At what frequency can you hear the voices of ghosts. "White Noise" and negotiations with the world of the dead

What is white noise - the phenomenon of electric voice

"Greetings from the other world" on the air: self-deception or reality?

Horror films, as you know, the film genre is more than in demand. Not so long ago, those who like to tickle their nerves were able to successfully do this by watching an American-Canadian-British horror film called White Noise. Once again, the viewer was faced with fear, born of something irrational in the spirit of the famous "Call".

The plot of the film is as follows: the main character, whose wife died in an accident, begins to receive signals from the deceased through a radio receiver. Further more, the unfortunate widower, is drawn into communication with the other world and becomes a free researcher of the so-called "white noise". Day and night, he monitors the body and radio interference, now and then discovering messages from the other world in them.

The creators of the picture added fuel to the fire, assuring that the film is based on real events related to the Electric Voice Phenomenon (EPP). There are many resources on the web that deal with this issue.

It turns out that many scientists have tried to establish a connection with the other world through technology. In 1920, the famous inventor Thomas Edison expressed the idea that our "I", passing to another world, should obviously retain its ability to influence matter even from there. And if this is so, then sufficiently sensitive equipment will be able to register such an impact - you just need to invent it. Here is such an original guess, not without reason the creators of the film "White Noise" made this phrase in the epigraph.

One of the most famous researchers of the phenomenon is the Swedish documentary filmmaker Friedrich Jurgenson. He accidentally recorded the voices of his deceased relatives on tape. The Latvian psychologist Konstantin Raudive became an associate and follower of Jurgenson. Together they conducted a lot of experiments, and Raudive soon realized that the best results can be obtained when there are some carrier waves, background noises during the PEG recording. In his opinion, interlocutors from another world somehow use this sound "raw material", transforming it into the sounds of their own voice.

Electronic voices usually vibrate at a high frequency. The rhythm of the phrase in electronic voices is also unusual, there is something supernatural in it. The pace of speech is generally faster than normal speech. Another typical feature of such voices is monotony. The most intriguing thing is that a person who encounters FEG unmistakably recognizes the voice of his deceased loved ones. True, provided that the recording is of high quality.

Anyone can try the experiment. For this, a radio receiver with a radio receiver (AM / FM) and the ability to record audio cassettes is enough. In addition, you will need headphones, with their help it is easier to detect electronic voices.
Next, take a new cassette, insert it into the tape recorder and put on the headphones. Then turn on the radio and look for unoccupied frequencies. It is necessary to find a gap between two adjacent radio stations where static interference is clearly heard, but interference from radio stations is not heard.

Then try to relax, press the record button and ask those who have gone to the best of all worlds to talk to you. Don't try to hear electronic voices while your tape recorder is on, you won't hear them.
After three to five minutes, stop recording, rewind the tape to the beginning of the recording. When playing, start at a volume level of about 20 percent of the maximum. Then start adjusting the volume to the most comfortable level. Focus on the sounds of static, get used to them, so that you can distinguish the moment when their uniformity is even slightly disturbed. Here you need to be careful.
When listening for the first time, use the tape counter to note which section of the recording has something out of the ordinary. When listening again, carefully study each such marked area. Now return the tape to the beginning and do the same again, paying special attention to the most "suspicious" places and looking for new ones. And then you find a strange thing. The more often you listen to the same tape, the more clearly, all incomprehensible sections are heard, they seem to “appear”. However, one should not jump to conclusions, perhaps these sounds have a completely understandable origin: for example, they can be the voices of neighbors or other extraneous noises.

Naturally, such experiments require a certain perseverance and courage, especially bearing in mind the unenviable fate of the protagonist of "White Noise".
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In January 2005, the film "White Noise" was released in the UK, dedicated to a still little studied phenomenon - the so-called phenomenon of electronic voices, or EVP. It lies in the fact that sometimes on the radio, among the hissing, which is called "white noise", you can hear voices and sounds of incomprehensible origin. Sometimes signals of an unknown nature in the form of strange ghostly faces also appear on the TV screen. In the film, Michael Keaton plays Jonathan Rivers, whose wife Linda died under mysterious circumstances. Jonathan soon meets a man who claims to be able to receive messages from the dead, including Linda. The inconsolable widower asks to be connected to his dead wife and is soon confronted by the EVP.

Famous scientists have long been interested in this phenomenon. On October 30, 1920, in the next issue of Scientific American, the famous inventor Thomas Edison wrote: “If a person, or what we call the soul, continues to live after death, then it is natural to assume that she would like to communicate with those whom she left here on earth. I think that it is possible to create an instrument that will record otherworldly messages.” Some biographers of Edison believe that he tried to create a similar device, although there is no evidence for this. Marconi and Tesla also expressed a serious interest in creating technology that allows contact with the spirit world.

The EVP phenomenon was first discussed in the 1930s. Then Swedish and Norwegian military pilots heard unidentified voices on the radio during training flights. It was written about in the newspapers.

In 1930, in London's Wigmore Hall, hundreds of people witnessed an unusual phenomenon. The show hasn't started yet. There was a microphone on the stage, near which there was no one. Suddenly, from the loudspeakers installed at different ends of the hall, connected by wires to a microphone, several loud voices were heard speaking different languages. The sound engineers who served the event were later unable to explain what had happened.

In 1949, in Manchester, at the International Congress of the Organization of Spiritualists, the Dutch engineer Zwaan demonstrated a device he had created that was capable of capturing and reproducing the voices of dead people.

In 1952, in Milan, two Catholic priests installed a loudspeaker in a church so that all parishioners could hear Mass well. Suddenly, a hissing sound was heard in the loudspeaker, and then from there it was heard: "I am always with you and will help you!" Both witnesses of the unusual phenomenon recognized the voice of the recently deceased father of one of the priests.

In 1959, documentary film producer Friedrich Jurgenson was recording the voices of birds in the forest. He was amazed to find that another recording was superimposed on the recording of the birds' voices. A man spoke with knowledge of the habits of birds. Jurgenson thought he had somehow recorded a radio broadcast about birds. But when he listened to the same recording a few weeks later, the ornithologist's voice was no longer there. Instead, Jurgenson was called by his mother's excited voice: "Friedel, my little Friedel, can you hear me?!" Friedel mother called Jurgenson in childhood.

After that, the producer managed to record several more unknown voices that spoke different languages. Jurgenson worked on the problem with Dr. Hans Bender, head of the department of parapsychology at the University of Freiburg.

In 1965, Dr. Konstantin Rodiv, a well-known psychologist and student of Carl Jung, met Jurgenson and, convinced of the existence of EVP, became interested in studying this phenomenon. Rodiv attracted physicists and electronic engineers to work and created his own receiver, in which the main element is a pure crystal. The receiver was called a goniometer. Using a goniometer, Rodiv recorded thousands of otherworldly voices and in 1968 published a report on his research, translated into several languages.

In the same years, American businessman George Meek sponsored a similar project in the United States. Engineer Bill 0 "Neil, who previously worked at NASA, designed a device for communicating with the world of spirits, called a spiricom. In 1981, 0" Neil died under strange circumstances, and the spiricom disappeared.

By that time, EVP had intrigued people around the world. In Britain, two researchers, George Bonner and Raymond Kass, experimented with a reel-to-reel tape recorder and made "white noise" act as a carrier of voices. Bonner asked into the microphone, "Can anyone hear me?" A minute later, the answer appeared on the tape: “Yes!” Bonner and Kass recorded tens of thousands of otherworldly voices over the course of 22 years.

Despite a large number of experimental results, none of the researchers has been able to explain EVP so far. Later, this concept was expanded, and a new term appeared - instrumental transcommunication, which also includes otherworldly phone calls, ghostly recordings on VCRs and mysterious messages on personal computers. In 1982, a society of enthusiasts of these phenomena appeared in the UK - the Association for Instrumental Transcommunication. The leader of the society is Judith Chisholm. Her passion for EVP began with a very curious incident.

In 1999, she bought a tape recorder and found that it did not play the music she had. Annoyed, Judit cursed: “These idiots in the store sold me a low-quality product!” Suddenly, the tape recorder, where the tape with the recorded music was spinning silently, came to life and said: "You should not return the tape recorder to the store." Miss Chisholm was surprised to recognize the voice of her colleague and friend, who had died a few years earlier. "Jack, is that you?" - quietly dared to ask Judit. - "Me baby. I'll help you," came from the tape recorder.

From then on, as soon as Edith turned on the tape recorder, "they" began to talk to her or to each other. "They" are otherworldly voices. Judit recognized some of them - they were her dead relatives and acquaintances. Some voices could not be recognized, others spoke foreign languages. Sometimes the connection was two-way, and Judit could communicate with deceased friends. Sometimes they did not answer questions, as if they did not hear her, or they talked among themselves.

Miss Chisholm's record library contains about a thousand recordings of spirit voices. Judit often travels the world and speaks at seminars organized by paranormal societies in different countries. Her wonderful tape recorder is always with her. Miss Chisholm and other enthusiasts of the phenomenon of electronic voices are trying to attract specialists - physicists, engineers, psychologists - to their research. The goal is to unravel the phenomenon of instrumental transcommunication and create a universal device with which anyone could contact their deceased loved ones.

But what is strange is that every third message from there carries a threat or aggression.

How to get a message from there?

Researchers prefer the so-called radio method - today, in their opinion, it is the most effective. You need to do the following: turn on the tape recorder for recording, connect it with a cable to the radio. And put the microphone in front of you. The volume of the receiver should be adjusted so that the questions you ask are clearly audible over white noise or radio broadcasts.

The point of using a radio for recording is that frequencies become available to partners on THAT side. But it is not known which one they will choose. Therefore, you can tune in to white noise, that is, to a frequency at which no living person broadcasts. Hissing, whistling, rattle will be heard from the speaker. But they are generated by electromagnetic fields that promote contact. Against this noise background, voices should appear.

Signalers recommend this method to beginners whose hearing is not yet sufficiently trained. Then you can tune in to a certain wavelength, where there are transmissions. What? Here everyone decides for himself - by intuition, or something. But, according to Igor and Artem, they have repeatedly asked to use two frequency ranges for short waves for communication: 31 meters (10 MHz) and 41 meters (7 MHz). They called these bands frequency windows, giving them more freedom to penetrate the world of the living.

Using the radio method, it is necessary to maintain a critical attitude, - warns Artem Valeryevich. - Listening to a recording is a rather laborious process. And the listener can easily be misled by the fact that several radio transmissions, especially on shortwave, are superimposed on one another. The voices from there, received by radio, are for the most part transformations of already existing snippets of phrases, which means that the interlocutors on the OTHER side use spoken speech as raw material to form messages. In general, to avoid arbitrary interpretations of what has been said that have nothing to do with paranormal voices, one should not use broadcasts in one's native language.

The living don't talk like that

There is a problem, - agrees Artem Valeryevich. - But, firstly, as a rule, the content of messages from the afterlife is most directly related either to the essence of the question asked by the experimenter, or to the experimenter himself. Secondly, genuine spiritual voices have a number of specific characteristics - they do not resemble the speech of a living person, at least in rhythm and timbre. With experience, their recognition becomes not so difficult. In the future, the received voices can be re-recorded separately on another magnetic tape or on a computer disk as an audio file in order to facilitate their study.

In most cases, voices are heard only during the subsequent listening to the magnetic tape, although in world practice there are vivid examples of transcommunication in the form of direct dialogues through the receiving radio equipment. If a specific interlocutor on the THAT side is selected, you need to calmly concentrate and mentally call him. After that, when the tape recorder is turned on, ask the first question aloud. Wait thirty seconds and ask the next one. When the session is over, the tape is rewound and carefully listened to. Better - with the help of good headphones. And several times, especially listening to the gaps between the questions asked. Answers are most often single words or short sentences spoken quickly - in fractions or in a few seconds. Or, on the contrary, so slowly that they seem to be a meaningless rumble. Loudness is different, as well as intelligibility. Sometimes the voice of someone's soul fills the ears.

Advanced specialists often process recordings - slow down or speed up playback. and filter out unwanted noise.

What are the dead talking about?

As it turned out, a person, getting to heaven, becomes very laconic and philosophical. This is proved only by a few recent statements recorded by Igor and Artem.

To the question: Is abortion a crime, and if so, why? - Followed by the answer: We're waiting. In the light of known spiritual knowledge, this can be interpreted as follows: the souls are waiting for the next resettlement. And if women kill their children, then free souls will have no one to inhabit.

During one of the sessions on the radio, a song performed by a male voice in English sounded in the background. Suddenly, in the place where the refrain should have been, a female voice intervened and sang in Russian: It's more beautiful here!

In response to the question whether the physical dimensions of people and animals that were inherent in the physical body are preserved, the answer was received: We are like waves.

A long monologue is heard, from which only the beginning and end are clear: Immortal man! (beginning)… Choose your Truth! (at the end).

Guardian angels know about you! It's about a missing person.

The dead are very different - a deep male voice in the background of the music.

We have children.

And the most beautiful and optimistic that I heard was, oddly enough, the phrase: We are waiting for you.

Where are we going from you...

For thousands of years, man has sought to communicate with the beyond. He wanted to know what was beyond the line - the final end or a new beginning? I always wanted to console myself that everything would not break so quickly. That relatives and close people did not die at all, but went to live in another world. What is the meaning of life after all. And the only thread that connects this and that world is the seances that skeptics still laugh at.

In January 2005, the film "White Noise" was released, dedicated to a still little studied phenomenon - the so-called phenomenon of electronic voices, or EVP. It lies in the fact that sometimes on the radio, among the hissing, which is called "white noise", you can hear voices and sounds of incomprehensible origin.

Sometimes signals of an unknown nature in the form of strange ghostly faces also appear on the TV screen. In the film, Michael Keaton plays Jonathan Rivers, whose wife Linda died under mysterious circumstances. Jonathan soon meets a man who claims to be able to receive messages from the dead, including Linda. The inconsolable widower asks to be connected to his dead wife and is soon confronted by the EVP.

Some biographers of Edison believe that he tried to create a similar device, although there is no evidence for this. Marconi and Tesla also expressed a serious interest in creating technology that allows contact with the spirit world.

For the first time, the EVP phenomenon was discussed in the 30s of the XX century. Then Swedish and Norwegian military pilots heard unidentified voices on the radio during training flights. It was written about in the newspapers.

In 1952, in Milan, two Catholic priests installed a loudspeaker in a church so that all parishioners could hear Mass well. Suddenly, there was a hiss from the loudspeaker, and then from there it was heard: “I am always with you and will help you!” Both witnesses of the unusual phenomenon recognized the voice of the recently deceased father of one of the priests.

In 1959, documentary film producer Friedrich Jurgenson was recording the voices of birds in the forest. He was amazed to find that another recording had been superimposed on the recording of the birds' voices. A man spoke with knowledge of the habits of birds. Jurgenson thought he had somehow recorded a radio broadcast about birds.

But when he listened to the same recording a few weeks later, the ornithologist's voice was no longer there. Instead, Jurgenson was called by his mother's excited voice: "Friedel, my little Friedel, can you hear me?!" Friedel mother called Jurgenson in childhood.

In 1965, Dr. Konstantin Raudive, a well-known psychologist and student of Carl Jung, met Jurgenson and, convinced of the existence of EVP, became interested in studying this phenomenon. Raudive attracted physicists and electronic engineers to work and created his own receiver, in which the main element is a pure crystal.

The receiver was called a goniometer. Using a goniometer, Raudive recorded thousands of otherworldly voices and in 1968 published a report on his research, translated into several languages.

In the same years, American businessman George Meek sponsored a similar project in the United States. Engineer Bill O'Neill, formerly of NASA, designed a device to communicate with the spirit world called a spiricom. In 1981, O'Neill died under strange circumstances and went missing.

Bonner asked into the microphone, "Can anyone hear me?" A minute later, the answer appeared on the tape: “Yes!” Bonner and Kass recorded tens of thousands of otherworldly voices over the course of twenty-two years.

In 1982, a society of enthusiasts of these phenomena appeared in the UK - the Association for Instrumental Transcommunication. The leader of the society is Judith Chisholm. Her passion for EVP began with a very curious incident.

From then on, as soon as Edith turned on the tape recorder, "they" began to talk to her or to each other. “They” are otherworldly voices. Judit recognized some of them - they were her dead relatives and acquaintances. Some voices could not be recognized, others spoke foreign languages. Sometimes the communication was two-way, and Judit could communicate with deceased friends. Sometimes they did not answer questions, as if they did not hear her, or they talked among themselves.

Miss Chisholm and other enthusiasts of the phenomenon of electronic voices are trying to involve specialists in their research - physicists, engineers, psychologists. The goal is to unravel the phenomenon of instrumental transcommunication and create a universal device with which anyone could contact deceased loved ones.

But what is strange is that every third message from there carries a threat or aggression.

From the book "Mysteries of the Underworld"

Many researchers argue that the other world not only exists, but also constantly reminds of itself. And modern technical means help us to establish contact with the souls of the dead. There was even a special term - the phenomenon of electronic voice (EPG), when, when playing an audio carrier, one suddenly hears the speech of those who have passed away and could not have been present during the recording.

The dead are not silent

Back in 1895, the inventor of the phonograph, Thomas Edison, argued that sound recording devices could be used to communicate between living and dead people. He believed that a person, moving into another world, retains himself as a person and has the ability to speak - and sufficiently sensitive equipment can record his voice.
Edison even entered into an agreement with his colleague William Dinwiddie that the one who dies first would send the other a voice message from the other world. Dinwiddie died in 1920, and Edison, in an interview with Forbes magazine, told that he communicated with him using a special apparatus for recording speech - a necrophone. True, neither the apparatus itself nor its drawings have been preserved.
Interest in EVP (from the English Electronic Voice Phenomenon - the phenomenon of electronic voice) increased in the 1930s. In London's Wigmore Hall concert hall, hundreds of spectators observed an unusual phenomenon. Before the performance, a microphone was put on stage, near which there was no one. But loud voices suddenly sounded from the loudspeakers, speaking in different languages. Sound technicians could not explain what happened.
Around the same time, several Swedish and Norwegian pilots in their reports noted that in flight they heard a speech coming from nowhere on the radio, some pilots claimed that dead relatives addressed them that way. The mysterious phenomenon was reported in European newspapers.
In 1952, in Milan, two Catholic priests installed loudspeakers in a church to deliver sermons. Suddenly, a phrase was heard from the speakers: “I am always with you and will help you!” The voice belonged to the recently deceased father of one of the priests.
Until the end of the 1950s, such voices sounding from technical devices were not subjected to careful study, they were considered some kind of unsolvable riddle that had no reasonable explanation.

Speech monotonous but recognizable

In 1959, the Swedish documentary filmmaker Friedrich Jurgenson recorded birdsong in the forest. But, after listening to the tape recording, he found the sounds of human voices on it, one of which belonged to his deceased mother. She addressed her son and, as in childhood, called him a diminutive name.

Jurgenson devoted several years to the study of such records. He found that the voices from the other world differ from the usual ones in the style of pronunciation. The speech seems to be heard from a closed space, the words sound faster, and the narration itself is very monotonous, and there are no intonational highlights in it. At the same time, an even, impassive voice is recognizable to those who heard this person during his lifetime.
Later, Friedrich Jurgenson published the book "Voices of the Universe", where he made a sensational conclusion: sound equipment helps to maintain communication between the worlds of living and dead people. A little later, his discovery was called the phenomenon of electronic voice.
In the mid-1960s, Jurgenson's experiments were continued by the Latvian professor Konstantin Raudive, who moved to Germany, who attracted electronic engineers to work in this direction. They created a special receiver and with its help recorded several thousand mystical voices - including those belonging to famous personalities, for example, the poet Vladimir Mayakovsky.
Based on his research, Raudive wrote several books translated into many European languages. He concluded that during the recording of electronic voices, some background noises are necessarily present and that people from another world convert them into the sounds of their speech.

White noise

After the publication of books by Friedrich Jurgenson and Konstantin Raudive, the phenomenon of electronic voice attracted a large number of new researchers.
There is a well-known case with the British doctor of sciences Peter Bender, a teacher of religious education in a college at the University of Cambridge. In 1972, publisher Colin Smith invited him to take part in the study of the phenomenon of electronic voice. Bender categorically refused, saying that the dead cannot communicate with the living. But Smith begged him to simply put the tape recorder on record and wait a few minutes - after which he rewound the tape and turned on playback. A shocked Bender heard the voice of his mother, who had died three years earlier.
German electronics specialist Hans-Otto Koenig designed his own device for recording the voices of the dead. In 1983, the engineer was invited to speak live on Radio Luxembourg in order to demonstrate the operation of the device to a million audience of listeners. Koenig, commenting on his actions, began to install the equipment. To stir up the interest of the listeners, the presenter asked if he could talk with the deceased person of his choice. In response, Koenig's device sounded:
- We hear your voice. Speak up.
This phrase was broadcast. The shocked presenter declared that he swears on the life of his children: any tricks are excluded, he, like everyone else, clearly heard the mystical voice.
In 2001, the American magazine Fate published an article on how to hear a voice from another world on your own. To do this, you must have a radio with the ability to record. The receiver must be tuned to an unoccupied frequency - where radio stations do not hang. Then you need to turn on the recording, relax and mentally ask someone who has gone to another world to talk to you. Stop the recording after a few minutes and listen to it.
The author of a journal article writes about an interesting phenomenon. If you managed to record a voice from another world, then at the first listening it will sound very slurred. But as you play the recording over and over again, you will feel how the voice on it becomes clearer each time.
In 2005, a film dedicated to FEG was released in the USA - the mystical thriller "White Noise" (this term refers to the natural sounds of television or radio). According to the plot, the hero's wife dies, and he communicates with her, listening to the recordings of her voice. The film was so successful at the box office that two years later a sequel, White Noise 2: The Shining, was released.
Many researchers believe that white noise is the sounds of the other world. And if they are regularly recorded, then during playback you can hear the voices of the dead.

Messages on the Printer and Display

The development of computer technology has led to the fact that messages from another world have become not only voice. For example, in 1984-1986, a married couple from England received emails from a certain Thomas Harden, who said that he lived in 1545. At first, the letters were considered someone's joke. But linguistic experts have found that Harden's language and style are fully consistent with the Medieval era and it is extremely difficult to fake such messages.
In 1985-1988, another married couple - Jules and Maggie Harsch-Fischbach living in Luxembourg - established computer contact with people from the other world, asking them questions and receiving answers that were printed on a printer.

In 1995, one of the German researchers conducted experiments with a video camera and a color TV, setting the latter to white noise. At some point, a figure of a man appeared on the screen, which we managed to capture. That man was Friedrich Jurgenson! A clear image remained on the screen for 24 seconds. But voice contact could not be established. But a little later, a German scientist discovered that his turned off computer started working by itself - and there was a message from Jurgenson on the display.
Starting in 1998, the Voices of Ghosts CDs have been released - recordings of the speech of people from another world, which are very popular with fans of the paranormal.

Phrases in deleted files

In 2003, a scientific organization was created in St. Petersburg, called RAIT - the Russian Association of Instrumental Transcommunication (that is, the study of contacts with dead people through technical devices). Included scientists have identified several patterns of such communication using computers. At first, contacts were one-way: sudden messages from the dead came to living people. Usually such messages were found in previously deleted and newly restored text files - and here an analogy arises with recordings of electronic voices, which are formed from background noise. That is, the deleted documents represent a kind of textual white noise and, as it were, provide material for their conversion into messages from people from another world.
In 2008, RAIT researchers announced the implementation of two-way contacts using a computer and a technical device connected to it, which, with the help of a constant change in Internet radio frequencies, generates a sound wave. Scientists broadcast their questions through a microphone - and against the background of a mixture of fragments of transmissions and ether noise, they received answers from the other world.
According to RAIT researchers, such registered contacts already number in the thousands. And these facts once again confirm the opinion that life does not end with the death of our physical bodies, but exists in some other reality.

White noise. Voices of the Dead. Communication with another other world. Every scientist has his own version. There is a special program with which you can record messages from the other world. But I strongly recommend not to even open this news if you are weak in spirit. The underworld is not a game.

In truth, there is no physical evidence that these are the voices of the dead yet, but no evidence to the contrary has been found either. I think you all know that a movie was made about white noise. The film "White Noise" was based on real events according to the versions and experimental developments of scientists. Of course, not the whole film is real, since it needs to be made interesting for the mass audience, but the fact remains.

For the first time, guesses about the existence of the provided phenomenon were proposed and studied by the Swedish film producer Friedrich Jurgenson. In 1959, he recorded birdsong on tape. There was nothing out of the ordinary during the recording until Jurgenson listened to the piece. The film producer heard extraneous sounds on the tape - it was a hoarse male voice in Norwegian.

Friedrich was one hundred percent sure that no one was near him at that time, so he decided that his tape recorder had inadvertently intercepted and recorded a fragment of the transmission, from some Norwegian radio wave. Jurgenson had some knowledge of the language, so after making inquiries he found out that none of the Norwegian stations had broadcasts with this content of the text that day.

Since then, he has been conducting tests to study this secret phenomenon. Soon, according to the film producer, he managed to establish contact with the deceased mother. Friedrich Jurgenson was followed by the Latvian psychologist Konstantin Raudive.

Thomas Edison also did similar research. He stated that the personal qualities of a person, such as intelligence, character, do not disappear even after the death of the physical body. They just move into another plane of being. Thomas was engaged in the creation of an electrical device that would allow him to possess the information transmitted by dead souls.

An easy example of white noise: take a blank (blank) audio cassette, first tune the radio to medium or long wave and press the record button. It may not come out the first time, but many enthusiasts around the world unanimously agree that the more times you try to do it, the more often you catch voices. Most white noise voices in the world were recorded near cemeteries, as well as in England near the ruins of castles.

Voices can sound in any language of our planet, by the style and manner of speech, you can determine which era a particular voice belongs to. Usually you can hear one or two words, less often phrases, but messages are already an exception only for the elite. So, the messages are of any nature: from threats to revelations of the deceased. Threats of white noise were fortunate enough to be recorded only by those who were confidently heading towards their goal and had been engaged in this matter for a long time. On this basis, they concluded that there are such guardians who monitor the observance of parity between the worlds.

Enthusiasts, as a rule, stop studying white noise after the first threats. This is just one example of threats, there are more specific targeted threats. After such threats, the addressee usually dies. Such cases are known among white noise enthusiasts. In the entire history of white noise, there are only two of them: In two cases, the first warning was ignored. The official version, both in the first and in the second case, is suicide, but in fact it is incitement to suicide, only the perpetrators are not material, which means they are not subject to jurisdiction.

Researchers have found that the more we study white noise and try to find out the truth of being, the more interest “active souls” show in us - these are, as a rule, those souls who want to tell us something. There were cases when wild cries were heard live: “Save me! Help-ee!"

After hearing this, your hair will stand on end. The question arises: What is it and who can it be? Are these screams created by "evil souls"? Or maybe hell exists? The messages of "evil souls" make a terribly chilling impression, after listening to this sound file, I was simply put into a stopper from terrible fear. I wouldn't be surprised if a few gray hairs appeared on my head.

Portal for the student. Self-training

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