- Analysis of the poem by S. A. Yesenin Small forests. Steppe and gave.
This poem is one of Yesenin's many about his homeland, about the return of a wanderer after long wanderings to his homeland, which is also one of Yesenin's favorite motives. In addition, the theme of the road, traditional for Russian classics (Pushkin, Lermontov, Nekrasov, Blok and others), is clearly expressed in the work.
Small forests. Steppe and gave.
Moonlight all the way.
Here again they suddenly sobbed
On such a road, ugly, but loved forever. every Russian traveled a lot. Thus, this landscape is traditional for central Russia, and the feelings of every Russian person are shown.
My father is a peasant
Well, and I peasant son.
The sight of this stunted area evokes the most tender, intimate feelings of the hero. Here one more, quite often found motif of the poet's work is manifested - the animation of nature:
The one who has seen at least once
This edge and this surface,
The one almost every birch
I'm glad to kiss the leg.
Homecoming immediately brings to mind lyrical hero the sounds of an accordion and ditty tunes, in the rhythm of which the poem is written. A 4-foot trochee size is used, typical for ditties.
This is one of last poems poet, and in the final part of it again, as in some of his other dying poems, the connection with his fate: a tavern revelry, maybe even a premonition of a tragic death, again common for a Russian person:
Oh, harmonica, death is poison,
Know from that under this howl
Not one dashing glory
The composition of the work is based on the gradation of a gradual increase in the feeling of love for the motherland.
It is necessary to pay attention to the sounds that the poet invites us to hear in this poem: the sobbing of draft bells, the ringing of frozen aspens. ditties under a wreath and, finally, the howl of an accordion, death-poison.
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Analysis of the poem "Small Forest
Analysis of the poem "Small forests. Steppe and gave "S. A. Yesenin. URGENTLY. HELP
- Analysis of the poem by S. A. Yesenin “Small forests. Steppe and gave. This poem is one of Yesenin's many about his homeland, about the return of a wanderer after long wanderings to his homeland, which is also one of Yesenin's favorite motives. In addition, the theme of the road, traditional for Russian classics (Pushkin, Lermontov, Nekrasov, Blok and others), is clearly expressed in the work. It begins with a description of a roadside landscape, nondescript, unpretentious: Small woods. Steppe and gave. Moonlight all the way. But this simple Russian landscape excites the heart of the lyrical hero, who is identified with the author himself: Here again, the Draft bells suddenly sobbed. (Animation, personification). On such a road, “ugly, but beloved forever. every Russian person traveled a lot. Thus, this landscape is traditional for central Russia, and the feelings of every Russian person are shown. The poet keenly feels the connection with his small homeland, with his roots: My father is a peasant, Well, I am a peasant son. The sight of "this stunted area" evokes the most tender, intimate feelings of the hero. Here one more, quite often found motif of the poet's work is manifested - the animation of nature: He who has seen at least once This land and this expanse, He is glad to kiss almost every birch Leg. Returning to his homeland immediately evokes in the memory of the lyrical hero the sounds of an accordion and ditty tunes, in the rhythm of which the poem was written. A 4-foot trochee is used - a size characteristic of ditties. This is one of the last poems of the poet, and in the final part of it - again, as in some of his other dying poems - the connection with his fate: a tavern revelry, maybe even a premonition of a tragic death, again common for a Russian person: Eh, accordion , death-poison, To know, from that under this howl Not one dashing glory Disappeared tryn-grass. The composition of the work is based on gradation - a gradual increase in the feeling of love for the motherland. It is necessary to pay attention to the sounds that the poet invites us to hear in this poem: the sobbing of draft bells, "the ringing of frozen aspens." ditties under a wreath and, finally, the howl of "accordion, death-poison." Analyzing this poem, we can conclude that it belongs to the masterpieces of Yesenin's lyrics.
“Small woods. Steppe and gave ... "S. Yesenin
“Small woods. Steppe and gave ... "Sergey Yesenin
Small forests. Steppe and gave.
Moonlight all the way.
Here again they suddenly sobbed
Draft bells.
ugly road,
Yes, forever beloved
which I traveled a lot
Every Russian person.
Hey sled! What a sled!
Ringing frozen aspens.
My father is a farmer
Well, I'm a peasant's son.
I don't care about fame
And that I am a poet.
This shabby area
I haven't seen it for many years.
The one who has seen at least once
This edge and this surface,
The one almost every birch
I'm glad to kiss the leg.
How can I not cry
If with a wreath in cold and ring
Will be around to have fun
Youth of Russian villages.
Oh, harmonica, death is poison,
Know from that under this howl
Not one dashing glory
Lost tryn-grass.
Analysis of Yesenin's poem “Small forests. Steppe and gave ... "
Dreaming of becoming a poet, Sergei Yesenin left his native village of Konstantinovo very early and went to conquer Moscow, unaware that he would yearn for native land. Metropolitan life with its temptations very soon got bored with the rising star of Russian literature, but Yesenin understood that he could never become famous if he spent his whole life in the rural wilderness. Nevertheless, having achieved success in the poetic field, he remained an ordinary peasant guy and devoted the vast majority of his poems to native nature which was an inexhaustible source of inspiration for him.
In 1925, Yesenin briefly returned to his homeland and was unpleasantly surprised by the changes that had taken place in a measured way. rural life. However, the first impressions of the trip home were very touching and exciting. It is to them that the poem “Small Forest. The steppe and the distance", in which the author once more confesses his love for the Russian land and realizes that in comparison with this overwhelming feeling his creative success is simply fading. The "ugly road" along which he had a chance to return to Konstantinovo causes a real delight in the poet, which is mixed with a slight sadness. Yesenin realizes that he has long ceased to be part of this world, so familiar to him since childhood. However, the author is ready to sacrifice everything in order to touch the past at least for a moment. Therefore, he declares "I do not care about fame and the fact that I am a poet." At this moment, it is much more important for him that he is returning home, where he has not been for almost 10 years. His feelings are so sincere that the poet "is glad to kiss almost every birch leg."
by the most vivid memory childhood for Yesenin are the overflow of bells in a horse harness and the sounds of an accordion, which he calls "death-poison". Such a comparison is not accidental, since it is the harmonies that evoke a whole range of the most contradictory feelings in the soul of a Russian person. For Yesenin, they symbolize valiant prowess and recklessness, therefore, in his poem, the author notes that under the “howl” of the accordion, “more than one dashing glory was lost by tryn-grass.” With this phrase, the poet wants to emphasize that he is ready to give up everything that he has managed to achieve, for the sake of former life filled with joy and serenity. However, Yesenin understands that there is no turning back for him, and regrets that he exchanged a measured rural life, simple and harmonious, for momentary success.
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Analysis of the poem by S.A. Yesenin "Small forests. Steppe and distance."
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And the analysis of the poem by S.A. Yesenin "Small forests. Steppe and gave.
This poem is one of Yesenin's many about his homeland, about the return of a wanderer after long wanderings to his homeland, which is also one of Yesenin's favorite motives. In addition, the theme of the road, traditional for Russian classics (Pushkin, Lermontov, Nekrasov, Blok and others), is clearly expressed in the work.
It begins with a description of a roadside landscape, plain, unpretentious:
Small forests. Steppe and gave.
Moonlight all the way.
But this simple Russian landscape excites the heart of the lyrical hero, who is identified with the author himself:
Here again they suddenly sobbed
On such a road, “ugly, but beloved forever. every Russian person traveled a lot. Thus, this landscape is traditional for central Russia, and the feelings of every Russian person are shown.
The poet keenly feels the connection with his small homeland, with his roots:
My father is a farmer
Well, I'm a peasant's son.
The sight of "this stunted area" evokes the most tender, intimate feelings of the hero. Here another, quite often found motif of the poet's work is manifested - the animation of nature:
The one who has seen at least once
This edge and this surface,
The one almost every birch
I'm glad to kiss the leg.
Returning to his homeland immediately evokes in the memory of the lyrical hero the sounds of an accordion and ditty tunes, in the rhythm of which the poem was written. A 4-foot trochee is used - a size characteristic of ditties.
This is one of the last poems of the poet, and in the final part of it - again, as in some of his other dying poems - the connection with his fate: a tavern revelry, maybe even a premonition of a tragic death, again common for a Russian person:
Oh, harmonica, death is poison,
Know from that under this howl
Not one dashing glory
The composition of the work is based on gradation - a gradual increase in the feeling of love for the motherland.
It is necessary to pay attention to the sounds that the poet invites us to hear in this poem: the sobbing of draft bells, “chimes of frozen aspens”, ditties under a wreath and, finally, the howl of “accordion, death-poison”.
Analyzing this poem, we can conclude that it belongs to the masterpieces of Yesenin's lyrics.
Sergei Yesenin: “Small forests. Steppe and gave»
January 22, 2016
Lyrical work “Small forests. The steppe and the distance, adored by many representative of the new peasant poetry and lyricist S. A. Yesenin, once again shows the unusually reverent love of this real Russian poet for his homeland. In his poetry it was she who became the most beloved and popular motive. In his works, Yesenin often asked him, putting in the center the image of a wanderer who, after long wanderings and trials, returned to his native land, where, as it seemed to him, even nature trembled and rejoiced at his appearance. The theme of the road has become traditional and very common for many Russian classics, such as A. Blok, A. Pushkin, N. Nekrasov and others.
“Small woods. Steppe and distance" - Yesenin's verse
So, in the description of the plot of the verse, we see a very nondescript and unpretentious landscape. The soul and heart of the hero are worried, Yesenin represents himself in him. At this moment, he is torn from overwhelming emotions and rejoices, like those sobbing “draught bells” in the ringing “along the unsightly road, but loved forever”, along which every Russian person has traveled many times.
Landscape in the work “Small forests. The steppe and the distance” was specially animated by the author. Such a place in the Russian middle lane ordinary and unremarkable, but here it is depicted in harmony with the soul of an ordinary Russian peasant.
Yesenin never lost his feelings for small homeland and connection with their roots. He himself said that his father was a peasant, and therefore he is a peasant son. In the verse "Small forests. The steppe and the distance” he compares nature with a native person, expresses feelings of gratitude and appreciation to him in his lines. The poet is sure that if anyone sees this region at least once, that birch tree will be happy to kiss each leg.
According to him, fame is nothing compared to this "stunted area", which evokes touching feelings of gratitude. Yesenin remembers her from early childhood, this land nourished him with its beauties and prosperity, delightful crimson sunsets and sunrises, fragrant herbs and impassable fords.
Analysis of the poem "Small forests. Steppe and gave»
From the mere thought that his hero is returning to his homeland, the poet is covered by a wave of accordion sounds and the tune of ditties. In this rhythm, by the way, the verse was written. A 4-foot trochee, characteristic of folk ditties, was used.
It should be noted that Yesenin “Small Forest. Steppe and gave” wrote one of the last. Here he, to some extent, laid bare his dying premonition, which was almost always present in all his lyrics. It is not in vain that the tavern revelry, the accordion is mentioned in the last column, and now the tragic death that for the Russian people has become business as usual. "Oh, accordion, death is poison ...".
Yesenin and homeland
The poet left his native village of Konstantinovka quite early, because he went to conquer the capital, not even suspecting what was waiting for him there, and what a strong longing for his native land would torment him all his life. Cheerful and dissolute Moscow will quickly bore the Russian poet. He, of course, understood that it was not possible for his talent to break through in the village. But even having achieved great success in the poetic field, Yesenin did not get rid of his peasant roots, so he will devote almost every line of his creations to nature, which will become for him an inexhaustible source of poetic inspiration.
Yesenin "Small forests. Steppe and gave "wrote in October 1925, it was then that the poet decided to visit his native rural hinterland- the village of Konstantinovka. His first impressions of this trip were unforgettably exciting. He was surprised by the changes that had taken place during his absence. Inspired at first by revolutionary ideas, he very quickly became disillusioned, and now only nature, that cozy corner of childhood, still greeted him warmly and affectionately, ready to console and calm conflicting thoughts and feelings, pacify pride and vanity. It is here that he is again that same cheerful mischievous little boy, and not a foreign dandy disappointed with life in an English suit.
inevitability
In the poem "Small forests. Steppe and distances” one can feel the poet’s fatigue from the constant worldly fuss. After all, everything that he wanted, Yesenin had already achieved, but he did not understand why he lived, and what was the meaning of his life.
With the last phrase of the poem, “more than one dashing glory was lost by tryn-grass,” he sincerely admits that he is ready to give up his achievements for the sake of his former joyful, modest and serene life, but, as a person already wise by experience, he understands that the roads back for him are already no, like his quiet, calm old age in his native land.
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Listen to Yesenin's poem Small forest steppe and distance
“Small woods. Steppe and gave ... "Sergey Yesenin
Small forests. Steppe and gave.
Moonlight all the way.
Here again they suddenly sobbed
Draft bells.ugly road,
Yes, forever beloved
which I traveled a lot
Every Russian person.Hey sled! What a sled!
Ringing frozen aspens.
My father is a farmer
Well, I'm a peasant's son.I don't care about fame
And that I am a poet.
This shabby area
I haven't seen it for many years.The one who has seen at least once
This edge and this surface,
The one almost every birch
I'm glad to kiss the leg.How can I not cry
If with a wreath in cold and ring
Will be around to have fun
Youth of Russian villages.Oh, harmonica, death is poison,
Know from that under this howl
Not one dashing glory
Lost tryn-grass.
Analysis of Yesenin's poem “Small forests. Steppe and gave ... "
Dreaming of becoming a poet, Sergei Yesenin left his native village of Konstantinovo very early and went to conquer Moscow, not suspecting that he would yearn for his native land. Metropolitan life with its temptations very soon got bored with the rising star of Russian literature, but Yesenin understood that he could never become famous if he spent his whole life in the rural wilderness. Nevertheless, having achieved success in the poetic field, he remained an ordinary peasant guy and devoted the vast majority of his poems to his native nature, which was an inexhaustible source of inspiration for him.
In 1925, Yesenin briefly returned to his homeland and was unpleasantly surprised by the changes that had taken place in the measured way of rural life. However, the first impressions of the trip home were very touching and exciting. It is to them that the poem “Small Forest. Steppe and Far”, in which the author once again confesses his love for the Russian land and realizes that in comparison with this all-consuming feeling, his creative successes simply pale. The "ugly road" along which he had a chance to return to Konstantinovo causes a real delight in the poet, which is mixed with a slight sadness. Yesenin realizes that he has long ceased to be part of this world, so familiar to him since childhood. However, the author is ready to sacrifice everything in order to touch the past at least for a moment. Therefore, he declares "I do not care about fame and the fact that I am a poet." At this moment, it is much more important for him that he is returning home, where he has not been for almost 10 years. His feelings are so sincere that the poet "is glad to kiss almost every birch leg."
The most vivid childhood memory for Yesenin is the overflow of bells in a horse harness and the sounds of an accordion, which he calls "death-poison". Such a comparison is not accidental, since it is the harmonies that evoke a whole range of the most contradictory feelings in the soul of a Russian person. For Yesenin, they symbolize valiant prowess and recklessness, therefore, in his poem, the author notes that under the “howl” of the accordion, “more than one dashing glory was lost by tryn-grass.” With this phrase, the poet wants to emphasize that he is ready to give up everything that he has managed to achieve for the sake of his former life, filled with joy and serenity. However, Yesenin understands that there is no turning back for him, and regrets that he exchanged a measured rural life, simple and harmonious, for momentary success.
The theme of love for the Motherland for Sergei Yesenin is quite typical, and this time, his characteristic lyrics do not become some kind of exception to the rules. The poem was written in 1925, it is filled with the love and tenderness of a wanderer who returns home from a long journey and experiences strong emotions from contemplating his native landscapes.
The main theme of the poem
The piece starts with classical description roadside landscapes that are unpretentious and do not differ in anything special, but at the same time impress the lyrical hero. A simple Russian landscape excites the character, making the heart beat faster.
The author candidly shares his very intimate experiences which he himself had experienced. The return to the homeland was very important for the poet. great importance, and therefore the poem is filled with the same great, simply incredibly deep, experiences.
Everything was mixed up here - from philosophical thoughts about fate and meaning human life, to some elusive notes of premonition of tragedy, death. At the same time, each line betrays the poet's excellent knowledge of rural life and the peculiarities of the nature of suburban settlements.
Structural analysis of the poem
The lyrical hero this case is completely identified with the author of the poem, and the experiences that fill the work can be safely called the personal experiences of the poet himself. It is very important to emphasize a certain salient feature works of this author - he is inclined to give spirituality to nature - trees, herbs or even, as in this case, "draught bells".
The ordinariness of the landscapes of the country road is emphasized by the mention that quite a few "Russian people" traveled along this unsightly, ordinary road. Thus, the author did an excellent job of highlighting the traditional nature of such landscapes for the inhabitants of central Russia, which means that the work resonates with the feelings of not only the author, but also any Russian person.
With the words that the author is the son of a peasant, the poet tries to emphasize his close relationship with a Russian person, a certain strong connection with this native land. The spiritualization of nature also helps here to convey tenderness and strong feelings person. Special artistic techniques allow even sounds and smells to come to life in the reader's imagination, which allows you to paint a more realistic picture in the end.
To write the poem, a 4-foot trochee with a cross classical rhyme was used. That is why the work is easy to read, and the lines of the poem are very quickly remembered in the end.
Conclusion
This poem can be safely attributed to the classical works of this poet, which are dedicated to love for nature. home country. This is a typical Yesenin's lyrics, which is very clearly characterized by unusual metaphors that are understandable to everyone. modern man. These lines are designed to instill patriotism in Russian people, and are able to awaken tender feelings to native land countries.
Small forests. Steppe and gave.
Moonlight all the way.
Here again they suddenly sobbed
Draft bells.
ugly road,
Yes, forever beloved
which I traveled a lot
Every Russian person.
Hey sled! What a sled!
Ringing frozen aspens.
My father is a farmer
Well, I'm a peasant's son.
I don't care about fame
And that I am a poet.
This shabby area
I haven't seen it for many years.
The one who has seen at least once
This edge and this surface,
The one almost every birch
I'm glad to kiss the leg.
How can I not cry
If with a wreath in cold and ring
Will be around to have fun
Youth of Russian villages.
Oh, harmonica, death is poison,
Know from that under this howl
Not one dashing glory
Lost tryn-grass.
Analysis of the poem "Small forests. Steppe and gave ... "Yesenin
The last year of Yesenin's life was oversaturated with various events. The poet foresaw his death and sought to make the most of the remaining time. Terrible binges interspersed with powerful tides creative inspiration. The poet managed to marry for the third time and made an attempt to recover from alcohol addiction. He attached particular importance to the last trip to his native village, where he had not been for about ten years. Impressed by this visit, Yesenin wrote several beautiful poems. One of them is “Small Forest. Steppe and gave ... "(October 1925).
The state of mind of the poet was extremely difficult. His mood changed dramatically under the influence of the most insignificant causes. This work was written in a moment of spiritual enlightenment, there is no oppressive feeling of gloom and hopelessness in it. At the same time, some kind of unhealthy desperate fun is noticeable, which is characteristic of a person who is in an extreme degree nervous excitement. One gets the impression that the poet is in an unstable state between laughter and tears. Contemporaries claim that Yesenin seemed to be exactly like this during this period of time.
The serene picture of the landscape (“the steppe and the distance”) is suddenly invaded by “draught bells”. They traditionally symbolize fun, but the poet is crying. This abrupt change of mood is characteristic of the entire work. The author's reflections are fragmentary, they quickly change and overlap each other. From the image ugly road The poet moves on to the image of a sleigh, which in turn reminds him of his peasant origin. Yesenin seems to suddenly remember why he undertook this trip at all. After all, he aspired to his native village for many years. This thought changes his mood again. The author speaks tenderly of his love for his native land, which is the real reason his tears.
In the finale, Yesenin refers to the image of an accordion, calling it "death-poison". The poet was very fond of this folk musical instrument and constantly invited harmonists to parties. To the sounds of the accordion, Yesenin fell into an exalted state, sang and danced. He believes that "under this howl" he is destined to die. Contemporaries claim that at the sight of Yesenin's desperate fun, those present often could not help but cry.
Finishing the poem with words about the disappearing "dashing glory", the poet forever says goodbye to his native village. Only two months remained before his death.
Lyrical work “Small forests. The steppe and the distance, adored by many representative of the new peasant poetry and lyricist S. A. Yesenin, once again shows the unusually reverent love of this real Russian poet for his homeland. In his poetic work, it was she who became the most beloved and popular motive. In his own, he often asked him, putting in the center the image of a wanderer who, after long wanderings and trials, returned to his native land, where, as it seemed to him, even nature trembled and rejoiced at his appearance. The theme of the road has become traditional and very common for many Russian classics, such as A. Blok, A. Pushkin, N. Nekrasov and others.
“Small woods. Steppe and distance" - Yesenin's verse
So, in the description of the plot of the verse, we see a very nondescript and unpretentious landscape. The soul and heart of the hero are worried, Yesenin represents himself in him. At this moment, he is torn from overwhelming emotions and rejoices, like those sobbing “draught bells” in the ringing “along the unsightly road, but loved forever”, along which every Russian person has traveled many times.
Landscape in the work “Small forests. The steppe and the distance” was specially animated by the author. Such terrain in the Russian middle lane is common and unremarkable, but here it is depicted in harmony with the soul of an ordinary Russian peasant.
Yesenin never lost his feelings for his small homeland and connection with his roots. He himself said that his father was a peasant, and therefore he is a peasant son. In the verse "Small forests. The steppe and the distance” he compares nature with a native person, expresses feelings of gratitude and appreciation to him in his lines. The poet is sure that if anyone sees this region at least once, that birch tree will be happy to kiss each leg.
According to him, fame is nothing compared to this "stunted area", which evokes touching feelings of gratitude. Yesenin remembers her from early childhood, this land nourished him with its beauties and prosperity, delightful crimson sunsets and sunrises, fragrant herbs and impassable fords.
Analysis of the poem "Small forests. Steppe and gave»
From the mere thought that his hero is returning to his homeland, the poet is covered by a wave of accordion sounds and the tune of ditties. In this rhythm, by the way, the verse was written. A 4-foot trochee, characteristic of folk ditties, was used.
It should be noted that Yesenin “Small Forest. Steppe and gave” wrote one of the last. Here he, to some extent, laid bare his dying premonition, which was almost always present in all his lyrics. In the last column, it is not in vain that the tavern revelry, the accordion is mentioned, and now the tragic death that has become commonplace for a Russian person is walking in the footsteps. "Oh, accordion, death is poison ...".
Yesenin and homeland
The poet left his native village of Konstantinovka quite early, because he went to conquer the capital, not even suspecting what was waiting for him there, and what a strong longing for his native land would torment him all his life. Cheerful and dissolute Moscow will quickly bore the Russian poet. He, of course, understood that it was not possible for his talent to break through in the village. But even having achieved great success in the poetic field, Yesenin did not get rid of his peasant roots, so he will devote almost every line of his creations to nature, which will become for him an inexhaustible source of poetic inspiration.
Yesenin "Small forests. Steppe and gave ”wrote in October 1925, it was then that the poet decided to briefly visit his native rural outback - the village of Konstantinovka. His first impressions of this trip were unforgettably exciting. He was surprised by the changes that had taken place during his absence. Inspired at first by revolutionary ideas, he very quickly became disillusioned, and now only nature, that cozy corner of childhood, still greeted him warmly and affectionately, ready to console and calm conflicting thoughts and feelings, pacify pride and vanity. It is here that he is again that same cheerful mischievous little boy, and not a foreign dandy disappointed with life in an English suit.
inevitability
In the poem "Small forests. Steppe and distances” one can feel the poet’s fatigue from the constant worldly fuss. After all, everything that he wanted, Yesenin had already achieved, but he did not understand why he lived, and what was the meaning of his life.
With the last phrase of the poem, “more than one dashing glory was lost by tryn-grass,” he sincerely admits that he is ready to give up his achievements for the sake of his former joyful, modest and serene life, but, as a person already wise by experience, he understands that the roads back for him are already no, like his quiet, calm old age in his native land.
