A. Blok supported the ideas of the revolutionaries, but later he had an epiphany. The poet realized that justice cannot be done by such methods, it will bring too much pain to people. And he expressed this understanding in his poem "The girl sang in church choir, which is analyzed below.
Events leading up to the creation of the verse
The analysis "The girl sang in the church choir" should begin with brief background his creation. As is known, Blok approved the ideas and views of the revolutionaries. But after the rallies of peasants and workers in 1905 were brutally suppressed, and the revolutionaries tried to achieve their goal in any way, regardless of people, the poet seemed to see clearly.
He realizes that the country has embarked on a terrible path, that a Civil War may begin. And people will be ready to cause each other suffering just because they have different beliefs. At that turbulent time for the country, services were constantly held in churches to save the Fatherland. It is possible that Blok expressed his impression of one of these services in his poem.
Composition features
When conducting an analysis of "The girl sang in the church choir," the composition of the poem should be described. It is based on an antithesis in which two parts are opposed. One of them describes the temple, the image of a girl and magical singing. The people who heard him, there is a hope that everything will be fine.
But the second part of the poet brings everyone back to reality. Suddenly, a child's cry is heard. As if the child has a premonition that the suffering of people has not yet ended. Block paid great attention description of the first part. Perhaps this was due to the fact that most people did not yet realize the full horror of the revolution. They continued to believe that peace would soon reign in the country and everyone would be happy.
And only a few like crying baby, understood: the song of the girl will not come true. More trials await people before peace and order reign.
The sound-rhythmic side of the work
One of the points of analysis of "The girl sang in the church choir" is the sound-rhythmic characteristic of the poem. It is written in the form of free or accent verse, which uses alternation different sizes. Therefore, when reading, in order not to violate the rhythmic integrity, the lines written disyllabic size, you need to read more slowly.
In describing the temple and the image of the girl, the poet resorts to alliteration for sonorous and hissing sounds. This creates a sense of silence when reading, a sense of calm, hope. When the poet describes the crying of a child, he uses alliteration for voiced consonants. Listeners from a loud and sharp cry return to reality, from which they fled to the land of dreams, listening to the girl's singing.
image of the people
In the description of the parishioners, one can see the image of the Russian people, which should be mentioned in the analysis of the poem "The girl sang in the church choir." People came to the temple in the hope that they would find peace here. After all, prayer is all that was left at that time. ordinary people who did not participate in the revolution.
And in the poem there is no clear division among the parishioners. Because everyone who was in the temple, they are all one, all equal. It could be families that have already lost someone close to them. Or relatives of those who took Active participation in the events of the revolution. And there were also people who simply prayed for the future of their Motherland, for the whole people, for peace to reign.
Therefore, the parishioners listened so attentively to the singing of the girl. For them, it was a beacon of hope. They believed that their prayer would be answered. Therefore, the cry of a child in that bright silence was all the more unexpected. As if only a child understood that the revolution was just beginning.
The image of a singing girl and a crying child
In the analysis of "The Girl Sang in the Church Choir" by Blok, it should be noted that the image of the girl, while singing, which is illuminated by the beam, occupies a central place in the poem. Her song about ships at sea is the epitome of the hope that they will return. Just like the people who take part in the revolution will return to their loved ones.
Her song is a ray of light that illuminated the lives of all the assembled parishioners. Her singing is filled with faith in a better future, it is beautiful because it comes from pure heart. People tired of rallies and civil war felt calm and peace in their souls during the church service. The girl in Blok's poem is a symbol of hope, a brighter future.
But only for a child pure soul and sinless in thought, a mystery is revealed: what is not the end tragic events. The child anticipates something terrible ahead, and from not understanding what exactly, he cries. He is sorry that the bright hopes of these people are not destined to come true. And the poet, one of the few who understands the reason for this crying, realizes that the rallies of 1905 are only the beginning terrible events revolution.
Literary devices and tropes
One of the points in the analysis of the verse "The girl sang in the church choir" is literary tropes used by the poet. Blok used metaphors, syntactic parallelism, epithets and anaphoras to give even more expressiveness to the images, to emphasize the opposition of the two parts. The musical coloring of the work is given by assonances, due to which the reading of the lines turns out to be melodious.
Analysis of the text "The girl sang in the church choir" allows readers to see the poet's desire to show the duality of this world. This work was dedicated to the victims of the shooting at Winter Palace. For A. Blok, it was very expensive, and he ended each of his public readings with this particular poem.
Blok A.A. in his creative process always retained the foundations of symbolism, however, his first poems carried a strongly demonstrative, rebellious, patriotic, communist, rebellious character.
In 1905 A.A. Blok inscribed the verse "The girl sang in the church choir" during the upcoming fratricidal war and the Russian coup. Radiators of Russian literature say that the era of this poem was associated with the actions of the Japanese-Russian war.
A poem is written on the basis of opposition. The voice of a beautiful girl in white attire is like two drops of water to an angel, calmness and grace - all this is the antagonism of the cynical reality of fear, ruthlessness, barbarism and heartlessness during civil upheavals and wars. The face of the girl who sings in the poem communicates with the face of singing singing "carried away into the dome", and the white outfit in the poem is the image of a ray of hope that awakens hope in the soul, faith in tomorrow's silence and grace. The sadness of life representing the darkness of the church. Under the influence beautiful music, the darkness gradually crumbles to the sounds of captivating fairy-tale music.A light ray of light that falls on the girl's white robe represents hope, faith in a bright and calm life.
The second part of the poem turns out to be a line that separates hope, music, song and reality. The poet broadcasts that mortal existence is infinitely cruel; there is a place for sadness, misfortune, death, misfortune in it; while expanding the biblical expressions "Speak the truth through the mouth of a baby"
After death penalty at the Winter Palace, after countless barriers, shows, demonstrations Blok A.A. wrote this poem. To the poet himself given literature carried endlessly high price, this writer's effort was not successful, after which Blok A.A. completely abandoned the writing of communist poetry. "The girl sang in the church choir ..." The poet especially finished every public performance with this verse.
Analysis of Blok's poem The girl sang in the church choir No. 2
Alexander Blok is a famous Russian symbolist poet. He grew up and was brought up in intelligent family. In his early poems, the poet often expressed his patriotic and revolutionary thoughts. Blok was delighted with the idea of the equality of all people, idealistically believed in it. During youthful maximalism, he did not yet realize that any movement, revolution can not do without thousands of victims, or even much more.
The poet wrote this poem in 1905. That's when it happened bloody events. Russia was swept by a wave of uprisings of ordinary workers, peasants against their oppressors. But the riots were mercilessly suppressed, drowned in blood. Blok witnessed all this and was sober, he began to think about whether even a good idea was worth many human lives. In addition to the revolution, events also influenced him Russo-Japanese War, namely the Tsushima battle.
The poem, which we are considering through and through, is imbued with antithesis. Rudeness, cruelty and blood, the poet assigns a beautiful girl who sings beautifully and looks like an angel. Conventionally, the verse can be divided into two parts. The first contains the first three stanzas. They describe the beauty that the poet saw in the temple. The girl's singing is associated with prayer. The ship that has gone to sea must return, this is assumed in the motive. The girl's singing also symbolizes the power of art, which gives hope, faith in the future. There is darkness in the church, the poet used this symbol to show that all human life often looks like darkness. But under the influence of music, beautiful art, the darkness dissipates. A thin beam on the girl's shoulder symbolizes a resurgent faith in a bright life.
The second part of the verse begins with the fourth stanza. Blok showed how dreams, hope, faith in beauty differ from real life. The crying child is the one who quickly sobers us up, showing the real cruel reality.
It was Alexander Blok's favorite verse. He always, when reading to the public, ended his speech with this particular poem.
Analysis of the poem The girl sang in the church choir according to plan
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The girl sang in the church choir
About all the tired in a foreign land,
About all the ships that have gone to sea,
About all those who have forgotten their joy.
And it seemed to everyone that there would be joy,
That in a quiet backwater all the ships
That in a foreign land tired people
They got a bright life.
Philological analysis of the poem
Alexander Blok - the greatest poet 20th century, began his journey as a symbolist poet. If the poems of the "First Book" of poems are imbued with mysticism and are far from real life, then, starting from 1905, Blok's interest in public life. The Russo-Japanese War, the First Russian Revolution opened the poet's eyes to reality. In this regard, motives began to sound in the work of Blok of the second period, leading him to rapprochement with the people, homeland and life.
The poem "The girl sang in the church choir ...", written in August 1905, was included in the cycle " different poems"(1904 - 1905) "The Second Book" of Blok. The poet responds to the military events of the Russo-Japanese War, in which great amount sons of the Russian land, many were wounded, captured.
The theme of the poem "The girl sang in the church choir ..." is a prayer for the dead and those who did not return from the war, filled with faith in a brighter future and the hope that it will be heard. The idea of the poem is interesting and unusual - to show the doom of this prayer.
Let's take a closer look at the style, syntax, language units and figurative structure of the text.
The poem consists of four paragraphs (stanzas), interconnected. Each stanza has a semantic completeness that activates the reader's attention. Compositionally, the text can be divided into two parts. The first three quatrains are the girl's prayer, imbued with bright hope and holy faith that everything will be fine. The last stanza, and therefore the second semantic part, as if denying the first, showing the doom of this prayer. Thanks to the reception of antithesis, a contradictory world appears before us: earthly and divine, faith in the sanctity of prayer and its doom.
The integrity of the entire text is achieved not only in meaning. The author uses semantic repetitions: exact lexical repetitions (" about all», « Ray», « joy», « ships», « voice», « what», « and”), synonymous repetitions (“ watched and listened», « quiet» - « light», « sweet» - « thin”), root repeats (“ ships» - « ships», « stranger» - « foreign land», « tired» - « tired», « on white» - « white»).
Thus, it is easy to see that the poem is built on repetitions, and this, of course, is one of the strong positions of this poem. It is repetitions that are keywords and constitute the semantic dominant of this text.
The poem has a special meter - a four-strike dolnik. It is known that dolnik occupies an intermediate position between the syllabo-tonic and tonic systems of versification. Thus, this poem has a rhythmic organization, but at the same time, the number of unstressed syllables between the stressed ones is not constant. The four-hued dolnik conveys the emotion of the heroine, makes the text melodious and melodious.
In Blok's poem, male and female rhyme alternates, which gives it greater musicality and smoothness ( chore - the edge, the sea - its own, the dome - the shoulder, listened - the beam, it will be - ships, people - found, thin - the gate, the child - back). Masculine rhyme at the end of the stanza emphasizes the completeness of the text.
The poem has a cross rhyme, which gives it a special expressiveness. In the third stanza there is an inexact rhyme:
And it seemed to everyone that joy would be no
,
That all ships are in a safe harbor,
That in a foreign land weary people di
They got a bright life.
In each quatrain, it is not difficult to notice the anaphora (“ about all», « and», « what”), which gives the text excitement and emotionality.
In addition, the text uses the method of polyunion. The writing and subordinating conjunctions: « and
a beam shone on a white shoulder,Andeach of the darkness lookedand
listened...And
everyone seemed towhatjoy will beWhatin a quiet backwater all the ships,Whattired people in a foreign land ...And
the voice was sweetand
the beam was thinAnd
just high...". This stylistic device creates the effect of stringing coordinating and subordinate parts subordinating sentences. In this regard, throughout the poem, gradually intensifies emotional stress. In the first quatrain, non-union can be traced, thanks to which the girl’s prayer becomes more expressive.
In the second quatrain there is an inversion " sang her voice flying into the dome", thereby intonation highlighting the word" voice» for the subsequent participial turnover, which carries aestheticism.
The temporal organization of the poem is also peculiar. There are few verbs in the text, which indicates static, lack of dynamics. Interestingly, in first three stanzas (the first semantic part) used verbs imperfect form past tense ( “sang”, “sang”, “shone”, “looked and listened”, “sang”, “it seemed”) which indicates the duration and repetition of the action. In this regard, we seem to hear the repetition of a prayer. Saying it again and again, the power of the request increases, as if we enter into a state of unity with the Almighty. Time seems to slow down, creating the illusion of a brighter future. However, in the second semantic part, in addition to the verbs of the past tense of the imperfect form ( "was", "weeping") there is a perfective verb " will not come» in the future tense. It indicates the completion of the action - the prayer is heard by God. Attention should also be paid to the fact that in this case verb " will not come” denotes not only the end of the action, but at the same time its beginning. Thus, the expression " no one will come back” acquires an additional semantic connotation and becomes a metaphor foreshadowing future upheavals of the 20th century.
artistic time in this text inextricably linked with art space. This relationship is called the chronotope. In this poem, the reader is involved in two spaces, the boundaries of which are too blurred and almost imperceptible: on the one hand, the real and the earthly - the girl sings a prayer in the temple (1 - 3 stanzas), on the other hand - the divine (the last stanza).
The artistic expressiveness and poetry of the text of Blok's poem is achieved through the use of homogeneous members sentences complicated by participial phrases. The author uses participial phrases for the aesthetic impact on the feelings of readers.
The phonetics of Alexander Blok's poem is peculiar. consonant alliteration R
, l gives the text euphony and musicality, the girl’s prayer seems to be sung in a singsong voice (ne l ah, ho R uh, mouth l uh, to R ayu, cor ab l yah, mo R e, R
hell, ne l, th l os, l flowing, in the cupo l
, l uch this l, on the l om, from m R aka smot R e l and with l ushal, be l oh p l atye pe l about in l study, kaza l axle, co R ab l and, mouth l s l people, light l wow, oh R e l and, with l hell, then l ko). The emphasis on hissing sounds is an expression of the silence that always reigns in the temple (virgin sh ka, h at well om, u sh units sh them, forgetting sh them by flying sch uy, slu sh al, lu h, chu well binet, well life, when h native, h what well smoke). The last stanza is characterized by alliteration to voiced consonants ( G about l os, s l a d OK, l uch, then n ok, ca R
sky VR at, P R and often n th thai n am, p l aka l R e b yo n ok), which gives a feeling of anguish.
Thus, the motif of the doom of prayer intensifies with each line of the poem.
The tropic is also special The girl sang in the church choir". With the help of paraphrases at the Royal Doors" and " Involved in Mysteries» The block makes the text of the poem more sublime, divine. We understand that the Royal Doors are the altar in the church, and the Communioner of the Mysteries is the communed, i.e. soul attached to higher nature and to eternal life in it.
To give color and expressiveness, the author uses epithets: “ foreign land», « voice flying into the dome», « on a white shoulder», « in a quiet backwater», « tired people», « bright life», « beam ... thin», « voice... sweet". The special epithet is the voice was sweet”, showing the desirability and sincerity of prayer.
Metaphors " sang her voice" and " dress sang”confirm the all-absorption in prayer for the dead and those who did not return, sincere faith to her strength.
Undoubtedly, symbolic words occupy one of the main places in the poem, they are its dominant. With the help of symbols, the poet helps the reader understand the system artistic images and development of the author's idea.
An additional semantic shade is acquired under the pen of Alexander Blok the word " ship". It symbolizes all the people who went to the Russo-Japanese war and did not return. " Dome"becomes the personification of God himself. The prayer uttered by the girl calls out to Jesus, so she " flying into the dome”, i.e. turned towards God.
And the very image of the girl acquires an additional semantic coloring. Before us is not just a girl, but a generalized image of a woman waiting for her sons from the war. The block plays with color symbolism. No wonder he uses white: the girl is dressed in White dress. She's like an angel. Through the white color, the author tries to influence the reader's thoughts so that he can understand the feelings of the poet himself. White color- multi-valued character. However, in this poem it symbolizes the moral purity of the soul, innocence, maternal care, closeness to God.
The image of the beam is also symbolic. On the one hand, the beam as a symbol of people's hope. On the other hand, a beam as a confirmation that the prayer was heard by God. In addition, the beam is a connecting thread of the earthly and divine worlds, but it is very fragile, therefore " the beam was thin».
The image of a child has a special symbolism. In general, a child is a symbol of a pure, sincere and sinless soul. He turns out to be the closest to the divine world, since he undergoes the rite of Communion. The child was crying high, at the Royal Doors”, because it was near the altar (on the throne) that the sacrament of receiving the Holy Gifts (bread and wine, which during communion turned into the Body and Blood of Christ) took place. The cry of a child symbolizes the grief and regret of God himself. He knows that " no one will come back».
Thus, word-symbols, syntactic and compositional organization, semantic repetitions are the dominant of the poem. Alliteration, tropic and metric enhance the emotional impact on the reader, give aestheticism. Thanks to the reception of antithesis, Alexander Blok shows us, on the one hand, the holiness of prayer and faith in its fulfillment, on the other, its doom, the sorrow of God himself. Blok draws us a controversial world filled with hope for a brighter future, but at the same time cruelty and anger.
The poem "The girl sang in the church choir ...". Perception, interpretation, evaluation
The poem "The girl sang in the church choir ..." was written by A. A. Blok in 1905, during the first Russian revolution, which was brewing a civil war. Researchers also associate this work with the events of the Russo-Japanese War, with the Battle of Tsushima.
The poem is built on the principle of antithesis. Beautiful singing, a girl in a white dress resembling an angel, the beauty, peace and tranquility of the temple - all this is opposed to the rough reality, horrors and cruelty of the time of wars and revolutions.
Compositionally, we can distinguish two parts in the poem. The first part includes the first three stanzas. This is a beautiful picture seen by the poet in the temple:
The girl sang in the church choir About all the tired in a foreign land,
About all the ships that have gone to sea,
About all those who have forgotten their joy.
The girl's singing here becomes her prayer for all those who are having a hard time right now. The motif of the ship that went to sea also suggests its return home. Blok's ship is a symbol of renewal and hope. The researchers noted that the image of a singing girl in the poem turns into the image of a singing voice “flying into the dome”, and then into the image of a singing dress: “the white dress sang in the beam”. The poet is talking about great power art and its effect on people. This beautiful singing inspires hope, faith in the future, peace in the soul. The motif of light and darkness is also very significant here. The darkness of the Church here symbolizes the darkness of life. And this darkness is gradually dissipated under the influence of beautiful music. A thin beam shines on her white shoulder, giving birth to faith in a bright life in tired souls.
The second part of the work is the fourth stanza. Its first line is the boundary separating the dream, music, song and real life. Image crying baby, "Involved in the Secrets", brings us back to a cruel reality. Here the poet deploys biblical phraseology: "Truth speaks through the mouth of a child." And he says that life is very cruel, there is a place for death and grief in it:
And only high at the Royal Doors,
Involved in Mysteries, the child cried That no one would come back.
The poem was written by a dolnik. The poet uses various means artistic expressiveness: epithet ("in a quiet backwater"), anaphora (in each stanza), metaphor ("a voice flying into the dome"). Musicality, melodiousness of this work is created with the help of numerous anaphoras, assonances (“The girl sang in the church choir”), syntactic parallelism (“And the voice was sweet, and the beam was thin ...”).
Blok wrote this poem after the execution at the Winter Palace, after numerous barricades and demonstrations. Wrote it as a memorial innocent victims like a prayer, like a song. It was very dear to the poet himself. He ended each of his public speeches by reading this particular poem.
The girl sang in the church choir
About all the tired in a foreign land,
About all the ships that have gone to sea,
And the beam shone on a white shoulder,
And each of the darkness looked and listened,
How the white dress sang in the beam.
And it seemed to everyone that there would be joy,
That in a quiet backwater all the ships
That in a foreign land tired people
And only high, at the Royal Doors,
Involved in Mysteries, the child cried
That no one will come back.
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Updated: 2011-05-09
lookAttention!
Thank you for your attention. Composition of the poem But singing transforms everything around, the girl illuminates the dark world: And it seemed to everyone that there would be joy, That in a quiet backwater all the ships That in a foreign land tired people They got a bright life. It was possible to end the poem on this, but the word "seemed" sows doubt that the end will be happy. Indeed, the ending leaves the reader in confusion: a crying child appears, which, in my opinion, is an angel. And this angel sheds tears that the soul is getting smaller, it does not sleep, but simply evaporates, not finding any use for itself; and a man without a soul will never find eternal life, will never return to where it came from: And only high, at the royal doors, Involved in secrets, the child cried That no one will come back. And it seems to me that Blok wanted to say by this that nothing can return these souls: neither the prayer of the girl, nor the light that she brings.
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In this poem, the poet conveys the interaction of Eternal Femininity, beauty with the reality of life, that is, the connection of the earthly and the Divine.
At the beginning of the poem - peace, tranquility. A church is depicted, a singing girl, and in the background - ships sailing into the sea, people who have forgotten their joy. The girl in the church song empathizes with "... tired in a foreign land, ships that have gone to sea, having forgotten their joy." Her song is a prayer for those torn away from their native home, for those abandoned to a foreign land. Peaceful singing prompted everyone from the darkness to look at her white dress and listen to the mourning song. The gloom and her white dress symbolize the sinful and the holy in the midst of this. cruel world. With her singing, she instilled in people a piece of sincere kindness, hope for a better, brighter future: “... And it seemed to everyone that there would be joy, that in a quiet backwater all the ships, that in a foreign land tired people found a bright life for themselves.”
We see the unity of those present in the church in one spiritual impulse. Even at the beginning of the poem there was no hope for happiness, a bright life. But when her gentle voice was heard from the darkness and a white dress appeared, illuminated by a beam, then the confidence came that the world is beautiful, it is worth living for the sake of beauty on Earth, despite all the troubles and misfortunes. But among the general happiness, someone will be deprived and unhappy - the one who went to war. And now the warrior will live only in memories, hoping for the best.
With her dazzling radiance, with a gentle voice, the girl gave people the opportunity to forget for a moment what was happening outside the church. In the image of a girl, they saw that ray of life that they needed so much. They saw in her not a simple girl, but a Deity who descended from heaven to a sinful earth to save their souls. In the last column of the poem, the crying of a child is a harbinger of war. After all, the poem was written in 1905 (the end of the Russo-Japanese War).
Understand deeper meaning poems, the color background helps us. If even at the beginning of the poem people are swallowed up by darkness, then at the end of the poem the dark tones turn into light ones. It seemed to them that they "... found a bright life."
In the fourth stanza, in the third line - "... involved in secrets, - the child cried" - this child is prophetic, the future is open to him, he knew in advance the tragic outcome for Russia in the war in the summer of 1905. The child personifies rebirth, renewal, all the brightest and most innocent. And in this case, he is a child prophet, foreseeing the difficult future of Russia.
Basic images
The girl is a symbol of spiritual purity, light, and she is in unusual place- in the church. And her singing is not entertainment, but a prayer for all the unfortunate:
About all the tired in a foreign land,
About all the ships that have gone to sea,
About all those who have forgotten their joy.
Poetic Syntax
It is no coincidence that anaphora is used: it shows the significance of singing, its importance, because the girl sings "about everyone."
In the second quatrain, the reception of the antithesis is clearly manifested. Light is opposed to darkness: the girl and all the life-loving, happy people- all who have lost their meaning, who exist, but do not live. The epithet "white" denotes the color of life; and in the "darkness" are those who do not want to live, to enjoy life.
Emotions evoked while reading
I think this is a very unusual poem; it causes such an elusive sensation as a light breeze.
