Beloved edge! Dreaming of the heart
Stacks of the sun in the waters of the womb.
I would like to get lost
In the greens of your bells.
Along the border, at the crossroads,
Reseda and riza porridge.
And call the rosary
Willows are meek nuns.
The swamp smokes with a cloud,
Burn in the heavenly yoke.
With a quiet secret for someone
I kept my thoughts in my heart.
I meet everything, I accept everything,
Glad and happy to take out the soul.
I came to this earth
To leave her soon.
- 1914.
- - What is unusual about the love that the hero of this poem feels for his homeland?
The beginning of the poem with its joyful confession (“Beloved Land!”), Abundant solemn metaphorism (“stacks of the sun”, “in the greenery of your hoary”), a pronounced desire to merge with beloved nature (“I would like to get lost ...”) is natural and simple speaks of love for the motherland; there are many such revelations in Russian poetry. However, already in such a beginning - a special, Yesenin sounding of the word, song, sincerity and sincerity of intonation.
Early Yesenin is distinguished by the assimilation of nature to religious concepts and church attributes: “the riza of porridge”, “and Ivy is called into the rosary - meek nuns” The riza is the priest’s vestments during worship, the rosary is a string of beads for counting prayers and bows. The abundance of religious images in early Yesenin can be explained primarily biographically: his grandfather was an Old Believer teacher; in his native Konstantinov, in the childhood home, “blind people wandering around the villages often gathered to sing spiritual poems,” as Yesenin himself recalled; his grandmother took him to the monasteries. ... From 1909 to 1912, Yesenin was educated at a teacher's school in the village of Spas-Klepiki, where the main subjects were the law of God and the Church Slavonic language. Perhaps, in part, this is why Russia in Yesenin's early poems is devout, humble. “Humble monk”, “wanderer” - this is how Yesenin’s lyrical hero often appears at this time. Wanderers once told young Yesenin a lot of interesting things, and it was not by chance that he had a desire to see other lands, other people. The passionate thirst for something new, the search for truth made the habitual and somewhat inert conditions of the countryside cramped, the originality of nature demanded new impressions, testing oneself in an unusual environment. Yesenin's fate is to escape from the village and constantly return to it, yearn for her, for her home, for her relatives. It is interesting that this impulse to another land, wandering, coincided with the poetic idea of Russian symbolism about another world, about rejection from the external, inert world.
The homeland that he loved, that he left and returned to, that Yesenin remembered, often appears as native nature. Using religious images in his poetry, Yesenin "deified" nature, discovered in it a hidden spiritual meaning. It is no coincidence that he titled his only pre-revolutionary poetry collection of 1916 "Radunitsa" - this is the name of the day of commemoration of the dead in the first post-Easter week. Ideas about the eternal life of nature and man, about the transience of earthly life also underlie the poem we have cited. His final conclusion seems, at first glance, unexpected, unjustified by the whole previous joyful and touching picture of his native nature: if everything around is so good, then why leave it all? However, from the very beginning of Yesenin's poetic work, the joy of accepting earthly beauty is inseparable from him with a keen sense of sadness, longing, and a premonition of the brevity of his life path. Much, too much "heart" in his attitude to his homeland: "the heart dreams", "I hid my thoughts in my heart." Russian male fate is a restless lot; openness, some kind of sweeping feeling, daring (for joy he is ready to “take out his soul”) are fraught with tragedy. And apparently, it is no coincidence that love for the motherland awakens in the heart the thought of "leaving it as soon as possible."
At the beginning of his literary career, Yesenin spoke with poetry, dressed in an extremely elegant suit. According to the memoirs of Mikhail Babenchikov, “Yesenin himself felt the deliberate“ exotic ”of his kind
and, wanting to hide his embarrassment from me, he cockily threw: “What, I don’t look like a peasant?” Nevertheless, it was in such an "unnatural" attire that he won the fame of a "peasant poet" and conquered Petrograd.
This happened in an era when the theme of the village practically left poetry: after the abolition of serfdom, poets began to live less in the villages and know less about peasant life. The image of the peasant began to become mythologized: a new, religious truth was expected from a native of the village. On the wave of these expectations, Rasputin appeared in the public life of Russia, and in the literary life - first Nikolai Klyuev, and then Yesenin.
“He, on the one hand, was this very Russian peasant who carried the religious truth. On the other hand, Yesenin spoke symbolist language, because he had lived in Moscow before that, which he did not tell anyone in Petrograd, and had mastered modernist poetry. This is what created his popularity: speaking the modernist language, using sophisticated modernist metaphors, a person with a peasant or pseudo-peasant consciousness.
Oleg Lekmanov
Consider Yesenin's 1914 poem:
Beloved edge! Dreaming of the heart
Stacks of the sun in the waters of the womb.
I would like to get lost
In the greens of your bells.Along the boundary line
Reseda and riza porridge.
And call the rosary
Willows, meek nuns.The swamp smokes with a cloud,
Burn in the heavenly yoke.
With a quiet secret for someone
I kept my thoughts in my heart.I meet everything, I accept everything,
Glad and happy to take out the soul.
I came to this earth
To leave her soon.
Reading the first stanza, the city reader, on the one hand, understands everything, and on the other hand, experiences a slight discomfort, which Yesenin is counting on. For example, the word "green" is both unfamiliar and intuitive at the same time. The second feature of Yesenin's fine work is unobtrusive religious inclusions. The greens are "hundred-belled", that is, they resemble church bell towers.
"Next more directly: And they call the rosary / Willows, meek nuns. Trees become nuns. The space surrounding the poet - the forest, the field - becomes the focus of religious life, which is known to him. He distinguishes nuns in the willows, but you city readers (this is not said, but apparently implied) do not distinguish.
Oleg Lekmanov
While the lines With a quiet secret for someone / I hid thoughts in my heart absolutely modernist: they could easily be found in Alexander Blok or Andrei Bely. In the last lines there is a projection of one's own fate on the fate of Christ, but without the tragedy inherent in modernists.
Yesenin's work with drafts shows that initially religious metaphors were more explicit in these verses, but then the poet smoothed them out. What for?
“So that this religious pantheism, with which all of his early poems are full, is assimilated by the reader without tension, not as moralizing, but as a revelation of the new Ivan Tsarevich, who has a riddle that all of you have yet to solve.”
Oleg Lekmanov
"Lovely land!..."
Beloved edge! Dreaming of the heart
Stacks of the sun in the waters of the womb.
I would like to get lost
In the greens of your bells.
Along the border, at the crossroads,
Reseda and riza porridge.
And call the rosary
Willows are meek nuns.
The swamp smokes with a cloud,
Burn in the heavenly yoke.
With a quiet secret for someone
I kept my thoughts in my heart.
I meet everything, I accept everything,
Glad and happy to take out the soul.
I came to this earth
To leave her soon.
"Goy you, Russia, ..."
Goy you, Russia, my dear,
Huts - in the robes of the image ...
See no end and edge -
Only blue sucks eyes.
Like a wandering pilgrim,
I watch your fields.
And at the low outskirts
The poplars are languishing.
Smells like apple and honey
In the churches, your meek Savior.
And buzzes behind the bark
There is a cheerful dance in the meadows.
I'll run along the wrinkled stitch
To the freedom of the green lekh,
Meet me like earrings
A girlish laugh will ring out.
If the holy army shouts:
"Throw Russia, live in paradise!"
I will say: "There is no need for paradise,
Give me my country."
"Golden foliage spun..."
Golden foliage swirled
In the pinkish water of the pond
Like a light flock of butterflies
With fading flies to the star.
I'm in love with this evening
The yellowing dol is close to the heart.
Youth-wind up to the shoulders
Headed on a birch hem.
And in the soul and in the valley coolness,
Blue dusk like a flock of sheep
Behind the gate of the silent garden
The bell will ring and freeze.
I've never been thrifty
So did not listen to rational flesh,
It would be nice, like willow branches,
To tip over into the pink waters.
It would be nice, on a haystack smiling,
Muzzle of the month to chew hay ...
Where are you, where are you, my quiet joy,
Loving everything, wanting nothing?
Other articles in the literary diary:
- 24.10.2012. ***
- 10.10.2012. Yesenin S. A.
The poem "Beloved land! The heart is dreaming ... ". Perception, interpretation, evaluation
The poem "Beloved land! The heart dreams…” was written by S.A. Yesenin in 1914. The main theme of the work is the theme of the Motherland. We can attribute it to landscape and patriotic lyrics, with an element of philosophical reflection on one's own existence.
Compositionally, in the poem, we can distinguish two conditional parts. The first part includes the first three stanzas. Here we see a simple but dear rural landscape:
Beloved edge! The heart dreams of Stacks of the sun in the waters of the womb.
I would like to get lost In the greenery of your callous.
The lyrical hero here confesses his love for his native land, his image becomes clear in the eyes of the reader. This is a young man, quiet and modest, sensitive and kind, poetic, loving his homeland, nature, village:
With a quiet secret for someone I harbored thoughts in my heart.
The poet here uses the method of personification: willows - "meek nuns" "call the rosary", the swamp "smokes with a cloud".
The second part is the hero's thought about transient earthly happiness. It is present in the last stanza:
I meet everything, I accept everything,
Glad and happy to take out the soul.
I came to this earth
To leave her soon.
The first two lines are border lines. They seem to sum up the pictures of modest and beautiful nature and the peaceful feelings of the lyrical hero. And the last lines, which represent the second part of the poem, sound a little dissonant here.
The poem is among Yesenin's best works about Russian nature and homeland - the poems "The bird cherry tree throws snow", "In the land where the yellow nettle ...", "I am here again, in my own family", "The road thought about the red evening ...".
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Analysis of Yesenin's poem “Beloved Land! Dreaming of the heart"
It is generally accepted that the beginning of the literary activity of Sergei Yesenin is 1914, when his first poems were published in the Mirok magazine. However, by this time, the 19-year-old author is already a well-established and mature poet who clearly knows that his work is inextricably linked with his native land.
Leaving the village of Konstantinovo, where he spent his childhood, Yesenin is constantly mentally transferred to the old parental hut and wanders through the endless green meadows, describing his memories in verse. That is how in 1914 the work “Beloved Land! The heart dreams”, which to this day is considered an example of Yesenin’s refined lyrics with an admixture of philosophical discussions about the meaning of human life.
Already at an early stage of his work, the poet uses very figurative and memorable metaphors, comparing willows with "meek nuns", and describing simple natural phenomena as if she were a living and thinking being. During this period, Yesenin lives in Moscow, and the city evokes very conflicting feelings in him. The poet admires the metropolitan way of life and the bohemian atmosphere that reigns in literary circles. But at the same time he feels deeply unhappy and a stranger at this celebration of life.
Already at this moment, Yesenin realizes that he made a difficult choice between creativity and the opportunity to live in his native village, which he misses madly. And he understands that he will not be able to turn back time, nor will he feel like a teenager, not burdened with knowledge and sad life experience. Therefore, the author notes: "I meet everything, I accept everything." Thus, he emphasizes that he has resigned himself to his fate and is ready to fulfill her will, even if it runs counter to his desires and aspirations. At the same time, the last line of the poem sounds prophetic: "I came to this earth in order to leave it as soon as possible."
It is difficult to say whether the poet foresees his death, or whether at this moment he is full of pathos and youthful maximalism. But one thing is certain: Yesenin already at this moment understands that he is doomed, he feels that he can no longer live in harmony with the world around him, which he so far created in the imagination of ideals. “I would like to get lost in the greenery of your hundred-ringing,” the poet writes, knowing full well that his dreams are no longer destined to come true, and from now on his life will be deprived of those simple joys and that feeling of freedom to which he was accustomed from early childhood.
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You are currently reading an essay Analysis of Yesenin's poem “Beloved Land! Dreaming of the heart"
The theme of the Motherland is one of the main themes of Sergei Yesenin's poetry. The first perception of the Motherland for the poet appears in his youth, when he lives in Konstantinov - Russian nature, its modest, but such a native beauty. Yesenin very plausibly and picturesquely describes his native land: wide fields, dark forests, groves, birches. I think that he succeeds because he spent all his childhood and youth in the village of Konstantinov, saw these landscapes, saw peasant life. In 1914, the poet wrote the poem Beloved Land. , which starts like this:
Beloved edge! Dreaming of the heart
Stacks of the sun in the waters of the womb.
I would like to get lost
In the greens of your bells.
These lines show Yesenin's special love for the Motherland, and also prove the fact that the author accepts his Motherland as it is. Yesenin's poems are absolutely diverse both in the state of the author's soul and in color. Here nature is described calmly, serenely. In the poem Beloved Land. color summer, sunny, deep green. Also in the work there are Christian motifs. (. And the willows are called into the rosary - meek nuns. .. The riza of porridge.) There are also dialect words, which are always in abundance in Yesenin’s poems, because he himself was born in the village, absorbed it with his mother’s milk, got used to these words, which for him native and understandable.
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Analysis of the poem by Sergei Yesenin “Beloved Land! The heart is dreaming ... "
The lyrical poetry of the true patriot Sergei Yesenin is filled with tenderness and love for his native lands. "Beloved edge!" - the 1914 poem begins with an exclamatory confession. And then the poet plunges the reader into a sweet dream of his memories of the regions where he spent his childhood.
In general, the work can be described as a creation of landscape lyrics with a patriotic touch, ending with a philosophical conclusion. In the last stanza, the author speaks of his humility before fate: "I accept everything." Some dissonance is guessed in the final lines: sad words, prophetic for Yesenin, about the transience of time, the rapid end of life. This is preceded by picturesque fragments of images of the Motherland.
The poet shows nature very close, alive with the help of personifications, apt metaphors. His trees appear in the form of modest nuns, the swampy area “smokes” in smoke. With amazing detail, he sculpts the plant world: mignonette, porridge, willows. The solar disk compares Yesenin with a yellow straw haystack; his reflection on the water surface appears to him in his dreams. The poet dreams of quiet peace in the village greenery, being far away - in the city of Moscow. It is hard for him to be separated from the peasant separatist world. And in the verse "Beloved Land!" he tries to return the lost, heart-warming pictures.
The size of the poetic work is trochee. This gives poetry a flowing narrative. The epithets are permeated with a sense of calmness: “quiet”, “hidden”. It seems that you need to read the lines slowly and in a whisper, so as not to break the ideal dream of paradise in your native land. But the author himself involuntarily wakes up at the end of the story, hitting the harsh reality of the finiteness of life.
Love for the motherland and deep philosophy harmoniously merged in the poem. Peace of mind from happy memories of the boundless expanses of the native land borders on a willingness, even a daring challenge, to renounce everything earthly. Sergei Yesenin again opened to the reader a new facet of unimaginable beauty that surrounds us. "Beloved edge!" - this is a farewell to the pictures from the past, bitter nostalgia for the departed and the belief that it should be so, since it is so arranged by God.
"Lovely land! The heart dreams ... "S. Yesenin
"Lovely land! The heart dreams ... "Sergey Yesenin
Beloved edge! Dreaming of the heart
Stacks of the sun in the waters of the womb.
I would like to get lost
In the greens of your bells.
Along the border, at the crossroads,
Reseda and riza porridge.
And call the rosary
Willows are meek nuns.
The swamp smokes with a cloud,
Burn in the heavenly yoke.
With a quiet secret for someone
I kept my thoughts in my heart.
I meet everything, I accept everything,
Glad and happy to take out the soul.
I came to this earth
To leave her soon.
Analysis of Yesenin's poem “Beloved Land! The heart is dreaming ... "
It is generally accepted that the beginning of the literary activity of Sergei Yesenin is 1914, when his first poems were published in the Mirok magazine. However, by this time, the 19-year-old author is already a well-established and mature poet who clearly knows that his work is inextricably linked with his native land. Leaving the village of Konstantinovo, where he spent his childhood, Yesenin is constantly mentally transferred to the old parental hut and wanders through the endless green meadows, describing his memories in verse. That is how in 1914 the work “Beloved Land! The heart dreams…”, which to this day is considered an example of Yesenin's refined lyrics with an admixture of philosophical discussions about the meaning of human life.
Already at an early stage of his work, the poet uses very figurative and memorable metaphors, comparing willows with "meek nuns", and describing simple natural phenomena as if she were a living and thinking being. During this period, Yesenin lives in Moscow, and the city evokes very conflicting feelings in him. The poet admires the metropolitan way of life and the bohemian atmosphere that reigns in literary circles. But at the same time he feels deeply unhappy and a stranger at this celebration of life. Already at this moment, Yesenin realizes that he made a difficult choice between creativity and the opportunity to live in his native village, which he misses madly. And he understands that he will not be able to turn back time, nor will he feel like a teenager, not burdened with knowledge and sad life experience. Therefore, the author notes: "I meet everything, I accept everything." Thus, he emphasizes that he has resigned himself to his fate and is ready to fulfill her will, even if it runs counter to his desires and aspirations. At the same time, the last line of the poem sounds prophetic: "I came to this earth in order to leave it as soon as possible."
It is difficult to say whether the poet foresees his death, or whether at this moment he is full of pathos and youthful maximalism. But one thing is certain: Yesenin already at this moment understands that he is doomed, he feels that he can no longer live in harmony with the world around him, which he created in the imagination of ideals. “I would like to get lost in the greenery of your hundred-ringing,” the poet writes, knowing full well that his dreams are no longer destined to come true, and from now on his life will be deprived of those simple joys and that feeling of freedom to which he was accustomed from early childhood.
Listen to Yesenin's poem Lovely Land
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The poem "Beloved land! The heart is dreaming ... ". Perception, interpretation, evaluation
The poem "Beloved land! The heart dreams…” was written by S.A. Yesenin in 1914. The main theme of the work is the theme of the Motherland. We can attribute it to landscape and patriotic lyrics, with an element of philosophical reflection on one's own existence.
Compositionally, in the poem, we can distinguish two conditional parts. The first part includes the first three stanzas. Here we see a simple but dear rural landscape:
Beloved edge! The heart dreams of Stacks of the sun in the waters of the womb.
I would like to get lost In the greenery of your callous.
The lyrical hero here confesses his love for his native land, his image becomes clear in the eyes of the reader. This is a young man, quiet and modest, sensitive and kind, poetic, loving his homeland, nature, village:
With a quiet secret for someone I harbored thoughts in my heart.
The poet here uses the method of personification: willows - "meek nuns" "call the rosary", the swamp "smokes with a cloud".
The second part is the hero's thought about transient earthly happiness. It is present in the last stanza:
I meet everything, I accept everything,
Glad and happy to take out the soul.
I came to this earth
To leave her soon.
The first two lines are border lines. They seem to sum up the pictures of modest and beautiful nature and the peaceful feelings of the lyrical hero. And the last lines, which represent the second part of the poem, sound a little dissonant here.
The poem is among Yesenin's best works about Russian nature and homeland - the poems "The bird cherry tree throws snow", "In the land where the yellow nettle ...", "I am here again, in my own family", "The road thought about the red evening ...".
