The girl sang in church choir
About all the tired in a foreign land,
About all the ships that have gone to sea,
About all those who have forgotten their joy.

And everyone seemed to joy will be,
That in a quiet backwater all the ships
That in a foreign land tired people
They got a bright life.

And the voice was sweet, and the beam was thin,
And only high, at the Royal Doors,
Involved in Mysteries, the child cried
That no one will come back.
1905
from the first collection of A. Blok "Poems about the Beautiful Lady"

Alexander Blok's poem "The Girl Sang in the Church Choir" was written in August 1905. The reason for the creation of the poem was: 1) the execution by government troops of a peaceful procession of St. Petersburg workers to the Winter Palace to submit a petition to Tsar Nicholas II in January 1905, which went down in history as " Bloody Sunday»; and 2) a memory of Tsushima battle(May 1905) and the death of the Russian squadron during the war with Japan.

The poem contrasts the illusions associated with faith in a happy future; hope given by prayer and all the real horror, pain, hopeless truth of war. The poem is built on the antithesis of two compositional and semantic parts: in the first, Alexander Blok draws a temple, where in the twilight a girl, beautiful as an angel, sings about everyone who was forced by the war to go to foreign lands and forget joy peaceful life: the ship symbolizes those who have gone to sea; and prayer - hope for a bright and joyful future; the sorrow of those who remained in desperate and anxious expectation. The sanctity of the temple, the songs and the beauty of the girl give the illusion that everything will be fine; the singer is so beautiful that it seems as if there can be nothing bad in the world. The second part: "And only high, at the Royal Doors, / Involved in the Secrets, - the child cried / That no one will come back," - reveals the whole hopeless truth. There is no place for illusions in this lamentation; Small child symbolizes divine truth, the sorrow of God himself. The cry of a baby leaves a feeling of uncomplicated illusions, naked pain and truth. Understanding the world around them in their own way, not being able to explain what they feel, children are able to predict events. And the child is given the knowledge that "no one will come back." In the first movement, combined with the literal 'l' and 'r', the soft hissing and the silence that is part of the atmosphere of the temple, the accent verse evokes a sense of eternity, melodic melodiousness. In the last part, one can clearly feel allericium for voiced consonants, which creates a feeling of anguish. In the poem "the girl sang in the church choir ..." A. Blok reveals the world in all its contradictions. On the one hand, we see the holiness of prayer and great sorrow. On the other hand, people are capable of such a bloody and cruel action as war. And this contradiction cannot be resolved, it can only be embraced with a single glance.

"The girl sang in the church choir" - one of the most sad poems Alexander Blok. In his work, the poet relied on the principles of symbolism. But his very first poems had a revolutionary connotation. The poet grew up in an intelligent environment, and his cherished dream there was an equality of people. But when the first echoes of the revolution began, Blok asked himself the question: are such sacrifices necessary for its sake? You can read more about this in the analysis "The girl sang in the church choir".

History of writing

In the analysis of "The girl sang in the church choir" one should pay attention to the fact that the poem is connected with the fact that in 1905 a wave of rallies and uprisings of workers swept across the country. Russia was on the brink civil war people were in fear for their loved ones. Services were held in churches in the name of saving the Fatherland. Most likely, one of these was the poet.

Most of all, Blok was impressed by the singing girl that a bright future would come. But the poet already at that time realized that in order to change power, many lives had to be sacrificed. Therefore, he ceased to be confident in the ideals of the revolution. In the analysis of "The Girl Sang in the Church Choir" it is also worth noting: despite the fact that singing brought peace to those present, Blok realized that the revolution would not bring the truce that people hoped for.

Composition of the poem

An important point in the analysis of "The girl sang in the church choir" is the construction in the work. It is built on the antithesis of two parts, both in compositional and semantic terms. In the first part, Blok describes the girl and her singing about all the victims of the revolution, about all ordinary people who had to defend their interests and rights with the help of the revolution.

But at the same time, her singing gives people hope for better life brings peace. And the purity of the temple creates the illusion of security. The beauty of the song captivates the parishioners, it seems to them that soon there will be a truce between the authorities and the people.

But already in the second part, the crying of a child is described, in which the poet hears the opposite of the singing of the girl. The baby feels what is not given to others. He foresees that the hopes of people will not come true. The revolution is impossible without victims, and, anticipating this truth, he cries, because he cannot tell people about this knowledge in another way.

The meter and rhyme of the poem

When analyzing the poem "The girl sang in the church choir" importance has its design. It does not have any specific size, i.e. it is written in free form. Two-syllable parts should be read in a slightly singsong voice so as not to break the rhythm. And the fusion of sonorous and hissing sounds conveys the atmosphere of the temple, writing a verse in free form creates a feeling of purity, eternity, and reading in a singsong voice gives it melody.

means of expression

In the analysis of the verse "The girl sang in the church choir" it should be noted that a sharp transition from hope to the collapse of all illusions is achieved thanks to the antithesis. Each stanza uses anaphora and assonances, which makes the poem melodious. Epithets and metaphors give it even more expressiveness.

Poetic images

All those about whom the girl sang - the common people, the victims of the struggle for equality. The poet, who watches this service, goes from appeasement to a state of anxiety, anticipating the coming changes in the country. And he understands that it was this secret that was revealed to the child.

Alexander Blok wrote this poem as a memory of all those who sacrificed their lives for the sake of revolutionary ideas. He ended each of his public appearances with a reading. During that period, the poet rethought his attitude towards the revolution and ceased to consider it an ideal opportunity for social change. Realizing all the consequences of the revolution, and that it was not worth such sacrifices, Blok abandoned the propaganda of these ideas and devoted his work to the symbolist direction.

The work of A. Blok absorbed the traditions of Russian poetry with extraordinary completeness, starting with V. Zhukovsky, M. Lermontov, A. Fet, A. Grigoriev, F. Tyutchev, Y. Polonsky, and ending with V. Solovyov. Block learned
or all best achievements Russian art, taking over from them the baton of humanism and the highest spirituality.
The poem "The girl sang in the church choir" is one of the most clear examples philosophical lyrics Blok.
The poem was written in 1905 and is thematically a response to the events of the Russo-Japanese War (“all ships are in a quiet backwater”). However, this is only an occasion, an external impulse to reflect on subjects of a more general nature.
The block of this period is the Strangers Block. The bright unattainable ideal, as in his earlier poems was the image beautiful lady became more real. It would be more accurate to say that in the early poems, Blok was of little interest in reality in general. He sang the world of his dreams. Now his lyrical hero collides with the surrounding reality, and it strikes him with its dissonance with the ideal world. The theme of two worlds arises in the poems: the real world - base and vulgar, in which there is no place for high ideals, and the unreal world, the world high spirituality and bright ideals. This conflict (romantic in nature) reaches the highest drama and intensity in Blok.
One of the poems of such a plan is the poem "The girl sang in the church choir."
From the first lines, a “church choir” appears before us and, more broadly, the theme of Christian mercy and compassion.
The girl sang in the church choir
About all the tired in a foreign land,
About all the ships that have gone to sea,
About all those who have forgotten their joy.
One of the main postulates of Christianity appears before us in a form "cleansed" from the theological husk: faith in a better, more just and merciful world, in harmony and happiness.
So sang her voice, flying into the dome,
And the beam shone on a white shoulder,
And each of the darkness looked and listened,
How the white dress sang in the beam.

And it seemed to everyone that there would be joy,
That in a quiet backwater all the ships
That in a foreign land tired people
They got a bright life.
The poet not only paints a certain picture, he empathizes with it, admires it. He seems to be listening to the liturgy. In addition, in the image of the "girl from the church choir" it is not difficult to see the features of the same Beautiful Lady, "The Wife Dressed in the Sun." Layering on Christian motives, the image leads us to think about the Mother of God. And here it is primarily a compassionate, comforting image.
However, with the last quatrain, Blok sharply reinforces the theme of duality, which was barely outlined in the poem earlier.
And the voice was sweet, and the beam was thin,
And only high, at the royal doors,
Involved in secrets, the child cried
That no one will come back.
The Royal Doors is a place in the altar that is associated with Christmas and the baby Jesus. Thus, the child in Blok's poem is the Savior. However, it is not directly named, it emphasizes precisely human features, involvement in our world. In addition, the Savior here is a child, that is, he still has to suffer on the cross, the redemption of human sins is ahead. It would seem that the very image of the Savior should give hope for a future rebirth, but this is not the case with Blok. The baby Jesus mourns people, mourns the world, which, despite the impending torments of the cross, he is not able to save. The theme of fate, the inevitable end of the world and all civilization, occupies a central place in the poem. It should be noted that the symbolists, including Blok, accepted F. Nietzsche's idea of ​​the gradual degeneration European civilization and its inevitable collapse under the blows of wild hordes, in which, unlike the Western community, vitality. Savage tribes will sweep away corrupt civilization, and history will begin again - until new civilization won't run out again inner strength and the wild hordes will not sweep it away again. Symbolists and other "decadents" lived in anticipation of the collapse of civilization, many of them believed that the hordes would come from the east (for example, V. Solovyov with his idea of ​​"pan-Mongolism"),
In the poem “A girl sang in the church choir...” eschatological premonitions (i.e. premonitions of the end of the world) subjugate the entire poetic space, filling it with sorrow and boundless compassion for the doomed.
Eschatological sentiments were embodied in the work of Blok with the greatest force compared to all his contemporary poets. In full voice they will sound in years revolutionary terror(poems "The Twelve" and "Scythians"), during the rampant all-destroying elements, which Blok perceived as the collapse of the entire Western civilization, but at the same time he blessed her with the name of Christ, sincerely believing that the collapse of the old world would be the beginning of a new life, a new stage in the development of mankind.
The poem is saturated with metaphors and epithets, metonymy is used (“the white dress sang in the beam”). Uses Block and symbols - mostly related to Christian religion(“church choir”, “dome”, “bright life”, “royal doors”, “child”).
Blok's work had a huge impact on the work of poets of the 20th century, becoming one of the most noticeable phenomena in Russian lyrics of the era of wars and revolutions.

Blok A.A. in his creative process always retained the foundations of symbolism, however, his first poems carried a strongly demonstrative, rebellious, patriotic, communist, rebellious character.

In 1905 A.A. Blok inscribed the verse "The girl sang in the church choir" during the upcoming fratricidal war and the Russian coup. Radiators of Russian literature say that the era of this poem was associated with the actions of the Japanese-Russian war.

A poem is written on the basis of opposition. The voice of a beautiful girl in white attire is like two drops of water to an angel, calmness and grace - all this is the antagonism of the cynical reality of fear, ruthlessness, barbarism and heartlessness during civil upheavals and wars. The face of the girl who sings in the poem communicates with the face of humming singing "carried away into the dome", and the white outfit in the poem is the image of a ray of hope that awakens hope in the soul, faith in tomorrow's silence and grace. The sadness of life representing the darkness of the church. Under the influence beautiful music, the darkness gradually crumbles to the sounds of captivating fairy-tale music.A light ray of light that falls on the girl's white robe represents hope, faith in a bright and calm life.

The second part of the poem turns out to be a line that separates hope, music, song and reality. The poet broadcasts that mortal existence is infinitely cruel; there is a place for sadness, misfortune, death, misfortune in it; while expanding the biblical expressions "Speak the truth through the mouth of a baby"

After death penalty at Winter Palace after countless obstacles, displays, manifestations Blok A.A. wrote this poem. To the poet himself given literature carried endlessly high price, this writer's effort was not successful, after which Blok A.A. completely abandoned the writing of communist poetry. "The girl sang in the church choir ..." The poet especially finished every public performance with this verse.

Analysis of Blok's poem The girl sang in the church choir No. 2

Alexander Blok is a famous Russian symbolist poet. He grew up and was brought up in intelligent family. In his early poems, the poet often expressed his patriotic and revolutionary thoughts. Blok was delighted with the idea of ​​the equality of all people, idealistically believed in it. During youthful maximalism, he did not yet realize that any movement, revolution can not do without thousands of victims, or even much more.

The poet wrote this poem in 1905. That's when it happened bloody events. Russia was swept by a wave of uprisings of ordinary workers, peasants against their oppressors. But the riots were mercilessly suppressed, drowned in blood. Blok witnessed all this and was sober, he began to think about whether even a good idea was worth many human lives. In addition to the revolution, he was also influenced by the events of the Russo-Japanese War, namely the Battle of Tsushima.

The poem, which we are considering through and through, is imbued with antithesis. Rudeness, cruelty and blood, the poet assigns a beautiful girl who sings beautifully and looks like an angel. Conventionally, the verse can be divided into two parts. The first contains the first three stanzas. They describe the beauty that the poet saw in the temple. The girl's singing is associated with prayer. The ship that has gone to sea must return, this is assumed in the motive. The girl's singing also symbolizes the power of art, which gives hope, faith in the future. There is darkness in the church, the poet used this symbol to show that all human life often looks like darkness. But under the influence of music, beautiful art, the darkness dissipates. A thin beam on the girl's shoulder symbolizes a resurgent faith in a bright life.

The second part of the verse begins with the fourth stanza. Blok showed how dreams, hope, faith in beauty differ from real life. Crying baby there are those who quickly sober us up, showing the real cruel reality.

It was Alexander Blok's favorite verse. He always, when reading to the public, ended his speech with this particular poem.

Analysis of the poem The girl sang in the church choir according to plan

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The girl sang in the church choir
About all the tired in a foreign land,
About all the ships that have gone to sea,
About all those who have forgotten their joy.

And it seemed to everyone that there would be joy,
That in a quiet backwater all the ships
That in a foreign land tired people
They got a bright life.

Philological analysis of the poem

Alexander Blok - the greatest poet 20th century, began his journey as a symbolist poet. If the poems of the "First Book" of poems are imbued with mysticism and far from real life, then, starting from 1905, Blok's interest in public life. The Russo-Japanese War, the First Russian Revolution opened the poet's eyes to reality. In this regard, motives began to sound in the work of Blok of the second period, leading him to rapprochement with the people, homeland and life.
The poem "The girl sang in the church choir ...", written in August 1905, was included in the cycle " different poems"(1904 - 1905) "The Second Book" of Blok. The poet responds to the military events of the Russo-Japanese War, in which great amount sons of the Russian land, many were wounded, captured.
The theme of the poem "The girl sang in the church choir ..." is a prayer for the dead and those who did not return from the war, filled with faith in a brighter future and the hope that it will be heard. The idea of ​​the poem is interesting and unusual - to show the doom of this prayer.
Let's take a closer look at the style, syntax, language units and figurative structure of the text.
The poem consists of four paragraphs (stanzas), interconnected. Each stanza has a semantic completeness that activates the reader's attention. Compositionally, the text can be divided into two parts. The first three quatrains are the girl's prayer, imbued with bright hope and holy faith that everything will be fine. The last stanza, and therefore the second semantic part, as if denying the first, showing the doom of this prayer. Thanks to the reception of antithesis, a contradictory world appears before us: earthly and divine, faith in the sanctity of prayer and its doom.
The integrity of the entire text is achieved not only in meaning. The author uses semantic repetitions: exact lexical repetitions (" about all», « Ray», « joy», « ships», « voice», « what», « and”), synonymous repetitions (“ watched and listened», « quiet» - « light», « sweet» - « thin”), root repeats (“ ships» - « ships», « stranger» - « foreign land», « tired» - « tired», « on white» - « white»).
Thus, it is easy to see that the poem is built on repetitions, and this, of course, is one of the strong positions of this poem. It is repetitions that are keywords and constitute the semantic dominant of this text.
The poem has a special meter - a four-strike dolnik. It is known that dolnik occupies an intermediate position between the syllabo-tonic and tonic systems of versification. Thus, this poem has a rhythmic organization, but at the same time, the number of unstressed syllables between stressed ones is not constant. The four-hued dolnik conveys the emotion of the heroine, makes the text melodious and melodious.
In Blok's poem, male and female rhyme alternates, which gives it greater musicality and smoothness ( chore - the edge, the sea - its own, the dome - the shoulder, listened - the beam, it will be - ships, people - found, thin - the gate, the child - back). Masculine rhyme at the end of the stanza emphasizes the completeness of the text.
The poem has a cross rhyme, which gives it a special expressiveness. In the third stanza there is an inexact rhyme:

And it seemed to everyone that joy would be no ,
That all ships are in a safe harbor,
That in a foreign land weary people di
They got a bright life.

In each quatrain, it is not difficult to notice the anaphora (“ about all», « and», « what”), which gives the text excitement and emotionality.
In addition, the text uses the method of polyunion. The writing and subordinating conjunctions: « and a beam shone on a white shoulder,Andeach of the darkness lookedand listened...And everyone seemed towhatjoy will beWhatin a quiet backwater all the ships,Whattired people in a foreign land ...And the voice was sweetand the beam was thinAnd just high...". This stylistic device creates the effect of stringing coordinating and subordinate parts subordinating sentences. In this regard, throughout the poem, gradually intensifies emotional stress. In the first quatrain, non-union can be traced, thanks to which the girl’s prayer becomes more expressive.
In the second quatrain there is an inversion " sang her voice flying into the dome", thereby intonation highlighting the word" voice» for the subsequent participial turnover, which carries aestheticism.
The temporal organization of the poem is also peculiar. There are few verbs in the text, which indicates static, lack of dynamics. Interestingly, in first three stanzas (the first semantic part) used verbs imperfect form past tense ( “sang”, “sang”, “shone”, “looked and listened”, “sang”, “it seemed”) which indicates the duration and repetition of the action. In this regard, we seem to hear the repetition of a prayer. Saying it again and again, the power of the request increases, as if we enter into a state of unity with the Almighty. Time seems to slow down, creating the illusion of a brighter future. However, in the second semantic part, in addition to the verbs of the past tense of the imperfect form ( "was", "weeping") there is a perfective verb " will not come» in the future tense. It indicates the completion of the action - the prayer is heard by God. Attention should also be paid to the fact that in this case verb " will not come” denotes not only the end of the action, but at the same time its beginning. Thus, the expression " no one will come back” acquires an additional semantic connotation and becomes a metaphor foreshadowing future upheavals of the 20th century.
artistic time in this text inextricably linked with art space. This relationship is called the chronotope. In this poem, the reader is drawn into two spaces, the boundaries of which are too blurred and almost imperceptible: on the one hand, the real and earthly - the girl sings a prayer in the temple (1 - 3 stanzas), on the other hand - the divine (the last stanza).
The artistic expressiveness and poetry of the text of Blok's poem is achieved through the use of homogeneous members sentences complicated by participial phrases. The author uses participial phrases for the aesthetic impact on the feelings of readers.
The phonetics of Alexander Blok's poem is peculiar. consonant alliteration R , l gives the text euphony and musicality, the girl’s prayer seems to be sung in a singsong voice (ne l ah, ho R uh, mouth l uh, to R ayu, cor ab l yah, mo R e, R hell, ne l, th l os, l flowing, in the cupo l , l uch this l, on the l om, from m R aka smot R e l and with l ushal, be l oh p l atye pe l about in l study, kaza l axle, co R ab l and, mouth l s l people, light l wow, oh R e l and, with l hell, then l ko). The emphasis on hissing sounds is an expression of the silence that always reigns in the temple (virgin sh ka, h at and om, u sh units sh them, forgetting sh them by flying sch uy, slu sh al, lu h, chu and binet, and life, when h native, h what and smoke). The last stanza is characterized by alliteration to voiced consonants ( G about l os, s l a d OK, l uch, then n ok, ca R sky VR at, P R and often n th thai n am, p l aka l R e b yo n ok), which gives a feeling of anguish.
Thus, the motif of the doom of prayer intensifies with each line of the poem.
The tropic is also special The girl sang in the church choir". With the help of paraphrases at the Royal Doors" and " Involved in Mysteries» The block makes the text of the poem more sublime, divine. We understand that the Royal Doors are the altar in the church, and the Communioner of the Mysteries is the communed, i.e. soul attached to higher nature and to eternal life in her.
To give color and expressiveness, the author uses epithets: “ foreign land», « voice flying into the dome», « on a white shoulder», « in a quiet backwater», « tired people», « bright life», « beam ... thin», « voice... sweet". The special epithet is the voice was sweet”, showing the desirability and sincerity of prayer.
Metaphors " sang her voice" and " dress sang”confirm the all-absorption in prayer for the dead and those who did not return, sincere faith to her strength.
Undoubtedly, symbolic words occupy one of the main places in the poem, they are its dominant. With the help of symbols, the poet helps the reader understand the system artistic images and development of the author's idea.
An additional semantic shade is acquired under the pen of Alexander Blok the word " ship". It symbolizes all the people who have gone to Russo-Japanese War and did not return. " Dome"becomes the personification of God himself. The prayer uttered by the girl calls out to Jesus, so she " flying into the dome”, i.e. turned towards God.
And the very image of the girl acquires an additional semantic coloring. Before us is not just a girl, but a generalized image of a woman waiting for her sons from the war. The block plays with color symbolism. No wonder he uses white: the girl is dressed in a white dress. She's like an angel. Through the white color, the author tries to influence the reader's thoughts so that he can understand the feelings of the poet himself. White color- multi-valued character. However, in this poem it symbolizes the moral purity of the soul, innocence, maternal care, closeness to God.
The image of the beam is also symbolic. On the one hand, the beam as a symbol of people's hope. On the other hand, a beam as a confirmation that the prayer was heard by God. In addition, the beam is a connecting thread of the earthly and divine worlds, but it is very fragile, therefore " the beam was thin».
The image of a child has a special symbolism. In general, a child is a symbol of a pure, sincere and sinless soul. He turns out to be the closest to the divine world, since he undergoes the rite of Communion. The child was crying high, at the Royal Doors”, because it was near the altar (on the throne) that the sacrament of receiving the Holy Gifts (bread and wine, which during communion turned into the Body and Blood of Christ) took place. The cry of a child symbolizes the grief and regret of God himself. He knows that " no one will come back».
Thus, word-symbols, syntactic and compositional organization, semantic repetitions are the dominant of the poem. Alliteration, tropic and metric enhance the emotional impact on the reader, give aestheticism. Thanks to the reception of antithesis, Alexander Blok shows us, on the one hand, the holiness of prayer and faith in its fulfillment, on the other hand, its doom, the sorrow of God himself. Blok draws us a controversial world filled with hope for a brighter future, but at the same time cruelty and anger.