Most often, timbre is the color of the sound that comes from a particular person. It happens that some people can recognize their acquaintance by it. Determining the type of voice timbre and working with it is a very interesting and exciting activity.
The timbre of the voice is the brightness of the sound, its individuality, transmitted during sound pronunciation. Its sound is determined by the main tone and additional sounds (overtones). The more of them, the livelier and more colorful it will be.
What is the timbre of the voice and what does it depend on?
Timbre is the color of sound, its brightness, warmth and individuality. The sound of a voice is determined by the fundamental tone and the structure of sounds (overtones). The saturation of the overtones gives the sound range richness and brightness. The timbre of the human voice depends on the structure of the vocal cords. Meeting two people with exactly the same voice sounds is a rarity. Improving the coloring of your voice is not an easy task. But a person can do this by doing certain exercises. For this, classes with a teacher on. Or homework.
The timbre coloration depends on the volume of the throat resonator, the density of ligament closure, the shape and volume of the trachea. The sound of a voice often indicates the work of the entire human body. His individuality is determined by the structure of the speech organs and the state of the nervous system. Working in different modes, the voice apparatus gives the timbre different variations.
The timbre is also affected by posture, how full of strength a person is and the speed of speech. That is, the slower it is, the richer the voice. Posture significantly affects the pronunciation of words. Good posture is the key to good breathing. Proper breathing is the key to a beautiful voice.
What types are there?
The most attractive is the timbre of the voice, which is characterized by the correct modulation, both in low and high notes. In fact, with the right approach, you can put any vote. And, therefore, give it a professional sound. To do this, you should learn to manage the emotional coloring, as well as the frequency of the voice. This is easy to do if you have a specialist in.
In order to define your own timbre, you should know what types of timbres exist:
1. Men's
Luciano Pavarotti - Italian operatic lyric tenor
Fedor Chaliapin - famous singer (high bass)
3) Baritone
This timbre is medium in . Like the tenor, it is subdivided into dramatic and lyrical.
Konstantin Kinchev - soloist of the Alisa group, dramatic baritone
2. Women's
1) Soprano
Very high tone. There is lyrical, dramatic, coloratura.
Sarah Brightman - English singer, soprano
2) Contralto
Beyoncé is a popular American singer (contralto)
For simplicity, the usual subdivision is also used:
- Gold
- Silver
- Copper
- Velvet
2. Usual classification:
- Solid
- Soft
- Weak
- Heavy
- Hard
- Cold
- Melodic
- Nice
- Soft
- Metal
- Deaf
Irina Zabiyaka, the owner of a low timbre of voice among the female half of humanity
Determining the timbre of the voice and changing it
Most likely, it will be almost impossible to determine it due to the lack of certain knowledge and skills. Although at home, you can presumably attribute it to one of the listed species.
1. Spectrometer
The most reliable data can be obtained using a special device - a spectrometer. This equipment studies the outgoing sound, then correctly classifies it. It consists of a special microphone and a sound amplifier. Its principle is the division of sound into components by means of acoustic filters. The whole process can be observed on the instrument display. The device then examines the spoken sound, since it is the speech format that has a significant impact on the degree of voice difference. In most cases, the device recognizes the first three pronounced consonants.
2. Specialist
It is advisable for you to determine the timbre of the voice in advance in order to select the appropriate exercises for improving the voice. The teacher selects special works with different positions of sounds in height (tessitura). This will allow you to choose the required height for a particular person. By singing songs that have different octaves of notes, you can find out in which place you sing freely, and in which with the tension of the vocal cords. A person is individual and each has its own set of notes of a certain height. Only a skilled teacher will be able to determine your voice timbre and range by looking at the singing of your notes of a certain octave.
Many people would like to change the sound of their voice. This applies, first of all, to speakers and people who have to speak for a long time. Whether it's an actor, radio host, announcer or singer.
Since the timbre depends on the characteristics of the body of each person, it seems impossible to radically change the sound. But, you can give it the necessary color by adding high even tones. Exercises are intended for this, for example, for pronouncing a soft fricative “ G».
What influences it?
1. Smoking
For a smoker with a long experience, the timbre becomes much lower.
2. Lack of sleep, dissatisfaction in life
It should be understood that the mood, both good and bad, affects the timbre.
3. Colds, hypothermia
Obviously, you need to take care of your health: avoid the cold, if possible, do not drink ice-cold drinks and refuse ice cream.
4. Adolescence
We recommend that you go swimming to strengthen the muscles that support good posture. In combination with voice exercises, this brings good results. A lot depends on how long you sleep. Some theater soloists claim that if you go to bed before midnight and wake up before 11 am, then your voice sounds noticeably better that day!
If a person is internally calm and relaxed, his voice sounds richer. Learn to enter into a state of harmony, while remaining cheerful! And then your voice will sound as bright as possible, and your speed will be natural.
TIMBRE
TIMBRE
(fr.). The tone of the same tone on different voices or instruments.
Dictionary of foreign words included in the Russian language. - Chudinov A.N., 1910 .
TIMBRE
the hue of the sound of the same tone on different voices or instruments.
Dictionary of foreign words included in the Russian language. - Pavlenkov F., 1907 .
TIMBRE
a very clearly audible, but not amenable to strict definition, feature of the voice of each individual, which makes it possible to distinguish the speech of one person from many others and which allows us to recognize by the voice of a forgotten acquaintance; the timbre of musical instruments is a shade in sound that is inherent only to a given instrument and is determined by the material from which it is made, its size and device.
A complete dictionary of foreign words that have come into use in the Russian language. - Popov M., 1907 .
TIMBRE
French timbre, from lat. tympanum, from Gr. tympanon. The tone of sound.
Explanation of 25,000 foreign words that have come into use in the Russian language, with the meaning of their roots. - Mikhelson A.D., 1865 .
Timbre
(fr. timbre) color or character of the sound of the voice, music instrument, depending on which overtones accompany the main sound tone.
New dictionary of foreign words.- by EdwART,, 2009 .
Timbre
timbre, m. [fr. timbre]. The characteristic coloring imparted to the sound of an instrument or voice by overtones, overtones.
A large dictionary of foreign words. - Publishing house "IDDK", 2007 .
Timbre (te), a, m. (fr. timbre Greek tympanon drum).
The characteristic coloring of the sound (for a musical instrument, voice) communicated to it overtones, overtones. Handsome t. vote.
Timbre- pertaining to timbre.
Explanatory Dictionary of Foreign Words L. P. Krysina.- M: Russian language, 1998 .
Synonyms:
See what "TEMBR" is in other dictionaries:
Timbre, a [te] ... Russian word stress
timbre- timbre, and ... Russian spelling dictionary
timbre- timbre/... Morphemic spelling dictionary
- [te], a; m. [French. timbre] The characteristic coloring of the sound, given to it by overtones, overtones, according to which the sounds of the same pitch differ from each other. Pleasant, low t. Various timbres. T. voice, instrument. ◁ Timbre, oh, oh.… … encyclopedic Dictionary
- [timbre], timbre, husband. (French timbre). The characteristic coloring imparted to the sound of an instrument or voice by overtones, overtones. Soft tone. Sharp tone. Cello, violin timbre. The vowel sounds of speech differ from each other in ... ... Explanatory Dictionary of Ushakov
timbre- a subjectively perceived feature of sound in the form of its color, associated with the simultaneous impact of different-frequency sound vibrations that make up a complex sound. Dictionary of practical psychologist. Moscow: AST, Harvest. S. Yu. Golovin. 1998.… … Great Psychological Encyclopedia
timbre- A definition commonly used in psychoacoustics. Timbre is an attribute of auditory sensation, in terms of which the listener can judge the extent to which two sounds, presented in a similar way and having the same loudness, differ. Technical Translator's Handbook
- (French timbre) ..1) in phonetics, the coloring of sound, determined by the position of the formants in the frequency spectrum of sound2)] In music, the quality of sound (its coloring), which makes it possible to distinguish sounds of the same height, performed on different instruments or different ... Big Encyclopedic Dictionary
TIMBRE- TEMBR. A qualitative characteristic or specific coloration of sound, in the physical sense, representing a certain combination of tones. T. is characteristic of musical sounds, for the sounds of human speech. Existing languages differ in T. like ... A new dictionary of methodological terms and concepts (theory and practice of teaching languages)
TIMBRE- timbre, sound quality that allows, at the same pitch, to distinguish the sounds of individual musical instruments, the sounds of the voices of different people, etc. The timbre is due to the presence of overtones in the composition of the sound and is determined by the relative intensity ... ... Big Medical Encyclopedia
Books
- A set of tables. Physics. mechanical waves. Acoustics (8 tables) , . Educational album of 8 sheets. Article - 5-8665-008. wave process. longitudinal waves. transverse waves. Periodic waves. Reflection of waves. standing waves. Sound waves. Sound pitch...
The timbre of the voice is the brightness of the sound, its individuality, transmitted during singing. The sound is determined by the fundamental tone and additional sounds, called overtones. The more overtones, the brighter and more colorful the voice will be. The natural amount of overtones combined with is the secret to a mesmerizing voice.
Voice timbre, types
The most pleasant timbre is considered to be a voice that has the correct modulation, both in high and low tones. In fact, any voice with the right approach can be placed. And that means giving it a professional sound. To do this, you need to learn to control the frequency of the voice, as well as the emotional coloring. This is easy to do with the help of a vocal specialist. To determine your own timbre, you need to know what voice timbres are in general. There are several main types:
- tenor. This is the highest male voice. It can be lyrical or dramatic.
- baritone;
- bass. The lowest timbre of the voice in comparison with the above. It is central or melodious.
- soprano. This is a very high pitched voice. There is a lyric soprano, dramatic and coloratura.
- mezzo-soprano;
- contralto. This is a low voice.
What does timbre depend on?
The fundamental factor in the formation of timbre is the vocal cords. It is almost impossible to find several people who are able to sing the same way. It is unlikely that you will be able to change your voice drastically. But if you turn to the teacher, then it is quite possible to improve its coloring.
How to determine the timbre of the voice?
Independently, without having certain knowledge and skills, it is almost impossible to determine the timbre. At home, you can only presumably attribute your voice to one or another type of timbre. The most accurate data can be obtained using specialized equipment - a spectrometer. It studies the outgoing sound, and then classifies it in the right direction. You can read more about spectrometers at the end of the article.
How to change the timbre of the voice
The timbre of the voice largely depends on the characteristics of the human body. Of great importance are the volume, shape of the trachea and oral resonator, as well as the tightness of the closure of the vocal cords. Therefore, it is not possible to radically change the sound of the voice.
However, you can give the timbre the desired color by adding low or high overtones and achieving their perfect balance. To do this, there are various exercises, for example, pronouncing the soft fricative "g".
The shape of the lips and the position of the tongue have a great influence on the timbre. You can experiment, for example, change the position of the jaw and talk with a fixed lower lip.
At the age of three, the model of a person's voice changes, he becomes more restrained. We diligently control the volume and intonation, tense the vocal cords, and as a result use only a small part of our capabilities. How to restore the natural voice,? Exercises and techniques will also help you with this. You can learn more about them by watching the video:
What affects the timbre of the voice?
- The first thing to note is smoking. The longer the experience of this addiction, the lower the timbre of the voice will be.
- Poor nutrition, chronic sleep deprivation. You need to understand that any mood, be it good or bad, affects the timbre of the voice.
- Hypothermia, cold. Everything is obvious here. You need to protect yourself from the cold, try not to drink ice-cold drinks and refuse ice cream.
- Growing up period. In adolescence, the timbre of the voice becomes coarser. Of course, this process cannot be changed.
Spectrometer and more
The device that is used to determine the timbre of the voice is called a spectrometer. His device includes a special-purpose microphone and a sound amplifier. During its operation, the sound is divided into components using electro-acoustic filters. The whole process is displayed on the instrument display. Then the device in certain formats explores the composition of speech sounding, since it is the speech format that has a direct impact on the recognition of voice sounding in singing. Most often, the recognition of the timbre of the voice by the device is carried out by the way the first three vowels are pronounced.
How to know your voice tone? It is best to sign up for several classes with a qualified specialist in the production of a singing voice. To determine the timbre, they use parameters such as tessitura endurance and some other features.
In order to determine the timbre of the voice, the vocal teacher selects works that have different tessitura. This allows you to determine which note pitch best suits a particular vocalist. Singing several pieces of music with different musical octaves, you can determine which of them is sung easily and comfortably, and which one has to be sung with vocal cord tension. Each person tends to take notes of a certain height. Only an experienced teacher will be able to correctly assess the range and timbre of each vocalist's voice by how he sings individual notes in a certain octave, and will name the main differences between a falsetto and a chest voice or a tenor from a baritone.
“The most difficult subjectively felt parameter is the timbre. With the definition of this term, difficulties arise comparable to the definition of the concept of “life”: everyone understands what it is, but science has been struggling with a scientific definition for several centuries.”
(I. Aldoshina)
In nature, we almost never encounter pure tones. The sound of any musical instrument is complex and consists of many frequency components - overtones.
Even with very complex sound vibrations, human hearing is able to recognize the pitch. However, at the same pitch, the sound of, for example, a violin differs by ear from the sound of a grand piano. This is due to the fact that, in addition to the height of the sound, the ear is also able to evaluate the “color” of the sound, i.e. his timbre.
The timbre of a sound is such a sound quality that, regardless of frequency and amplitude, makes it possible to distinguish one sound from another. The timbre of the sound depends on the overall spectral composition of the sound (i.e., on what overtones are present in it) and the ratio of the amplitudes of the spectral components (i.e., overtones):
overtones
The concept of timbre is closely related to the concept of pitch. The fact is that sound vibrations, as a rule, are complex.
For example, if we took the note “la” of the first octave on the violin (frequency 440 Hz), then the vibrations of this string will also contain multiple frequencies of 880, 1320, 1760, 2200 Hz, etc.
In this case, the amplitudes of these frequencies (overtones) can be different, i.e. the overtones will have different loudness.
German physicist Georg Ohm first suggested that a simple auditory sensation is caused by a simple sinusoidal oscillation ( such an oscillation is also called harmonic, it is important not to confuse harmonic oscillations, i.e. those described by the functions y=sin x, etc., and harmonic overtones, which are also harmonic vibrations, but their frequencies are also multiples of the fundamental frequency). As soon as the shape of the oscillation becomes more complicated, overtones appear - there is an impression of coloring the sound or its timbre.
An example of the occurrence of a complex oscillation by adding two simple (harmonic) oscillations.
Blue is the fundamental harmonic, pink is twice the frequency (overtone or first harmonic), and green is the resulting complex (non-harmonic) wave.
Ohm was able to establish that the ear perceives separate harmonic components of sound, and these components cause separate sensations. With some training, you can even mentally separate a complex periodic oscillation and determine which harmonics are present in the sound.
Thus, the human ear is able to perceive a complex form of sound vibrations as a color or timbre.
Harmonic overtones or harmonics
Overtones are either harmonic or non-harmonic.
The frequencies of harmonic overtones are multiples of the frequency of the fundamental (harmonic overtones, together with the fundamental, are also called harmonics):
In real physical situations (for example, during vibrations of a massive and rigid string), the overtone frequencies can noticeably deviate from values that are multiples of the fundamental frequency - such overtones are called non-harmonic.
Spectral composition and timbre
The amplitude-frequency ratio of all components of a complex vibration is called the sound spectrum, and the sounds corresponding to each frequency present in a complex vibration are called spectral components or components.
The set of spectral components determines the timbre of the sound. And since each spectral component is a sound of a certain height, it is not entirely correct to speak of timbre as a separate property of sound. However, it is the timbre of the sound (or rather, the spectrum) that is usually in the spotlight when it comes to sound processing technologies.
Examples of the spectral composition of musical sounds:
The timbre of the sound, i.e. the ratio of the amplitudes of its harmonics also affects the perceived pitch of a complex tone.
phantom frequencies
Sometimes a person can hear sounds in the low frequency region, although in reality there were no sounds of such a frequency. The brain perceives the pitch not only by its fundamental frequency, but also by the periodicity given by the ratio between the harmonics. We can perceive the same pitch (perhaps with a different timbre) even if the fundamental frequency is not heard (or lost) during playback. (Frequency signals of a complex spectrum without a fundamental frequency (the first harmonic in the spectrum) are called residual.)
For example, if a note (i.e. not a pure tone) has a pitch of 100 Hz, it will consist of frequency components that are integer multiples of that value (e.g. 100, 200, 300, 400, 500 .... Hz). However, small speakers may not be able to reproduce low frequencies, so the 100Hz component may not be present in playback. However, a frequency corresponding to the fundamental tone can be heard.
This effect was called the “Missed Fundamental Phenomenon” - an experiment in 1940 demonstrated that the pitch perception of a spectrally complex sound will not change if its fundamental frequency is removed, it will be completed by the brain based on the existing harmonics. It is used in audio equipment to extend the low frequency response when such frequencies cannot be adequately reproduced directly, such as headphones, mobile phones, low-end speakers (loudspeakers), etc.
Meaning of the word TEMBER in the Dictionary of Musical Terms
TIMBRE
(French timbre) - "color" or "character" of sound, the quality by which sounds of the same pitch differ and due to which the sound of one instrument or voice differs from another. timbre depends on the shape of the sound vibrations and is determined by the number and intensity of harmonics (partial tones).
Dictionary of musical terms. 2012
See also interpretations, synonyms, meanings of the word and what is TEMBR in Russian in dictionaries, encyclopedias and reference books:
- TIMBRE in Medical terms:
(French timbre) an individual feature of the voice, due to the addition of additional overtones to the main tone of the emitted ... - TIMBRE in the Big Encyclopedic Dictionary:
(French timbre) ..1) in phonetics - the color of sound, determined by the position of formants in the frequency spectrum of sound ... 2) In music - sound quality ... - TIMBRE in the Great Soviet Encyclopedia, TSB:
(French timbre), the quality of sound (its "color", "character"), which allows you to distinguish sounds of the same height performed on different instruments ... - TIMBRE in the Encyclopedic Dictionary of Brockhaus and Euphron:
in music, originating from the form of vibrations (see) - a peculiar, characteristic sonority of one or another instrument or human voice used for ... - TIMBRE in the Modern Encyclopedic Dictionary:
- TIMBRE
the color of a musical sound (instrumental or vocal), determined by a combination of factors: the material and shape of the sounding part of the instrument or the specifics of the vocal apparatus, resonator, ... - TIMBRE in the Encyclopedic Dictionary:
, a, m. The characteristic coloring of sound (for a musical instrument, voice), communicated to it by overtones, overtones. Beautiful t. voice. Timbre - pertaining to ... - TIMBRE in the Encyclopedic Dictionary:
[te], -a, m. The characteristic coloring of a sound (of a voice, an instrument), communicated to it by overtones, overtones. T. button accordion. Pleasant t. voices. II adj. … - TIMBRE in the Big Russian Encyclopedic Dictionary:
(French timbre), in phonetics - the color of the sound, determined by the position of the formants in the frequency spectrum of the sound. In music, the quality of sound (its ... - TIMBRE in the Encyclopedia of Brockhaus and Efron:
in music, originating from the form of vibrations (see)? a peculiar, characteristic sonority of one or another instrument or human voice used for ... - TIMBRE in the Full accentuated paradigm according to Zaliznyak:
those "mbr, those" mbr, those "mbr, those" mbr, those "mbr, those" mbr, those" mbr, those" mbr, those" mbr, those" mbr, those" mbr, ... - TIMBRE in the Dictionary of Linguistic Terms:
(French timbre). 1 (timbre). Sound quality, depending on the ratio in height and strength of the main tone with additional ones. 2… - TIMBRE in the Dictionary for solving and compiling scanwords:
"colour"... - TIMBRE in the New Dictionary of Foreign Words:
(fr. timbre) coloring or character of the sound of the voice, music. instrument, depending on which overtones accompany the main sound ... - TIMBRE in the Dictionary of Foreign Expressions:
[fr. timbre] coloring or character of the sound of the voice, muses. instrument, depending on which overtones accompany the main sound ... - TIMBRE in the dictionary of Synonyms of the Russian language.
- TIMBRE in the New explanatory and derivational dictionary of the Russian language Efremova:
m. The characteristic coloring of sound (voices or ... - TIMBRE in the Complete Spelling Dictionary of the Russian Language:
timbre... - TIMBRE in the Spelling Dictionary:
timbre... - TIMBRE in the Dictionary of the Russian Language Ozhegov:
the characteristic coloring of the sound (in the voice, the instrument), which is communicated to it by the overtones, overtones of the accordion accordion. Pleasant t... - TIMBRE in the Modern Explanatory Dictionary, TSB:
(French timbre), ..1) in phonetics - the color of sound, determined by the position of formants in the frequency spectrum of sound ... 2) In music - the quality of sound (its ... - TIMBRE in the Explanatory Dictionary of the Russian Language Ushakov:
(timbre), timbre, m. (fr. timbre). The characteristic coloring imparted to the sound of an instrument or voice by overtones, overtones. Soft tone. Sharp…
