J. Byron Corsair summary. Romantic hero in J's poem

Filled with picturesque contrasts, the coloring of the "Gyaur" is also distinguished by Byron's next work of the "eastern" cycle - the more extensive poem "The Corsair", written in heroic couplets. In a brief prose introduction to the poem, dedicated to the author's fellow writer and like-minded Thomas Moore, the author warns against the characteristic, in his opinion, vice of modern criticism - which has haunted him since the days of Childe Harold, the illegal identification of the main characters - whether it is Giaur or anyone the other - with the creator of works. At the same time, the epigraph to the new poem - a line from Tasso's "Jerusalem Delivered" - emphasizes the hero's internal duality as the most important emotional leitmotif of the narrative.

The action of the "Corsair" is deployed in the south of the Peloponnesian Peninsula, in the port of Koroni and the Pirate Island, lost in the expanses of the Mediterranean. The time of action is not precisely indicated, but it is not difficult to conclude that the reader is faced with the same era of the enslavement of Greece by the Ottoman Empire, which has entered a phase of crisis. The figurative and speech means that characterize the characters and what is happening are close to those familiar from "Gyaur", however, the new poem is more compact in composition, its plot is developed in more detail (especially with regard to the adventurous "background"), and the development of events and their sequence - more orderly.

The first canto opens with a passionate speech, depicting the romance of the pirate lot filled with risk and anxiety. The filibusters, soldered by a sense of camaraderie, idolize their fearless ataman Konrad. And now, a fast brig under a pirate flag that terrifies the entire district brought encouraging news: the Greek gunner said that in the coming days a raid on the city and palace of the Turkish governor Seyid could be carried out. Accustomed to the strangeness of the character of the commander, the pirates become shy when they find him immersed in deep thought. Several stanzas follow with a detailed description of Conrad (“Mysterious and eternally lonely, / It seemed that he could not smile”), inspiring admiration for heroism and fear - for the unpredictable impulsiveness of the one who had gone into himself, disbelieved in illusions (“He is among people the most difficult of schools - / The path disappointment - passed") - in a word, bearing the most typical features of a romantic rebel-individualist, whose heart is warmed by one indomitable passion - love for Medora.

Conrad's lover reciprocates; and one of the most heartfelt pages in the poem is Medora's love song and the scene of the farewell of the heroes before the campaign. Left alone, she finds no place for herself, as always worrying about his life, and he, on the deck of the brig, gives orders to the team, full of readiness to carry out a daring attack - and win.

The second song takes us to the banquet hall in Seyid's palace. The Turks, for their part, have long been planning to finally clear the sea from pirates and divide the rich booty in advance. Pasha's attention is attracted by a mysterious dervish in tatters, who appeared at the feast from nowhere. He tells that he was taken prisoner by the infidels and managed to escape from the kidnappers, but he flatly refuses to taste luxurious dishes, referring to a vow made to the prophet. Suspecting him as a scout, Seyid orders to seize him, and then the stranger is instantly transformed: under the humble guise of a wanderer, a warrior in armor and with a sword that smashes on the spot was hiding. The hall and approaches to it in the blink of an eye are overflowing with Conrad's associates; a furious battle boils up: "The palace is on fire, the minaret is on fire."

The merciless pirate who crushed the resistance of the Turks, however, shows genuine chivalry when the flame that engulfed the palace spreads to the female half. He forbids his brothers-in-arms to resort to violence against the Pasha's slaves, and he himself carries the most beautiful of them, the black-eyed Gulnar, out of the fire. Meanwhile, Seid, who escaped from the pirate's blade in the confusion of the battle, organizes his numerous Guards in a counterattack, and Konrad has to entrust Gulnar and her friends, unfortunately, to the cares of a simple Turkish house, and himself to enter into an unequal confrontation. All around, one by one, his slain comrades fall; he, having cut down an uncountable multitude of enemies, is hardly alive captured.

Deciding to subject Konrad to torture and a terrible execution, the bloodthirsty Seid orders him to be placed in a cramped casemate. The hero is not afraid of the coming trials; in the face of death, only one thought worries him: “How will Medora’s message, the evil news, meet?” He falls asleep on a stone bed, and when he wakes up, he finds in his dungeon the black-eyed Gulnar, who has secretly made her way into the prison, completely captivated by his courage and nobility. Promising to persuade the pasha to delay the impending execution, she offers to help the corsair escape. He hesitates: cowardly running away from the enemy is not in his habits. But Medora... After listening to his passionate confession, Gulnar sighs: “Alas! To love is only given to the free!”

Canto Three opens with the author's poetic declaration of love for Greece (“Beautiful city of Athena! Whoever saw the sunset / Your wondrous one will come back ...”), which is replaced by a picture of the Pirate Island, where Conrad waits in vain for Medora. A boat approaches the shore with the remnants of his detachment, bringing terrible news, their leader is wounded and captured, the filibusters unanimously decide to rescue Conrad from captivity at any cost.

Meanwhile, Gulnar's persuasion to postpone the painful execution of "Gyaur" produces an unexpected effect on Seid: he suspects that his beloved slave is not indifferent to the prisoner and is plotting treason. Showering the girl with threats, he kicks her out of the chambers.

Three days later, Gulnar once again enters the dungeon where Konrad is languishing. Insulted by the tyrant, she offers the prisoner freedom and revenge: he must stab the pasha in the silence of the night. The pirate recoils; the woman's excited confession follows: “Do not call revenge on the despot villainy! / Your despicable enemy must fall in blood! / Did you start? Yes, I want to become different: / Pushed away, offended - I take revenge! / I am undeservedly accused: / Though a slave, I was faithful!

"A sword - but not a secret knife!" is Conrad's counterargument. Gulnar disappears to appear at dawn: she herself took revenge on the tyrant and bribed the guards; a boat and a boatman are waiting for them off the coast to take them to the coveted island.

The hero is confused: in his soul there is an irreconcilable conflict. By the will of circumstances, he owes his life to a woman in love with him, and he himself still loves Medora. Gulnar is also depressed: in the silence of Konrad, she reads the condemnation of the crime she committed. Only a fleeting hug and a friendly kiss of the prisoner she saved bring her to her senses.

On the island, the pirates joyfully greet the leader who has returned to them. But the price set by providence for the miraculous deliverance of the hero is incredible: only one window does not shine in the castle tower - the window of Medora. Tormented by a terrible premonition, he climbs the stairs... Medora is dead.

Conrad's grief is inescapable. In solitude, he mourns his girlfriend, and then disappears without a trace: “A series of days passes, / Conrad is gone, he disappeared forever, / And did not announce a single hint, / Where he suffered, where he buried the flour! / He was only mourned by his gang; / His girlfriend was received by the mausoleum ... / He will live in the traditions of families / With one love, with a thousand crimes. The finale of The Corsair, like the Giaura, leaves the reader alone with the feeling of an unsolved riddle surrounding the entire existence of the protagonist.

June 24 2010

Filled with pictorial contrasts, the coloring of the “Giaur” also distinguishes the next Byron of the “eastern” cycle - the more extensive poem “The Corsair”, written in heroic couplets. In a brief prose introduction to the poem, dedicated to the author's fellow writer and like-minded Thomas Moore, he warns against the characteristic, in his opinion, vice of modern criticism - the wrongful identification of the main characters, whether it be Giaur or anyone else, that has haunted him since the time of "Childe" with the creator of the works. At the same time, the epigraph to the new poem - a line from Tasso's "Jerusalem Delivered" - emphasizes the internal duality as the most important emotional leitmotif of the narrative.

Conrad's lover reciprocates; and one of the most heartfelt pages in the poem is the love song of Medora and the scene of the farewell of the heroes before the campaign. Left alone, she finds no place for herself, as always worrying about him, and he, on the deck of the brig, gives instructions to the team, full of readiness to carry out a daring attack - and win.

The merciless pirate who crushed the resistance of the Turks, however, shows genuine chivalry when the flames that engulfed the palace spread to the female half. He forbids his brothers-in-arms to resort to violence against the Pasha's slaves, and he himself carries the most beautiful of them, the black-eyed Gulnar, out of the fire. Meanwhile, Seid, who escaped from the pirate's blade in the confusion of the battle, organizes his numerous Guards in a counterattack, and Konrad has to entrust Gulnar and her friends, unfortunately, to the cares of a simple Turkish house, and himself to enter into an unequal confrontation. All around, one by one, his slain comrades fall; he, having cut down an uncountable multitude of enemies, is hardly alive captured.

Conrad's grief is inescapable. In seclusion, he mourns his girlfriend, and then disappears without a trace: “<…>A succession of days passes, / No Conrad, he disappeared forever, / And not a single hint announced, / Where he suffered, where he buried the flour! / He was only mourned by his gang; / His girlfriend was received by the mausoleum ... / He will live in the traditions of families / With one love, with a thousand crimes.

The finale of The Corsair, like the Giaura, leaves the reader alone with the feeling of an unsolved riddle surrounding the entire existence of the protagonist.

"The Corsair" is one of the famous "Eastern Poems" by Lord George Byron.

In the winter of 1813, the romantic poet George Gordon Byron begins his extensive work on the creation of a masterpiece of English poetry, the poem "The Corsair", written in heroic couplets. The work was completed in 1814. Byron develops the genre of the romantic poem using rhyming pentameter verse.
The poetry begins with a preface dedicated to a close friend of the author, Thomas Moore. The story consists of three songs. The action of the poem develops on the Greek islands, as well as on the coast of Greece in Koroni. The author does not indicate the exact time of the poem, but it is not difficult to guess from the songs that this is the era of the enslavement of Greece by the Ottoman Empire.

The poet takes as a basis the conflict of the protagonist-rebel with the world. He fights for love and fights against the society that once drove him away, calling him an enemy of the people.

The image of a lyrical hero

The main character of the poem "The Corsair" is the captain of the sea pirates Konrat and his beloved Medora. The poet describes Konrat as a strong, gifted nature who could do great good deeds if not for exile by society. He prefers to lead a free life on a desert island, away from the cities. As a brave, wise leader, he is cruel and powerful. He is respected and even feared.

Around, on all the seas,
Only one name in the souls sows fear;
He is stingy in speech - he only knows the order,
The hand is firm, sharp and vigilant eye.

But, despite all this, Konrat is a lone hero, in whose blood flows the spirit of struggle and the strength of protest. He is fierce and wild, strong and wise. To divert his thoughts, he rushes into the struggle with society, despite their advantage.

Konrath is a typical Byronic hero. He has no friends and no one knows his past life. Only after reading the poem, one can say that in the past the hero was a completely different person who did good. The hero is an individualist, immersed in his unknown inner world.

Brief description of the plot

The first acquaintance with Konrat takes place on the top of the cliff, where he, leaning on his sword, contemplates the beauty of the waves. Byron introduces us to the hero, pointing out a detailed portrait of Konrath.

Tanned cheek, white forehead,
A wave of curls is like a crow's wing;
The bend of the lip involuntarily betrays
Arrogant thought secret passage;
Although the voice is quiet, but the face is straight and bold,
There is something in him that he would like to hide.

In the first song, the action develops on a pirate island, where the leader of the pirates, Konrat, receives some news, which makes him say goodbye to his beloved Medora and set sail. Where and why the pirates went is clear from the second song of the poem.

In the second part, the protagonist is going to deliver a mortal blow to his enemy Seyid Pasha. Konrat makes his way to the feast to the enemy. He is going to commit his crime at the time when Seyid Pasha's fleet is set on fire by the pirates. Since the fleet was set on fire before the specified time, a fierce and hot battle begins, where Konrat saves his enemy's beloved wife, Gulnar, from the burning seraglio. Having made a mistake, the pirates are forced to flee, and Konrat himself was captured by enemies and thrown into prison.

In the third song, Seyid Pasha is going to execute the main character, inventing the most painful death for him. Gulnar, who was rescued by the pirate captain, falls in love with him. Secretly from Seid Pasha, she tries to persuade Konrat to arrange an escape for him. The captain did not want to owe her his freedom, because he did not love her. His heart belongs to only one girl in the world - Medora. Blinded by true love, Gulnar kills her husband and, having persuaded the guards, arranges an escape for Konrat. They run together to the ship, which is heading to the island of pirates. Upon arrival, the captain learns of the death of his beloved, who could not bear the news of his captivity.

All in vain - day after day rolls,
Conrad is gone, and there is no news of him,
And there is no trace of his fate anywhere:
Did he die or disappeared forever?

Having lost the meaning of his life, Konrat disappears without a trace and no one else saw him. It remains a mystery what happened to the main character.

He is not in the tower, not on the shore;
They searched the whole island on the run,
Barrenly... Night; and the day has come again
Only an echo resounded among the rocks.
Every hidden grotto was searched;
A piece of the chain that fixed the bot,
He inspired hope: the brig would follow him!
Fruitless! Days go by,
No Conrad, he disappeared forever.

The poem "The Corsair" is one of the classic examples of romanticism.

The action of the poem takes place on the Peloponnesian Peninsula, in the port of Koroni and the Pirate Island, hidden in the Mediterranean.
The first song introduces us to the fearless chieftain Konrad. His image bears the characteristic features of a romantic rebel-individualist, whose heart is warmed by one violent passion - love for the girl Medora, who reciprocates him.

The second canto takes the reader to a banquet hall in the palace of the mighty Seyid. For their part, the Turks have been planning for a long time to finally clear all sea areas from pirates. During the feast, the pasha's attention is attracted by a mysterious dervish dressed in tatters, who has appeared out of nowhere. He says that he was taken prisoner by the infidels, but he was able to escape from the cruel kidnappers. Seyid orders to seize him, but under the humble guise of a wanderer, someone else is hiding, like a warrior in armor and with a sword. Gradually, the hall and all approaches to it are overflowing with Conrad's associates. The ataman himself, who killed an uncountable number of enemies, is captured.

Deciding to subject the barely alive Konrad to cruel tortures and then to a painful execution, the cruel Seid gives the order to put the prisoner in a cramped casemate. Gulnar, who made her way into the prison, captivated by his courage and nobility, offers to help the corsair escape.
The third canto opens with the author's ardent declaration of love for Greece, full of sincerity and poetry. It is replaced by a picture of the Pirate Island, where Medora waits in vain for Conrad. A boat with the remaining people from his detachment sails to the shore. They bring the sad news that their leader has been wounded and taken prisoner. The filibusters jointly decide to rescue their leader Conrad from captivity at any cost.

Gulnar once again manages to get into the cramped dungeon where Konrad is. She gives the prisoner freedom. The hero of the poem is very confused, an irreconcilable conflict has ripened in his soul. After all, by the will of circumstances, he owes his life to Gulnar, a woman in love with him, but he himself is still madly in love with Medora.

On the island, the pirates with great joy meet the leader who has returned to them. However, the price set by providence for this miraculous deliverance is immeasurable - the death of the beloved.
The hero is inconsolable, his grief is inescapable. Conrad, in seclusion, weeps bitterly for his girlfriend, then disappears without a trace. The finale of the poem leaves us alone with the feeling of an unsolved riddle that has enveloped the entire existence of the protagonist.

Please note that this is only a summary of the literary work "Corsair". This summary omits many important points and quotations.

George Gordon Byron

"Corsair"

The coloring of the Gyaur, full of picturesque contrasts, also distinguishes Byron’s next work of the “eastern” cycle - the more extensive poem The Corsair, written in heroic couplets. In a short prose introduction to the poem, dedicated to the author's fellow writer and like-minded Thomas Moore, the author warns against the characteristic, in his opinion, vice of modern criticism - which has haunted him since the time of Childe Harold, the illegal identification of the main characters - whether it is Giaur or anyone the other is with the creator of the works. At the same time, the epigraph to the new poem - a line from Tasso's "Jerusalem Delivered" - emphasizes the hero's internal duality as the most important emotional leitmotif of the narrative.

The action of the "Corsair" takes place in the south of the Peloponnesian Peninsula, in the port of Koroni and the Pirate Island, lost in the expanses of the Mediterranean. The time of action is not exactly indicated, but it is not difficult to conclude that the reader is faced with the same era of the enslavement of Greece by the Ottoman Empire, which has entered a phase of crisis. The figurative and speech means that characterize the characters and what is happening are close to those familiar from "Gyaur", however, the new poem is more compact in composition, its plot is developed in more detail (especially with regard to the adventurous "background"), and the development of events and their sequence are more orderly.

The first canto opens with a passionate speech, depicting the romance of the pirate lot filled with risk and anxiety. The filibusters, soldered by a sense of camaraderie, idolize their fearless ataman Konrad. And now, a fast brig under a pirate flag that terrifies the whole district brought encouraging news: the Greek gunner said that in the coming days a raid on the city and palace of the Turkish governor Seyid could be carried out. Accustomed to the strangeness of the character of the commander, the pirates become shy when they find him immersed in deep thought. Several stanzas follow with a detailed characterization of Conrad (“Mysterious and eternally alone, / It seemed that he could not smile”), inspiring admiration for heroism and fear - for the unpredictable impulsiveness of the one who had gone into himself, disbelieved in illusions (“He is among people the most difficult of schools - / The Way disappointment - passed") - in a word, bearing the most typical features of a romantic rebel-individualist, whose heart is warmed by one indomitable passion - love for Medora.

Conrad's lover reciprocates; and one of the most heartfelt pages in the poem is Medora's love song and the farewell scene of the heroes before the campaign. Left alone, she finds no place for herself, as always worrying about his life, and on the deck of the brig he gives orders to the team, ready to carry out a daring attack - and win.

The merciless pirate who crushed the resistance of the Turks, however, shows genuine chivalry when the flame that engulfed the palace spreads to the female half. He forbids his brothers-in-arms to resort to violence against the Pasha's slaves, and he himself carries the most beautiful of them, the black-eyed Gulnar, out of the fire. Meanwhile, Seid, who escaped from the pirate's blade in the confusion of the battle, organizes his numerous guards in a counterattack, and Konrad has to entrust Gulnar and her friends, unfortunately, to the cares of a simple Turkish house, and himself to enter into an unequal confrontation. All around, one after another, his slain comrades fall; he, having cut down an uncountable multitude of enemies, is hardly alive captured.

Canto Three opens with the author's poetic declaration of love for Greece (“Beautiful city of Athens! Whoever saw the sunset / Your wondrous one will come back ...”), which is replaced by a picture of the Pirate Island, where Conrad waits in vain for Medora. A boat approaches the shore with the remnants of his detachment, bringing terrible news, their leader is wounded and captured, the filibusters unanimously decide to rescue Conrad from captivity at any cost.

Three days later, Gulnar once again enters the dungeon, where Konrad is languishing. Insulted by the tyrant, she offers the prisoner freedom and revenge: he must stab the pasha in the silence of the night. The pirate recoils; the woman's excited confession follows: “Do not call revenge on the despot villainy! / Your despicable enemy must fall in blood! / Did you start? Yes, I want to become different: / Pushed away, offended - I take revenge! / I am undeservedly accused: / Though a slave, I was faithful!

The hero is confused: in his soul there is an irreconcilable conflict. By the will of circumstances, he owes his life to a woman in love with him, and he himself still loves Medora. Gulnar is also depressed: in Konrad's silence, she reads the condemnation of the crime she committed. Only a fleeting hug and a friendly kiss of the prisoner she saved bring her to her senses.

Conrad's grief is inescapable. In solitude, he mourns his girlfriend, and then disappears without a trace: “A series of days passes, / Conrad is gone, he disappeared forever, / And did not announce a single hint, / Where he suffered, where he buried the flour! / He was only mourned by his gang; / His girlfriend was received by the mausoleum ... / He will live in the traditions of families / With one love, with a thousand villains. The finale of The Corsair, like the Giaura, leaves the reader alone with the feeling of an unsolved riddle surrounding the entire existence of the protagonist.

The action of Byron's poem "The Corsair" takes place in the port of Koroni and on a pirate island during the enslavement of Greece by the Turks. The first song tells of a pirate life, Byron describes a pirate brig under the command of the filibuster Conrad. In this part of the poem, the captain learns from a Greek spy that now is the best time to attack the palace of the Turkish governor Seid. The pirate captain is an image of a typical romantic rebel, a mysterious individualist hero, whose heart is warmed by an indomitable love for the girl Medora. The beloved of the captain of the corsairs reciprocates. Her love song is one of the brightest pages of the poem, as is the heartfelt scene of the parting of lovers before a pirate raid.

The second song of the poem presents to our eyes the banquet hall of Seid. The Turkish command plans to clear the sea of pirate filth. The attention of the viceroy is attracted by a mysterious monk who somehow made his way to the feast. The dervish says that he was captured by the infidels and managed to escape, but he chastely refuses luxurious dishes, motivating this by a vow given to the prophet. The shrewd governor suspects the monk of espionage and orders him to be captured. However, the dervish is transformed into a well-armed warrior, clad in plate armor. Companions of Konrad begin an attack on the palace, a fierce battle begins.

A quick and sudden attack sweeps away the resistance of the Turks, but the stern corsair is a real nobility when the fire that engulfed the palace spreads to the female half of the building. He forbids the pirates to show cruelty towards Seyid's captive concubines and himself saves the slave Gulnar from the fire. However, the Turks gather their strength and organize a powerful counterattack that sweeps away the pirates - Conrad's comrades die, he, exhausted, is captured.

The Turkish viceroy sentences the captain of the pirates to torture and execution, before deciding to wear out the filibuster in the casemates. Conrad is not afraid of death, he is only afraid of how his beloved Medora will perceive the news of his death. At night, the rescued Gulnar comes to him and offers to help the pirate escape. A brave sailor hesitates with a decision, because running away from the enemy is not in his habit.

Meanwhile, Gulnar's attempt to delay the execution fails, Seid decides that his beloved concubine is not indifferent to the prisoner and accuses her of treason. The offended Gulnar again comes to Konrad and asks him to run away, urging him to secretly kill the despot Seyid. But even this time, the noble corsair does not want to cowardly, in a dream, kill his opponent. The concubine frees the pirate and personally kills the viceroy. The captives flee the palace and return to the pirate island.

However, returning home does not bring joy to Konrad, because his beloved Medora does not meet him. He is looking for his beloved in her chambers and does not find it... The unfortunate Medora committed suicide after learning about the impending execution of her beloved captain. Unbearable grief falls on the shoulders of Conrad. Alone, he mourns for his friend of the heart, and then leaves without leaving a trace. The finale of the play "The Corsair" gives the reader the opportunity to unravel the mystery of the protagonist's feelings.

Portal for the student. Self-training

The image of a lyrical hero

Brief description of the plot

"Corsair"

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