Ivan Andreevich was born on February 2, 1769 in Moscow into a military family that did not have high incomes. When Ivan turned 6 years old, his father Andrei Prokhorovich was transferred for service to Tver, where the family continued to exist in poverty, and soon lost its breadwinner.
Due to the move and low income, Ivan Andreevich was unable to complete the education he began in Moscow. However, this did not prevent him from gaining considerable knowledge and becoming one of the most enlightened people of his time. This became possible thanks to the young man’s strong desire for reading, languages and sciences, which the future publicist and poet mastered through self-education.
Earlier creativity. Dramaturgy
Another “school of life” of Ivan Krylov, whose biography is very multifaceted, was the common people. The future writer enjoyed attending various folk festivals and entertainments, and often took part in street battles. It was there, in the crowd of ordinary people, that Ivan Andreevich drew pearls of folk wisdom and sparkling peasant humor, succinct colloquial expressions that would eventually form the basis of his famous fables.
In 1782, the family moved to St. Petersburg in search of a better life. In the capital, Ivan Andreevich Krylov began government service. However, such activities did not satisfy the young man’s ambitions. Having been carried away by the then fashionable theatrical trends, in particular under the influence of the play “The Miller” by A.O. Ablesimova, Krylov manifests himself in writing dramatic works: tragedies, comedies, opera librettos.
Contemporary critics, although they did not show high praise for the author, still approved of his attempts and encouraged him to continue his work. According to Krylov’s friend and biographer M.E. Lobanova, I.A. himself Dmitrievsky, a famous actor of that time, saw in Krylov the talent of a playwright. With the writing of the satirical comedy “Pranksters”, even the brief content of which makes it clear that Ya.B. was ridiculed in the play. Prince, considered the leading playwright of the time, the author quarrels not only with the “master” himself, but also finds himself in the field of grievances and criticism from the theater management.
Publishing activities
Failures in the field of drama did not cool, but, on the contrary, strengthened the satirical notes in the talent of the future fabulist Krylov. He takes on the publishing of the monthly satirical magazine “Mail of Spirits”. After eight months, however, the magazine ceases to exist. After retiring in 1792, the publicist and poet acquired a printing house, where he began publishing the Spectator magazine, which began to enjoy greater success than Spirit Mail.
But after a search it was closed, and the publisher himself devoted several years to travel.
Last years
In Krylov’s brief biography it is worth mentioning the period associated with S.F. Golitsyn. In 1797, Krylov entered the prince's service as a home teacher and personal secretary. During this period, the author does not stop creating dramatic and poetic works. And in 1805 he sent a collection of fables for consideration to the famous critic I.I. Dmitriev. The latter appreciated the author’s work and said that this was his true calling. Thus, a brilliant fabulist entered the history of Russian literature, who devoted the last years of his life to writing and publishing works of this genre, working as a librarian. He has written more than two hundred fables for children, studied in different classes, as well as original and translated satirical works for adults.
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Ivan Andreevich Krylov- Russian publicist, poet, fabulist, publisher of satirical and educational magazines. Known as the author of 236 fables
Was born February 2 (13), 1769 in Moscow in the family of a retired officer. The writer's early years were spent traveling; he studied reading and writing at home, since his father had a large library of books.
In 1780, he began working part-time as a clerk. Later, Krylov enters service in the treasury chamber.
Krylov made his debut in literature between 1786 and 1788. as the author of dramatic works - the comic opera “The Coffee House” (1782), the comedies “The Pranksters”, “The Mad Family”, “The Writer in the Hallway”, etc., which did not bring the author fame.
In 1789, the satirical magazine “Mail of Spirits” began to be published. By that time, he had already written many works and translated a French opera. In 1792, his magazine “The Spectator” began to be published, which was also satirical in nature.
In 1797, the writer met Prince S. F. Golitsyn and went to work for him as a secretary and teacher of children. The writer began to show himself as a fabulist in 1805, after he translated two of La Fontaine’s fables into Russian. Soon his works appeared: “A Lesson for Daughters”, “Fashion Shop”, “Ilya Bogatyr, Magic Opera”, “Lazy Man”, etc.
In 1810 he went to work at the Imperial Public Library, where he worked until his retirement in 1841. In 1811 he joined the literary society of lovers of Russian literature. In the same year he became a member of the Russian Academy.
During the war with Napoleon, the poet acted as a patriot, although later he ridiculed the vices of secular society in his works. He also made fun of many people's shortcomings. For example, pride, selfishness, vanity, stupidity. During his life, Krylo wrote about 200 fables, the most famous of which are “The Swan, the Crayfish and the Pike,” “The Dragonfly and the Ant,” “The Quartet,” and “The Crow and the Fox.” His fables have been translated into French, Italian, Georgian and other languages.
Ivan Krylov is a Russian publicist, poet, fabulist, publisher of satirical and educational magazines. He is best known as the author of 236 fables.
Krylov’s biography has been very popular for many years, because many of his quotes have become popular catchphrases.
Please note that we have already covered the most. Here you will get acquainted with the features of his work.
We hope that this material will be useful and interesting not only for schoolchildren in grades 3, 5 or 6, but also for all inquisitive readers.
So here's a short one biography of Ivan Krylov.
Brief biography of Krylov
Ivan Andreevich Krylov was born in February 1769 in the family of a poor army officer.
The father of the future fabulist, Andrei Krylov, distinguished himself during the suppression of the Pugachev rebellion, but did not receive any awards.
Having moved to Tver with his wife and two sons, he took the position of chairman of the magistrate, which brought the family an extremely meager income.
Krylov's father died with the rank of captain in 1778. At that time, Ivan was only 9 years old.
Childhood and youth
After the death of their father, the life of the Krylov family became even poorer. Having inherited a huge chest of books from his parent, Ivan re-read them with enthusiasm. This allowed him to temporarily forget about the hardships of life.
Perhaps Krylov would never have received an education due to poverty if it were not for the kind neighbors who allowed him to listen to the lessons of home teachers who taught their children.
Thus, Ivan Andreevich learned French.
Several years later, Krylov’s mother and her two sons went to. There she managed to get Ivan a job as a clerk in the government chamber.
Education
Reading Krylov's biography one cannot help but admire his passionate desire. Without receiving any systematic education, he studied independently with extreme persistence.
Constantly reading a lot, he mastered the richest. In addition, Krylov constantly moved among ordinary people and knew their life and manner of expression very well.
At the age of 15, he wrote a short comic opera, composing couplets for it and calling it “The Coffee House.”
It must be said that this was the first literary debut in Krylov’s biography. And although the opera was not very successful, the language of its writing was rich and vibrant.
Creation
When the Krylovs moved to St. Petersburg, the first public theater appeared there at that time. Naturally, the creatively gifted young man immediately visited it, and even became friends with some of the artists. This became an important event in his biography.
Not wanting to waste time on government service, Krylov quits and completely immerses himself in literary activity.
Ivan Krylov in his youth Having written the tragedy “Philomela,” Ivan Andreevich tried to imitate the classics, which was immediately noticed by critics.
The plot and form of the work were rather banal, but this failure did not bother or stop the young writer.
Krylov then wrote several comedies: “Mad Family”, “Pranksters” and “The Writer in the Hallway”. And although in comparison with “Philomela” these things were of higher quality, none of the listed works still impressed the reader.
Krylov's first fables
The first fables in the biography of Ivan Andreevich Krylov were published without a signature. They appeared in the magazine "Morning Hours" in 1788.
Three works, called “The Shy Gambler”, “The Fate of the Gamblers”, “The Newly Granted Donkey”, remained practically unnoticed, since they contained a lot of sarcasm and causticity, but little skill.
Magazine publishing
In 1789, Ivan Krylov, together with Rachmanin, began publishing the magazine “Mail of Spirits”. However, it was not a success and therefore had to be closed that same year.
After 3 years, with a group of like-minded people, Krylov publishes a magazine called “Spectator”. A year later, the magazine “St. Petersburg Mercury” appeared.
These publications published some of Krylov’s prose works, the most striking of which were the story “Kaib” and the article “A Eulogy to My Grandfather,” which was quite bold for its time, denouncing landowner tyranny.
Dark spots of the biography
Perhaps the authorities began to put pressure on him, or, as some biographers believe, failure in the literary field pushed him to seek happiness in other activities.
One way or another, at this time Krylov almost abandoned writing, and only in 1806 did he return to active literary activity.
Flourishing creativity and recognition
He is already writing quite talented translations of La Fontaine’s fables “The Oak and the Cane,” “The Picky Bride,” and “The Old Man and the Three Young People.”
Also in 1806, Ivan Krylov returned to St. Petersburg and staged the comedy “Fashion Shop”. Next year there will be another one – “A Lesson for Daughters”.
Society greets these productions with great enthusiasm, since in them Krylov also ridicules the French mania that began even before.
In 1809, a serious creative takeoff was observed in Krylov’s biography. The first edition of his fables, consisting of 23 works (among which is the well-known “Elephant and Pug”), is extremely popular.
Since then, Ivan Andreevich Krylov has become a famous fabulist, whose new works are eagerly awaited by the public.
At the same time, he returned to public service, and first entered a prominent position in the Coinage Department, and after 2 years - in the Imperial Public Library, where he worked from 1812 to 1841.
During this period of biography, Ivan Krylov changed a lot. He became complacent and reserved. Moreover, contemporaries noted that he was very calm, ironic and increasingly lazy.
Since 1836, Krylov no longer wrote anything, and in 1838 the literary community solemnly celebrated the 50th anniversary of the fabulist’s creative activity.
In total, more than 200 fables came from the pen of Ivan Andreevich Krylov. In some he denounced Russian reality, in others - human vices, and others were simply poetic anecdotes.
Many of Krylov’s surprisingly accurate and accurate words became part of the colloquial speech and enriched the Russian language.
A brief biography of Krylov does not allow us to fully convey the significance of the fabulist for Russian literature. We can only say that Ivan Andreevich’s lifetime popularity can only be compared with the popularity of, and.
Personal life
There were legends about Krylov's absent-mindedness, careless sloppiness and incredible appetite. Ivan Andreevich was absolutely indifferent to his appearance.
It would seem that such a person could not possibly enjoy the attention of the fair sex. Nevertheless, information from his contemporaries has been preserved, claiming that Ivan Krylov’s personal life, although not stormy, was certainly not absent.
At the age of 22, he fell in love with Anna, the daughter of a priest from the Bryansk district. However, despite mutual feelings on the part of the girl, things did not come to a wedding, since Anna’s relatives were against the marriage.
They were distantly related to and, moreover, wealthy. Therefore, they refused to marry their daughter to the poor rhymer.
But Anna was so sad that her parents finally agreed to give her to Ivan Krylov, which they telegraphed to him in St. Petersburg.
Having received the letter, Krylov calmly replied that he did not have enough time to come to Bryansk, and invited Anna’s parents to bring the bride to him.
Naturally, the girls’ relatives were offended by the answer, as a result of which the marriage never took place.
It is reliably known from Krylov’s biography that many eminent ladies were not indifferent to him. For example, he was loved by a ballerina who was the kept woman of Grand Duke Konstantin Pavlovich.
Moreover, contemporaries said that Empress Maria Feodorovna herself was very sympathetic to the charming fat man.
And this despite the fact that Ivan Andreevich somehow dared to appear in front of her in a holey boot with a finger sticking out of it, and even sneeze when he kissed the empress’s hand.
Ivan Krylov never married. Officially, he also did not have children, although contemporaries believed that the daughter of his cook, Sasha, was his father.
This is confirmed by the fact that Krylov sent her to a boarding school, and when the cook died, he raised her as his own daughter and gave her a large dowry. Before his death, the fabulist bequeathed all his property and rights to his works to Sasha’s husband.
Death of Krylov
An interesting fact is that there was a version that Krylov died from volvulus due to overeating. In fact, he died from bilateral inflammation.
Krylov's funeral was magnificent. Count Orlov himself - the second person in the state - removed one of the students and carried the coffin of the great fabulist.
Many cities and streets are named in honor of Ivan Krylov in Russia and other countries, and his work and biography are briefly studied by schoolchildren in grades 3, 5 and 6.
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Ivan Andreevich Krylov is a famous Russian writer and fabulist. His work influenced the development of the Russian language; his works were widely quoted and became popular expressions and proverbs. His fame can be compared with the popularity of Pushkin and Gogol.
Childhood
The family into which the future fabulist was born in 1769 on February 2 (13) was far from rich. Father, Andrei Panteleevich Krylov, was a military man, had an officer rank, and took part in hostilities during the Pugachev uprising. At first, the family lived at their father’s place of service in the small town of Yaitsky. After retiring, Andrei Panteleevich moved his family to Tver, where he entered the civil service in the judicial department.
Parents did not have funds for their children's education. But the future writer was distinguished by great curiosity and a thirst for knowledge. Thanks to self-education, he became one of the most enlightened people of that time. Wealthy neighbors, the Lvovs, allowed him to attend French lessons with their children. Krylov quickly mastered the spoken and written languages, and subsequently mastered two more: Italian and German. I learned to play the violin on my own, mastered music theory and understood mathematics.
Adolescence and youth
After the death of his father in 1778, the family finds itself on the brink of poverty. Ivan Krylov joins the department where his father worked. In search of a better life, the family moved to St. Petersburg, where the future writer continued to serve in the public service. In the capital, he gets acquainted with cultural life and visits the theater.
The Lvovs, with whom the Krylov family moved to St. Petersburg, led an active cultural life and tripled their receptions. Here Ivan Andreevich Krylov met the leading cultural figures of the country. The poet Derzhavin began to patronize the young man.
At the age of 19, Krylov resigned from public service, deciding to engage in literary work.
First steps in literature
His passion for theater was not in vain for the young man. Krylov began writing plays in 1872. The most famous of them: the comedy “Coffee Shop”, the tragedies “Cleopatra”, “Philomena”. If the first works are based on historical and mythological events, then the later “Mad Family” and “The Writer in the Hallway” ridicule the morals of their contemporaries. In the comedy "Pranksters" he caricatured the famous playwright of the time, Prince. As a result, he was removed from theatrical life.
Publishing activities
Since 1789, Krylov began to engage in publishing. The first magazine was “Spirit Mail,” where modern life was satirically described in letters between gnomes and other fairy-tale creatures. As a result, a few months later the magazine was closed at the request of censorship.
In 1791, Krylov and his companions opened their own publishing house. Creates two more magazines: “Spectator” and “Petersburg Mercury”. Although Krylov moved from satire to softer moralizing, both publications were banned. According to some evidence, the Empress herself, Catherine II, spoke with Krylov.
Disgrace and return to literature
After the events with the magazines, Krylov first leaves for Moscow, then enters the service of the family of Prince Sergei Fedorovich Golitsyn. Voluntarily accompanies him in exile until 1801.
After Alexander I came to the throne, Krylov, together with Prince Golitsyn, who was appointed governor-general, moved to Livonia.
The writer's literary views are undergoing a crisis. Krylov loses faith in the power of satire, in the opportunity to change society for the better. He abandons bookish ideals in favor of simple national values.
In 1801, Ivan Andreevich Krylov moved to the capital, where he took up drama. His plays were a great success, the most famous being “Pie”, “Fashion Shop”, “Lesson for Daughters”. The author raises questions of the cultural life of society: the struggle between Western and Old Russian lifestyles, the emergence of sentimentalism.
Krylov again entered the public service, and since 1812 he has worked in the Public Library.
In 1805, Krylov’s first fables were published - translations from La Fontaine’s work: “The Oak and the Cane”, “The Picky Bride”. Krylov remained an adherent of classicism, who did not accept the emerging trend in art, sentimentalism. At the same time, his work is characterized by a truthful depiction of reality. His fables are the foundation of the future realism of Pushkin and Gogol.
World of fables
Krylov's creative heritage is more than two hundred fables. The last edition of 1843 consisted of nine books. The writer borrowed plots from La Fontaine, Aesop, Phaedrus. At the same time, the peculiarities of the language and the processing of images make his works original. Krylov's fables have the following features:
- Closeness to everyday life. If earlier the fable was perceived as dry moralizing, then Krylov’s work is a mixture of worldly wisdom and common sense.
- Realism of images. In the heroes of the fables, the author expressed the peculiarities of the national character.
- A living language, with colloquial, colloquial expressions. Many contemporaries condemned the low style of fables. But it was precisely this feature that made Krylov’s works popularly loved.
- The poetic meter is free iambic, bringing the language of fables closer to colloquial speech. An exception is the fable “The Dragonfly and the Ant,” written in trochee.
Character and lifestyle
During his lifetime, Krylov began to be called the grandfather of Russian literature. He led a measured lifestyle, not hiding his “vices” - an indifferent attitude towards politics, sloppiness, laziness. There were legends and anecdotes about him, however, always with a kind attitude towards the writer. At the end of his life, he enjoyed universal respect and was recognized by the government and all literary circles.
The fables have been translated into more than 50 foreign languages. And in our time they remain relevant and are studied in schools. Feature and animated films are created based on the fables.
Glorified throughout the centuries as a writer, and almost unknown as a person - this is a brief summary of Krylov’s biography.
A brilliant satirist and one of the most talented writers of his time, whose artistic thought is accessible even to children.
Having come to all-Russian fame from ignominy and poverty, Ivan Andreevich, apart from his literary heritage, left almost no personal documents.
Biographers had to reconstruct information about life events and character from the memories of friends and acquaintances of the famous Muscovite.
I. A. Krylov - Russian writer and fabulist
The small genre of fables glorified the son of a poor army officer. This says a lot about a person.
About the ability to grasp the very essence of complex moral issues and modern historical problems and present it in an accessible form with accuracy and humor, sometimes with malicious satire.
The small size of the work requires the highest concentration of language, thoughtfulness of the system of images and artistic and expressive means. Knowing about such nuances, you are only surprised how many fables Krylov wrote: 236!
The list of collections published during his lifetime includes 9 editions - and all of them sold out with a bang.
However, he took a long time to get into shape and started with high drama. Answering the question of when Krylov wrote his first play, biographers give an approximate answer - in 1785. After all, the tragedy “Cleopatra” has not been preserved. But just by the title you can understand that the young author tried to create within the framework of classicism.
However, it is in subsequent comedies that fans of Krylov’s work find his inherent courage of thought, accuracy of expression, sensitivity to the native language and a sense of the potential of Russian national culture.
Brief biography of Ivan Andreevich Krylov
The years of the writer's life cover a period of 75 years. And although the writer’s birthplace remains speculative, the year is precisely established – 1769. We will cite only the most important events.
Father and mother
The future writer was born into the family of a poor army officer, Andrei Prokhorovich, who rose to the rank through his own strength and abilities, without connections. The soldier was the organizer of the defense of Yaitsk from the Pugachevites, and subsequently anonymously published a story about this in Otechestvennye zapiski.
The first-born appeared in the family during the years of life in the capital, Troitsk or Trans-Volga region - one can only guess. Already at the age of 10, little Ivan, then living with his parents in Tver, lost his father - he died and left his son and widow in complete poverty.
The mother of the great Russian writer Maria Alekseevna was a poorly educated woman, perhaps even illiterate. But energetic, enterprising, smart and loving her children. Unlike her husband, she was not keen on reading books, but she encouraged her son to study them in every possible way.
Childhood
Information about childhood is extremely scarce. As a young child he lived in Yaitsk; during the Pugachev riot his mother took him to Orenburg, after which the family moved to Tver. His father instilled in the future famous writer a love of books and an interest in literature.
After the death of his father, the young man began working in the Kalyazin zemstvo court, and later transferred to the Tver magistrate.
Education
Homely and unsystematic: no gymnasium, no home teacher, no theological seminary or municipal school. During the years of living in Tver, Ivan Krylov, who had lost his father, out of mercy studied with the children of the local influential and wealthy Lvov family.
In 1783, the benefactors moved to St. Petersburg, taking Ivan Andreevich with them. He entered the service of the local Treasury Chamber, while at the same time reading a lot and studying science on his own.
As a result, he learned to play the violin, showed great talent in mathematics, and mastered the French, Italian and German languages - enough for a deep acquaintance with world classical literature.
Of the fateful meetings pointing to the future of the brilliant writer, only two are known from this period of his life. At Lvov, Krylov met the famous classicist playwright Yakov Borisovich Knyazhnin and the great poet Gavriil Romanovich Derzhavin.
Krylov's creative path
The writer had to search for himself for a long time, paying tribute to the fashion for classicism (creating high tragedies “Cleopatra” and “Philomela” and comedies “The Coffee House”, “The Writer in the Hallway”, etc.).
The young writer felt the breath of time. Russian literature turned from imitating European models to itself: language, themes, cultural customs.
Krylov worked as a publisher on the magazine “Mail of Spirits”. One of the sections was devoted to the correspondence of elves ridiculing among themselves the morals of Catherine’s enlightened absolutism. In 1790, censorship banned the publication (the government everywhere saw the threat of the French Revolution). The following magazines, Spectator and Mercury, suffered the same fate, although the editor in them toned down his tone somewhat.
In 1794, Ivan Andreevich was forced to leave the northern capital and move to Moscow, a year later he was asked to move from there. The disgraced young author had a hard time experiencing the social and literary blockade. He found shelter and support in the family of General Sergei Fedorovich Golitsyn, who had also fallen out of favor. He worked as the secretary of the head of the family and was involved in the education of children, and over the years he wrote only a couple of poems and a few stories.
After Alexander the First came to power, at the dawn of the 17th century, Ivan Andreevich returned to Moscow and began to create again. Yes, with such passion that the censorship vetoed the publication of the comedy “Podchipa or Triumph” - and the manuscripts circulated throughout Russia.
The author boldly ridiculed the height of the classicist Triumph and Podshchipa, which was alien to Russian political life - they say, the Russian writer has already outgrown patriarchy. The subsequent plays “Pie” and “Fashion Shop” were staged and became part of the theater repertoire for a long time.
In 1805, the fables “The Oak and the Reed” and “The Picky Bride” were published, and four years later the first collection was published. This became an event, as evidenced by the controversy surrounding Krylov’s work in Vestnik Evropy.
The recognized genius poet V. A. Zhukovsky reproached the fabulist for the rudeness of expressions, fashionable and following his own path A. S. Pushkin - sees in them the merit of hiding behind a pseudonym (the first fables, who experienced the disfavor of those in power, were signed by Krylov Navi Volyrk).
It is the simple language that makes these works unique not only for the genre, but for all Russian poetry in general.
The fables were circulated for quotations not only in Russia: a two-volume set was published in Paris, they are being translated into Italian. International popularity is also explained by the genre itself - an ancient one, actively using allegories and symbols, plots and themes common to many European peoples.
A Russian writer could borrow the image of his Italian or French predecessor - and they speak and think like modern Russian people. That’s what they say: the speech of the fables is lively and natural, almost freely conversational. Krylov was able to find his own unique winged language of apt expressions.
During his lifetime, Ivan Andreevich was revered as a luminary. However, taught by experience, he preferred to live in the shadows - not to participate in political and literary disputes, not to go out into the world, to dissuade himself from the attention of journalists by laziness and absent-mindedness, in his clothes and manners he showed eccentricity and carelessness, he preferred a hearty dinner to everything and loved to play cards. Therefore, many speculations have been generated about Krylov’s life and work - he has become a constant hero of jokes.
This image is contradicted by his friendship with A.S. Pushkin, which seems to be deep: only the great poet, already mortally wounded in a duel, said goodbye to his “grandfather.” An interesting fact from Krylov’s biography - already being an old man, the poet studied ancient Greek.
Personal life
I. A. Krylov was not officially married. However, biographers believe that his actual wife was the housekeeper Fenyushka, who gave birth to his daughter Sasha. The child lived in the Krylov house as a goddaughter. One can understand why the writer never officially recognized his own child and did not marry his mother.
Fenyushka was one of the simple ones, close and dear in spirit. However, the world would not forgive the “grandfather of Russian literature” for his misalliance. And it didn’t matter that he himself came from a poor and unborn family. He who kissed the hand of the empress could not kiss the hands of a rootless housekeeper.
However, it seems that Ivan Andreevich loved his wife and daughter very much. He sent Sasha to a boarding school, provided her with a dowry, did not alienate her from him after the death of his wife, and married her to a completely worthy man. After his death, he transferred all his fortune and rights to Sasha’s husband, whose origins did not allow him to challenge the will and deprive his daughter of his inheritance.
Last years of life and death
He was treated kindly by the royal family. He received a pension, was awarded a government order and the rank of state councilor.
Krylov's seventieth birthday was celebrated throughout the country.
He died of severe pneumonia in the house of his daughter - everyone's goddaughter - in St. Petersburg in 1844.
He was buried at the Tikhvin Cemetery of the Alexander Nevsky Lavra in St. Petersburg.
The writer was distinguished by a strange love for observing fires. There were legends about him as a great glutton. They even said that he died after eating too many pancakes. He posed for many artists; at least three portraits were written by famous painters of those times.
Famous fables and works of Ivan Krylov
It is difficult to single out the most famous ones. But, probably, every reader will be able to remember at least a line from the fables “The Dragonfly and the Ant,” “The Fable of the Crow and the Fox,” or “The Swan, the Pike and the Crayfish.”
But the latter, for example, was the writer’s deeply personal response to the political events of his time - the inconsistency of the allies in the war against Napoleon (according to another version - conflicts in the State Council).
But the magic of the genre and the extraordinary talent of the author made the work a fable for all time. There are many such creations in the works of Ivan Andreevich, and reading them is a real pleasure.
Conclusion
Many writers in Russia turned to short allegorical poems with a didactic meaning. Including A. S. Pushkin, L. N. Tolstoy, D. Bedny and S. Mikhalkov.
But no one was called the best fabulist after Krylov. Reading Krylov's fables, comparing them with previous and subsequent ones, you understand and even feel why.
