The night shone. The garden was full of moonlight. lay
Beams at our feet in a living room with no lights.
The piano was all open, and the strings in it were trembling,
Like our hearts for your song.
You sang until dawn, exhausted in tears,
That you are alone - love, that there is no other love,
And so I wanted to live, so that, without dropping a sound,
Love you, hug and cry over you.
And many years have passed, languid and boring,
And in the silence of the night I hear your voice again,
And blows, as then, in these sonorous sighs,
That you are alone - all life, that you are alone - love.
That there are no insults of fate and hearts of burning flour,
And life has no end, and there is no other goal,
As soon as you believe in sobbing sounds,
Love you, hug and cry over you!

Analysis of the poem “The night shone. The garden was full of moon" Feta

In the work of Fet, one can single out a whole cycle of poems dedicated to the tragically deceased M. Lazich. One of them is the work “The night shone. The garden was full of moon" (1877).

Fet feels all the weight of the years he lived without his beloved. He turns to memories with a feeling of great sadness. It is possible that he describes a real episode from life. It is known that the poet himself told the girl that he could not marry her for financial reasons. He recalls one of the evenings spent alone with Lazic. The young man was full of hope for a happy future. He felt that all surrounding nature supports his aspirations. It seemed that the whole world belonged to the lovers (“beams lay at our feet”).

In the second stanza, an alarming motive appears: for some reason, the beloved sings “in tears”. Probably the author had already informed her of his fateful decision, and wonderful evening becomes forgiving. Fet did not hide the fact that the choice was not easy for him. Lazic's condition was even worse. Girl up to last minute she did not suspect that her poverty would cause Fet to refuse the wedding. She still does not believe that everything is lost, and is trying to change the poet's decision with her singing. The lyrical hero hesitates. He sees that happiness is in his hands. Heart tells him right choice, but cold reason reminds of financial problems. The author again and again returns to his hesitation. He is sure that if love had won at that moment, the girl would have been alive. That's the only thing that matters now. Prosperity and fame pale in comparison to human life.

The second part of the poem abruptly takes the reader to the present. The fatal choice was made. The beloved is long dead, but the poet continues to live and suffer. Marriage of convenience made him rich, but destroyed all dreams of happiness. The whole life lived is presented to the author as “tedious and boring”. The only consolation is the constant memories of the farewell party. They are infinitely dear to Fet, but at the same time they bring him incredible heartache. The poet is tired of life, he no longer sees purpose and meaning in it.

In other poems dedicated to M. Lazich, Fet directly stated his hope for a posthumous meeting with his beloved. He looked forward to his death. AT this work the poet only continues to "believe in the sobbing sounds" resounding in his memory. This faith gave Fet the strength to go through his life path to the end and earn forgiveness by your sufferings.

The text of Fet's poem “The night shone. The garden was full of moon” one of lyrical works the poet over whom literary scholars argued for a long time. Some say that it lyrical heroine- Maria Lazich, and others - Tatyana Bers, whose singing inspired Afanasy Afanasievich to create a poem. The plot is a meeting of lovers under the moonlight and the hero's later memories of this years later. Compositionally, the verse includes four stanzas, and in meaning - two: in the first and second stanzas lyrical hero describes a date, and in the third and fourth - a memory of him. Such a romantic picture was created using images of nature (night, dawn), music (piano, strings) and feelings (trembling hearts). This goal is also supported figurative means- epithets (“tedious and boring” years, “burning flour”, “sobbing sounds”). The themes that the poet revealed are music and love, and the motive is the transforming power of art. Thanks to the flexibility of the poem, the poet was able to convey his emotions in words.

The material can be used as an addition to literature lessons or when independent work in high school.

The night shone. The garden was full of moonlight. lay
Beams at our feet in a living room with no lights.
The piano was all open, and the strings in it were trembling,
Like our hearts for your song.

You sang until dawn, exhausted in tears,
That you are alone - love, that there is no other love,
And so I wanted to live, so that, without dropping a sound,
Love you, hug and cry over you.

And many years have passed, languid and boring,
And in the silence of the night I hear your voice again,
And blows, as then, in these sonorous sighs,
That you are alone - all life, that you are alone - love,

That there are no insults of fate and hearts of burning flour,
And life has no end, and there is no other goal,
As soon as you believe in sobbing sounds,
Love you, hug and cry over you!

The poem "The night shone. The garden was full of moonlight. They lay ... ”- one of the lyrical masterpieces of A. A. Fet. Created on August 2, 1877, it was inspired by the singing of T. A. Kuzminskaya (Sofya Andreevna Tolstoy's sister), who described this episode in her memoirs. The work opens a whole cycle of poems in the collection “ Evening lights”, which Fet called “Melodies”. Of course, this is no coincidence. The poem is really written in a romance-song vein, unusually musical. The poet believed that beauty - the main idea of ​​the lyrics - is expressed not in lines, not in refined words, but, above all, "sounds subtly." So one of the most important characteristics poetry should be melodious.
The musicality of this work is achieved through repetitions on different levels poetic text. So, in the lyrical syntax there are anaphoras (And ... And ..., What ... What ...) parallel constructions within the stanza ("That you are alone - all life, that you are alone - love; And there is no end to life, and there is no other goal" .... ). Fet compares similar sound composition words - "sonorous sighs" - giving the poem additional semantic and emotional "overtones". Here are used phonetic tricks assonance (repeating the sounds [a], [o]), alliteration (repeating the sound [p] in the line “The piano was all open and the strings in it were trembling”).
The composition of the poem also contributes to its melodiousness. In this lyrical monologue, the author uses the ring technique. In the line “Love you, hug and cry over you”, which frames the work, Fet expresses the main feelings of the hero: delight and admiration for the power of vocal art.
Of course, the musicality of the poem is dictated by its theme. After all, this work is not only about love and nature, it is primarily about wonderful singing, about a voice that gives rise to many vivid experiences:
The night shone. The garden was full of moonlight. lay
Beams at our feet in a living room with no lights.
The piano was all open, and the strings in it were trembling,
Like our hearts for your song.

You sang until dawn, exhausted in tears,
That you are alone - love, that there is no other love,
And so I wanted to live, so that, without dropping a sound,
Love you, hug and cry over you.
Fet does not depict a specific landscape or interior, but everything merges with him in perfect harmony. The poet creates a holistic dynamic picture, in which visual, auditory, tactile, and sensual impressions immediately appear. Generalization and combination of images of nature, love, music help the poet to express the fullness of the joy of perceiving being.
The poem is autobiographical. His lyrical hero is Fet himself.
This work tells about how the poet experiences two meetings with his beloved, between which there is a long separation. But Fet does not draw a portrait of his beloved woman with a single stroke, does not trace all the changes in their relationship and his condition. He captures only that quivering feeling that covers him under the impression of her singing:
And many years have passed, languid and boring,
And in the silence of the night I hear your voice again,
And blows, as then, in these sonorous sighs,
That you are alone - all life, that you are alone - love.
The feeling itself is also difficult to describe in words. The lyrical hero conveys the uniqueness, depth and complexity of his experiences with the help of "global" metaphors in the last line.
This poem once again convinces us that only art can truly ennoble a person, purify the soul, liberate and enrich it. Enjoying a wonderful work, whether it be music, painting, poetry, we forget about all our problems and failures, we are distracted from everyday hustle and bustle. human soul everything opens up to beauty, dissolves in it and thus gains strength to live on: to believe, hope, love. Fet writes about this in the last stanza. The singer's magical voice frees the lyrical hero from "the insults of fate and the burning torment of the heart", presenting new horizons:
And life has no end, and there is no other goal,
As soon as you believe in sobbing sounds,
Love you, hug and cry over you!
Speaking about the lyrical character of the poem, the author unwittingly touched upon the theme of the creator, his mission. The singer's voice, which awakened a whole range of feelings in the hero, sounds so delightful, because the heroine gives herself passionately to her occupation and is herself fascinated by the magic of music. At the time of the song, it must seem to her that there is nothing more important in the world than these beautiful sounds, than the feelings invested in the work. To forget about everything except creativity - this is the share of a true creator: a poet, an artist, a musician. This is also mentioned in the work.
The poem "The night shone. The garden was full of moonlight. They lay…” strikes with a variety of themes, depth and brightness of images, extraordinary melody, as well as its idea, which, in my opinion, lies in the author’s amazing desire to convey the beauty of art and the world in an inclusive way.

Afanasy Afanasyevich Fet - the most beautiful lyricist, perhaps one of the last romantics in the galaxy of Russian writers of the "golden age", a man of amazing tragic fate.

The life of the poet can hardly be called happy: he suffered litigation, marriage to an unloved woman and sincere, pure, beautiful love - unfortunately, Afanasy Afanasyevich could not accept it, and therefore, until the end of his days, he reproached himself, tormented - and poured out his soul on paper, about love "wrote sobbing." Each of his love poem- this is a bare string, a heart turned inside out before the reader, ardent, passionate, guilty ... For this ardor and honesty in last years life he will receive a whole tub of slander, hatred and contempt from critics. However, in the souls of contemporaries and descendants, he will still remain incredibly sensual person who gave the world a touching love story.

One of the most sincere and exciting poems by A.A. Feta becomes “The night shone. The garden was full of moonlight. They lay down…”. This is a later work of the poet, which is often erroneously interpreted, assuming that it is dedicated to Tatyana Kuzminskaya, who became the prototype of Natasha Rostova in the novel by L.N. Tolstoy "War and Peace". Despite the fact that literary scholars have reason to believe so, there are too many inaccuracies in this version, which are completely absent in another, less known version the history of the creation of the poem, according to which its addressee is Maria Lazich - the only love poet.

Few people know that absolutely all love lyrics the poet is dedicated to this particular girl, who desperately loved Afanasy Afanasyevich and was even ready to be his cohabitant, mistress - just not to part with him.

Alas, the poet was not satisfied with marrying a dowry. He couldn't refuse material well-being for the best feeling in his life. When Lazich tragically dies, Fet will realize that he missed his happiness. Despite the fact that there is still debate about whether her death was an accident or suicide, the poet unequivocally decided: it was he who was to blame for the tragedy of Mary. He will not forgive himself for this. That is why so often in his poems there is a motif of fire and tears - symbols of his eternal guilt.

Thematically, the poem "The night shone ..." is deeply intimate, love. It reflected all the experiences of the poet. However, despite tragic story his creations, his mood is still major, inspiring. In the last lines, riddled with light sadness, somehow between the lines one can read, no, one feels the hope of reuniting with his beloved; her bright image accompanies the lyrical hero all his life, becoming like his guardian angel. No wonder the poem creates a sensual, unearthly, divine image of a beautiful girl who once played the hero on the piano... The work is dominated by the idea of ​​the immortality of love and the human soul, so that the lyrical hero hopes to meet his beloved outside the earthly world.

According to the plot, "The night was shining ..." is close to Pushkin's "I remember a wonderful moment ...": it also manifests the motive of love-remembrance, reviving everything better feelings in the heart of a hero. The poem begins with an exposition, which is a landscape sketch, and continues with a picture of a nightly date, during which lovers enjoy each other. The heroine plays the piano, as if pouring out her soul, and her lover at that very second feels his affection for the girl especially keenly, realizes the depth of his feelings for her.

Many years pass, and now the image of the beloved is reborn in the soul of the hero, he thanks her for tenderness, for sensuality, and regrets that his dreams remain only dreams ...

The ring composition gives special touchingness and semantic depth to the poem. The lines "To love you, hug you and cry over you" frame the love story of the characters, organically weaving the motif of their separation into the plot.

The poem is written in quatrains, iambic six-footed with alternating masculine and feminine rhyme, with cross rhyming. Despite the apparent simplicity, the lyricism of the work is achieved hard work with funds artistic expressiveness. Among the tropes, the most significant personifications are observed in almost every stanza (except the last): rays lay at the feet, the piano strings trembled, the night shone; and epithets (languid years, sonorous sighs, sobbing sounds). The second and fourth stanzas are compositionally parallel to each other, which helps to strengthen the poetic picture, to increase that pleasantly painful feeling of bitterness of lost love a hundredfold.

Stylistic figures are presented no less diverse. So, it is characterized by anaphora (third stanza), gradation (love, hug, cry), inversion.

But the main attraction of the work is provided by the use of alliteration and assonance. It is these methods poetic phonetics create a unique melody, melodiousness of the lines.

In the first two lines, the sounds "l" and "o" are repeated, creating a feeling of silence, tenderness, softness. The second half of the first quatrain is distinguished by an abundance of the “r” sound, which helps to convey the excitement, the uneven heartbeat of two excited lovers.

This impeccable elegy is difficult to attribute to any literary direction, however, many literary critics are inclined to think that this is a romantic work.

The amazing property of the Fet poet is that he is able to abstract himself from external fuss. Despite life's troubles, he finds rapture in memories and poems. Despite the fact that the words “cry”, “tears” are repeatedly repeated in “The Night Shined ...”, it reflects only positive, wonderful feelings poet. One gets the feeling that he does not want to return to reality - only to live beautiful dreams that protect him from the problems and difficulties of the real world.

The poem "The night shone ..." was created by A Fet under the impression of one musical evening in a circle of friends and is dedicated to Tatyana Andreevna Bers, in the marriage of Kuzminskaya, with whom Fet was at one time infatuated. The girl sang at this evening, as she was a wonderful singer, professionally engaged in music. Kuzminskaya - the sister of Leo Tolstoy's wife - became the prototype of Natasha Rostova in the novel War and Peace. Fet, hearing Bers singing one evening, told her: "When you sing, words fly on wings."

Below is an excerpt from the memoirs of T. Kuzminskaya “My life at home and in Yasnaya Polyana about how poetry appeared.

“It was already dark, and the May moonlight fell in stripes on the dim living room. The nightingales, as I began to sing, shouted over me. For the first time in my life, I experienced this. As I sang, my voice, as usual, grew stronger, fear disappeared , and I sang Glinka, Dargomyzhsky and Bulakhov's "Kroshka" to the words of Fet. Afanasy Afanasyevich came up to me and asked me to repeat. The words began:

It just gets a little darker
I'll wait to see if the bell rings.
Come my sweet baby
Come sit in the evening.

Tea was served and we went into the hall. This wonderful, large hall, with large open windows in a garden illuminated full moon, disposed to singing. There was a second piano in the hall. Over tea, the conversation turned to music. Fet said that music affects him as much as beautiful nature and words win in singing.

Here you are now singing, I don’t know whose words, the words are simple, but it came out strong.

And he proclaimed:

Why are you when you meet me
Do you gently shake my hand with melancholy?
And in my eyes with involuntary longing
Are you looking and waiting for something?

Marya Petrovna fussily approached many of us and said:

You will see that this evening is not will be in vain Govubchik Fet, he will write something that night.

The singing continued. Most of all I liked Glinka's romance: "I remember wonderful moment" and "To her" - also Glinka at the pace of a mazurka. Usually this romance was accompanied by Lev Nikolaevich and remarkably well. He said: "There is both grace and passion in this romance. Glinka wrote it when he was tipsy. You eat it well."

I was very proud of this review. He so seldom praised me, and more and more read moralizing.

It was two in the morning when we parted ways. The next morning, when we were all sitting at tea round table, Fet entered, followed by Marya Petrovna with a beaming smile. They spent the night with us. Afanasy Afanasyevich, having greeted the elders, silently approached me and placed a piece of paper covered with writing, not even white, but, as it were, a piece of gray paper, near my cup.

This is for you in memory of yesterday's Eden evening.

The title was - "Again". It happened because in 1862, when Lev Nikolaevich was still a fiancé, he asked me to sing something to Fet. I refused, but I sang. Then Lev Nikolaevich told me: “You didn’t want to sing, but Afanasy Afanasyevich praised you. You love it when you are praised.”

Four years have passed since then.

Afanasy Afanasyevich, read your poems to me - you read so well, - I said, thanking him.

And he read them. This leaflet is still in my possession. These poems were printed in 1877 - ten years after my marriage, and now music has been written on them. The lyrics have been changed a little. Here is the text that was given to me:

AGAIN

The night shone. The garden was full of moonlight. lay
Beams at our feet in a living room with no lights.
The piano was all open, and the strings in it were trembling,
Like our hearts for your song.
You sang until dawn, exhausted in tears,
That you are alone - love, that there is no other love,
And so I wanted to live, so that only, dear,
And many years have passed, languid and boring,
And in the silence of the night I hear your voice again.
And blows, as then, in these sonorous sighs,
That you are alone - all life, that you are alone - love,
That there are no insults of fate and hearts of burning flour,
And life has no end, and there is no other goal,
As soon as you believe in caressing sounds,
Love you, hug and cry over you.