Hand on heart idiom. Put your hand on your heart

"Publishing house "Grove" Complete collection of Russian fairy tales Oddly enough, but in Russia, where almost the largest in the world is collected and published ... "

COMPLETE

MEETING

RUSSIAN FAIRY TALES

A. Shevtsov

publishing house

complete collection

Russian fairy tales

Oddly enough, but in Russia, where collected and published

vano is almost the largest number of fairy tales in the world

texts, there is nothing like the Complete collection of Russian

fairy tales. This is all the more strange because the task of "bringing to

news of all Russian fairy tales in general, stored in the treasury of people's memory, ”was set before itself by the Fairytale Commission of the Russian Geographical Society, created in 1845. In fact, it still sounds in the works of leading folklorists when the creation of the Complete Code of Russian Folklore or epic songs is discussed. Nevertheless, things are still there.

Perhaps publishers are put off by the sheer volume of work. Already in the pre-war period, the volume of collected published and unpublished fairy tale material amounted to about ten thousand numbers. A considerable amount of it has been added in recent decades, thanks to the constant work of many folklore expeditions that annually leave for training camps. Nevertheless, ten thousand numbers is by no means an exorbitant figure, especially considering that a fairy tale collection usually contains from one hundred to two hundred numbers. Secondly, fairy tales are still constantly published and republished. Why not do it within the framework of a single meeting?! Obviously, if anything presents a real difficulty, it is the "correct" preparation of the publication, for which a whole scientific team must be created, and even from the best specialists in this fabulous branch for each collection.



However, our publishing house sets itself the task of creating, rather, not a scientific, but a Popular fairy tale collection, that is, such a collection that ordinary readers, who have recently been greatly deprived of the attention of scientists, could read. Folklore publications of all kinds have grown over the last decades into science for science's sake. This is manifested, first of all, not so much in the introduction of long and overcomplicated articles to each collection, but in the complete unreadability of a fully recorded fairy tale text by the unsacred. A lot of special superscripts, letters completely incomprehensible to the modern Russian person, distort the meaning and turn it into a kind of secret language intended for folklorists. At the same time, there is still no textbook that would tell where all this cryptography came from and how to learn it.

All these difficulties undoubtedly follow from the worldview of the publisher of fairy tales. In other words, what do you want? Why are you doing it?

And if we ask ourselves this question, we will see that the scientific approach is quite justified, but for science - as a way of studying and preserving the Russian cultural heritage in an esoteric museum form. If we see it as our task to preserve this heritage as a living and even mass culture, we must speak the living Great Russian language of today.

The presence of a popular, but at the same time complete collection provides the reader with definite benefits - a person who is interested in Russian culture, possessing even individual series from any complete collection of folklore, also has a certain image of what Russian culture is in that part that this series covers. Scattered publications, especially well-made from a scientific point of view, often kill people's interest in culture, because they instill in him a feeling of unknowability of this topic, and often a feeling of his own insignificance, in comparison with "real experts".

Thanks to our Complete Collection, we would like the non-professional reader of Russian fairy tales to have the feeling and cognizability of this world in full, and even the fact that he owns it, he is the master. And on occasion, if a question arises, he just needs to reach out to the shelf, and there he will surely find a clue, if not a complete answer.

In this sense, the Complete Collection, of course, will play the role of a kind of fabulous Encyclopedia, not only containing texts, but, thanks to the accompanying articles and the completeness of coverage of the material, giving knowledge about the world.

In our opinion, Russian fairy tales should be published popularly in order to remain the fairy tales of the Russian people.

However, popular does not mean distorted. We consider all changes in the texts of fairy tales related to spelling and speech features to be permissible only in relation to those texts that have already been published in a full scientific manner. Having such a source code will allow us to make the appropriate reference for specialists so that they can work with the original. Regarding the publication of previously unpublished recordings of fairy tales, we share the modern scientific point of view: folklore should be published by folklorists.

We do not intend to start with these publications. The collectors of the past have already done a great job. Scientifically or non-scientifically, they did their job in the opinion of a modern folklorist, now it doesn’t matter anymore, because their publications themselves are already a fact of our history and culture. These are the ones we intend to reprint in the first place, one by one, without any changes in the text, except for the same spelling.

Such a reprint will allow the reader not only to have an idea of ​​the world of the Russian fairy tale, but will also show how the collection, study and publication of fairy tales has been carried out from the very first moment, when someone managed to discern a fairy tale as something special, living independently, something that can be lost and therefore worth keeping.

And to be honest, it is in the Russian fairy tale that the Russian soul is described, which they began not only to forget, but also to expel from our lives in recent times.

The loss of a soul is death, even for a people.

–  –  –

CURE FOR THOUGHTS AND

insomnia

or real Russian fairy tales (1786)

2. The Tale of the Glorious and Strong 4. The Tale of the Seven Semions, the Knight Yeruslan Lazarevich, and his brothers about his courage and unimaginable

3. The Tale of the Brave and the Bold 6. The Tale of Ivanushka the Fool Cavalier Ivan Tsarevich and 7. The Tale of Sila the Tsarevich and the Beautiful Wife Ivashka, the White Shirt of His Tsar Maiden

GRANDPA'S WALKS

or a continuation of real Russian fairy tales (1786)

8. The tale of Bulat the young Ibragimovich and the beauty The tale of the shepherd and the wild princess Salikalla the boar 13. The tale of the very wonderful and

10. The Tale of the Tsarevich Lyubim and the beautiful harp-the self-beautiful princess, his spring-springs, and the winged wolf 14. The Tale of the Seven Wise Men and

11. Tale of a dog and already a young man

12. The tale of a glorious name and - 15. The tale of a certain shoemaker that prince Malandrakh and his servant Pritychkin

16. The Tale of Ivan Tsarevich, 17. The Tale of the Glorious and Brave Firebird and the Gray Wolf Knight Bova the King

1. The tale of Vasilisa the Golden 4. The tale of Ivan Kruchin, the kupekos, uncovered beauty, and the common son Ivan Pea 5. The tale of the silver saucer

2. The Tale of the Bogatyr Gol Voyan- and the bulk apple

3. Tale of the hapless shooter

–  –  –

REFERENCE MATERIALS

IP Sakharova List of Russian fairy tales Indexes Bibliographic list Index of plots B. Bronnitsyn. “Russian na- Index of names, native fairy tales” (1838) Index of objects I.P. Sakharov. "Russian in - Dictionary of little-used native fairy tales" (1841) and regional words Complete collection of Russian fairy tales

–  –  –

Part nine

16. The Tale of the Bogatyr Bulat The Tale of the Golden Vessel The Adventures of the Bogatyr Bulat's Own Adventures of the Bogatyr Sidon Continuation of the Bulat Adventures Part Ten

17. The Adventures of Balamir, Sovereign of Unns The Tale of Tsarevich Dobroslav Continuation of Balamir's Adventures The Adventures of the Crazy Bell Ringer The Tale of the Shoemaker The Adventures of Zelian, Nicknamed the Hospitable The Tale of the Sorceress Zimonia The Narration of the King of Wizards

–  –  –

OOO Publishing House Roscha

Ivanovo, Lenin Ave., 17, PO Box 11 sobranieskazok.ru www.roscha-akademii.ru [email protected]

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