph
We know you can't be brought back
Your deeds - eternal memory,
And only your pure soul is with us,
You light up our life path.
Biography of Agnia Barto
As a child, she dreamed of becoming a ballerina, but became famous children's writer, whose verses every child knows from childhood. She was destined for a brilliant and at the same time difficult, tragic fate, like, probably, the fate of any genius. Biography of Agnia Lvovna Barto- the story of the life of a legendary woman, writer, mother and a truly great person.
Parents affectionately called the girl Agnieszka. Watching her father, a veterinarian, heal sick animals, Agnia grew up to be a kind, sympathetic girl for all living things. The images of childhood were later reflected in her poems, although she dreamed of becoming not a writer at all, but a ballerina- even studied at the choreographic school. But, apparently, writing talent took its toll. Comrade Lunacharsky himself appeared at the final exams of the ballet school. Hearing a slightly gloomy poem by one of the graduates called "Funeral March", he called her to him and said that the girl must write poetry, but funny. This graduate was Agniya Barto, and after some time she took her poems to the State Publishing House. To her own surprise, it was published - so at the age of 19 Agnia Barto published her first books. Another person who influenced the future biography of Barto, became, whom Barto literally idolized. Once, after a performance in front of a children's audience, the poet went down to the rest of the concert participants and said to them enthusiastically: “That's who you need to write for!”.
But Barto's path to literature was not so cloudless - she often got from literary critics and colleagues, they say, complex rhymes that would be difficult for children to remember, bad images. But Barto's shyness and touchingness, apparently, did not cause much hostility among Soviet writers, so she was never subjected to some very strong persecution. Most Soviet officials simply did not perceive woman writer of children's poems seriously. Her books came out one after another, and she did not stop working for a minute - she wrote scripts, prose, worked on the radio. She was able to survive the war, but shortly before its end the eldest son of Agniya Barto died. For her, this became a terrible grief, after which Barto no longer wrote comic poems about bears and bunnies, but created the poem “Zvenigorod” about the inhabitants of the orphanage who lost their relatives during the war, and then Barto gave a few more years of her life to the program “Find a person ".
Death and funeral of Agnia Lvovna Barto
Death of Agnia Barto came April 1, 1981. Barto's cause of death was a heart attack.. The country has lost not only a great writer, but also a person with a huge heart, sensitive, kind, noble - however, another person could not write such touching and piercing poems for children and about children. Barto's funeral passed at the Novodevichy Cemetery.
life line
February 4, 1906 Date of birth of Agnia Lvovna Barto (née Volova).
1924 Admission to the ballet troupe, marriage to Pavel Barto.
1925 The first publications of Barto's poems.
1927 Birth of a son, Edgar, from his marriage to Pavel Barto.
1933 Divorce from Pavel Barto.
1935 Marriage with Andrey Shcheglyaev.
1939 Co-authorship in writing the script for the film "Foundling".
1945 The death of the son of Edgar (Garik) as a result of an accident, the release of the film based on the script of Agnia Barto "The Elephant and the Rope".
1949 Release of the collection "Poems for Children".
1950 Barto was awarded the Stalin Prize for the collection Poems for Children.
1953 The release of the film based on the scenario of Barto "Alyosha Ptitsyn develops character."
1964-1973 Host of the program "Find a person" on the radio "Mayak".
1968 The release of the prose book "Find a Man" based on the radio program of the same name.
August 27, 1970 Death of Agniya Barto's husband, Andrey Shcheglyaev.
April 1, 1981 Date of Barto's death.
Memorable places
1. Radio station "Mayak", where Agniya Barto worked in 1964-1973.
2. Barto House in Moscow ("House of Writers").
3. The village of Trekhgorka, where Agniya Barto often rested at her sister's dacha.
4. Library number 99 in Moscow. A. L. Barto, where the Barto Museum is located today.
5. Novodevichy cemetery, plot number 3, where Barto is buried.
Agniya Barto visited Spain in 1938 when there was already a war going on. One of the most vivid and very dark memories for her was a conversation with a Spanish woman who showed her a photograph of her son who died from a shell. Agniya Barto was greatly shocked, she wrote to her friend in a letter: “How to describe the feelings of a mother who outlived her child?” But a few years later, she herself experienced the same grief - her eldest son died during a bicycle accident. Barto went into herself, only love for her daughter and work helped her continue to live.
Many years Barto worked as a radio presenter in a program that helped reunite families scattered across the country after the war. People came to Barto right at home, from the station, and all members of her family had to get involved in this work. In the nine years that Barto devoted to this program, about a thousand families were reunited. The book, which Agniya Barto wrote based on the Find a Person program, turned out to be incredibly touching and sincere.
Testament of Agnia Barto
“From the fear of spoiling your mood with someone else’s misfortune (even seen not in life, but in the cinema) is just one step to selfishness and heartlessness.”
A film in memory of Agnia Barto
Condolences on the death of Agnia Barto
“Agnia Lvovna Barto is not only a recognized poet, but also a great citizen. I deeply respect her both for her wonderful children's poems, and for the great work that she did in search of mothers and children torn apart from each other "guilty without fault", separated by war. For the fact that she was able to answer the cry of the soul, the question of the life of two people: “Where are you, my son?”, “Where are you, my mother?”. With the help of the radio, how many people she brought joy. I know mothers of many children who adopted and adopted many more orphans. But Agnia Lvovna, like a true poetess, adopted and adopted thousands and thousands of children. Thank you very much for that."
Rasul Gamzatov, poet
04.02.1906 - 01.04.1981
Russian poetess
(real name Volova) Biography of Agnia Barto
Agniya Barto was born on February 4 (17), 1906 in Moscow in the family of a veterinarian. She received a good home education, which was led by her father. She studied at the gymnasium, where, experiencing the creative influence of A.A. Akhmatova and V.V. Mayakovsky, began to write poetic epigrams and sketches. At the same time, she studied at the choreographic school, where A. Lunacharsky came to the graduation tests and, after listening to Barto's poems, advised her to continue writing.
In 1925, her first poems "Chinese Wang Li" and "The Thief Bear" were published. They were followed by The First of May (1926), Brothers (1928), after the publication of which, K.I. Chukovsky noted outstanding talent Barto like a children's poet. Some poems were written jointly with her husband, the poet P.N. Barto (The Dirty Girl and The Ryushka Girl, 1930).
After the publication of a cycle of poetic miniatures for the smallest "Toys" (1936), as well as poems "Flashlight", "Mashenka" and others, Barto became one of the most famous and beloved by readers of children's poets, her works were published in huge editions, were included in anthologies. The rhythm, rhymes, images and plots of these poems turned out to be close and understandable to millions of children.
Agniya Barto wrote scripts for the films The Foundling (1940, together with actress Rina Zelena), Alyosha Ptitsyn Develops Character (1953), 10,000 Boys (1962, together with I. Okada). Her poem "The Rope" was taken by the director I. Fraz as the basis for the concept of the film "The Elephant and the Rope" (1945).
During the Great Patriotic War, Barto was evacuated in Sverdlovsk, went to the front with the reading of her poems, spoke on the radio, wrote for newspapers. Her poems of the war years (the collection "Teenagers", 1943, the poem "Nikita", 1945, etc.) are mainly of a journalistic nature. For the collection "Poems for Children" (1949), Agnia Barto was awarded the State Prize (1950).
The pupils of the orphanage are described in Barto's poem "Zvenigorod" (1948). For nine years, Barto hosted the Find a Man radio program, in which she searched for people torn apart by the war. With its help, about 1000 families were reunited. About this work, Barto wrote the story "Find a Man" (published in 1968).
In "Notes of a Children's Poet" (1976), the poetess formulated her poetic and human credo: "Children need the whole gamut of feelings that give rise to humanity." Numerous trips to different countries led her to the idea of the wealth of the inner world of a child of any nationality. This idea was confirmed by the poetry collection "Translations from Children" (1977), in which Barto translated children's poems from different languages.
For many years, Barto headed the Association of Literature and Art for Children, was a member of the international Andersen jury. In 1976 she was awarded the International Prize. H.K. Andersen. Barto's poems have been translated into many languages of the world.
Great about verses:
Poetry is like painting: one work will captivate you more if you look at it closely, and another if you move further away.
Little cutesy poems irritate the nerves more than the creak of unoiled wheels.
The most valuable thing in life and in poetry is that which has broken.
Marina Tsvetaeva
Of all the arts, poetry is most tempted to replace its own idiosyncratic beauty with stolen glitter.
Humboldt W.
Poems succeed if they are created with spiritual clarity.
The writing of poetry is closer to worship than is commonly believed.
If only you knew from what rubbish Poems grow without shame... Like a dandelion near a fence, Like burdocks and quinoa.
A. A. Akhmatova
Poetry is not in verses alone: it is spilled everywhere, it is around us. Take a look at these trees, at this sky - beauty and life breathe from everywhere, and where there is beauty and life, there is poetry.
I. S. Turgenev
For many people, writing poetry is a growing pain of the mind.
G. Lichtenberg
A beautiful verse is like a bow drawn through the sonorous fibers of our being. Not our own - our thoughts make the poet sing inside us. Telling us about the woman he loves, he delightfully awakens in our souls our love and our sorrow. He is a wizard. Understanding him, we become poets like him.
Where graceful verses flow, there is no place for vainglory.
Murasaki Shikibu
I turn to Russian versification. I think that over time we will turn to blank verse. There are too few rhymes in Russian. One calls the other. The flame inevitably drags the stone behind it. Because of the feeling, art certainly peeps out. Who is not tired of love and blood, difficult and wonderful, faithful and hypocritical, and so on.
Alexander Sergeevich Pushkin
- ... Are your poems good, tell yourself?
- Monstrous! Ivan suddenly said boldly and frankly.
- Do not write anymore! the visitor asked pleadingly.
I promise and I swear! - solemnly said Ivan ...
Mikhail Afanasyevich Bulgakov. "The Master and Margarita"
We all write poetry; poets differ from the rest only in that they write them with words.
John Fowles. "The French Lieutenant's Mistress"
Every poem is a veil stretched out on the points of a few words. These words shine like stars, because of them the poem exists.
Alexander Alexandrovich Blok
The poets of antiquity, unlike modern ones, rarely wrote more than a dozen poems during their long lives. It is understandable: they were all excellent magicians and did not like to waste themselves on trifles. Therefore, behind every poetic work of those times, a whole Universe is certainly hidden, filled with miracles - often dangerous for someone who inadvertently wakes dormant lines.
Max Fry. "The Talking Dead"
To one of my clumsy hippos-poems, I attached such a heavenly tail: ...
Mayakovsky! Your poems do not warm, do not excite, do not infect!
- My poems are not a stove, not a sea and not a plague!
Vladimir Vladimirovich Mayakovsky
Poems are our inner music, clothed in words, permeated with thin strings of meanings and dreams, and therefore drive away critics. They are but miserable drinkers of poetry. What can a critic say about the depths of your soul? Don't let his vulgar groping hands in there. Let the verses seem to him an absurd lowing, a chaotic jumble of words. For us, this is a song of freedom from tedious reason, a glorious song that sounds on the snow-white slopes of our amazing soul.
Boris Krieger. "A Thousand Lives"
Poems are the thrill of the heart, the excitement of the soul and tears. And tears are nothing but pure poetry that has rejected the word.
