Summary of the school curriculum in audio literature. All works of the school curriculum in a summary

M.:1999. - 616 p.

In this book you will find a summary and detailed analysis of all the works included in the school curriculum in literature, biographical information about the authors, abstracts of critical articles. The book is an indispensable assistant for schoolchildren and applicants during classes and when entering a university. The book will be very useful in preparing for the exam in literature, writing essays, as well as for general development. What is especially valuable in this book is that it contains brief biographical information about the authors (Born., Studied., What and when he wrote., Where and when he died.). Also in the book is given the theory of literature (kinds of literature, genres, currents, etc.).

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CONTENT
THEORY OF LITERATURE
Types of Literature 3
Epic genres 3
Lyric genres 4
Drama genres 5
Literary trends and currents 8
Classicism 9
Romanticism 10
Sentimentalism 13
Naturalism 14
Realism. . fifteen
Symbolism 17
Literary trends in Russia in the 19th-20th centuries.
Natural School 18
Acmeism 19
Futurism 19
Imagism 21
OBERIU (Association of real art). 21
Structure of a work of art
Artwork idea 22
The plot of a work of art 22
Artwork Composition 22
Poetics of a work of art, figures of speech 23
Features of poetic speech and versification
Stanza 25
Rhyme. 25
Foot 25
Disyllabic measures 25
Trisyllabic meter 26
"The Tale of Igor's Campaign, Igor Svyatoslavich, the grandson of Olegov"
Summary. 28
"The words..." . 29
M.V. LOMONOSOV
Brief biographical information. thirty
Ode "On the day of the accession to the throne of Elizabeth Petrovna",
1747 31
"Evening meditation on the majesty of God on occasion
great northern lights. 32
G. R. DERZHAVIN
Brief biographical information 33
The ideological and artistic content of od Derzhavin 33
"To Rulers and Judges" .34
I.A. KRYLOV
Brief biographical information 35
Quartet 35
"Swan, Pike and Cancer" .36
"Dragonfly and Ant" 37
"Crow and Fox" 38
V. A. ZHUKOVSKY
Brief biographical information 38
"Forest King" 39
"Svetlana" (excerpt) 40
A. S. GRIBOEDOV
Brief biographical information 42
"Woe from Wit"
Summary 43
I. A. Goncharov. "Million Torment" 55
A. S. PUSHKIN
Brief biographical information. 56
Prose
"Tales of Belkin"
Summary:
"Station Master" 58
"Young lady-peasant" .59
Ideological and artistic originality of Belkin's Tales 60
"Dubrovsky"
Summary.61

"Dubrovsky". 65
"Captain's daughter"
Summary 66
Ideological and artistic originality of the story
"The Captain's Daughter" 71
Dramaturgy
"Little Tragedies"
Summary:
"The Miserly Knight" 72
"Mozart and Salieri". 75
"Stone Guest" 78
"Feast in time of plague" 83
Ideological and artistic originality
"Little Tragedies" 85
Lyrics
Genres of Pushkin's lyrics 87
The theme of the poet and poetry in the work of Pushkin 88
Reflection of the ideas of "poetry of reality"
in Pushkin's lyrics (according to Belinsky) 93
The theme of love in the lyrics of Pushkin 94
Philosophical lyrics 96
"Eugene Onegin"
Summary 97
Ideological and artistic originality of the novel in verse
"Eugene Onegin" . 111
Belinsky on Pushkin's novel (Articles 8 and 9) 112
Author's digressions and the image of the author in the novel
"Eugene Onegin" 116
M. Yu. LERMONTOV
Brief biographical information 126
"Hero of our time"
Summary 127
V. G. Belinsky about the novel "A Hero of Our Time" 137
Ideological and artistic originality of the novel
"Hero of Our Time" 139
“A song about Tsar Ivan Vasilyevich, a young guardsman and a daring merchant Kalashnikov ...”
Summary 140
Ideological and artistic originality of "Songs ..." .141
Belinsky about "The Song...". 142
"Mtsyri"
Summary 142
. 144
Belinsky about the poem "Mtsyri" 144
The main motives in the lyrics of Lermontov 145
N.V. GOGOL
Brief biographical information.155
"Inspector"
Summary 156
Ideological and artistic originality of the comedy "The Government Inspector". . 163
"Overcoat"
Summary 166
Ideological and artistic originality of the story "The Overcoat". . 168
"Dead Souls"
Summary 168
The ideological and artistic originality of the poem
Dead Souls 183
About the second volume of "Dead Souls" 185
I. S. TURGENEV
Brief biographical information 186
"Fathers and Sons"
Summary 186
D. I. Pisarev. Bazarov 200
Ideological and artistic originality of the novel
"Fathers and Sons" 204
N. A. Nekrasov
Brief biographical information 206
"Who in Russia to live well"
Summary 207
The ideological and artistic originality of the poem
“Who in Russia should live well” 236
Lyrics
Periodization of creativity 237
"Yesterday at one o'clock at six..." 238
"Reflections at the front door" 238
"In memory of Dobrolyubov". 241
"Elegy" 242
A.N.OSTROVSKY
Brief biographical information 243
"Thunderstorm"
Summary 243
Ideological and artistic originality of the drama "Thunderstorm" 252
A. I. GONCHAROV
Brief biographical information. 256
"Oblomov"
Summary 257
N. A. Dobrolyubov. "What is Oblomovism?" 274
F.I.TYUTCHEV
Brief biographical information 278
"Spring Thunderstorm" 279
"Spring Waters" 279
"There is in the autumn of the original ..." 280
“Russia cannot be understood with the mind...” 280
"When decrepit forces..." 280
A.A. FET
Brief biographical information 281
"I came to you with greetings..." 282
"Whisper, timid breath...". . 282
A. K. TOLSTOY
Brief biographical information 283
"My bells..." 284
"In the midst of a noisy ball, by chance..." 284
From the works of Kozma Prutkov. "From Heine" 285
M.E. SALTYKOV-SHCHEDRIN
Brief biographical information 285
"Gentlemen Golovlevs"
Summary 286
Ideological and artistic originality of the novel
"Gentlemen Golovlevs" 293
Fairy tales
Summary:
"The story of how one man of two generals
fed." 294
"Wise scribbler" 295
Ideological and artistic originality
Tales of Saltykov-Shchedrin 296
F.M.DOSTOYEVSKY
Brief biographical information 297
"White Nights"
Required information 298
Summary 299
Ideological and artistic originality of the story 300
"Crime and Punishment"
Required information 300
Summary 300
Ideological and artistic originality of the novel 317
L.N.TOLSTOY
Brief biographical information ..... 319
"War and Peace"
Summary 320
Ideological and artistic originality of the epic novel
"War and Peace" 416
"War and Peace" as an Artistic Whole 416
"People's Thought". . 416
"Family Thought" 420
Female images in the novel 422
Spiritual quest of Tolstoy's heroes (Andrey Bolkonsky
and Pierre Bezukhov) 424
"War and Peace" - epic novel (genre originality) 426
"Dialectics of the soul" (features of psychologism
Tolstoy) 427
"After the ball"
Summary. 428
Ideological and artistic originality of the story 429
A. P. CHEKHOV
Brief biographical information 430
"Ward number 6"
Summary 430
Ideological and artistic originality of the story 435
"Ionych"
Summary 436
Ideological and artistic originality of the story 438
"The Cherry Orchard"
Summary. 438
Ideological and artistic originality of the play 443
A.M. GORKY
Brief biographical information 445
"Old Isergil"
Summary 447
Ideological and artistic originality 450
"Chel Kash"
Summary 450
Ideological and artistic originality" 453
"Song of the Petrel" 453
"Song of the Falcon" 454
The ideological and artistic originality of "Songs
about the Petrel" and "Songs about the Falcon" 456
"At the bottom"
Summary 457
Ideological and artistic originality of the song "At the bottom" 464
A.I. KUPRIN
Brief biographical information 465
"Duel"
Summary 465
Ideological and artistic originality of the story 473
I. A. Bunin
Brief biographical information 474
stories
Summary:
"Antonov apples" 476
Lirnik Rodion 477
"Chang's Dreams". 478
Sukhodol 479
The originality of realism I. A. Bunina, I. A. Bunin
and A.P. Chekhov. 481
Genres and styles of works by I. A. Bunin; 482
"Eternal themes" in the work of I. A. Bunin 482
Works of I. A. Bunin about the village. Problem
national character, 483
"Cursed Days"
Ideological and artistic originality 484
L.N. ANDREEV
Brief biographical information 484
Stories Summary:
"Bargamot and Garaska". . 485
"Petka in the country" 486
Grand Slam 486
"The Story of Sergei Petrovich" 487
The theme of loneliness in the stories of L. Andreev 488
"Judas Iscariot"
Summary 489
Ideological and artistic, venous originality of the story
"Judas Iscariot" 491
S. A. ESENIN
Brief biographical information 492
"Anna Snegina"
Summary 492
Ideological and artistic originality of the poem. . 49 7
Lyrics
"Mother's letter" 498
"Uncomfortable liquid moonlight..." 499
“The feather grass is sleeping. Expensive plain...” 501
A. A. BLOCK
Brief biographical information.....; 502
Lyrics
"Factory" 502
"Stranger" 503
"Russia" 505
"On the railway" * . . . . 506
"Twelve"
Summary 508
Ideological and artistic originality of the poem 512
V. V. MAYAKOVSKY
Brief biographical information 514
Lyrics
Satire in the lyrics of V. V. Mayakovsky 515
The theme of the poet and poetry in the work of V. V. Mayakovsky 516
"Out loud" 518
"Good!"
Summary 524
Ideological and artistic originality of the poem 533
"Silver Age" of Russian poetry
Symbolists
K. D. BALMONT
Brief biographical information 534
"Fantasy" 535
"I dreamed of catching the departing shadows..." 536
"Reeds". 536
V.Ya.BRUSOV
Brief biographical information 537
"To the young poet" 538
"Creativity" "538
"Shadows" 539
ANDREY BELY
Brief biographical information 539
"On the mountains". 540
Futurists
V. V. MAYAKOVSKY
"Could you?" 541
"Violin and a little nervous" 542
V. V. KHLEBNIKOV
Brief biographical information 543
"Freedom comes naked..." 544
"Don't be naughty!" . 544
IGOR SEVERYANIN
Brief biographical information .... ". 545
"It was by the sea" 546
"Overture". 546
"Igor Severyanin". . 546
"Classic Roses". . . 547
Acmeists
N. S. GUMILEV
Brief biographical information. 547
"Giraffe" 548
"Worker" 549
O. E. MANDELSHTAM
Brief biographical information 550
"I was given a body - what should I do with it..." 551
"The cloudy air is damp and booming..." 551
"Bread is poisoned and the air is drunk...", 552
"Leningrad". 553
"We'll sit in the kitchen with you..." 553
"I'll tell you with the last..." 553
"For the explosive valor of the coming centuries..." 554
“Armed with the vision of narrow os...” 554
“We live without feeling the country under us...” 555
A. A. AKHMATOVA
Brief biographical information 555
"I have learned to live simply, wisely...". . . 556
“I had a voice. He called consolingly...» .556
"Twenty first. Night. Monday..." 557
From "Requiem" * 557
B.L. PASTERNAK
Brief biographical information. . 561
"February. Get ink and cry ... ". 562
"Winter Night" 562
“In everything I want to reach ...” 563
M. A. SHOLOHOV
Brief biographical information 564
"Virgin Soil Upturned"
Summary. 565
Ideological and artistic originality of the novel 597

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The book offered to the reader's attention contains a summary of the literary works of domestic and foreign authors studied in the 11th grade. The publication will be useful not only for schoolchildren, but also for applicants, students of higher educational institutions, since, in addition to presenting the content of the works, the book includes biographical information about the authors and a critical analysis of texts based on well-known researchers.

The publication includes a summary of the works of literature studied in the final 11th grade of secondary schools, lyceums and gymnasiums. The presentation of the texts of the works is preceded by brief biographies of the authors. The program of the 11th grade is based mainly on the literature of the 20th century. The previous 19th century is called the golden age of Russian literature. The first decades of the 20th century were marked by the flourishing of Russian poetry and are named by analogy the Silver Age. The Silver Age of Russian literature entered the history of not only domestic, but also world culture as an era of searching for new poetic forms, genres, and trends. The poetry of the Silver Age gave the world such outstanding masters of the poetic word as A. Akhmatova, N. Gumilyov, S. Yesenin, V. Mayakovsky, I. Bunin, A. Blok, M. Tsvetaeva and others.

CONTENT
Russian literature
I. A. Bunin 5
"Christ is risen! Again with the dawn ... "6
Night 7
Loneliness 8
Dog 9
Song 10
The last shemale 11
By evening 11
Scarecrow 12
Circe 12
The gentleman from San Francisco 14
Clean Monday 18
A. I. Kuprin 21
Garnet bracelet 22
Duel 30
M. Gorky 37
At the bottom 39
Z. N. Gippius 50
Limit.51
Earth 52
About Faith 53
December 14, 1918 54
All she 55
Young age 55
Wisdom 56
Book inscription 59
V. Ya. Bryusov 60
Creativity 61
Young poet 61
To the portrait of M.Yu.
Lermontova 62
Bricklayer 62
Dagger 62
Coming Huns 63
To the Bronze Horseman 63
In my country 64
mother tongue 64
son of earth 65
Poet 65
Circles on the water 66
K. D. Balmont 69
"I am the sophistication of Russian slow speech..." 70
In different languages 71
Air Temple 71
Intermittent rustle 73
Voicelessness 73
Hush, hush 75
Snowflake 76
A. Bely 77
Motherland 78
In fields 79
Despair 80
From the window of car 81
Friends 81
Night 82
My friend 83
You are the shadow of shadows 84
City 85
A. A. Blok 87
"I enter dark temples..." 88
Scythians 88
Twelve 89
N. S. Gumilev 95
Giraffe 96
Lake Chad 97
Old Conquistador 97
Cycle "Captains" 98
Magic violin (From the book "Pearls") 99
In the library 100
Working 100
Lost tram 101
Marquis de Carabas.... 101
"I don't have flowers..." 103
Don Juan 103
"I didn't live, I languished..." 104
Me and you 105
A. A. Akhmatova 107
“She squeezed her hands under a dark veil ...” (From the collection “Evening”) 107
Song of the last meeting (From the collection "Evening") 108
“Before spring there are such days...” (From the collection “The White Flock”) 108
“I had a voice. He called consolingly...” (From the collection “The White Flock”) 109
Tear-stained autumn, like a widow...” (From the book “Anno domini”) 109
“I am not with those who left the earth...” (From the book “Anno domini”) 110
“I don’t need odic ratis ...” (From the book “Secrets of the Craft”) 110
Muse (From "The Seventh Book").. 111
Courage (From the Seventh Book). .111
Seaside Sonnet (From Book Seven) 111
"Native Land" (From "The Seventh Book") 112
Requiem 112
O. E. Mandelstam 124
"Ice cream!" The sun. Air biscuit...» 125
Old Crimea 125
"We live without smelling the country under us..." 126
"Golden honey flowed from a bottle, .." 127
"Once upon a time Alexander Gertsevich..." 127
"The apartment is quiet as paper..." 128
"For the explosive valor of the coming centuries..." 129
I. Severyanin 131
Kenzel (From the collection "The Thundering Cup")132
Overture (From the collection "Pineapples in Champagne") 132
Akhmatova (From the collection "Medallions") 132
B. V. Mayakovsky 134
Nate! 134
Giveaway.. 135
Flute spine... 135
Sergei Yesenin 137
Jubilee 139
Cloud in pants 141
Conversation with the financial inspector about poetry 147
Letter to Tatyana Yakovleva 148
B. L. Pasternak 149
"February. Get ink and cry!..” 153
Marburg 154
Hamlet 155
“In everything I want to reach ...” 155
Winter night 156
Doctor Zhivago 158
N. A. Klyuev 172
"You promised us gardens..." 172
Christmas hut 173
"I am an initiate from the people..." 173
“I called the silence deafness ...” 174
"There is bitter sandy loam, deaf black earth..." 174
"From the icon of Boris and Gleb..." 175
"When the lindens crumble..." 176
S. A. Yesenin 178
“The road thought about the red evening ...” 179
“Hewn drogs sang...” 179
Pushkin 180
“The feather grass is sleeping. Expensive plain...» 180
"Do not wander, do not crush in the crimson bushes ..." 181
“We are now leaving little by little...” 182
“Shagane you are mine, Shagane!..” (From the cycle “Persian motives”) 182
“Winter sings - calls out ...” 183
"The fields are compressed, the groves are bare..." 184
"I am the last poet of the village..." 184
"I'm tired of living in my native land..." 185
Song of the dog 186
"Yes! Now it's decided. No return..." 186
Russia 187
Anna Onegin 189
M. I. Tsvetaeva 196
"Come, you look like me..." 196
"I like that you are not sick with me..." 197
Poems for Blok 198
“In Moscow, the domes are burning...” (From the cycle “Poems about Moscow”) 198
"White sun and low, low clouds..." 199
"Opened the veins: unstoppable..." 199
I. E. Babel 202
Cavalry 203
A. A. Fadeev 217
Defeat 217
I. S. Shmelev 227
Sun of the Dead 227
A. T. Averchenko 246
A dozen knives in the back of the revolution 247
Taffy 260
Nostalgia 260
A. N. Tolstoy 263
Peter the Great 264
Yu. N. Tynyanov 285
Death of Vazir-Mukhtar 286
M. A. Bulgakov 290
White Guard 290
Master and Margarita 299
A. P. Platonov 329
Pit 330
Intimate Man 336
M. A. Sholokhov 339
Quiet Don 340
E. L. Schwartz 375
Dragon 376
B. V. Bykov 386
Obelisk 388
K. D. Vorobyov 397
Killed near Moscow 398
V. P. Nekrasov 419
In the trenches of Stalingrad 420
B. L. Vasiliev 426
And the dawns here are quiet 427
B. A. Akhmadulina 435
Candle 436
The ancient style attracts me...” 436
Twilight at 437
Poems wonderful theater...» 439
As never before, carefree and kind...” 439
Tarusa 440
Not white-hot ... "441
R. I. Rozhdestvensky 441
Range 442
Quietly flying web threads 442
“I walked on the ground, it was chilly in my soul and around...” 443
Maybe I'm lucky after all..." 443
This knight is poor...” 444
A. A. Voznesensky 445
Fire at the Architectural Institute 445
Refugee 446
Feeling 447
The last seven words of Christ. Chapter 1 448
Creepy krayzis super old. Chapter 3 448
E. A. Evtushenko 449
There are no uninteresting people in the world...” 450
White snows are coming...» .. 450
I'm lying on the damp earth..." 452
This is what is happening to me…” 453
Long screams 454
Somehow ashamed of belles-lettres...” 455
N. M. Rubtsov 458
Field Star 458
Russian light 459
In the upper room 460
During a thunderstorm 461
I will gallop over the hills of my dormant homeland...” 461
Autumn song 462
A. T. Tvardovsky 465
Even until the last hour of reckoning...” 465
And they bloom - and it's scary..." 466
“The wind, or something, blew ...” 466
Two lines 467
"Thank you, my dear..."468
To my critics 468
"I am full of undeniable faith..." 469
About existence 469
"The whole essence is in one single testament..." 470
"I know, no fault of mine..." 470
“I myself will find out, I will find out ...” 470
By right of memory 471
D. S. Samoilov 476
From childhood 477
"Total goodbyes! With friends...» 477
“I read poetry by Sokolov...” 478
"Poetry must be strange..." 478
Forties 478
Names of winters 480
Yu. V. Drunina 481
“I only saw melee once...” 482
"Kissed..." 482
You are near 482
"We love our..." 483
"Don't date..." 483
"Deserved rest" 484
"Alive in the soul..." 484
Zinka 485
K. M. Simonov 487
Motherland 488
"Do you remember, Alyosha, the roads of the Smolensk region..." 489
“If God us with his might...” 492
Yu. V. Trifonov 494
Exchange 495
V. P. Astafiev 501
Sad Detective 501
Yu. V. Bondarev 512
Battalions ask for fire 513
V. G. Rasputin 519
Farewell to Matera 520
A. V. Vampilov 1 526
Duck hunting 527
V. V. Nabokov 532
Other shores 533
A. I. Solzhenitsyn 539
One day of Ivan Denisovich 541
B. T. Shalamov 549
For show 550
Maxim 551
V. S. Vysotsky 554
Silver strings 555
Mass graves 555
About Genie 556
Wolf hunting 557
I don't love 558
We spin the earth 559
Picky horses 560
Ballad of love 561
A song about nothing, or what happened in Africa 563
Morning exercises 564
Lukomorye 565
B. Sh. Okudzhava 568
Goodbye boys 569
"The past cannot be brought back..." 570
Arbat courtyard 571
Georgian song 571
Song about Arbat 572
Midnight trolleybus 573
I. A. Brodsky 575
From Martial 576
Autumn Hawk Cry 578
"You will ride in the darkness over the endless cold hills .." 581
Foreign literature
B. Show 587
Pygmalion 587
E. Hemingway 596
The old man and the sea 596
B. Brecht 603
Mother Courage and her children 604

M.:1999. - 616 p.

Format: pdf

The size: 9 MB

Watch, download:drive.google

E. V. Panteleeva, S. N. Berdyshev

All works of the school curriculum in literature in a summary. 5-11 grade

Ivan Andreevich Krylov

Literary analysis

The fable genre originated in the deep past. Such great masters of the word as Aesop, Phaedrus, Lafontaine showed themselves in this genre.

I. A. Krylov drew inspiration for his fables from their immortal creations, giving new life to works from the deep past, bringing them closer to the realities of contemporary reality. At the same time, among the works of the fabulist, there are relatively few with an abstract plot.

In most cases, the reader, when getting acquainted with the next creation of Krylov, plunged into the environment of the language, images and historical parallels inherent in Russian national culture.

The fabulist paid great attention to issues of morality and moral perfection, as well as the justice of the existing social order. These searches are reflected in many of Krylov's works. Thanks to the deep creative work on the fable tradition, the author managed to create new, original fable plots and bring more accuracy and truthfulness to the classic plots.

A large group of his fables are those that are devoted to the social structure or in any other way relate to the political life of Russia. As a rule, they denounce the vices of the mighty of this world, the arbitrariness of power is revealed wherever it takes place, and the bureaucracy of officials is scourged. In fables of this kind, the relations between the “tops” and the “bottoms” emerge in detail. This group includes such now well-known works as "The Wolf and the Lamb", "The Horse and the Rider", "The Peasant and the River", "The Fish Dance", "The Nobleman", "The Frogs Asking for the Tsar", etc.

In some fables, the writer expressed his views on the rational structure of the world, in which each class knows its place and performs its direct duties (“Leaves and Roots”, “Spike”). Along the way, in the fables of this direction, Krylov mercilessly ridiculed such vices as nepotism (“Council of Mice”), bribery (“Fox and Marmot”), preached the implementation of socially useful activities (“Eagle and Bee”).

As a person who grew up on the ideas of the Catherine era, Krylov often raised the problems of education in fables of a social orientation (“Pig under an oak tree”, “Casket”, “Gardener and Philosopher”, etc.).

The most famous are Krylov's moralizing fables, which are distinguished by their free style and transparency of the storyline. In these works, the author reflects on human nature and exposes such human vices and shortcomings as greed, laziness, susceptibility to flattery, carelessness, and many others (“Monkey and Glasses”, “Dragonfly and Ant”, etc.).

A special place in the work of Krylov is occupied by historical fables, primarily the cycle dedicated to the Patriotic War of 1812. One of the most famous fables of this cycle is "The Wolf in the Kennel". It is known that M. I. Kutuzov read it aloud to his soldiers, who, at the phrase “you are gray, and I, buddy, am gray,” took off his headdress, exposing his gray hair.

There were among the historical fables and sharply satirical, criticizing the situation in foreign policy ("Swan, Pike and Cancer").

Krylov's fables are loved because their language is lively, juicy, rich, close to the folk. The images coming out from the writer's pen are invariably bright and truthful. Most often, these are animals that are borrowed from Russian fairy tales, which makes the fables even more fascinating.

From folklore, Krylov also borrowed the tradition of endowing this or that animal with any one human trait. This technique makes the writer's works even more attractive. In these fables, the fox is invariably a cheat, the wolf is a bloodthirsty villain, the bear is an ignoramus, the donkey is a fool, etc. The dynamic development of the action and the liveliness of the style enhance the impact of the fable on the reader, put the work above the classical traditions of the genre. “Krylov's fables are a story, a comedy, a humorous essay, an evil satire, in a word, whatever you want, but not just a fable” (V. G. Belinsky).

Alexander Sergeevich Griboyedov (1795–1829)

"Woe from Wit"

(Comedy in four acts in verse)

retelling

Main actors:

Pavel Afanasyevich Famusov, manager in a public place.

Sofia Pavlovna, his daughter.

Lisa, maid.

Alexei Stepanovich Molchalin, Famusov's secretary, who lives in his house.

Alexander Andreevich Chatsky.

Skalozub Sergey Sergeevich, Colonel.

Gorichi:

Natalya Dmitrievna, a young lady.

Platon Mikhailovich, her husband.

Prince Tugoukhovsky and

Princess, his wife, with six daughters.

Hummins:

Countess grandmother, Countess granddaughter.

Anton Antonovich Zagoretsky.

Old woman Khlestova, sister-in-law of Famusov.

Repetilov.

Parsley and several talking servants.

Many guests of all sorts and their lackeys at the departure.

Waiters Famusova.

(Action in Moscow, in Famusov's house.)

Act I

Living room, morning. In front of Sophia's bedroom door, Lisa is sleeping. Wakes up, tries to get through to the hostess to tell her that it's time for her guest to leave. Moves the hands on the clock so that the clock starts to strike. Famusov enters, flirts with Lisa, she jokingly rejects his advances. Sophia calls Lisa, Famusov leaves. Liza: "Bypass us more than all sorrows and master's anger, and master's love."

In Sofia Molchalin's bedroom, Liza hurries him to leave. Sofia: "Happy hours are not observed." Famusov enters, he is surprised by the presence of Molchalin. Molchalin says that he has just entered. Famusov is angry at French novels, customs and fashion to invite various teachers for young ladies, which does not lead to anything good.

Sophia tells her dream: she was looking for some grass in the meadow, met a nice person, then ended up in a dark room, the floor opened up, her father appeared from there in a terrible form, and the monsters separated her from her beloved and began to torment.

Molchalin says that he has a question about the papers, leaves with Famusov.

Chatsky arrived, they grew up with Sofia in childhood, he traveled for the last three years. Chatsky recalls his early years and common acquaintances, ironically over the peculiarities of each. Chatsky: “When we wander, we return home, and the smoke of the fatherland is sweet and pleasant for us.” Sophia does not like how Chatsky speaks of others.

Chatsky talks with Famusov, he is delighted with how prettier Sofia has become, and says that he is going home to change clothes, and then he will return to tell Famusov the details of his trip. Famusov is confused, he wonders who he should be more afraid of as his daughter's fiancé - Molchalin or Chatsky.

Act II

Famusov dictates upcoming visits to his servant Petrushka, so that he enters them into the calendar. Chatsky enters. Inquire about Sophia's health. Famusov is interested in whether Chatsky is aiming for suitors. Chatsky is interested in Famusov's opinion on this matter. Famusov is unhappy that Chatsky does not want to deal with the public service and take an example from his elders. He gives an example - his uncle, having awkwardly fallen and hit his head in front of the entire retinue of Empress Catherine, repeated the fall a couple of times already deliberately, trying to get up to cause the empress to laugh, for which he was awarded and highly promoted. Chatsky is disgusted by such behavior. Famusov is so dumbfounded by his remark that he barely hears the report of the servant about the arrival of Colonel Skalozub. Famusov asks Chatsky to keep quiet in the presence of Skalozub. Chatsky wonders if the colonel is Sophia's fiancé. In a secular conversation with Skalozub, Famusov presents Chatsky as an intelligent young man who, unfortunately, wastes his talent aimlessly, for which the world condemns him. In response, Chatsky utters a monologue “And who are the judges?”, Exposing the vices of society. Famusov leaves for the office, afraid to participate in a further dispute. But Skalozub did not understand anything from Chatsky's words, he decided that Chatsky was criticizing those who bowed to the guards uniform, when the uniform was no worse in the First Army.

Sophia runs in in great excitement, reports that Molchalin fell from his horse and was killed, she faints. Skalozub hurries to help Molchalin. Chatsky helps Sophia wake up from fainting. Suspects that Sofia loves Molchalin. Realizing that Sophia is not happy with him, she leaves. Molchalin only slightly bruised his hand. In private, he asks Sofia not to show her feelings so much, because "evil tongues are worse than a gun." Sophia leaves, deciding to flirt with Chatsky in order to divert attention from her affair with Molchalin. Molchalin flirts with Liza, promising her generous gifts for love.

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