“Well, the woman seems to have a strong forehead,” thought Chichikov, N.V. Gogol Nikolai Vasilyevich Gogol’s poem “Dead Souls” brilliantly reflected the time and faces of landowner-serf Russia in the 30s of the 19th century. It was a period when serfdom was collapsing, a crisis of the system was ripe, but the landowners desperately clung to their privileges, allowing them to live comfortably at the expense of the slave labor of forced peasants. The poem is built in the form of a journey, allowing the author to show all of Russia with its troubles and hardships, to identify the cause of the plight of the people and, with the help of satire, to expose the vices of the existing system.

Pavel Ivanovich Chichikov is a swindler who planned to make capital, taking advantage of the imperfection of the social system in Russia. Traveling through the southern provinces, he tries to cheaply buy up dead peasants who have not passed the revision tale (census) and are considered alive, in order to later pawn false documents in the bank and get money for them, get married profitably, get rich, without complicating themselves with socially useful business. Chichikov meets with the feudal landowners, and here Gogol shows to what "muck and abomination a person can come" in the pursuit of money and his own well-being.

Leaving Manilov, Chichikov ends up with Korobochka, a rather prosperous landowner, a zealous housewife, ready to sell “meat, poultry, hemp and honey,” but who has not refused to trade in the dead souls of peasants. Moreover, the “cudgel-headed” Nastasya Petrovna “decided” that for this she would have to dig up coffins, and this does not stop her. She is ready to do anything to get money. “Do you want to dig them out of the ground?” Chichikov perfectly understood Korobochka's nature and spoke to her "with more freedom than with Manilov." Chichikov does not stand on ceremony.

He must continue the business he had begun, and since he stopped by Korobochka, he must deal with her. Ivanovich allows himself to yell at the landowner when he is distracted from the business that interests him. Nastasya is afraid to sell too cheap, everything else does not bother. She, “an elderly woman, in some kind of linen cap, put on hastily, with a flannel around her neck, one of the mothers, small landowners who cry for losses and hold their heads somewhat to one side, and meanwhile they rob little money in motley bags, placed in the drawers of chests of drawers. Korobochka is a strong landowner, she lives by subsistence farming, but knows very well the power of money. You are amazed at the greed of Nastasya Petrovna: why does she need money, because she has no children, to whom the capital could be transferred, who needed to be brought out into the people. The senselessness of Box's hoarding is almost ominous.

She saves money for their own sake, is not afraid to sell dead peasants - just to get money. This episode is of great importance in the compositional construction of the poem "Dead Souls". Gradually, Gogol will show how the thirst for profit, the accumulation of capital by any means, the boundless exploitation of the peasants corrode the soul of the landlords themselves. They lose their human appearance, spiritual warmth, turning into "real dead souls."

Works on literature: Chichikov at the nostril. Episode Role

Chichikov had already received as a gift from the beautiful-hearted Manilov the dead souls he needed so much, had already met the "club-headed" landowner Korobochka, and was on his way to Sobakevich's estate when he met Nozdryov in a tavern by the road. Chichikov already knew this "very well-built young man with full, ruddy cheeks, teeth as white as snow and sideburns as black as pitch" - they met at a dinner at the prosecutor's.

Having received an invitation from Nozdryov to visit his estate on the way to Sobakevich, Chichikov, without hesitation, agrees. Apparently, he hoped to "question for nothing" dead souls from this hospitable gentleman as well.

The guest was shown a water mill, a smithy, a field, but horses and dogs were a special pride of Nozdryov's household. "When they entered the yard, they saw all sorts of dogs there. About ten of them put their paws on Nozdryov's shoulders." Chichikov, the dog Scold "licked his tongue in the very lips." For Pavel Ivanovich, an extremely neat man who carefully watched the neatness of his dress, this was extremely unpleasant. But I had to endure - for the sake of my "main subject" - the acquisition of dead souls.

After inspecting the household, the gentlemen went to the owner's office, where, "however, there was no noticeable trace of books or paper." But expensive guns, daggers, pipes and a hurdy-gurdy were demonstrated to the guests. Showing his treasures, Nozdryov boasted without restraint of their value and uniqueness. The dinner, which "did not constitute the main thing in Nozdryov's life," failed, "but the host leaned heavily on wine."

Realizing that he was dealing with an emotional and gambling person, Chichikov hurried to discuss his case as soon as possible. Nozdryov was not misled by Chichikov's statement that he needed souls to give weight in society. "I know you: after all, you are a big swindler, I would hang you on the first tree." He does not want to give the dead souls to Chichikov, or sell them - only to exchange or play checkers for these souls. But Nozdryov does not play with Chichikov - he is cheating, trying to fool his partner. The conflict develops into a quarrel, and Chichikov barely takes his legs off.

It is quite understandable that communication with Nozdryov left Chichikov in a very unpleasant mood. A man not stupid and versed in human natures, he understood that Nozdryov was a "rubbish man" and he should not have been initiated into such a delicate matter. But, apparently, the success of the enterprise turned Pavel Ivanovich's head.

The episode under consideration serves to reveal the image of Nozdrev. This is a man of all trades. He is fascinated by drunken revelry, violent fun, a card game. In the presence of Nozdryov, not a single society can do without scandalous stories, therefore the author ironically calls him a "historical man." Chatter, boasting, lies are the most typical features of Nozdryov. According to Chichikov, Nozdrev is a "rubbish man", he behaves cheekily, arrogantly and has a "passion to spoil his neighbor."

And what do we learn from this episode about Mr. Chichikov? We see the ungracious and worldly Pavel Ivanovich, who recently visited Manilov. His speech and manners have noticeably changed, he is, of course, not as rude and insolent as Nozdryov, but harshness mixed with composure appeared in his words.

Explaining the idea of ​​"Dead Souls", Gogol wrote that the images of the poem -

"by no means portraits of insignificant people, on the contrary, they contain the features of those who consider themselves better than others." In the Gogol gallery of images of landowners, Nozdryov's portrait "hangs on the third nail." This hero is not as harmless as, and not at all stupid as Korobochka. But he is vulgar and deeply vicious, Nozdryov is the embodiment of Russian rudeness. Gogol wrote about Nozdryov: Nozdryov will not leave the world for a long time. He is everywhere between us and, perhaps, only walks in a different caftan. "It seems that Nikolai Vasilievich was right - too often in today's life we ​​meet nostrils in well-tailored jackets. But there are enough chichikovs in our present - people are cunning, dodgy, " elusive, like a loach". Are the words of A. S. Pushkin "God, how sad is our Russia!" Are relevant in our days? ..

CHICHIKOV AT THE BOX. ROLE OF THE EPISODE

N. V. Gogol's poem "Dead Souls" was first published in 1842, almost twenty years before the abolition of serfdom in Russia, in the years when the first sprouts of a new, capitalist formation began to appear in the country.

The main theme in the poem is the image of landlord Russia. The main characters are the landlords, the first estate of the Russian state, the foundation of the foundations of autocracy, people on whom the economic and social situation of the country largely depends.

The central place in the first volume is occupied by five "portrait" chapters (from the second to the sixth). These chapters, built according to the same plan, show how different types of serf-owners were formed on the basis of serfdom and how serfdom in the 20-30s of the 19th century, in connection with the growth of capitalist forces, led the landlord class to economic decline.

The plot of the poem "Dead Souls", suggested by A. S. Pushkin, is very simple. Gogol told in his work about the adventures of a certain adventurer who came up with a kind of enrichment plan: he bought dead peasants from the landowners in order to pledge them as living in the Board of Trustees.

And so Pavel Ivanovich Chichikov, a man of "dark and modest origin", a rogue and a sly one, goes to the landowners' estates in search of dead souls. On his way, the protagonist encounters very different representatives of the landlord world.

Having received the dead souls he so much needed as a gift from the beautiful-hearted Manilov, Chichikov, in a good mood, goes to another landowner, Sobakevich. But on the way the coachman got lost, "the britzka hit the fence with shafts. There was absolutely nowhere to go."

So, by chance, Pavel Ivanovich ended up in the house of Nastasya Petrovna Korobochka. By no means a cordial welcome was given to travelers: only after hearing the word "nobleman", the hostess allowed them to enter.

"Already from one dog's barking," Chichikov realized that "the village was decent."

N.V. Gogol describes in detail the interior of the room into which the guest was escorted, as if anticipating the description of the hostess herself. "The room was hung with old striped wallpaper; pictures with some birds; between the windows there were small antique mirrors; behind every mirror there was either a letter, or an old deck of cards, or a stocking." But here in the room appears "the mistress of one of those mothers, small landowners who cry for crop failures and losses, and meanwhile they are gaining a little money in bags placed in drawers of chests of drawers." And her last name is appropriate - Korobochka.

In a short conversation, it turned out that Chichikov had traveled so far that the hostess had never heard of his familiar landowners. The visitor went to bed and woke up quite late in the morning. From the window he saw a courtyard with all kinds of living creatures, and behind the gardens peasant huts in a state that showed the contentment of the inhabitants.

Having found out from the hostess that "eighteen people" have died since the last revision, Chichikov proceeds to discuss his delicate matter. But Nastasya Petrovna does not even immediately understand the essence of her guest. Chichikov had to make a lot of efforts to "explain what was the matter." The old woman felt that "the business seems to be profitable, but E is too new and unprecedented."

But persuading Korobochka turned out to be a difficult task. Chichikov, already beginning to lose his patience, called her a "clubhead." And only the promise of government contracts had an effect on Nastasya Petrovna.

Vasily Makarovich Shukshin

"Red viburnum"

The narration is in the third person. Lots of dialogue. The plot is dynamic, eventful, melodramatic in many respects.

The last evening of Yegor Prokudin in the zone has ended. In the morning the chief admonishes him. We learn that Egor dreams of his farm, a cow. His future wife is Baikalova Lyubov Fedorovna. He has never seen her, they know each other only by correspondence. The boss advises to dress better.

After leaving prison, Prokudin enjoys the spring, feels a surge of strength, rejoices in the feeling of life. In the regional center, Yegor comes to his comrades "at the hut." There are many young people there. Among others - Guboslap, Bulldog, Lucien. They are waiting for a call from their accomplices: they are committing another robbery. Egor (there his name is Gore) does not want to talk about the zone, he wants to take a break from cruelty. They dance with Lucienne. It is felt that no one shares Yegor's mood, even Lucien (who understands better than others the vileness of their occupation and Yegor's inner purity). Guboslap is nervous, Lucien is a little jealous of Yegor. The bell rings: the accomplices are covered by the police, everyone needs to scatter. Egor also runs, although it is risky for him. He tries to find his acquaintances in the city, but they do not want to answer him.

“And so the district bus brought Yegor to the village of Yasnoye” - to Lyuba. She meets him at the bus stop. In the tea shop, he says that he was an accountant, he ended up in prison by accident. Lyuba knows that he is a recidivist thief, but hopes that Yegor will find his way back to normal life. She introduces him to her parents. Lyuba uses Egor's "legend" about the accountant so as not to frighten her parents. But when Yegor is left alone with them, Lyuba's father (his wife calls him Mikitka) begins to "interrogate" Yegor. He sarcastically replies: they say, he killed seven, the eighth did not work. Egor believes that everyone can end up in prison (ironically reminds the old man about the years of the civil war, collectivization), and there is nothing to torment a person if he decided to start a new life. Egor tries on the mask of a public figure, a communist, "denounces" the "backward" old people.

Egor meets Peter, Lyuba's brother. Petro and Egor go to the bathhouse. Petro is indifferent both to the hero's past and to himself: he does not want to get acquainted, communicate. Yegor does not like to feel like a poor relative, to smile at everyone and at the same time feel distrust of himself. Petro does not react to Yegor's grievances, and after a while Yegor realizes that Petro has no prejudices: he is simply taciturn.

Zoya, Peter's wife, and Lyuba's mother discuss Yegor with her. Lyuba express disapproval. Women express the general opinion of the whole village. Suddenly, Luba is protected by her father. Peter's cry is heard. Egor accidentally scalded him with boiling water. Zoya is horrified, Lyuba's father grabbed the ax - but everything was a joke. Neighbors on the street are actively discussing what happened.

The evening in the Baikalovs' house passes peacefully and calmly. The old people remember some old relatives, Lyuba shows photos, Yegor and Petro peacefully joke about the incident in the bathhouse. Egor can't sleep at night, he wants to talk to Lyuba, she sends him out with the approval of his mother, but he also can't fall asleep.

Yegor leaves for the regional center. He honestly says to Lyuba: “Maybe I’ll be back. Maybe not." On the way, he imagines that his friends are coming back for him. He thinks of Lipslap. In the district center, he goes to the telegraph office and sends him money. At this time, a friend at work, Varya, advises Lyuba to leave Yegor and take back her ex-husband, Kolka. It is obvious that the fellow villagers do not like Lyuba's act, not because Yegor may turn out to be unreliable, but because Lyuba does not behave like everyone else. Varya begins to cheerfully tell how wonderful it is for her to live with her alcoholic husband, whom she beats with a rolling pin.

Egor goes to a restaurant where he arranges a "picnic". He feeds and waters strangers. The most drunken men gather. Egor spends a lot of money. He calls Lyuba and says that he needs to stay for the night - he has not settled issues with the military registration and enlistment office. At this time, the mother incredulously asks Lyuba where Egor is. Again, the father protects his daughter and helps to believe in the next "legend" of Yegor.

Yegor continues to “debauchery” (the word of Shukshin): he drinks, sings, dances, makes speeches full of life-affirming pathos. In the end, Egor distributes the remaining money, takes cognac and chocolate, gets into a taxi and goes to Yasnoye. Comes to Peter, offers to drink in the bath. In this "cramped black world" they drink cognac and greet the dawn with the song "I'm sitting behind bars in a damp dungeon."

In the morning he accompanies Lyuba to the farm. They chat along the way. Among other things, Lyuba mentions her ex-husband Kolka, who constantly drinks. Yegor recalls his childhood, his mother and the cow Manka. Lyuba introduces Yegor to the director of the farm, Dmitry Vladimirovich. She arranges Yegor as a driver on the farm: the director urgently needed a driver. Egor did not like the director: "smooth, contented." Director Yegor also does not like it: "senselessly obstinate."

The director gives the task - to pick up the foreman Savelyev in the village of Sosnovka. Egor completes the task, but, returning, refuses to continue work. It's easier on a tractor.

Egor asks Peter for a dump truck and takes Lyuba with him. On the way, he explains to her that he wants to call on one old woman - Kudelikh. Allegedly, a friend asked him to find out about her health. Lyuba needs to introduce herself as an employee of the district security service and ask about her. The old woman tells about herself, that the children are all confused. Love comforts her. Yegor sits silently, wearing dark glasses. When they drive off, he tells Luba that this is his mother.

At home, Lyuba comes to her ex-husband with three friends. Egor drags him out of the house. They retreat to the trees, a fight begins. Kolka with a drink, so there remains a bit. Another one rushes at Yegor - Yegor stops with one blow. Kolka runs away, grabs a stake, goes to Yegor - Yegor stops him with a look.

In the morning Egor made the first furrow in his life (on a tractor). He breathes the smell of plowed land and feels joy from it.

Shura, one of his former accomplices, comes to Yegor. They are talking about something, Shura transfers money from Guboshlep (so that Egor has something to return to them), but Egor throws this money in Shura's face. He is leaving. Lyuba is worried, Yegor is trying to calm her down, but it is clear that he himself is not in a good mood.

The next day they work in the field. It's already planted. Yegor notices that a black Volga is standing near the forest. He sees Lipslap, Bulldy and Lucien there. Goes to them. Lucien, meanwhile, demands that Guboshlyop not touch Yegor. But Guboshlep emotionally expresses his position: he does not like that Yegor is now almost a saint, and only they are sinners. We learn that danger looms over Guboshlep and therefore he wants to have time to deal with Yegor.

Lyuba sees how Yegor went to the forest with someone. She runs home - it turns out that her father even explained to them how to get there. Here Lyuba stops Petro's dump truck, they drive towards the forest. The criminals see this, they call Lipslap - he runs out of the forest, hides something under his clothes and they leave.

Egor is seriously wounded. Lyuba and Petro put him in a dump truck, quickly driven. But then Yegor feels that he is dying and asks to be put on the ground. He asks Lyuba to take his money and give it to his mother.

“And he lay, a Russian peasant, in his native steppe, close to home ... He lay with his cheek pressed to the ground, as if he was listening to something that he alone could hear. So he clung to the poles as a child.

Petro catches up with the Volga. People run away. The fate of the criminals is sealed. retold Alexey Borovikov

In the spring, Yegor Proskudin comes out of prison. He dreams of his farm and a cow. In the zone, he met through correspondence with Baikalova Lyubov Fedorovna. Egor visited his comrades "at the hut." They are going to work. Egor dreams of a break from cruelty. I had to run away when the police covered the "hut". Attempts to find their own people in the city did not lead to anything - no one answers Yegor. He decides to go to the village of Yasnoye, to Lyuba. The woman met him at the bus stop. In the tea shop, he said that he was an accountant and ended up in prison by accident. Lyuba knows that Yegor is a thief - a recidivist, but she frankly expects that he will begin to live normally. Introducing Yegor to her parents, she uses the "legend" about the accountant. Left alone with Lyuba's parents, Egor specially scares them for interrogation that he killed 7 people and convinces that anyone can end up in prison. Egor met Lyuba's taciturn brother Peter, went to the bathhouse.

Women do not approve of Lyuba's choice and say that this is the opinion of the whole village. The case with scalding in the bath by Yegor Peter was a joke. But the neighbors have something to talk about.

Leaving for the district center in the morning, Egor honestly admits that he may or may not return. On the way, he imagines that his friends have returned for him. He sends money to Guboshlep from the telegraph. Lyuba at work is advised to leave Yegor and take back the former Kolka. In the district center in a restaurant, Egor spent a lot of money on a picnic and stays overnight in the city, where he drinks, sings, and debauches in the morning. With the last money he buys cognac and chocolate and goes to Yasnoye. Here he drinks with Peter in the bathhouse.

Lyuba arranges Yegor as a driver to the farm. The first task is to pick up Brigadier Savelyev from the village of Sosnovki. He returned and no longer wants to be a driver - he moved to a tractor. With Lyuba they came to the old woman Kudelikh, according to legend, a friend asked to visit. Lyuba asked the old woman about her. Egor sat all the time in dark glasses, was silent, and when they drove off, he said that this was his mother.

Kolka and his friends came to Lyuba. Yegor beat them. In the morning he plows the land on a tractor and is happy about it. Shura, a former accomplice, came to Yegor, wants him to return to them, but Yegor does not intend to continue such a life.

The next day sevba. Near the forest stands the Volga, near which are Yegor's friends. Guboshlep is in danger, so he wants to deal with Yegor. Lyuba and Peter arrived in a dump truck, but it was too late - Yegor was killed. Dying, he asks to give his money to his mother. Petro caught up with the Volga, people came running and started lynching.

Compositions

The truth of life in the novel by V. Shukshin "Kalina Krasnaya" Characteristics of the image of Peter (Peter Fedorovich) The truth of life in the novel by V.M. Shukshin "Kalina red" Characteristics of the image of Yegor Prokudin Characteristics of the image of Guboslap

Details Created on 09/19/2016 09:57

On the channel "Russia-1" premiere of the series "Karina Krasnaya". Series content.

The series "Karina Krasnaya" is a melodrama.Late 60s, USSR. Karina lives with her parents in a small resort town in the south of the country.

She recently graduated from high school and works as a seamstress. For several years now, the girl has been dating a young man, Mikhail, who is going to enter MGIMO and become a diplomat. Misha and Karina are in love and happy, they dream of a wonderful family life. But the idyll ends when Misha hits a pedestrian on the road. To save a loved one and his future, Karina decides to take the blame. However, Mikhail, guilty of the death of a man, not only allows Karina to slander himself, but also breaks off relations with her. Big love turns out to be a lie.

Karina is rescued from prison by her father's friend, the owner of a watchmaking workshop, German Nikolaev. Despite the solid age difference, he unexpectedly confesses his love to Karina and offers her a hand and a heart. Karina hopes that she can become happy next to an accomplished, reliable and loving person. She marries him, not suspecting who Nikolaev really is.

And soon an employee of Mosfilm, Alexander Kobzar, arrives in the city. At least that's how he introduces himself to Karina after he saves her from committing suicide. Karina has a difficult road ahead. She will have to find out what role these men are destined to play in her destiny, what she herself will be ready to do for the sake of love, and how to earn big money in the conditions of the Soviet deficit and at the same time not end up in prison.

Cast: Marina Konyashkina, Yuri Chursin, Alexey Koryakov, Sergey Yushkevich, Anton Batyrev, Tim Stefan Vadimovich, Natalya Batrak, Grigory Kalinin, Svetlana Korchagina, Andrey Lebedev, Viktor Zaporozhsky.

"Karina Krasnaya" - content of the series

1st series
The first love of "Komsomol member and beauty" Karina turns out to be unhappy. Her boyfriend Misha, who is responsible for the death of a pedestrian, allows Karina to take the blame and breaks off relations with her. Unexpectedly, Karina receives a marriage proposal from a certain Nikolaev, a friend of her father - an influential and mature man, the owner of a watch workshop. Disappointed in her illusions, the girl marries a man who has something to hide.
2nd series
Karina is engaged in arranging Nikolaev's apartment and proves herself to be a good hostess. At the request of Karina, Nikolaev arranges for her to work in a watch workshop. Unexpectedly, Karina finds out that Nikolaev set up an accident that separated her from her fiancé. To the horror of the girl, she becomes a witness to the massacre of Nikolaev over his accomplice. Out of grief, Karina throws herself off a cliff into the sea, but they manage to pull her out of the water. Karina quickly falls under the spell of her savior Kobzar, and soon they start an affair.
3rd series
Hiding from Nikolaev, Karina arrives in Moscow without money or documents. The girl does not shun hard work and knocks out a corner in a communal apartment. Suddenly, Karina finds out that she is pregnant. Several years pass. Nikolaev's accomplices finally find the girl. At the last moment, she manages to get in touch with a policeman friend, Sukharev, and the bandits are not allowed to deal with Karina.
4th series
Nikolaev dies at the hands of bandits, and the persecution of Karina stops. Unexpectedly, Karina is found by Kobzar. Their romance resumes, and Karina confesses that he is the father of her son. Meanwhile, the police are gathering information about Kobzar. Sukharev tells Karina that Kobzar is a bandit and recommends the girl to cooperate with him. After talking with Karina, Kobzar decides to start a new life. He ties up with crime and gets a job as a worker at Mosfilm. But the lull turns out to be short-lived - old habits and connections pull Kobzar into the past.
5th series
Kobzar is accused of double murder. Karina turns to Sukharev for help and becomes his mistress. On a date with Kobzar, Karina finds out where the stolen money is hidden and returns it to its owner. Karina's friend Zhenya introduces her to her powerful lover. Karina forces him to provide fabric for tailoring according to her sketches. Kobzar's accomplices help her. Karina promises them big money if successful. In the zone of Kobzar, they are trying to kill by order "from the will." The kobzar manages to deal with the attackers and escape. Karina's sewing shop burns down.
6th series
Kobzar, who escaped from prison, comes to Karina. Sukharev elicits information about the fugitive from Karina, but he does not receive the necessary information. Surveillance of Karina also does not give results. Karina wants to go with Kobzar to Kazakhstan. But Kobzar intends to find the enemy who "ordered" him. A chance meeting with a policeman turns into a shootout, and Kobzar kills him. Karina gathers a gang and asks to make a choice between her and Kobzar. Sukharev informs that Karina's criminal proceedings have been uncovered and offers to run away with him.
7th series
Sukharev hides Karina in his apartment. Meanwhile, his colleagues comb the city in futile attempts to find the criminal. Suddenly, terrible news falls upon Karina: her son is seriously ill, and only an urgent operation in Europe can help. The heroine sells her business for the opportunity to travel abroad, and turns to Kobzar for money. The fulfillment of this request costs Kobzar his life... Karina and her son leave Russia. Unexpectedly, she meets her first boyfriend Misha.
8th series
The accomplices of the "tsekhovik" understand that transporting Karina to Germany is risky, and decide to kill her. Rare resourcefulness helps the heroine to avoid death and save her son. For help, Karina is forced to turn to Misha. To help Karina, he neglects his brilliant diplomatic career. The child is allowed to be taken to the border, but Karina is forced to surrender to justice.