The meaning of the work “When the yellowing field is agitated” by Lermontov, the analysis of which we are conducting, is revealed when studying the history of its creation. The year 1837 was significant in the life of Lermontov, if we talk about the period of his work. He wrote the poem "The Death of a Poet", which was not accepted by the officials, and while the investigation was underway, Lermontov was under arrest.

While in prison in St. Petersburg, the poet wrote his last poem "When the yellowing field is agitated." In difficult prison conditions, being without writing materials, Lermontov writes his creation on a food wrapper with scorched matches.

Structure of the poem

An analysis of the poem "When the yellowing field is agitated" is impossible without studying its structure. The work consists of four stanzas (sixteen lines), written in one complex sentence with three different clauses. This technique made it possible to show the integrity of the text and the importance of each line.

It seems that Lermontov is in a hurry to convey his feelings, worries and writes lines in one breath without further amendments. An interesting point was also noticed by philologists that the lines do not end with punctuation marks, as if there was no time for them. The poem ends with an ellipsis, it seems that Lermontov did not say something and left food for thought for future generations.

An analysis of the poem “When the yellowing field is agitated” helps to understand the inside of a person who is able to appreciate and convey the invisible shades of nature. The plot is based on a landscape sketch. It seems that this poem is a description of nature, creating peace and tranquility of the soul, but if you read it and understand the meaning, then it is saturated with the tragedy characteristic of Lermontov's work.

An analysis of the poem "When the yellowing field is agitated" conveys Lermontov's renunciation of the outside world, he does not see anything bright and joyful. He thinks that he can find harmony with nature, and therefore with himself.

The description of nature is not exact, but figurative. Lermontov does not show a specific season, but fragments of autumn and spring. The first three stanzas show the relationship of man with nature. In the first, a person sees nature, in the second he tries to find contact with nature, in the third - a dialogue between nature and man. But in the fourth stanza, a person realizes himself and God.

The author's handwriting of Lermontov - his loneliness - is also in this poem. Before knowing God, he knows nature. Analyzing the poem “When the yellowing field is agitated”, its theme becomes clear - the role of nature in the spiritual development of man.

The poem is full of various techniques and tropes. Lermontov uses epithets that add special mystery to epithets (“a vague dream”, “golden hour”, “ruddy evening”), personifications (“Lily of the valley ... nods”, “A raspberry plum is hiding”, “a yellowing field is agitated”). Anaphora indicates upward movement, movement towards God, towards heaven ("And in heaven I see God").

If you have read Lermontov's analysis of the poem "When the Yellowing Field Worries", go to the Blog section of our website to find similar articles, of which there are hundreds, and each is written in simple language.

The poem "When the yellowing field is agitated ...", which we will analyze, is separated from Lermontov's youthful work by only a few years, but during this time important changes have taken place in the life of the poet. It was written by a "prisoner", created by a prisoner in the General Staff, awaiting a court decision on his future fate. Autobiographical moments reinforce the meaning of the conclusion contained in the work, which affirms the possibility of harmony, "happiness ... on earth", comprehension of the divine meaning of being.

As in Zhukovsky's elegy "Evening", contemplation of nature leads to such thoughts, although Lermontov reproduced the landscape in memory. The impressions of the lyrical hero are like flashes of a flame illuminating a field turning yellow in August, fruits in a garden, June flowering of lilies of the valley, spring freshness of a forest, a cold spring in a ravine. What is important in them is not the sequence associated with the change of seasons, but subjective significance. All the details appear within the framework of one complex sentence (“When ... then ...”), as in the early poem “Spring”, but the pessimism prevailing there disappears. Nature appears "in some kind of vague dream", through which the specificity of colors, sounds and smells, with which the low-key Central Russian landscape is depicted, seems to be the embodiment of earthly beauty.

In the first quatrain, bright strokes appear in the picture:

When the yellowing field worries,

And the fresh forest rustles with the sound of the breeze,

And the crimson plum hides in the garden

Under the shade of a sweet green leaf...

In the second, the silver color of lily of the valley is added to them. Everything is illuminated by the sun, pouring out golden light on a “ruddy evening or in the morning”. If nature “hides” in the first stanza, then further “nods friendly” (second stanza), “babbles ... a mysterious saga” (third stanza; saga is a legend, from the Old Norse word denoting the genre of narrative epic), revealing the mystery of life. As with Zhukovsky in the elegy “Evening”, all sensory impressions merge (in the first quatrain, the yellow color, combined with crimson and green, echoes the noise of the breeze, the plum tree hides, the cornfield shimmers in the sun; cornfield - crops on the field). In the second stanza of the poem “When the yellowing field is agitated ...” Lermontov’s lily of the valley is sprinkled with dew, the visual accent is combined with smell and emotional notes: dew quenches spiritual thirst, for the lyrical hero there is a “friendly” companion:

When, sprinkled with fragrant dew,

Ruddy evening or golden hour in the morning,

From under the bush I silver lily of the valley

He nods his head...

In the third stanza, the motive of movement hidden in the first two is revealed: the stream plays, rushes from the “peaceful land”. In the first and second quatrains, it was only outlined (the ears were agitated, moving from the wind; the plum was not visible behind the leaf, as if hiding from the sun; the lily of the valley grew under a bush, looking out from under it). "Cold key" does not cool the imagination of the lyrical hero, on the contrary, it is included in his game, babbling is heard in the murmur, mysterious words about an ideal world:

When the cold key plays in the ravine

And, plunging the thought into some wonderful dream,

Babbling me a mysterious saga

About the peaceful land from which he rushes ...

These words are understandable and close to the lyrical hero, his thought, renouncing everyday life, from fruitless lamentations, turns to the comprehension of new truths. Following three subordinate clauses that describe the conditions under which the romantic is ready to accept earthly imperfections, the main quatrain is reproduced in the last quatrain, which is perceived due to the fact that the poem ends with it, as a result, a conclusion:

Then the anxiety of my soul humbles itself,

Then the wrinkles on the forehead diverge, -

And I can comprehend happiness on earth,

And in the sky I see God...

In the image of the lyrical hero of the poem “When the yellowing field is agitated ...”, the analysis of which interests us, the ability to carefully peer into the features of reality, finding beauty and harmony in it, reflecting the heavenly ideal, comes to the fore. Nature provides a person with the opportunity to “comprehend on earth” the highest happiness, to see the harmony of the ideal and reality.

They sound in a life-affirming chord, causing the triumphant pathos of the poem. The subjectivity of impressions (“nods to me”, “babbles to me”) and conclusions (“I can comprehend”, “I see”) puts the lyrical hero in the center of the universe, elevating his personality. There is something in it that is different from the feeling and mind of a person (the lyrical hero comprehends what is unknown in the earthly world, sees God). Like Zhukovsky, music participates in the transfer of supersensible and extra-rational experience. Colors, smells, sounds merge, creating a unique melody. Phonic originality complements semantic musicality. The text is permeated with assonances, internal rhymes, sound repetitions.

Zhukovsky’s elegy “Evening” is reminded (in addition to the iambic six-meter iamb used to write the first three lines in Zhukovsky’s multi-footed stanza) by the repetitions of vowels with a semi-vowel heard by the senior poet in the very first lines (“Ruch her, in july sch uy sya ... "), and Lermontov penetrating the entire text (waves ye tsya yellow her sch and I”, “grew oh oh spatter th fragrant oh", "as oh something vaguely th dream", "peace th kr ah"," And happiness e I I can") and combined with repetitions of vowels with sonorants:

And hides in the garden ma whether new with whether wa

under the shade with la worthy ze le foot whether stack;

When, ro soy about ry fragrant,

RUminted veche ro m il per ut ra golden hour...

Sounds in rhyming words echo (male rhymes of the first quatrain - with the female of the third, male of the second - with the female of the fourth). The repetition of the union "and" gives the statement an ascending intonation, which is resolved in the conclusion, which ends with an ellipsis, indicating understatement, the possibility of continuation. It is combined with another impression - compositional completeness, due to the construction of the poem-sentence.

The inner world of the lyrical hero Lermontov, described in the poem, complements his characterization. Without departing from romantic ideas, striving for absolute harmony, he is ready to accept the earthly world, longs to experience happiness and peace. The impracticability of his dream is connected in the context of the work not with the maximalism of the requirements for life, but with the inevitability of the blows of fate, reflections on which instill anxiety in his soul, do not allow him to indulge in illusions about a peaceful, sweet, happy being. A tragic reflection falls on the prisoner of fate, prompting you to listen more carefully and more carefully to his "mysterious saga". It may contain the only revelations in its subjectivity, "vague" guesses about the meaning of earthly existence and about God's intervention in it.

The poem "When the yellowing field is agitated" was written in 1837. It is hard to believe that these lines about nature were born in the conclusion. Lermontov was arrested for the poem "The Death of a Poet" and spent several weeks before exile, while the investigation lasted, spent in prison. The poet had neither pen nor paper. He wrote the text with burnt matches and pieces of coal on the wrapper, which was wrapped in his food, brought by a servant.

Literary direction, genre

“When the yellowing field is agitated” at first glance can be attributed to landscape lyrics. The first three stanzas containing the anaphora "when" are a description of nature. But the last stanza is that, only by observing the free nature, a person is happy. In it, the idea of ​​a poem, nature is only an impetus to philosophical reflection. Therefore, some researchers attribute the poem to philosophical lyrics.

Lermontov is traditionally considered a romantic poet, at the time of writing the poem he was 24 years old. The lyrical hero is lonely, cut off from the world of people. He enters into a dialogue with nature as with a divine plan, in this dialogue he finds himself and God.

Theme, main idea and composition

The poem is a period. This is one sentence expressing a complex but integral thought. The period is always rhythmic. The first three stanzas, beginning with the union "when" are complex sentences in themselves (the first and third stanzas) or a simple sentence complicated by participial turnover and numerous homogeneous members (the second stanza). All three stanzas describe nature in different ways. The first stanza describes three "habitats" of a person in nature: a cornfield (field), a forest and a garden. They admire the lyrical hero. In the second stanza, the lyrical hero peers into the one and only, but perfect natural phenomenon - a tiny lily of the valley. The third stanza is dynamic. It reveals the inner world of the lyrical hero, watching the flow of the spring. Nature is just an occasion for further reflection.

The main idea in a period is always contained in the last part. Only observation of nature gives a person happiness and brings him closer to God. But you can understand Lermontov’s intention even deeper if you know the history of writing a poem. Sitting in prison, Lermontov, as never before, realized the happiness of freedom, because only it makes it possible to see the whole world and be grateful to God.

Size and rhyme

The poem is written in multimeter iambic, mostly in six-foot, with pyrrhic. Lermontov uses long words in the poem, which causes some of the iambic stresses to fall out, resulting in an uneven rhythm reminiscent of tango. The whole poem is filled with movement: in the first stanza the lyrical hero rushes through familiar places, in the second he leans, in the third he is carried away with the key to a distant peaceful land, and in the last his horizontal movement along the earth stops and the vertical movement begins - into heaven. The last shortened line of the iambic tetrameter stops the movement, because the thought has been brought to its logical end.

The last stanza also differs in rhyme. The first three are cross-rhyming, and the fourth is circular. Throughout the poem, feminine and masculine rhymes alternate.

Paths and images

Pictures of nature in each stanza draw epithets. In the first stanza, images of summer nature are created with the help of bright color epithets: a yellowing field, a raspberry plum, a green leaf. The sounds in this stanza are also loud and real: the sound of a fresh forest.

In the second stanza, the colors of late spring become softer and duller: a ruddy evening, the golden hour of the morning, a silvery lily of the valley. Odors appear: fragrant dew.

The epithets of the third stanza relate to the inner world, the sensations of the lyrical hero: a vague dream, a mysterious saga, a peaceful land. Only the epithet icy key corresponds with nature. It fades into the background, detailing is not important to the author, neither the time of year nor the time of day is indicated, nature becomes conditional.

In each stanza, personifications enliven nature: a plum hides in a garden, a lily of the valley nods its head, a key babbles a mysterious saga, plays in a ravine.

In the last stanza, the inner world is drawn with metaphors: anxiety is reconciled, wrinkles on the forehead disperse.

In the last stanza, the poet uses syntactic parallelism (first and second lines). An image of a harmonious personality is created, which draws strength from nature to restore peace of mind.

• "Motherland", analysis of Lermontov's poem, composition
• "Sail", analysis of Lermontov's poem
• "Prophet", analysis of Lermontov's poem

Everything about religion and faith - "a prayer verse when the yellowing field is agitated" with a detailed description and photographs.

He nods his head amiably;

Babbling me a mysterious saga

And in the sky I see God.

In 1837, Lermontov was arrested and spent several weeks in a St. Petersburg prison while proceedings were underway regarding his poem "The Death of a Poet", dedicated to the death of Pushkin. The harsh tone that Lermontov allowed himself in relation to high society, which actually ruined Pushkin, caused displeasure of many officials. As a result, until the degree of revolutionary nature of the poem "The Death of a Poet" was clarified, it was decided to take Lermontov into custody. It was in prison, without ink and paper, that the poet wrote one of his last lyrical poems entitled "When the yellowing field is worried ...". According to eyewitnesses, the poet used charred matches as a pen, and the paper was a food wrapper that an old servant brought him to prison every day. Why did the author, in a rather difficult period of his life, decide to turn specifically to the theme of nature?

The poem was written in 1837. This period was one of the most difficult in the life of the poet. An investigation into Lermontov's "revolutionary" activities was in full swing. The poet himself was in a St. Petersburg prison. The text of Lermontov's poem "When the yellowing field is agitated", which takes place in a literature lesson in grade 8, was written using charred matches. In prison, the poet had neither paper nor ink. The lyrical hero admires the “yellowing cornfield”, enjoys the noise of the “fresh forest”, anxiously listens to the sounds of the icy spring, which “plays along the ravine”. In these manifestations of Russian nature, he sees both a riddle and a solution. Lermontov was not satisfied with the existing regime. He despised both the servility of the people and his own weakness. In his opinion, he did not have such a bright talent to inspire people to fight for their rights. Those in power held a different opinion. They considered Lermontov a dangerous troublemaker, and therefore preferred to keep him away from St. Petersburg.

The lyrical hero believes that better times will certainly come. Observing the pacified nature, he feels how the anxiety is coming to naught, “the wrinkles on the forehead diverge.” Turning his gaze to the sky, he mentally sees God, who silently looks at what is happening on earth. Precisely anticipating his imminent death, the poet suggests that the situation in Russia will change for the better only after his death. You can download this work in full or study it online on our website.

When the yellowing field worries

Lermontov. When the yellowing field worries. audiobook

When the yellowing field worries,

And the fresh forest rustles at the sound of the breeze,

And the crimson plum hides in the garden

Under the shade of a sweet green leaf;

Ruddy evening or morning at a golden hour

From under the bush I silver lily of the valley

He nods his head amiably;

And, plunging the thought into some kind of vague dream,

Babbling me a mysterious saga

About the peaceful land from which he rushes:

Then the wrinkles on the forehead diverge,

And I can comprehend happiness on earth,

And in the sky I see God.

A.P. Shan-Giray in his memoirs claimed that the poem was written in February 1837, when Lermontov was under arrest in the building of the General Staff. This statement does not disagree with the date that Lermontov put in the collection of poems of 1840: "1837".

• Russian literature
• / Lermontov "When the yellowing field is agitated" - read online

© Russian Historical Library 2017

Analysis of Lermontov's poem When the yellowing field worries

Lermontov in his youth still wrote more open and full of romance works, but over the years, although he improved his work, his poems became a little darker. When a person grows up, he does not know the world to the end, but when he grows up, gets older, his thoughts and vision about the world change, because he learns something more than in his youth. This is what happened to the writer.

It was in 1837 that serious and sad events took place. The great Pushkin died, whom everyone loved and respected as a great man and very creative. That is why Lermontov wrote a work that was dedicated to the deceased. Because of what he wrote, the poet was taken into custody while the trial was in progress. For several weeks, Lermontov tried to completely write down the poem, which came to his mind quite inopportunely. After all, there was no paper and nothing to write with, either. But a faithful servant brought food, where there was a paper wrapper, and there were still charred matches.

It was there that the work "When the yellowing field is agitated ..." was created. This is a work about nature, which from childhood gave strength to live to Mikhail Lermontov. That is why the work was written, since only at first glance - the beauties of nature are described there.

Analysis of the poem "When the yellowing field worries"

The poem was written by Lermontov in February 1837, when the poet was under arrest in the building of the General Staff in St. Petersburg for the poem "Death of the Poet". Only a valet was allowed to see him, who brought dinner. Bread was wrapped in gray paper for him. This work was written on this paper with the help of matches and oven soot. The poem has no title, but already its first line interests the reader: what happens when “the yellowing field is agitated”? The entire poem consists of one sentence. The first, second and third stanzas are all subordinate clauses of time, causes and conditions

(when) that reveal the meaning of one main clause. Compositionally, the poem is divided into two parts.

The first part depicts pictures of nature - each stanza begins with the word when. The second part describes the feelings of the lyrical hero - they arise then. Depicting nature. the poet draws not one, but several poetic interconnected pictures. He tells how “the yellowing field is agitated” at the slight sound of the breeze, how the fresh forest rustles thoughtfully, how “the raspberry plum is hiding in the garden”, how “the icy spring plays along the ravine”. In these landscape sketches, Lermontov personifies nature: the lily-of-the-valley “nods its head amiably,” the key babbles “a mysterious saga.”

Depicting his favorite landscapes, the poet talks about the endlessly renewing nature - about the different seasons. This is autumn (yellowing field), and spring (fresh forest; silver lily of the valley), and summer (raspberry plum). The poem is rich in artistic and expressive means. Poetic epithets create an atmosphere of lyrical mystery (sweet shadow; ruddy evening; vague dream; mysterious saga). Lermontov uses the color epithets characteristic of his work (yellowing cornfield; raspberry plum; green leaf). From artistic means, the poet also uses anaphora (And I can comprehend happiness on earth, / and in heaven I see God ...). In the first stanza, a wide landscape panorama is given: a field, a forest, a garden. Then the poet narrows the artistic space, leaving only a plum, a bush, a lily of the valley. But then the space expands again - it, together with the running icy spring, breaks beyond the horizons:

When the cold key plays in the ravine

And, plunging the thought into some kind of vague dream,

Babbling me a mysterious saga

About the peaceful land from which he rushes ...

Artistic space becomes endless. This picture is the climax of the poem. In the final quatrain, the poet speaks about the feelings of his lyrical hero. Four verses and four important transformations in a person: “Then the anxiety of my soul humbles itself” - the transformation of the inner world; “Then the wrinkles on the forehead diverge” - a change in appearance; “I can comprehend happiness on earth” - the possibility of perceiving the near world; “And in heaven I see God…” - the possibility of perceiving the distant world, the universe. The feeling of peace, serene happiness, harmony of the world is given to the lyrical hero by nature. And this involvement with the natural world allows the poet to say:

And I can comprehend happiness on earth,

And in the sky I see God...

The first stanza of the poem is iambic six-foot, the second and third stanzas alternate iambic six-foot and pentameter, the last stanza is iambic six-meter, but the last line

shortened (four-foot iambic). Lermontov uses cross and ring (in the last stanza) rhymes.

Analysis of Lermontov's poem "When the yellowing field is agitated." Poet's inner monologue

The lyrical mood of the Russian writer Lermontov in life changed with age from wild enthusiasm to deadly melancholy and sadness. In his early works, he praised the beauty of nature, its meadows, rivers and forests, but in recent years this topic was of little interest to him, he was more concerned with political and social issues. During this time, he gained fame as a troublemaker poet, who resolutely and harshly denounced the tsarist autocracy. So the poem “When the yellowing field is agitated” conveys some strange mood of the author. What happened in the fate of the poet at that time?

Analysis of Lermontov's poem "When the yellowing field is agitated"

When you read Lermontov's poems, you are smoothly immersed in his beautiful and amazing poetic world, but for some reason permeated with hopeless longing. It would seem that what could be so hopeless and sad in unusually accurate sketches of wildlife? After all, he writes that the field is already turning yellow, reminiscent of the end of summer, that the raspberry plum is already ripening in the garden, the forest is rustling, and even the silver lily of the valley is nodding its head to the poet.

An analysis of Lermontov's poem "When the yellowing field is agitated" suggests that Lermontov admires nature, pure and serene, dipping into a fertile magical dream. But not everything is so calm in the poet’s soul, he is very alarmed and even angry.

Loneliness Theme

What is the reason for his tragic discord with life? Maybe it's because of his obnoxious nature or the biting wit he often vented. Or is it his orphan fate that is to blame for everything, because the poet lost his parental affection very early? You can also blame his fate for the fact that she did not give him faithful and kind like-minded friends or did not give him a meeting with his beloved woman who could cool his hot head, care for and love him the way Lermontov was.

"When the yellowing field is agitated" describes how the icy spring whispers about a peaceful land. But where is he? The poet is anxious everywhere, a feeling of loneliness and hopelessness flooded over him. And most likely, this was due to external circumstances, which, alas, do not always depend on the person himself. However, at that time, surrounded by Lermontov, the fear of persecution was the norm.

Peace and harmony

An analysis of Lermontov’s poem “When the yellowing field is agitated” opens the curtain on the fact that the sweet contemplation of nature that the poet saw even worse disturbed his already depressing state. However, this impeccable world of natural beauty gives a dream of harmony with it, with people and with the whole world around it.

What does the poet think about when he writes lines that he no longer regrets the past, but nevertheless does not expect anything from the future? At the very end of the work, there is a quatrain in which the poet seems to see things anew, but this insight can be interpreted in different ways.

An analysis of Lermontov’s poem “When the yellowing field is agitated” also implies that the poet was destined to live in a society of people alien to him, where lies, falsehood are a priority, and this is complete boredom. The poet, born in this unfair world, simply suffocated in an atmosphere of gossip, intrigue and condemnation. From this, his fate is so tragic.

Lermontov, "When the yellowing field is agitated"

This beautiful poem was written by the author in 1837. But at that time the poet was arrested and during the investigation he was imprisoned in a St. Petersburg prison. And all because of the proceedings regarding his poem "The Death of a Poet", which was dedicated to the death of Pushkin.

Stunned by this news, the poet allowed himself to speak sharply about secular society and openly accused him of the death of a great genius. Officials, of course, could not stand such mocking, in their opinion, behavior, so it was decided to take Lermontov into custody. In a prison without paper and ink, using a food wrapper and burnt matches, he writes the poem "When the yellowing field is agitated." The theme of nature was chosen by him, for sure, not by chance, because he, too, could foresee that he had to stay in this world for so much.

Saving natural beauty

At that time, Lermontov was only 24 years old, he was a skeptic and a realist, and already at that age he was well aware that the current foundations of society had already completely outlived themselves. This was also indicated by the fact of the Decembrist uprising.

Soon Lermontov began to realize that he could no longer change anything in Russia, social inequality would sooner or later lead to a revolutionary conflict. Because of this, Lermontov in the last years of his life was in a deplorable state and bad mood.

The poet also realized that with his poems he would not inspire bright human minds to the deed of the Decembrists, however, he also did not want to put up with what was happening around him.

This work of his is very original in itself and represents some kind of final inner monologue of the soul about higher values, about the fact that everything passes, and this too will pass. It remains only to wait.

/ Analysis of the poem by M. Yu. Lermontov “When the yellowing field is agitated”

Analysis of the poem by M. Yu. Lermontov “When the yellowing field is agitated”

In this lyrical poem by Lermontov, written in 1837, the author colorfully describes the environment, nature. It can be seen that the poet loves his homeland, admires its beauty, wants to perpetuate these beautiful landscapes in his poems. To do this, he uses a variety of techniques: personification, epithets. For example, “the silver lily of the valley shakes its head affably” and “ruddy evening” - this helps to saturate this poem with the emotions that filled the poet at that moment. All this helps him convey the mood of that wonderful evening, which he describes in his verse. This evening was so good and pleasant that a delightful verse was born in the poet's head. And thanks to its even construction, clear and simple style, this verse sinks into the soul of many, remains in memory for a lifetime. Everyone can understand its meaning, and it will make many think. This is perhaps one of the best poems of the great successor of Pushkin, as Lermontov was often called. Although this verse was not so late, it clearly shows the perception of the world by Mikhail Yuryevich, the breadth of his thought, his vision of the world. And the ability to write so sensually cannot go unnoticed either.

An analysis of the poem “When the yellowing field is agitated” makes us understand that the main idea of ​​​​this work is the connection of man with nature, their unity and inextricable relationship, which, however, has weakened over time. To connect with nature, the hero remains alone, and loneliness brings him closer to the outside world. Even when you just read these lines, you imagine these pictures, and your soul becomes warm - these are such native and admiring views that cannot leave anyone indifferent. This is exactly what the author wanted - for people to understand what beauty surrounds them, and think about the need to be closer to nature, because this makes people feel better. But the sheer idyll that the work is filled with can actually exist? Or is it all just in his poems, in his dreams? Maybe the author really saw everything around him like that, but for many people the content of the verse seems to be only beautiful and impossible lyrics.

So, the analysis of the poem “When the yellowing field is agitated” can be ended with the idea that Mikhail Yuryevich wanted to show us a real utopia that surrounds us everywhere, because nature is an endless beauty that gives peace. A person who has managed to restore unity with nature will be able to find true happiness.

“When the yellowing field is worried ...” M. Lermontov

“When the yellowing field is agitated ...” Mikhail Lermontov

When the yellowing field worries,

And the fresh forest rustles at the sound of the breeze,

And the crimson plum hides in the garden

Under the shade of a sweet green leaf;

When sprayed with fragrant dew,

Ruddy evening or morning at a golden hour,

From under the bush I silver lily of the valley

He nods his head amiably;

When the cold key plays in the ravine

And, plunging the thought into some kind of vague dream,

Babbling me a mysterious saga

About the peaceful land, from where he rushes, -

Then the anxiety of my soul humbles itself,

Then the wrinkles on the forehead diverge, -

And I can comprehend happiness on earth,

And in the sky I see God.

Analysis of Lermontov's poem "When the yellowing field is agitated ..."

The lyrics of Mikhail Lermontov of the early and late periods of creativity differ significantly. If in his youth the poet wrote enthusiastic poems, praising the beauty of his native fields, meadows, forests and rivers, then in the last years of his life the author rarely addressed this topic. Lermontov was more interested in social and political issues, for which he was recognized as a troublemaker and found fame as a poet who harms the tsarist regime with his works.

In 1837, Lermontov was arrested and spent several weeks in a St. Petersburg prison while proceedings were underway regarding his poem "The Death of a Poet". dedicated to the death of Pushkin. The harsh tone that Lermontov allowed himself in relation to high society, which actually ruined Pushkin, caused displeasure of many officials. As a result, until the degree of revolutionary nature of the poem "The Death of a Poet" was clarified, it was decided to take Lermontov into custody. It was in prison, without ink and paper, that the poet wrote one of his last lyrical poems entitled "When the yellowing field is worried ...". According to eyewitnesses, the poet used charred matches as a pen, and the paper was a food wrapper that an old servant brought him to prison every day. Why did the author, in a rather difficult period of his life, decide to turn specifically to the theme of nature?

It should be noted that at the age of 24, Mikhail Lermontov was known as a skeptic and a realist, who was well aware that the old foundations of society had completely outlived themselves. However, the poet was also aware of the fact that society itself was not yet ready for change. An example of this was the Decembrist uprising, which was brutally suppressed due to the fact that the people did not support a handful of nobles who advocated the abolition of serfdom and the overthrow of the autocracy. Therefore, Lermontov was well aware that during his lifetime in Russia it was unlikely that anything would change, and the situation would only worsen, deepening the gap between the classes. That is why, feeling his powerlessness and inability to change anything, the poet in the last years of his life was very often in a bad mood. He knew that with his poems he would not be able to inspire the bright minds of the fatherland to repeat the feat of the Decembrists, but he was also unable to put up with the surrounding reality.

The poem "When the yellowing field is agitated ...", at first glance, is dedicated to the beauties of his native land, which Lermontov sings with his characteristic tenderness and admiration. However the last stanza of this work fully reveals the intentions of the author. In it, he admits: when there is communication with nature, “then the anxiety of my soul humbles itself, then the wrinkles on my forehead diverge.” And it is the landscapes familiar from childhood that give Lermontov the strength to live, believing that his work is not in vain and will be duly appreciated by descendants in the future.

It is noteworthy that the poem "When the yellowing field is agitated" has a very unusual structure. It contains four stanzas that are written in one sentence.. Such an atypical technique for a poet creates the feeling that the author wrote this work in one breath, fearing that he would not be able to convey his thoughts and feelings to readers correctly and as accurately as possible. Therefore, he did not bother himself with such trifles as breaking phrases into sentences. Moreover, such a structure of the poem gives it a special integrity and melody, which is characteristic of many songs with figurative and vivid content. It is precisely such works that are very often found in Russian folklore, which the poet knew and loved from childhood.

"When the yellowing field is agitated", analysis of Lermontov's poem

History of creation

The poem "When the yellowing field is agitated" was written in 1837. It is hard to believe that these lines about nature were born in the conclusion. Lermontov was arrested for the poem "The Death of a Poet" and spent several weeks before exile, while the investigation lasted, spent in prison. The poet had neither pen nor paper. He wrote the text with burnt matches and pieces of coal on the wrapper, which was wrapped in his food, brought by a servant.

Literary direction, genre

“When the yellowing field is agitated” at first glance can be attributed to landscape lyrics. The first three stanzas containing the anaphora "when" are a description of nature. But the last stanza is that, only by observing the free nature, a person is happy. In it, the idea of ​​a poem, nature is only an impetus to philosophical reflection. Therefore, some researchers attribute the poem to philosophical lyrics.

Lermontov is traditionally considered a romantic poet, at the time of writing the poem he was 24 years old. The lyrical hero is lonely, cut off from the world of people. He enters into a dialogue with nature as with a divine plan, in this dialogue he finds himself and God.

Theme, main idea and composition

The poem is a period. This is one sentence expressing a complex but integral thought. The period is always rhythmic. The first three stanzas, beginning with the union “when” are complex sentences in themselves (the first and third stanzas) or a simple sentence complicated by participial turnover and numerous homogeneous members (the second stanza). All three stanzas describe nature in different ways. The first stanza describes three "habitats" of a person in nature: a cornfield (field), a forest and a garden. They admire the lyrical hero. In the second stanza, the lyrical hero peers into the one and only, but perfect natural phenomenon - a tiny lily of the valley. The third stanza is dynamic. It reveals the inner world of the lyrical hero, watching the flow of the spring. Nature is just an occasion for further reflection.

The main idea in a period is always contained in the last part. Only observation of nature gives a person happiness and brings him closer to God. But you can understand Lermontov’s intention even deeper if you know the history of writing a poem. Sitting in prison, Lermontov, as never before, realized the happiness of freedom, because only it makes it possible to see the whole world and be grateful to God.

Size and rhyme

The poem is written in multimeter iambic, mostly in six-foot, with pyrrhic. Lermontov uses long words in the poem, which causes some of the iambic stresses to fall out, resulting in an uneven rhythm reminiscent of tango. The whole poem is filled with movement: in the first stanza the lyrical hero rushes through familiar places, in the second he leans, in the third he is carried away with the key to a distant peaceful land, and in the last his horizontal movement along the earth stops and begins vertical - to heaven. The last shortened line of the iambic tetrameter stops the movement, because the thought has been brought to its logical end.

The last stanza also differs in rhyme. The first three are cross-rhyming, and the fourth is circular. Throughout the poem, feminine and masculine rhymes alternate.

Paths and images

Pictures of nature in each stanza draw epithets. In the first stanza, images of summer nature are created with the help of bright color epithets: a yellowing field, a raspberry plum, a green leaf. The sounds in this stanza are also loud and real: the sound of a fresh forest.

In the second stanza, the colors of late spring become softer and duller: a ruddy evening, the golden hour of the morning, a silvery lily of the valley. Odors appear: fragrant dew.

The epithets of the third stanza relate to the inner world, the sensations of the lyrical hero: a vague dream, a mysterious saga, a peaceful land. Only the epithet icy key corresponds with nature. It fades into the background, detailing is not important to the author, neither the time of year nor the time of day is indicated, nature becomes conditional.

In each stanza, personifications enliven nature: a plum hides in a garden, a lily of the valley nods its head, a key babbles a mysterious saga, plays in a ravine.

In the last stanza, the inner world is drawn with metaphors: anxiety is reconciled, wrinkles on the forehead disperse.

In the last stanza, the poet uses syntactic parallelism (first and second lines). An image of a harmonious personality is created, which draws strength from nature to restore peace of mind.

The poem "When the yellowing field is agitated ..." was written by M.Yu. Lermontov in February 1837, when the poet was under arrest in the building of the St. Petersburg General Staff for writing poems on the death of Pushkin. Only the valet, who brought dinner, was allowed to see him. The bread was wrapped in gray paper. On it (with the help of a match, oven soot and wine) this poem was written.
The genre of the work is a landscape miniature, with elements of philosophical meditation.
The landscape in this poem is not one fleeting picture of nature, but several poetic pictures interconnected with each other. The poet tells how “the yellowing field is agitated” at the light sound of the breeze, how the fresh forest rustles thoughtfully, how playfully “the raspberry plum is hiding in the garden”, how “the icy spring plays along the ravine”. Creating bright, picturesque paintings, it personifies nature: “silver lily of the valley affably nods its head”, “icy key” babbles “mysterious saga”.
Further, we observe in the work a reverse gradation of color epithets. Bright, juicy colors become vague, the color turns into light, and then the color epithets completely disappear from the text. So, in the first stanza we see a “yellowing field”, “raspberry plum”, “green leaf”. Then the nature of the definitions changes somewhat: “ruddy evening”, “golden hour in the morning”, “silver lily of the valley”. In the third stanza, color epithets are replaced by others: "a vague dream", "mysterious saga", "peaceful land".
Exactly the same gradation we observe in relation to the objectivity of the picture of the surrounding world. If in the first stanza this objectivity is preserved (the field is agitated, the forest is noisy, the plum is hiding under a bush), then in the second stanza we have an individual-personal perception of nature by the hero: “the silver lily of the valley greetly nods its head to me.” We observe the same phenomenon in the third stanza: “the key ... It babbles a mysterious saga to me”).
The principle of reverse gradation underlies the creation of both the artistic time of a work and the artistic space. So, in the first stanza, summer is probably depicted. The second stanza speaks of spring (“silver lily of the valley”), the time of day here seems to spread in its uncertainty: “On a ruddy evening or in the golden hour in the morning.” And the third stanza does not contain any indication of the season at all.
The artistic space of the poem goes according to the degree of narrowing up to a certain point. In the first stanza, we see a fairly wide landscape panorama: a field, a forest, a garden. Then a bush and a lily of the valley remain in the field of view of the lyrical hero. But then again the space expands (as if it breaks through) thanks to the key that rushes from nowhere:

When the cold key plays in the ravine
And, plunging the thought into some kind of vague dream,
Babbling me a mysterious saga
About the peaceful land from which he rushes.

Here this artistic space becomes endless. This picture is the climax of the poem.
Then we plunge into the realm of feelings of the lyrical hero. And here we also observe a certain gradation. “The final quatrain contains a reverse movement - from the soul to the universe, but already enlightened and spiritualized. His four verses are the four stages of this movement: “Then the anxiety of my soul humbles itself” - the inner world of a person; “Then the wrinkles on the forehead diverge” - the appearance of a person; “And I can comprehend happiness on earth” - the near world that surrounds a person; “And in heaven I see God” - a distant world that closes the universe; the poet's attention moves as if in divergent circles,” writes M.L. Gasparov.
Compositionally, we distinguish two symmetrical parts in the poem. The first part is pictures of nature. The second part is the area of ​​feelings of the lyrical hero. The composition of the poem is reflected in its metrics.
The poem is written in quatrains. The first stanza is written in iambic six-foot, in the second and third - six-foot and pentameter alternate, the last stanza again returns to iambic six-foot, but the last line is shortened (iambic four-foot). Lermontov uses cross and ring (last stanza) rhymes. The poet uses a variety of means of artistic expression: personification (“the silver lily of the valley greedily nods her head”), epithets (“on a ruddy evening”, “at a golden hour”, “a vague dream”), an anaphora (“And I can comprehend happiness on earth, And in I see God in heaven...”). The whole poem is a period in which there is syntactic parallelism (“Then the anxiety of my soul humbles itself, Then the wrinkles on the forehead diverge”).
Thus, the beauty and harmony of the surrounding world pacifies the excitement of the lyrical hero, the anxiety of his soul, bringing all thoughts and feelings into order. His soul aspires to God, and "how much faith, how much spiritual love is then expressed in our poet, branded by an unbelieving denier"