Year through the newspaper Russian word» conducted a survey of several thousand representatives of the intelligentsia in order to identify the reasons for the widespread disbelief.
A number of Vvedensky’s works of 1922-1923 were devoted to justifying the activity of “renewal” (actually split) of the Church, in which he special place paid social aspect, emphasizing that the church ideal is forgiveness, the denial of classes and national differences, the condemnation of all types of exploitation and violence. Main "sin... old church» , according to Vvedensky, was that she did not condemn capitalism, while "The Church must sanctify the truth of the communist revolution", because in public sphere Bolsheviks "embodied the principle social truth» and closer than previous rulers, “come to the fulfillment of the precepts of Christ”. Vvedensky, translating his reasoning into a political plane, called the Patriarchal Church "the militant organ of the counter-revolution", "Church of counter-revolutionaries", which, in his opinion, manifested itself with particular force at the Local Council of the Orthodox Russian Church in 1917-1918.
After a meeting with other vicars of the Petrograd diocese and due to open pressure from the authorities, who threatened to shoot Metropolitan. Veniamin, who entered the temporary administration of the Petrograd diocese, Yamburg Bishop Alexy (Simansky) on June 4 lifted the ban on Vvedensky.
The absence of bishops in SODAC forced Vvedensky to restore communion with the Living Church, and on October 16, he again became a member of the HCU and became deputy chairman.
Renovation Archbishop of Krutitsy
Actively participated in the work of the II Renovationist local council of the year, where on May 3 he delivered a report in which he insisted on the defrocking of Patriarch Tikhon, calling the patriarch "a traitor to the cause of Christ". On the same day, the cathedral adopted a resolution allowing marriage for bishops, and on May 4, Vvedensky was elected Renovationist Archbishop of Krutitsky, the first vicar of the Moscow diocese. The consecration of Vvedensky, who was in a marital state, took place on May 6 in the Cathedral of Christ the Savior.
In August of the year, he became a member of the newly formed Renovationist holy synod as the 2nd vice-chairman, headed the administrative and educational departments and the missionary council in the synod.
"Metropolitan Apologist"
At the Renovation III All-Russian Local Council of the Orthodox Church, which opened on October 1, Vvedensky was elected deputy chairman of the council. In his introductory speech, opening the cathedral, Vvedensky read out a deliberately false letter from the Renovationist Bishop Nikolai Soloviev that in May, Patriarch Tikhon (Bellavin) and Met. Peter (Polyansky) was allegedly sent with Nightingale to Paris. book. Kirill Vladimirovich blessing for the lesson royal throne. Like many other oral and printed statements by Vvedensky, this speech had the character of a denunciation and was the reason for the imminent arrest of Metropolitan Peter.
In the 1920s, Vvedensky was popular as a preacher and orator, often giving lectures, and participating in disputes on religious topics with Anatoly Lunacharsky, People's Commissar of Education. He was a professor of renovation at the Moscow Theological Academy and. In the year of the Moscow Renovation Academy he was awarded the degree Doctor of Divinity, per year- degree Doctor of Christian Philosophy, in - years headed the academy as a rector.
After the closure of the Cathedral of Christ the Savior in the year, Vvedensky performed divine services in Moscow churches: the Apostles Peter and Paul on Nov. Basmannaya st. , "the most holy and blessed First Hierarch of Moscow and all Orthodox churches in USSR" . Looking for an opportunity to reunite with
Literature
- Charter of the citizen of the white clergy "Living Church". Nolinsk, 1922;
- Kozarzhevsky A. Ch. A. I. Vvedensky and Renovationist split in Moscow // VMU: Ist. 1989. No. 1. S. 54-66;
- Acts of St. Tikhon. pp. 85-87 and others;
- Cheltsov M.P., prot. What is the reason for the church devastation in 1920-1930? // Past. M.; SPb., 1994. Issue. 17. S. 418-441;
- Russian Orthodox Church and the communist state: 1917-1941: Documents and photomaterials. M., 1996; Politburo and the Church;
- Stepanov I. About the "Living Church". M., 1922;
- Okunev Yak. "Change of milestones" in the Church. Kh., 1923;
- Titlinov BV New Church. M.; Pg., 1923;
- he is. Church during the revolution. Pg., 1924;
- Ilyinsky F.I. Pravda tserk. split. Kozlov, 1924;
- Stratonov I. Russian church. turmoil: 1921-1931. Berlin, 1932;
- Regelson L. Tragedy of the Russian Church, 1917-1945. P., 1977. M., 1996r;
- Krasnov-Levitin A. dashing years 1925-1941. P., 1977;
- Brushlinskaya O. Remained impenitent // Science and religion. 1988. No. 6. S. 42-46;
- Essays on the history of the St. Petersburg diocese. SPb., 1994. S. 247, 248, 258;
- Levitin, Shavrov Essays on Troubles; Shkarovsky M. V. Renovation movement in the Russian Orthodox Church of the XX century. SPb., 1999;
- Cherepenina N. Yu., Shkarovsky M. V. St. Petersburg diocese in the twentieth century. in the light of archival documents. 1917-1945. St. Petersburg, 2000, pp. 49, 84, 102, 103, 215, 216, 228;
- Firsov S. L. Power and believers: from the church. history // Nestor. 2000. No. 1. S. 207-231;
- "Renewal" split. M., 2002.
Used materials
- Holy Georgy Orekhanov, M. V. Shkarovsky. Vvedensky Alexander Ivanovich. Volume 7, pp. 349-352:
- Alexander (Vvedensky) I, page of the site "Russian Orthodoxy":
See publications of dispute materials: Christianity or Communism. L., 1926; The Person of Christ in modern science or literature. M., 1928
Vvedensky served in the temple in con. 20 - beg. 30s
Born on November 23 (December 6 NS) in St. Petersburg in the family of an economist. He studied at the gymnasium, then at the school. L. Lentovskaya, which he graduated in 1921 without passing the exam in Russian literature. But already at school he began to write poetry. In those years, A. Blok was a favorite poet. In the 1920s he experienced strong influence futurism. He especially appreciated the poetry of the Kruchenykhs.
After leaving school, he first enters Faculty of Law Petrograd University, then to the Chinese department Oriental faculty, but soon leaves him. He worked as a clerk, then in 1921 - 22 at the power plant "Red October". However, all Vvedensky's interests are in literature. During these years, the circle of poetic, literary connections poet, his contacts in the world of art. He visits Klyuev, visits Kuzmin, meets Kharms, who becomes his close friend. In 1925, they appear in the Imagist collection "Unusual Meetings of Friends" with their poems, join the Leningrad Union of Poets, participate in the collections "Collection of Poems", in a group of wise men (this activity was neither fruitful nor long). They strive to unite "all leftist forces", and in 1927 a literary and theatrical group called "OBERIU" (Association of Real Art) appears, whose activity consisted in holding theatrical performances-concerts, often accompanied by scandals (the inscriptions were like this: "Art is not scales", "We are not pies", etc.). They proclaimed themselves "the creators of not only the new poetic language, but also the creators of a new sense of life and its objects. "Existed until 1930, when they were defeated. Vvedensky from 1928 acted as children's writer, collaborated in the magazine "Hedgehog" and "Chizh".
By 1931, almost all Oberiuts were arrested. Vvedensky was removed from the train on 10 December. They were accused of distracting people from the tasks of building socialism with their "abstruse verses." Vvedensky was accused of "wrecking in the field of children's literature." March 21, 1932 was released, but deprived of the right to reside in 16 points of the USSR for a period of 3 years. He lived in Kursk, then moved to Vologda, and completed his exile in Borisoglebsk in 1933.
Upon returning to Leningrad, he joins the Writers' Union. In 1933 - 34 written best poems Vvedensky - “I’m sorry that I’m not a beast”, “Invitation to think”, “Four descriptions”, etc. In 1936, while in Kharkov, he marries and leaves with his wife for the Caucasus, then returns to Kharkov, where he lives, sometimes visiting to both capitals. Works in children's literature, earns money by composing clown reprises, couplets, miniatures. In 1939 he wrote the play "The Christmas Tree at the Ivanovs". Shortly before the war, he wrote a play for the puppet theater of S. Obraztsov. During these years, he performed little with his poems. Latest works- plays "Potets", "Where. When".
In 1941 the Germans were approaching Kharkov and the family had to be evacuated. The train was full, so it was decided to stay and wait for the next one, which was supposed to leave in a few days. However, there was no further evacuation. Two days later, Vvedensky was arrested and charged under the "counter-revolutionary" article 54-10. Exact date death is unknown. Later, the date in the rehabilitation document was December 20, 1941.
He was one of the founders and members literary association OBERIU. During his lifetime, he was best known for his works for children, although he wrote them exclusively for earnings. But the serious things of the writer were in print many years after his death. About not easy, but interesting fate we will talk about the poet in this article.
Alexander Vvedensky: biography. Family
Was born future poet Petersburg on November 23, 1904. His father, Ivan Viktorovich, came from a family of a priest, but was able to get a law degree at Kiev University. This allowed him to enter the cadet infantry school, and then to the civil service, where he received the title of State Councilor. With coming Soviet power took up the position of economist. The writer's mother, Evgenia Ivanovna, was the daughter of a lieutenant general, was able to get a good medical education also in tsarist time, and under the Soviets became a famous doctor.
There were four children in total in the family. Surprisingly, the Vvedenskys were able to avoid repression because of their "socially alien origin." Perhaps due to the demand for mastered professions.
Gymnasium years
In 1914, Alexander Vvedensky was enrolled in the St. Petersburg Cadet Corps along with his younger brother. However, in 1917, the mother decided to transfer her sons to the gymnasium, which later became the 10th Labor School. L. Lentovsky. educational institution the future poet graduated in 1921.
This gymnasium differed from other similar institutions in its talented and experienced teachers, stories about which went around the city. Here Vvedensky made his first friends - Ya. S. Druskin and L. S. Lipavsky. He also met his future wife T. A. Meyer, with whom the writer registered a relationship immediately after graduating from high school, but divorced in 1930. In the same years, young Alexander begins to try to compose poetry.
After graduating from a labor school, into which the gymnasium had already been renamed, Vvedensky went to work as a clerk, and then he was made an accountant at the construction site of the Utkina Zavod power plant. In 1922 he managed to enter Pedagogical University to the faculty social sciences majoring in Law.
Simultaneously with his studies, he continued to work. So, from 1923 to 1924 he served in the Phonological Department. In the same years he became a member of the Leningrad Union of Poets, when he was asked about the direction, he classified his work as futuristic.
OBERIU
1925 was a significant year for the writer: Vvedensky Alexander Ivanovich made acquaintance with Daniil Kharms. This event became fateful for both poets. From that moment began their joint writing activity. In the same 1925, they published their poems in the Imagist collection Unusual Meetings of Friends.
Soon Kharms and Vvedensky joined the ranks of the avant-garde theatrical and literary group. It was she who in 1927 received the name OBERIU, which stands for "Association of Real Art." Adherents of this association preached primitivism and absurdism in art, believing that only senseless phenomena are the most interesting.
Vvedensky and Kharms were the most famous of the Oberiuts, but the latter took over the leading and organizing role. Alexander Ivanovich did not resist this.
Features of creativity
Vvedensky Alexander was very far from the futurist ideas about the beautiful future, which brought him closer to Velimir Khlebnikov. There were many common points in their works: simplified metrics and rhyming; frequent thematic and formal references to classical texts; special rhythm distortion and prose poetic lines. However, there was also a significant difference in subject matter: Vvedensky never indulged in the romanticization of the past or the future. The only thing the poet believed in and wrote about was God, death and time.
Alexander Vvedensky (poems prove this) believed that time could manifest itself only in death, while Khlebnikov was confident in the immutability of temporary laws. In one of the poems of Alexander Ivanovich there is an exclamation: “Ah! Pushkin ... "This most clearly conveys his idea of the world as a collapsed civilization, not only historically, but also metaphysically.
The Oberiuts did not last long. The workers and peasants did not understand their poetry and saw in them only apoliticality and unreliability. AT Soviet newspapers and magazines, the poets of the circle were subjected to serious attacks by critics. All this led to the destruction of the literary community.
Arrest and exile
In 1931 Alexander Vvedensky was arrested. His poems were considered unreliable, but this was not enough for the conclusion, so the reason was the accusation that he made a toast to Nicholas II. There is also a version that the reason was the performance of the royal anthem at one of the meetings. In addition to him, other Oberiuts were also taken into custody.
After a year in prison, he was sent into exile in Kursk, where he lived in the same apartment with Kharms, then moved first to Vologda, then to Borisoglebsk. Despite the disgrace, Alexander Vvedensky continued to write all this time, and in 1934 he was admitted to the Writers' Union.
This fact helped him to return to Leningrad in 1936. But soon the writer left Big city and settled in Kharkov with his second wife, and a year later their son Peter was born. Here the poet lived in complete isolation from the literary world.
In 1941, Vvedensky was again arrested. This time he was accused of counter-revolutionary agitation. Reliable information about the death of the poet has not been preserved. There is only an assumption that he died on December 19, 1941 on the way to Kazan. The place of burial is unknown.
Products for kids
Vvedensky Alexander wrote for children, like Kharms, on the initiative of S. Marshak. At that time, the Oberiuts could not make money on their serious poetry, so they gladly accepted the offer. And since 1928, Vvedensky has been writing children's poems, fairy tales and stories. His works are actively published in magazines.
For my creative career Vvedensky Alexander wrote about thirty books for children. The most famous is his poem "Who?", which was his first work for toddlers.
Alexander Ivanovich Vvedensky (1904-1941) - Russian, Soviet poet, playwright. Member of the Association of Oberiuts.
Born in the family of an economist. His father, Ivan Viktorovich), was the son of a priest and graduated from the Faculty of Law Kyiv University. His mother, Evgenia Ivanovna Povolotskaya (1876-1935), the daughter of a lieutenant general, received a medical education.
At first, Alexander Vvedensky, together with his brother, studied at cadet corps, but in 1917, at the insistence of their mother, the brothers were transferred to the gymnasium. L. Lentovskaya, which Alexander graduated in 1921 without passing the exam in Russian literature. It was in the gymnasium that he met Leonid Lipavsky, the future theorist of OBERIU. Then Vvedensky began to write poetry. After graduating from the gymnasium (which by that time had become a "labor school"), he first entered the legal department of the Faculty of Social Sciences of Petrograd University, then the Chinese department of the Oriental Faculty, but soon dropped out of school. He worked as a clerk, then in 1921-1922. - at the power plant "Red October".
Then Vvedensky met Daniil Kharms, who became his close friend. In 1925 they appeared in the Imagist collection Unusual Meetings of Friends with their poems. In 1924 he joined the Leningrad Union of Poets, when joining he identified himself as a Futurist.
In 1927, Vvedensky and Kharms created a literary and theatrical group called "OBERIU" - the Association of Real Art. The Oberiuts preached absurdism, primitivism in poetry, arguing through the mouth of the founder of the movement that only meaningless phenomena are interesting. Vvedensky did not play any organizational role in OBERIU - these functions were taken over by Daniil Kharms. The members of the association creative evenings, the most eccentric, famous evening of the group took place on January 24, 1928 at the Press House on the Fontanka and was called "Three Left Hours". Vvedensky read his poems at that evening. At the same time, Vvedensky, Kharms and some other OBERIUTs, at the suggestion of S. Ya. Marshak, began to cooperate with the children's magazines "Hedgehog" and "CHIZH". Alexander Ivanovich almost constantly published in them. And later he even translated several fairy tales of the Brothers Grimm. Thus, during his lifetime, he was printed mainly as children's poet.
The "last leftists" of pre-war Leningrad, the OBERIUTs, did not last long. There were strong responses in the press to their public performance. At the end of 1931, he was arrested along with other OBERIUTs (Vvedensky received a denunciation that he made a toast in memory of Nicholas II; there is also a version that the reason for the arrest was Vvedensky's performance at one of the friendly parties of the "former anthem"), exiled in 1932 to Kursk (he lived there for some time with Kharms), then lived in Vologda, in Borisoglebsk. Arriving with his wife in exile, he, as they say, immediately looked around the closet, found a stool, the only furniture, took out a pencil stub and a notebook from his coat pocket and began to write.
In 1934 he became a member of the Writers' Union. Since 1936, from Leningrad, where he was allowed to return, Vvedensky moved to his new wife Galina Borisovna Viktorova in Kharkov, where he lived in complete isolation from writers; in 1937, a son, Pyotr Aleksandrovich Vvedensky (1937-1993), was born. Godfather and Peter's mother was the artists Elena Vasilievna Safonova and Vladimir Vasilyevich Sterligov.
September 27, 1941 Alexander Vvedensky was arrested on charges of counter-revolutionary agitation. With regard to the approach German troops he was transferred to Kharkov in an echelon to Kazan, but on the way on December 19, 1941 he died of pleurisy.
Full publications of his legacy only began in the late 1980s. At the same time, the publishers did not send a single copy of his publications to Vvedensky's widow G. B. Viktorova and her son Boris Viktorov, and, as a rule, they did not return the borrowed manuscripts. Subsequently, the publications were interrupted, since the literary critic Vladimir Glotser, who received a power of attorney from Boris Viktorov, began to make high royalties on publishing houses (“heirs must be paid”), otherwise threatening legal prosecution. This led to the fact that collections of OBERIU poets began to come out with clean sheets in the place where Vvedensky's poems should have been.
After Glotser's death, in November 2010, a new 700-page collection of Vvedensky's works entitled "Everything", compiled by Anna Gerasimova, was released. The collection includes “almost all the ‘adult’ works of the author.
Alexander Ivanovich Vvedensky(November 23 (December 6), St. Petersburg - December 19) - Russian poet and playwright from the OBERIU association. During his lifetime, he published and was known to the general public as a children's writer; the vast majority of Vvedensky's "adult" texts were published posthumously.
AT philosophical lyrics Vvedensky, according to M. B. Meilakh, “eschatological motives of time and death, God-forsakenness and Divine intervention” are being developed. Vvedensky is characterized by radical semantic experiments (characterized as "absurd", "nonsense"). With their help, as the researchers point out, ordinary consciousness is discredited and the adequacy of the mind and thinking in general (and language as their tool) is called into question.
Encyclopedic YouTube
1 / 2
✪ A. Gerasimova: Oberiuts and A. Vvedensky
✪ Stanzas of the century: Oberiuts
Subtitles
Biography
Born in St. Petersburg on November 23 (December 6), 1904. Father, Ivan Viktorovich (1870-1939), was the son of a priest, graduated from the Faculty of Law of Kyiv University, then the Kiev Infantry Junker School, regularly served in civil service, rose to the rank of State Councilor; Under Soviet rule, he worked as an economist. Mother, Evgenia Ivanovna Povolotskaya (1876-1935), daughter of a lieutenant general, received a medical education and became a famous gynecologist. There were four children. AT Soviet time the family escaped the repression associated with "socially alien origin".
In 1914, Alexander Vvedensky was appointed to the cadet corps in St. Petersburg, like his younger brother, but in 1917 (at the insistence of the mother) the brothers were transferred to the gymnasium (later the 10th Labor School named after L. Lentovskaya), which Alexander graduated in 1921. The gymnasium was famous for talented teachers. L. S. Lipavsky and Ya. S. Druskin, who remained his friends for life, as well as Tamara Alexandrovna Meyer (in 1921-1930 - Vvedensky's wife) studied at the same gymnasium. Then Vvedensky began to write poetry. A group of poets was formed in the gymnasium (Vvedensky, Lipavsky, V. S. Alekseev).
After graduating from a labor school, he worked as a clerk and then as an accountant at the construction of the Utkina Zavod power plant. In 1922 he entered the legal department of the Faculty of Social Sciences of Petrograd University, which he soon left. Perhaps for a short time he also tried to study as a sinologist (one “rank” with T. Meyer), but this is not documented. In 1923-1924 he worked in the Phonological Department of GINKhUK. In 1924, he joined the Leningrad Union of Poets, and upon joining he identified himself as a Futurist.
Distancing himself from the Futurists with their utopias of a brighter future, Vvedensky was close to many of Velimir Khlebnikov's poems. He, like Khlebnikov, preferred simplified rhyming and metrics, often referring to classical texts (for example, rhythmic and thematic echoes with Pushkin and Batiushkov are obvious in the Elegy). Just like Khlebnikov, here and there he deliberately loses the rhythm, switching to prosaic free verse. But, unlike Khlebnikov, Vvedensky is very far from romanticizing the past or the future. " To death, to death keep your balance, / poor singer and rider"(This is how the" Elegy ", one of the most famous texts of Alexander Ivanovich, ends). Khlebnikov believed in the laws of time, Vvedensky believed that time reveals itself only in death. One of the last poetic exclamations: “Ah! Pushkin, Pushkin ”- conveys the collapse of civilization not only at the historical, but also at the metaphysical level.
Always surrounded by women in love with him, Vvedensky, according to the memoirs of his contemporaries, was nevertheless "absolutely lifeless."
From 1930 to 1936 he was married to Anna Semyonovna Ivanter (1906-1996).
The “last leftists” of pre-war Leningrad, the OBERIUTs, did not last long. In the press there were sharp responses to their public speeches, the Komsomol audience of which, judging by these responses, was scandalized by the apathy of the "incomprehensible" poets. At the end of 1931, he was arrested along with other OBERIUTs (Vvedensky received a denunciation that he made a toast in memory of Nicholas II, there is also a version that the reason for the arrest was Vvedensky's performance at one of the friendly parties of the "former anthem"), exiled in 1932 to Kursk (he lived there for some time with Kharms), then he lived in Vologda, in Borisoglebsk. Arriving with his wife in exile, he, as they say, immediately looked around the closet, found a stool, the only furniture, took out a pencil stub and a notebook from his coat pocket and began to write.
In 1934 he became a member of the Writers' Union. Since 1936, from Leningrad, where he was allowed to return, Vvedensky moved to his new wife Galina Borisovna Viktorova (1913, Moscow-1985, Kharkov) in Kharkov; in 1937, the son Pyotr Alexandrovich Vvedensky (1937-1993) was born. The godfather and mother of Peter were the artists Elena Vasilievna Safonova and Vladimir Vasilyevich Sterligov.
On September 27, 1941, Alexander Vvedensky was arrested on charges of counter-revolutionary agitation. According to one of latest versions, in connection with the approach of German troops to Kharkov, he was transferred in an echelon to Kazan, but on the way on December 19, 1941 he died of pleurisy. His body was taken to the morgue of the Kazan Specialized psychiatric hospital Ministry of Internal Affairs of the Tatar ASSR (in the archive of this hospital there is an act of his death). He was buried, presumably, at the Arsk or Arkhangelsk cemetery in Kazan. Rehabilitated March 30, 1964.
The fate of the literary heritage
During his lifetime, he published mainly as a children's poet. Since the 1960s, Vvedensky's texts, like those of other Oberiuts, have been circulating in samizdat and printed in the West (often in incomplete and distorted form). The full publication of his "adult" heritage occurred only in 1980-1984 in the two-volume book prepared by Mikhail Meilakh of the American Russian-language publishing house Ardis. In Russia, the first edition was carried out only in 1993 (Complete collection of works in 2 vols. M .: Gilea,). According to the poet's stepson, Boris Viktorov, who entered into the rights of his heir by decision of the Kharkov court in 1994 (shortly after the death of the poet's own son P. A. Vvedensky), the publishers did not send a single copy of the poet's widow G. B. Viktorova and him editions, and borrowed manuscripts, as a rule, were not returned. Subsequently, the publications were interrupted, since the literary critic Vladimir Glotser, who received a power of attorney from Boris Viktorov’s heir in 1994, began to make high royalties on publishing houses (“heirs must be paid”), otherwise threatening legal prosecution. This led, in particular, to the fact that one of the collections of OBERIU poets came out at first without any imprint (“A gathering of friends left by fate”: “Chinari” in texts, documents and studies in two volumes).<Б.м., б. изд.>, <1997>), and then with them, but with blank sheets in the place where Vvedensky's poems should have been, with comments on the missing texts (same. M .: Ladomir, 2000). Glotzer during four years sued the Gileya publishing house, which published the first edition of Vvedensky's works, but the court lost in both instances.
After Glotser's death, in November 2010, a 700-page collection of Vvedensky's works entitled "Everything" was published, compiled by Anna Gerasimova. It includes almost all the "adult" works of the author. In 2002, France published complete collection"adult" texts of the poet in Russian and French. In 2004, international scientific conferences dedicated to Vvedensky were held in St. Petersburg and Belgrade, on the basis of which collections were published.
Memory
Yegor Letov's poem "Night" from the album "Jump-jump" (1990) is dedicated to Alexander Vvedensky; Vvedensky is mentioned in this poem.
Leonid Fedorov sang many songs to Vvedensky's verses. Fedorov quite often turned in his work to the poems of Vvedensky. In particular, a whole album "Spring" was recorded, based on the poet's verses.
The Ukrainian theatrical and musical group Dakh Daughters recorded the song “Magpie Beast” on the lines from Vvedensky’s poem “I’m sorry that I’m not an animal ...”.
Children's books
- On the river, 1928 (2nd ed.)
- Many animals, 1928
- Meow, 1928
- Railroad, 1928
- Avdei-rotozei, 1928
- Summer book, 1928
- Journey to the Crimea, 1928
- October, 1930 (2nd ed. 1931)
- Winter all around, 1930 (2nd ed. 1931, 3rd ed. 1935)
- Working holiday, 1930
- On the road, 1930
- Wind, 1930
- Kolya Kochin, 1930
- Run, jump, 1930 (2nd ed. 1931)
- Honey, 1930
- Fishermen, 1930 (2nd ed. 1931)
- Who? Poems, 1930 (2nd ed. 1931; 3rd ed. 1934; 4th ed. 1936)
- Letter from Gustav Meyer, 1931
- Journey to Batum, 1931
- Equestrian Budyonny, 1931
- The feat of the pioneer Mochin, 1931
- P. V. O. Be ready for defense!, 1932
- Volodya Ermakov, 1935
- Summer and Winter, 1935 (2nd ed. 1936)
- Katya doll, 1936
- Puppy and kitten, 1937
- About the girl Masha, about the dog Petushka and the cat Nitochka, 1937
- The happiest day, 1939
- Lucy's book, 1940
- Natasha and a button. May Day and the May Girl, 1940
- Poems, 1940
- And you? 1941
- Summer, 1941
- About the fisherman and zander.
Literature
- Vvedensky A. Complete Works: In 2 volumes / Entry. Art., prep. text and notes. M. Meilakh. Ann Arbor: Ardis, 1980/1984.
- Vvedensky A. Complete Works: In 2 volumes / Entry. st., note. M. Meilakh; comp., prep. text by M. Meilakh and V. Erl. M.: Gilea, 1993., 10,000 copies.
- Kedrov K.“The poet who deceived time” / Izvestia, No. 188 (October 1993)
- Vvedensky A.I. Talk about a lunatic asylum. Poems. St. Petersburg: Agate. 2002. Ill. and design by G. A.V. Traugot.
- Œuvres complètes / Preface de Boris Lejeune. Paris: Editions de la Difference, 2002 (complete works in Russian and French).
- Alexander Vvedensky and the Russian Avant-Garde: Materials of the International scientific conference dedicated to the 100th anniversary of the birth of A. Vvedensky / Ed. A. Kobrinsky. St. Petersburg: CPI SPGUTD, 2004
- Ichin Kornelia, Jovanovich Milivoye. Symbolism of water and fire in the work of A. Vvedensky // Ichin Kornelia, Jovanovich Milivoye. elegiac excavations. - Belgrade: Publisher Faculty of Philology in Belgrade, 2005. - pp. 145-179. -
