Program "Who wants to be a millionaire?"

All questions and answers:

Leonid Yakubovich and Alexander Rosenbaum

Fireproof Amount: 200,000 rubles.

1. What is the name of a driver who travels long distances?

· shooter · scorer · trucker sniper

2. What effect is said to be produced by the purchase of an expensive item?

clicks on the purse

· hitting the pocket

shoots at the wallet

slapping on a credit card

3. What is the name of the piglet, the hero of the popular cartoon?

· Frantik · Fintik · Fantik · Funtik 4. How did the slogan of the era of socialism end: "The current generation of Soviet people will live ..."?

· do not grieve

· happily ever after

· under communism

· on Mars

5. What, according to the laws of physics, does the lift force act on?

tower crane hook

· aircraft wing

alarm call

production growth

6. What is the name of the property warehouse in a military unit?

brazier

steam room

· kapterka

· Dryer

7. What part of ginger is most commonly used in cooking?

· root

stem

8. How many millimeters are in a kilometer?

· ten thousand

· one hundred thousand

· million

· ten millions

9. What "flared up" in the verses from the movie "Jolly Fellows"?

· iron

cigarette

10. Where is the ashes of the American astronomer Eugene Shoemaker?

· on Mars

on Jupiter

· on the moon

· on the ground

11. With what pain did the poet Gerich Heine compare love?

with head

with lumbar

· with dental

with phantom

12. What position did Shota Rustaveli hold at the court of Queen Tamar?

· treasurer

court poet

The chief vizier

The winnings of the players amounted to 200,000 rubles.

Alexander Revva and Vera Brezhneva

Fireproof Amount: 200,000 rubles.

1.Where do they usually put jam during tea drinking?

· into the socket

in the plug

in an extension cord

in a tee

2. What do they say: "Neither light nor dawn"?

about an extinguished fire

· about early morning

about the end of the fireworks

About burnt plugs

3. What card suit is often called "hearts"?

· hearts

4. What are online data stores?

· cloudy

obese

rain

iridescent

5, the website says. What became the home of the heroes of the famous Beatles song?

blue trolleybus

· yellow Submarine

the green train

the last train

6. What was not used for writing in the past?

papyrus

· bumazea

parchment

· clay tablets

7. What does a silver spider fill its underwater nest with?

fly wings

algae

· air bubbles

pearls

8. What liquid is usually not poured into?

into the retort

in a waterskin

in anchorage

· in a tube

9. What could the cloak of Doctor Strange, the hero of movies and comics, do?

· speak

· fire

make the owner invisible

· fly

10. Which of these poetic forms has the smallest number of lines?

· quatrain

Onegin stanza

11. Who is not featured on the coat of arms of Iceland?

· polar bear

The winnings of the players amounted to 0 rubles.

On October 8, the presentation of the collection “Heinrich Heine. Selected Lyrics” in the translations of our countryman, Nizhny Novgorod poet Igor Grazhdaninov.

The collection is dedicated to the memory of Elena Grigorievna Sudomoikina, a German language teacher who worked for many years at the Bolshemurashkinskaya secondary school. More than one generation of Bolshoi Murashkins remembers her strict but fair approach, kind eyes and gentle smile. The skill and professionalism of Elena Grigoryevna left an imperishable spark of knowledge in the hearts of her students.

“There are people like songs. They will die, but their voices sound for a long time, - this is how the author's preface to the book begins. - Elena Grigoryevna was such an amazing person. As long as I remember her, she always shone and sang: she shone with special human kindness, and she even sang in German lessons, the teaching of which she devoted her entire teaching life to. It is to her that I owe my love forever to the work of Heinrich Heine. The translation of his “Lorelei”, made at the lessons of Elena Grigoryevna, became my first printed poem, which was published back in 1969 on the pages of the Znamya newspaper ... "

The traditional hosts of library events - Natalya Viktorovna Abrosimova and Maria Ivanovna Garanina - with the help of a multimedia presentation, told about the history of the creation of the collection, about how parents instilled a love for literature in Igor Rafaelevich. Many kind words were said to the illustrator of the collection, Dmitry Vyacheslavovich Kiryukhin. Then the floor was given to the author of the translations. Igor Rafaelievich voiced selected verses from the book to the audience, accompanying them with brief comments. He paid special attention to the work of Heine “Germany. Winter Tale”, emphasizing that the poet was close to him in spirit, lived in exile in Paris for a long time, but when he returned to his homeland 13 years later, she inspired him to create this beautiful poem.

There were also translations of the poems "Fresco Sonnets to Christian Zeta", the prologue from "Journey through the Harz", "Dream and Reality", "On the Road", "Where?". In conclusion, the poet read his poems from the forthcoming collection "Rvan": "The Great Revolution", "The Third Way", "Rain" and several others. The poem “Lorelei” sounded in Russian and German - the very first creation of Heine, whom the translator met. Translations and poems by Igor Grazhdaninov sounded so convincing and heartfelt that the audience met each performance with applause.

Detailed and analytical was the review of the local poetess Tatyana Ivanovna Lobanovskaya, who was presented with the collection in advance.

And to all those who could not come to the presentation, we recommend visiting the library and getting acquainted with the work of our fellow countryman.

Dmitry UREZKOV

Photos from the event

Love is a beautiful and bright feeling, which was sung by ancient poets. She always worried people. The theme of love is generally one of the eternal in poetry. She also finds a response in the heart of Mikhail Yuryevich Lermontov. There were many women in his life to whom he dedicated poems. The theme of love in the work of Lermontov runs like a red thread through all the works. The poet devoted more than a third of his poems to this bright feeling.

Love in Lermontov's lyrics

An ardent, passionate and receptive young man began to fall in love early and write poetry. Unfortunately, the poet was not lucky on the love front. Therefore, the theme of love in Lermontov's work is often martyred, doomed.

In 1829, the fifteen-year-old poet wrote the poem "Answer". This early work is permeated with disappointment, suffering, tears. However, unlike later poems, it lacks a biographical basis. It was written in the spirit of the sentimental-romantic conventionality traditional in those years.

Women-muses in the life of a poet

As we have said, Lermontov fell in love often. According to the poems dedicated to the beloved, one can trace the chain of biographical events in the life of the poet. Consider which women were the recipients of his love lyrics.

Ekaterina Aleksandrovna Sushkova

The theme of love in the work of Lermontov began to be traced especially clearly when he first truly fell in love. Eighteen-year-old Ekaterina Sushkova, a black-eyed beauty dressed in the latest fashion, became his chosen one. He met her in 1830 in Serednikovo, where they moved with their grandmother Elizaveta Arsenyeva. At that time, the poet was sixteen years old, so Sushkova did not take his feelings seriously, considering him a boy.

The theme of love in the works of Lermontov "Spring", "So, goodbye! For the first time this sound…”, “Black eyes”, “When a story is told to you…”, “I am alone in the stillness of the night”, “I have a piece of paper in front of me…” is based precisely on feelings for Ekaterina Alexandrovna. In Black Eyes, the author says that in the eyes of his beloved he found both heaven and hell.

Soon Sushkova left Moscow. They met with Lermontov only four years later. The offended poet decided to take revenge on his former lover. He made her fall in love with him, because of which the wedding of Sushkova with Alexei Lopukhin, a friend of Mikhail Yuryevich, was canceled.

Poem "Spring"

What is the theme of love manifested in Let's look at the first poem of the poet, which got into print. According to Sushkova, it was written at her request to tell the "truth". The next day, Lermontov brought her Spring. Ekaterina Alexandrovna decided not to pay attention to the caustic motive of the work. In it, the poet reflects on the subject of the rapid withering of female beauty.

Varvara Aleksandrovna Lopukhina

The poet met Varenka in the spring of 1832 and fell head over heels in love. She became Lermontov's strongest attachment. It was Lopukhina who was the ideal of female beauty for the poet. He looked for her traits in other women, sang her with fiery passion in verse.

Lermontov never managed to fall in love with anyone stronger than Lopukhina. The theme of love for her has taken a special place in his work. These are poems dedicated to her, and characters, the prototype of which she became, and portraits painted by the poet. Lopukhina, he addressed the poems: "She is not proud of beauty ...", "We were accidentally brought together by fate ...", "Leave vain worries ...". Lermontov does not forget about her in later works: “I write to you by chance: right ...”, “Dream”. The dedications to the poems "Izmail Bay" and "Demon" (1831 and 1838) are also addressed to Lopukhina.

It is known that these two were connected by a complex, strange love. Lermontov loved Varya, she responded to his feelings, but the misunderstanding that arose between them ruined their lives. Rumors reached Lopukhina that Lermontov had married Sushkova. In response to this, she married Bakhmetov, but soon repented, because she still loved Michel. Unfortunately, nothing could be changed.

Lermontov partially recreated the story of this painful love in A Hero of Our Time, in the drama Two Brothers, and in the unfinished Princess Ligovskaya. In these works, Varya became the prototype of Vera.

“She is not a proud beauty…”

This is the bottom of the first poems that Lermontov dedicated to Varenka. The theme of love for her is central to his work. According to the literary critic Nikolai Brodsky, in the poem Lermontov compares two beloved women: Lopukhina and Ivanova. The image of the heroine is opposed to the ideal of a secular beauty. The author draws an ideal woman who conquers not with external beauty, but with internal beauty.

The antithesis "proud beauty - wonderful simplicity" contains the main idea of ​​the work. “Proud” means impregnable, one that allows herself to be loved, but does not experience a reciprocal feeling.

Natalya Fedorovna Ivanova

In 1831, Lermontov became interested in the daughter of the famous Moscow writer Ivanov. Natasha responded to the poet's feelings. The girl was flattered that poems were dedicated to her, already then full of pain and suffering. Nevertheless, she did not take Mikhail seriously, but at the same time she played with him, expecting a more profitable groom.

Love in Lermontov's lyrics became one of the main ones in 1831-1832. He dedicated the poems “Forgive me, we won’t meet again…”, “I can’t languish in my homeland…”, “Exhausted by melancholy and illness…”, “Not you, but fate is to blame” to Natasha Ivanova. The motif of suffering and pain runs through all the poems.

"I will not humiliate myself before you..."

This poem is also dedicated to Natasha Ivanova, with whom Lermontov was in love. The poet writes about the bitter, painful. Above, we said that Ivanova did not perceive him as a potential groom, but he had no idea about this. Inspired Lermontov wrote poetry to her. He soon realized that he was only a passing fad for Natasha when he saw her flirting with others. He reproaches his beloved that she deceived him, took away from him the time that he could devote to creativity: “How do you know, perhaps those moments / That passed at your feet, / I took away from inspiration!”

The theme of love in Lermontov's work became painful after Natalya cheated on him. However, he still loves her, calls her "angel". This poem became a farewell poem - Lermontov did not write more poems by Ivanova.

Princess Maria Alekseevna Shcherbatova

The young widow, nee Shterich, was a beautiful and educated woman. “Neither in a fairy tale to say, nor to describe with a pen,” Lermontov said about her. About love for Shcherbatova we are told by such poems of the poet as “Why”, “Not secular chains”, “Prayer”. Ernest Barant also looked after Maria Alekseevna. On the basis of rivalry, a duel took place between them, which resulted in the second

Ekaterina Grigorievna Bykhovets

She became the last person the poet loved. Catherine had many admirers with whom Lermontov was friends. He writes about his love for her in the poem “No, I don’t love you so passionately ...”. In Bykhovets, the poet found an outward resemblance to the love of his life - Varenka Lopukhina. By coincidence, Lermontov met Ekaterina Grigoryevna in Pyatigorsk on the day of his death. It was in her company that he spent the last hours of his life.

Conclusion

The theme of love in the work of Lermontov occupies a special place. Of course, the personal life dramas of the author served as the basis for love experiences. Almost all of his poems have specific addressees - these are the women whom Lermontov loved. The theme of love has different incarnations in the poet. These are feelings for nature, homeland, children, but above all - for a woman. Selfless and unrequited, all-consuming and painful - such a different, but wonderful love!

Times and power are changing, life and the human worldview are changing. But the highest truths remain unchanged, the human need to love remains unchanged. The secret of the soul remains unsolved, in which the sacred and irresistible feeling of love burns with unquenchable fire.

Replenished the treasury of poetic declarations of love and the famous German writer Heinrich Heine in the book of poetry, which brought him worldwide fame. Numerous poems in the collection "The Book of Songs" were inspired by the poet's unrequited love for his cousin Amalia, and later for her younger sister Teresa. The first sections of the cycle "Sufferings of youth", "Dreams" and "Songs" are devoted to this topic.

The poet lives in a world of strange dreams. Each poem of the section is a description of a dream, visions that visit the poet.

Reality and dream, ghosts and reality are combined in these poems.

The poet completely plunged into his despair, but this is not a mournful, hopeless reconciliation, but a stormy feeling. Nowhere does the poet see a bright undertaking, everywhere is hopeless darkness.

Heine's love is a force that brings inevitable death. The poet himself is an unfortunate lover who painfully experiences "her" infidelity, one of the many victims.

In the world where the poet lives, it seems that there are no living real people. These are ghosts and false masks that hide meanness and insignificance. A false, deceptive vision and the poet's own favorite.

The story of bitter unrequited love continues in the Songs.

In the morning I get up and ask:

"Will she show up?"

And in the evening I complain -

She didn't come.

In vain I'm in a nocturnal design

I call you a dream -

In oblivion, in the sadness of a dream

I live all day.

These two distributions of the "Sufferings of Youth" cycle have an internal unity, because they vary the same theme. We are revolving in a vicious circle of the same feelings and experiences, motives and images.

In the cycles "Lyrical Intermezzo" and "Return" Heine again spoke about his unhappy love, but in a different way. In these cycles - the love story of the poet. The poet describes the blissful state of being in love. The poet looks at everything in the world with loving eyes - he even begins to understand the language of the stars, and the Madonna in the Cologne Cathedral seems to him like his beloved. No matter how captivated the poet is by his love experiences, he can still joke: he no longer loves the lily, rose, sudarka and the sun, he loves only “her”.

Love is inexhaustible and eternal like life itself. Despite all the troubles, poverty in the world is dominated by purity, honor, dignity and love. Different ages, different languages. The only thing is love.

1. Kindness is better than beauty

2. Kindness will always prevail over beauty.

3. Not to be subject to any law means to be deprived of the most saving protection, for the laws must protect us not only from others, but also from ourselves

4. Love! It is the most exalted and victorious of all passions. But her all-conquering strength lies in boundless generosity, in an almost supersensible disinterestedness.

5. For love, yesterday does not exist, love does not think about tomorrow

6. What is love? It's a toothache in the heart

7. Angels call it heavenly joy, devils call it hellish torment, and people call it love

8. The only beauty I know is health

9. A person who is not busy with business can never enjoy complete happiness; on the face of an idler you will always find an imprint of discontent and apathy

10. Wise people ponder their thoughts, stupid people proclaim them.

11. The higher a person is, the easier it is for an arrow of mockery to hit him; dwarfs are harder to hit

12. Women's hatred, in fact, the same love, only changed direction

13. Women have only one means to make us happy and thirty thousand means to make us unhappy.

14. Youth is disinterested in thoughts and feelings, therefore it most deeply understands and feels the truth.

15. To write perfect prose, one must also be a great master of metrical forms.

16. The poet, this creator in small things, is similar to the Lord God and in that he creates his heroes in his own image and likeness

17. Every era has its own tasks, and their solution ensures the progress of mankind

18. We guess the talent by a single manifestation, but to guess the character, it takes a long time and constant communication.

19. When vice is grandiose, it revolts less

20. No matter how terrible the war, yet it reveals the spiritual greatness of a person who challenges his strongest hereditary enemy - death.

21. If a great passion takes possession of us for the second time in life, we, unfortunately, no longer have the former faith in its immortality

22. All healthy people love life

23. It is customary to glorify a playwright who knows how to extract tears. Even the most miserable onion has this talent.

24. Music forms the middle between thought and appearance

25. Wisdom exists in the singular and has exact limits, but there are thousands of stupidities and they are all unlimited.

26. When they hit a frock coat, the blows fall on the person wearing this frock coat

27. The most immaculate conception still remains a conception

28. The fatherland of a slave is where the stick is

29. The mission of the Germans in Paris is to save me from homesickness

30. We Germans worship only the girl, and only our poets sing of her; among the French, on the contrary, only a married woman is the object of love both in life and in art

31. The French people are a cat that, even if it happens to fall from the most dangerous height, still never breaks its neck, but each time immediately gets on its feet

32. I would not say that women do not have character - they just have a different character every day

33. Fat cows are followed by skinny ones, skinny cows are followed by a complete lack of beef

34. Humor, like ivy, curls around a tree. He's useless without a trunk.

35. Only a bar separates humor from the insane asylum

36. The German language is essentially rich, but in German colloquial speech we use only a tenth of this wealth; thus, in fact, we are poor in word. The French language is essentially poor, but the French know how to use everything that is in it for the benefit of colloquial speech, and therefore they are in fact rich in words.

37. When a critic's eyes are blurred with tears, his opinion doesn't matter.

38. Each person is a world that is born with him and dies with him; under every tombstone lies a world history

39. Everyone was a friend to me in those days: With me, in a brotherly way, they all Shared my cutlet, My last coin

40. He who is high must also obey circumstances, like a weather vane on a tower

41. The deepest truth blossoms only from the deepest love

42. We fight not for the human rights of the people, but for the divine rights of man

43. The first person who compared a woman to a flower was a great poet, but the second one was an idiot

44. I have not read Auffenberg. I think it reminds me of Harlincourt, which I haven't read either.

45. A dog in a muzzle barks behind

46. ​​Each era has its own flaws, which are added to the flaws of earlier eras; this is what we call the heritage of mankind

48. Since the custom of carrying a sword on your side has gone, it is absolutely necessary to have a wit in your head.

49. Whoever loves the people should take them to the bathhouse

50. The main goal of the opera director is to arrange so that music does not interfere with anyone

51. Now they don't build Gothic cathedrals. In the old days, people had beliefs; we contemporaries have only opinions; and opinions are not enough to create a Gothic temple

52. God forgive me, this is his specialty

53. Laughter is contagious, as is yawning.

54. In the creations of all the great poets, in essence, there are no secondary characters, each character is in its place the main character

55. I bequeath all my fortune to my wife, on the condition that she remarry. I want to be sure that at least one man will mourn my death.

56. The past is the birthplace of the human soul. Sometimes we are overcome by longing for the feelings that we once experienced. Even longing for past sorrow

57. The one who offended will never forgive. Only the offended can forgive

58. It is easy to forgive enemies when you do not have enough intelligence to harm them, and it is easy to be a chaste person with a pimply nose.

59. Morality is the mind of the heart

60. People who are unremarkable are, of course, right in preaching modesty. It's so easy for them to exercise this virtue

61. The music of the wedding procession always reminds me of a military march before a battle.

62. We do not grab the idea, the idea grabs and drives us to the arena so that we, like slave gladiators, fight for it. So it is with every true tribune or apostle.

63. The Romans would never have had time to conquer the world if they had to learn Latin first

64. The greatness of the world is always in accordance with the greatness of the spirit looking at it. The good one finds his paradise here on earth, the evil one already has his hell here.

65. Iliad, Plato, Battle of Marathon, Moses, Venus Medicea, Strasbourg Cathedral, French Revolution, Hegel, steamboats, etc. - all these are separate successful thoughts in the creative dream of God. But the hour will come, and God will wake up, rub his sleepy eyes, smile - and our world will melt without a trace, and, perhaps, it did not exist at all.

66. In favor of the high qualities of the republic, one could cite the same evidence that Boccaccio cites in favor of religion: it holds out in spite of its officials.

67. The Catholic priest marches as if the sky were his complete property; the Protestant, on the contrary, walks as if he has rented the sky

68. When the heroes leave, the clowns enter the arena

69. French madness is by no means so mad as German, for in the latter, as Polonius would say, there is a system

70. The British have more opinions than thoughts. We Germans, on the contrary, have so many thoughts that we do not even have time to form an opinion

71. The British, next to the Italians, all, as one, resemble statues with broken tips of their noses.

72. The English take a dozen monosyllabic words into their mouths, chew them, swallow them, and spit them out - and this is called English

73. Silence is the English way of talking

74. It is good for us Germans that no one is yet so mad as not to find an even more mad one who will understand him.

75. Russians are already cosmopolitan due to the size of their country, or at least one-sixth cosmopolitan, since Russia occupies almost a sixth of the entire inhabited world

76. The first virtue of the Germans is a certain fidelity, somewhat clumsy, but touchingly magnanimous fidelity. The German fights even for the most wrong cause, since he received a deposit or even promised his assistance while drunk.

77. Adhering to Christ is too difficult a task for a Jew: will he ever be able to believe in the divinity of another Jew?

78. Lessing says: "If Raphael's hands are cut off, he will still remain a painter." In the same way, we could say: "If the gentleman ** be cut off his head, he would still remain a painter," - he would continue to paint even without a head, and no one would notice that he did not have a head at all

79. The principle of homeopathy, according to which women heal us from a woman, is perhaps the most proven by experience.

80. In Italy, music has become a nation. With us in the north the situation is quite different; there music became a man and is called Mozart or Meyerbeer

81. You need to make jokes and borrow money suddenly

82. The beauty of spring is known only in winter, and, sitting by the stove, you compose the best May songs

83. Beautiful rhymes often serve as crutches for lame thoughts.

84. A woman is both an apple and a snake

85. God will forgive me the stupid things that I said about him, just as I forgive my opponents the stupid things that they wrote against me, although spiritually they were as much lower than me as I am lower than you, O Lord!

86. Women do not have a second love; their nature is too tender to be able to bear twice this terrible shock of feelings

87. Women have only one means to make us happy and thirty thousand means to make us unhappy

88. One poet said: "The first king was a happy warrior!" As for the founders of our current financial dynasties, we can perhaps prosaically say that the first banker was a happy swindler.

89. Frederick the Great is of great service to German literature; by the way, the fact that he published his poems in French

90. In no other people was the belief in immortality so strong as among the Celts; you could borrow money from them, so that you return them in another world

91. For love, yesterday does not exist, love does not think about tomorrow. She greedily reaches for the present day, but she needs this whole day, unlimited, unclouded.

92. A moth does not ask a rose: has anyone kissed you? And the rose does not ask the moth: have you entwined with another rose?

93. In dark times, people are best led by religion, so in total darkness, the best guide is the blind ... When the dawn comes, it’s just stupid to follow the blind

94. If you strive for peace of mind and satisfaction, then believe; if you seek to know the truth, then investigate